Place: Outside the Royal Palace.

Plot element: Climax.

Beat: When Jason returns, Medea begins to carry out her ruse. Medea fakes
regret and break down in false tears of remorse. Determined, Medea sends her
children to offer poisoned gifts to Creon’s daughter. Medea’s children face
impending doom.

Place: Outside the Royal Palace.

Plot element: Falling Action.

Beat: The Messenger frantically runs towards Medea and warns Medea to escape
the city as soon as possible. The Messenger reveals that Medea has been
identified as the murderer.

Place: Outside the Royal Palace.

Plot element: Resolution.

Beat: Medea and her two dead children are seated in a chariot drawn by
dragons. Jason watches in horror and curses himself for having wed Medea and
mourns his tragic losses.

Place: On a winged chariot.

Plot element: Denouement.

Beat: Medea denies Jason the right to a proper burial of his children. She
flees to Athens and divines an unheroic death for Jason.

<end>

Example 2. <LOG_LINE>

<CHARACTER_DESCRIPTION>

<CHARACTER_DESCRIPTION>

...

<CHARACTER_DESCRIPTION>

<scenes>

Listing 5: Plot outline prompt prefixes to generate a sequence of scenes from
the log line and list of characters (Medea).

⬇

Examples of breakdowns of stories into a Hero’s Journey structure.

Example 1. A science-fiction fantasy about a naive but ambitious farm boy from
a backwater desert who discovers powers he never knew he had when he teams up
with a feisty princess, a mercenary space pilot and an old wizard warrior to
lead a ragtag rebellion against the sinister forces of the evil Galactic
Empire.

Luke Skywalker is the hero. A naive farm boy, he will discover special powers
under the guidance of mentor Ben Kenobi.

Ben Kenobi is the mentor figure. A recluse Jedi warrior, he will take Luke
Skywalker as apprentice.

Darth Vader is the antagonist. As a commander of the evil Galactic Empire, he
controls space station The Death Star.

Princess Leia holds the plans of the Death Star. She is feisty and brave. She
will become Luke’s friend.

Han Solo is a brash mercenary space pilot of the Millenium Falcon and a friend
of Chebacca. He will take Luke on his spaceship.

Chewbacca is a furry and trustful monster. He is a friend of Han Solo and a
copilot on the Millemium Falcon.

<scenes>

Place: A farm on planet Tatooine.

Plot element: The Ordinary World.

Beat: Luke Skywalker is living a normal and humble life as a farm boy on his
home planet.

Place: Desert of Tatooine.

Plot element: Call to Adventure.

Beat: Luke is called to his adventure by robot R2-D2 and Ben Kenobi. Luke
triggers R2-D2’s message from Princess Leia and is intrigued by her message.
When R2-D2 escapes to find Ben Kenobi, Luke follows and is later saved by
Kenobi, who goes on to tell Luke about his Jedi heritage. Kenobi suggests that
he should come with him.

Place: Ben Kenobi’s farm.

Plot element: Refusal of the Call.

Beat: Luke refuses Kenobi, telling him that he can take Kenobi and the droids
as far as Mos Eisley Spaceport - but he can’t possibly leave his Aunt and
Uncle behind for some space adventure.

Place: A farm on planet Tatooine.

Plot element: Crossing the First Threshold.

Beat: When Luke discovers that the stormtroopers searching for the droids
would track them to his farm, he rushes to warn his Aunt and Uncle, only to
discover them dead by the hands of the Empire. When Luke returns to Kenobi, he
pledges to go with him to Alderaan and learn the ways of the Force like his
father before him.

Place: On spaceship The Millennium Falcon.

Plot element: Tests, Allies, and Enemies.

Beat: After Luke, Kenobi, and the droids hire Han Solo and Chewbacca to
transport them onto Alderaan, Kenobi begins Luke’s training in the ways of the
Force. Wielding his father’s lightsaber, Kenobi challenges Luke. At first, he
can’t do it. But then Kenobi Kenobi Luke him to reach out and trust his
feelings. Luke succeeds.

Place: On spaceship The Millennium Falcon.

Plot element: The Approach to the Inmost Cave.

Beat: The plan to defeat the Galactic Empire is to bring the Death Star plans
to Alderaan so that Princess Leia’s father can take them to the Rebellion.
However, when they arrive within the system, the planet is destroyed. They
come across the Death Star and are pulled in by a tractor beam, now trapped
within the Galactic Empire.

Place: On space station The Death Star.

Plot element: The Ordeal.

Beat: As Kenobi goes off to deactivate the tractor beam so they can escape,
Luke, Han, and Chewbacca discover that Princess Leia is being held on the
Death Star with them. They rescue her and escape to the Millennium Falcon,
hoping that Kenobi has successfully deactivated the tractor beam. Kenobi later
sacrifices himself as Luke watches Darth Vader strike him down. Luke must now
avenge his fallen mentor and carry on his teachings.

Place: On space station The Death Star.

Plot element: The Reward.

Beat: Luke has saved the princess and retrieved the Death Star plans. They now
have the knowledge to destroy the Galactic Empire’s greatest weapon once and
for all.

Place: On spaceship The Millennium Falcon.

Plot element: The Road Back.

Beat: Luke, Leia, Han, Chewbacca, and the droids are headed to the hidden
Rebellion base with the Death Star plans. They are suddenly pursued by
incoming TIE-Fighters, forcing Han and Luke to take action to defend the ship
and escape with their lives - and the plans. They race to take the plans to
the Rebellion and prepare for battle.

Place: On fighter ship X-Wing.

Plot element: The Resurrection.

Beat: The Rebels - along with Luke as an X-Wing pilot - take on the Death
Star. The Rebellion and the Galactic Empire wage war in an epic space battle.
Luke is the only X-Wing pilot that was able to get within the trenches of the
Death Star. But Darth Vader and his wingmen are in hot pursuit. Just as Darth
Vader is about to destroy Luke, Han returns and clears the way for Luke. Luke
uses the Force to guide his aiming as he fires upon the sole weak point of the
deadly Death Star, destroying it for good.

Place: At the Rebellion base.

Plot element: The Return.

Beat: Luke and Han return to the Rebellion base, triumphant, as they receive
medals for the heroic journey. There is peace throughout the galaxy - at least
for now.

<end>

Example 2. <LOG_LINE>

<CHARACTER_DESCRIPTION>

<CHARACTER_DESCRIPTION>

...

<CHARACTER_DESCRIPTION>

<scenes>

Listing 6: Plot outline prompt prefixes to generate a sequence of scenes from
the log line and list of characters (Sci-Fi).

###  E.5. Location Description Prompt Prefixes

In the following sets of prompt prefixes, the ¡LOG_LINE¿ is provided by the
writer and each ¡LOCATION_NAME¿ is generated in the previous step.

⬇

Example 1. Ella, a waitress, falls in love with her best friend, Allen, a
teacher. The two drift apart when Allen makes new friends from a different
social class. Ella turns to food to become a famous chef.

Place: The bar.

Description: The bar is dirty, more than a little run down, with most tables
empty. The odor of last night’s beer and crushed pretzels on the floor
permeates the bar.<end>

Example 2. Grandma Phyllis’ family reunion with her two grandchildren is
crashed by two bikers.

Place: The Lawn in Front of Grandma Phyllis’s House.

Description: A big oak tree dominates the yard. There is an old swing set on
the lawn, and a bright white fence all around the grass.<end>

Example 3. Ancient Greek tragedy based upon the myth of Jason and Medea.
Medea, a former princess and the wife of Jason, finds her position in the
Greek world threatened as Jason leaves Medea for a Greek princess of Corinth.
Medea takes vengeance on Jason by murdering his new wife as well as Medea’s
own two sons, after which she escapes to Athens.

Place: Outside the Royal Palace.

Description: In mythological Ancient Greece, in front of a modest house in
Corinth, on the outskirts of a lavish royal palace where wedding preparations
are under way.<end>

Example 4. <LOG_LINE>

Place: <LOCATION_NAME>

Description:

Listing 7: Location description prompt prefixes to generate dialog from log
line and location name (Medea).

⬇

Example 1. Morgan adopts a new cat, Misterio, who sets a curse on anyone that
pets them.

Place: The Adoption Center.

Description: The Adoption Center is a sad place, especially for an unadopted
pet. It is full of walls and walls of cages and cages. Inside of each is an
abandoned animal, longing for a home. The lighting is dim, gray, buzzing
fluorescent.<end>

Example 2. James finds a well in his backyard that is haunted by the ghost of
Sam.

Place: The well.

Description: The well is buried under grass and hedges. It is at least twenty
feet deep, if not more and it is masoned with stones. It is 150 years old at
least. It stinks of stale, standing water, and has vines growing up the sides.
It is narrow enough to not be able to fit down if you are a grown adult
human.<end>

Example 3. Mr. Dorbenson finds a book at a garage sale that tells the story of
his own life. And it ends in a murder!

Place: The garage sale.

Description: It is a garage packed with dusty household goods and antiques.
There is a box at the back that says FREE and is full of paper back
books.<end>

Example 4. <LOG_LINE>

Place: <LOCATION_NAME>

Description:

Listing 8: Location description prompt prefixes to generate dialog from log
line and location name (Sci-Fi).

###  E.6. Scene Dialogue Prompt Prefixes

In the following sets of prompt prefixes, the ¡LOG_LINE¿ is provided by the
writer, ¡PLOT_ELEMENT¿, ¡BEAT¿, ¡PREVIOUS_BEAT¿ and ¡LOCATION_NAME¿ are
generated during the plot outline generation step, ¡LOCATION_DESCRIPTION¿ is
generated during the location generation step, and each
¡CHARACTER_DESCRIPTION¿ is generated in the character generation step.
¡PREVIOUS_BEAT¿ corresponds to ¡BEAT¿ from the previous scene (it is left
empty for the first scene). Only characters whose name appears in the beat are
used in this prompt prefix (we use string matching to select these character
names).

⬇

Example 1.

Place: Outside the Royal Palace.

Description: Before Medea’s house in Corinth, near the royal palace of Creon.

Characters: Medea is the protagonist of the play. A sorceress and a princess,
she fled her country and family to live with Jason in Corinth, where they
established a family of two children and gained a favorable reputation. Jason
has divorced Medea and taken up with a new family. Jason can be considered the
play’s villain, though his evil stems more from weakness than strength. A
former adventurer, Jason abandons his wife, Medea, in order to marry the
beautiful young daughter of Creon, King of Corinth, and fuels Medea to a
revenge. The Messenger appears only once in the play to bear tragical news.

Plot element: Resolution.

Summary: Ancient Greek tragedy based upon the myth of Jason and Medea. Medea,
a former princess and the wife of Jason, finds her position in the Greek world
threatened as Jason leaves Medea for a Greek princess of Corinth. Medea takes
vengeance on Jason by murdering his new wife as well as Medea’s own two sons,
after which she escapes to Athens.

Previous beat: The Messenger frantically warns Medea to escape the city as
soon as possible. The Messenger reveals that Medea has been identified as the
murderer.

Beat: The palace opens its doors, revealing Medea and the two dead children
seated in a chariot drawn by dragons. Jason curses himself for having wed
Medea and mourns his tragic losses. Medea denies Jason the right to a proper
burial of his children. Medea flees to Athens and divines an unheroic death
for Jason.

<dialog>

WOMEN OF CORINTH

Throw wide the doors and see thy children’s murdered corpses.

JASON

Haste, ye slaves, loose the bolts, undo the fastenings, that

I may see the sight of twofold woe, my murdered sons and her, whose

blood in vengeance I will shed. (MEDEA appears above the house, on

a chariot drawn by dragons; the children’s corpses are beside her.)

MEDEA

Why shake those doors and attempt to loose their bolts, in

quest of the dead and me their murderess? From such toil desist. If

thou wouldst aught with me, say on, if so thou wilt; but never shalt

thou lay hand on me, so swift the steeds the sun, my father’s sire,

to me doth give to save me from the hand of my foes.

JASON

Accursed woman! by gods, by me and all mankind abhorred as

never woman was, who hadst the heart to stab thy babes, thou their

mother, leaving me undone and childless; this hast thou done and still

dost gaze upon the sun and earth after this deed most impious. Curses

on thee! now perceive what then I missed in the day I brought thee,

fraught with doom, from thy home in a barbarian land to dwell in Hellas,

traitress to thy sire and to the land that nurtured thee.

Perish, vile sorceress, murderess of

thy babes! Whilst I must mourn my luckless fate, for I shall ne’er

enjoy my new-found bride, nor shall I have the children, whom I bred

and reared, alive to say the last farewell to me; nay, I have lost

them.

MEDEA

To this thy speech I could have made a long reply, but Father

Zeus knows well all I have done for thee, and the treatment thou hast

given me. Yet thou wert not ordained to scorn my love and lead a life

of joy in mockery of me, nor was thy royal bride nor Creon, who gave

thee a second wife, to thrust me from this land and rue it not. Wherefore,

if thou wilt, call me e’en a lioness, and Scylla, whose home is in

the Tyrrhene land; for I in turn have wrung thy heart, as well I might.

JASON

Thou, too, art grieved thyself, and sharest in my sorrow.

MEDEA

Be well assured I am; but it relieves my pain to know thou

canst not mock at me.

JASON

O my children, how vile a mother ye have found!

MEDEA

My sons, your father’s feeble lust has been your ruin!

JASON

’Twas not my hand, at any rate, that slew them.

MEDEA

No, but thy foul treatment of me, and thy new marriage.

JASON

Didst think that marriage cause enough to murder them?

MEDEA

Dost think a woman counts this a trifling injury?

JASON

So she be self-restrained; but in thy eyes all is evil.

MEDEA

Thy sons are dead and gone. That will stab thy heart.

<end>

Example 2.

Place: <PLACE_NAME>

Description: <PLACE_DESCRIPTION>

Characters: <CHARACTER_DESCRIPTION> <CHARACTER_DESCRIPTION> ...
<CHARACTER_DESCRIPTION>

Plot element: <PLOT_ELEMENT>

Summary: <LOG_LINE>

Previous beat: <PREVIOUS_BEAT>

Beat: <BEAT>

<dialog>

Listing 9: Dialogue prompt prefixes to generate dialogue from log line,
characters, location and plot information (Medea).

⬇

Example 1.

Place: Cockpit of an airplane.

Description: Cockpit of a modern passenger airplane, American Flight 812.

Characters: Jeff is the hero. A man in his early forties, he tries to stay
calm in all circumstance. Jeff is now a airline pilot. Danny, a young airplane
pilot in his thirties, is eager to learn but can quickly lose his composture.
Danny is enamored of Edith. Edith, an experienced stewardess with a good sense
of humour, is trustworthy and dependable. Edith likes to tease Danny.

Plot element: Crossing the First Threshold.

Summary: Residents of San Fernando Valley are under attack by flying saucers
from outer space. The aliens are extraterrestrials who seek to stop humanity
from creating a doomsday weapon that could destroy the universe and unleash
the living dead to stalk humans who wander into the cemetery looking for
evidence of the UFOs. The hero Jeff, an airline pilot, will face the aliens.

Previous beat: Flight captain Jeff reluctantly leaves his wife Paula to go for
a two-day flight.

Beat: At the cockpit, flight captain Jeff is preoccupied by the flying saucer
appearances and graveyard incidents in his home town, where he left wis wife
Paula. Without success, co-pilot Danny and stewardess Edith try to reassure
him.

<dialog>

DANNY

You’re mighty silent this trip, Jeff.

JEFF

Huh?

DANNY

You haven’t spoken ten words since takeoff.

JEFF

I guess I’m preoccupied, Danny.

DANNY

We’ve got thirty-three passengers back there that have time to be preoccupied.

Flying this flybird doesn’t give you that opportunity.

JEFF

I guess you’re right, Danny.

DANNY

Paula?

JEFF

Yeah.

DANNY

There’s nothing wrong between you two?

JEFF

Oh no, nothing like that. Just that I’m worried, she being there alone and

those strange things flying over the house and those incidents in the
graveyard

the past few days. It’s just got me worried.

DANNY

Well, I haven’t figured out those crazy skybirds yet but I give you fifty to
one

odds the police have figured out that cemetery thing by now.

(Enter EDITH)

JEFF

I hope so.

EDITH

If you’re really that worried Jeff why don’t you radio in and find out? Mac

should be on duty at the field by now. He could call Paula and relay the
message

to you.

DANNY

Hi Edith.

EDITH

Hi Silents. I haven’t heard a word from this end of the plane since we left
the

field.

DANNY

Jeff’s been giving me and himself a study in silence.

EDITH

You boys are feudin’?

JEFF

Oh no Edie, nothing like that.

DANNY

Hey Edie, how about you and me balling it up in Albuquerque?

EDITH

Albuquerque? Have you read that flight schedule Boy?

DANNY

What about it?

EDITH

We land in Albuquerque at 4 am. That’s strictly a nine o’clock town.

DANNY

Well I know a friend that’ll help us \--

EDITH

Let’s have a problem first, huh Danny.

DANNY

Ah he’s worried about Paula.

EDITH

I read about that cemetery business. I tried to get you kids to not buy too
near

one of those things. We get there soon enough as it is.

DANNY

He thought it’d be quiet and peaceful there.

EDITH

No doubt about that. It’s quiet alright, like a tomb. I’m sorry Jeff, that was
a

bad joke.

Example 2.

Place: <PLACE_NAME>

Description: <PLACE_DESCRIPTION>

Characters: <CHARACTER_DESCRIPTION> <CHARACTER_DESCRIPTION> ...
<CHARACTER_DESCRIPTION>

Plot element: <PLOT_ELEMENT>

Summary: <LOG_LINE>

Previous beat: <PREVIOUS_BEAT>

Beat: <BEAT>

<dialog>

Listing 10: Dialogue prompt prefixes to generate dialogue from log line,
characters, location and plot information (Sci-Fi).

##  Appendix F Raw Output Generated by Dramatron

This section shows the raw output, fully generated by Dramatron and without
human-in-the-loop editing, from the following log line: Teddy is a lounge
singer at the Pool Pit, a popular club. Teddy is in love with a patron, Rosie,
who attends regularly with her husband Gerald. Teddy puts out a fire and saves
the day.

###  F.1. Title

    The Day The Pool Pit Burned Down

###  F.2. List of Characters and Character Descriptions

    Teddy: Teddy is the protagonist. He is an orphan, the cousin of a police officer, and the manager of the Pool Pit.
    He is also a gifted lounge singer.

    Rosie: A regular patron of the club. She is the wife of a wealthy man but is in love with Teddy, the club’s manager.

    Gerald: A regular patron of the club. Gerald is the wealthy husband of Rosie.

    Lola: A regular patron of the club. Lola is Rosie’s sister.

    D.J.: The resident DJ at the club.

###  F.3. Plot Outline

    Scene 1
    Place: The Pool Pit.
    Plot element: Exposition.
    Beat: Teddy is the manager and star performer of a popular nightclub called the Pool Pit. He is also in love
    with one of his patrons, Rosie. Rosie, however, is married to Gerald, who is a regular patron of the club.

    Scene 2
    Place: The Pool Pit.
    Plot element: Inciting Incident.
    Beat: Teddy begins a day full of frustration and annoyance. He wakes up to find his room is infested with bugs.
    The pool is dirty, too. Teddy must deal with the mess to get the club ready for the customers.

    Scene 3
    Place: The Pool Pit.
    Plot element: Rising Action.
    Beat: Gerald takes Gerald to the men’s room. The bathroom is not clean. The bathroom attendant was supposed
    to clean the bathrooms, but he is nowhere to be found.

    Scene 4
    Place: The Pool Pit.
    Plot element: Dilemma.
    Beat: Lola and Rosie approach Teddy and ask him to play their favorite song. Teddy can play only one song.
    Teddy asks them what song they would like him to play, but they cannot agree on one. Gerald takes Teddy aside
    and demands that Teddy pay him back for the pool, the carpet, the lights, and the jukebox. Teddy says
    that the jukebox is leased, but Gerald says that it is his and that it belongs to his father-in-law.
    Teddy replies that Gerald needs to talk to his father-in-law, but Gerald says that his father-in-law
    will sue Teddy.

    Scene 5
    Place: The Pool Pit.
    Plot element: Climax.
    Beat: Teddy says to Gerald, "I’ve had it! I’m sick and tired of the whole bunch of you. You and your pool,
    and your bugs. You take over my club. You’re all in love with me, so I’m in love with myself. And I’m getting
    out of here. And if I ever hear of you coming around this joint again, I’ll bop you so hard you’ll see
    a new set of stars!"

    Scene 6
    Place: The Pool Pit.
    Plot element: Falling Action.
    Beat: The phone rings, and Teddy is informed that there is a fire at the club. Teddy, Lola, Gerald, and Rosie
    go back to the club. When they arrive, Teddy takes charge. He orders Lola to get the water buckets
    from the men’s room. He orders Gerald to help Lola with the water buckets. He orders Rosie to help people
    leave the club and not panic. Teddy puts out the fire with Lola’s and Gerald’s help.

    Scene 7
    Place: The Pool Pit.
    Plot element: Resolution.
    Beat: Teddy and Rosie share a passionate kiss. Teddy is a hero and the club manager. He is in love with Rosie,
    and she is in love with him. Gerald is embarrassed by his loss of power and control. Gerald and Lola leave.

    Scene 8
    Place: The Pool Pit.
    Plot element: Dnouement.
    Beat: The song, "The World Is Mine," begins to play.

###  F.4. Location Description

The following description was generated for location called: The Pool Pit.

    The club is filled with smoke and the smell of beer. It is a dive, with a lot of drunk, shabby, and violent patrons.
    The floor is dirty, and tables are broken. There are a lot of tables to seat people, but they are filled
    to the brim with patrons. The walls are grubby and discolored. A small stage stands in the corner of the bar
    where Teddy will sing.

###  F.5. Scene Dialogue

####  F.5.1. Scene 1, random seed 1

    TEDDY
    He’s a bit strange, old Teddy.

    ROSIE
    No, he’s a good man.

    TEDDY
    He’s very lonely, all by himself.

    ROSIE
    Isn’t everybody?

    TEDDY
    Yes, but some more than others.

    ROSIE
    You don’t need anybody. You’ve got a talent, you’re an artist.

    TEDDY
    That’s not enough, Rosie.

    ROSIE
    (pause)
    I’ll always love you.

    TEDDY
    (mock)
    Yeah.

    ROSIE
    (pause)
    And I’ll always remember you.

    TEDDY
    Yeah.

    ROSIE
    I’ve got to go.

    TEDDY
    All right.

    ROSIE
    (softly, as she leaves)
    Good night.

    TEDDY
    Good night.

    ROSIE
    (as she leaves, out loud)
    Good night, everybody.

    (TEDDY picks up his glass of whisky, takes a sip, puts it down,
    pauses, sinks back in the chair, stares ahead of him.)

####  F.5.2. Scene 1, random seed 2

    TEDDY
    This is a hell of a town, a hell of a town.
    It’s got a lot of people here.
    It’s got a lot of noise here.
    It’s got a lot of bars here.

####  F.5.3. Scene 2, random seed 1

    TEDDY
    Hoo-Hoo! What a night! This is what it’s all about, the Pool Pit
    in action!

    ROSIE
    Hello, Teddy!

    TEDDY
    (Teddy crosses to them.) Hello, Gerald. Hello, Rosie.

    ROSIE
    Teddy, have you met Mr. and Mrs. Shack?

    GERALD
    I’m Teddy’s cousin.

    TEDDY
    I know who you are.

    ROSIE
    (proudly) This is Teddy, the singer.

    TEDDY
    (he kisses her hand) Thank you.

    GERALD
    (pushing) Let’s dance, baby.

    TEDDY
    (he watches them go) I guess that means I’m back at the old
    stand, huh?

    GERALD
    (throwing some coins on the bar) That’s for you, cousin.

    TEDDY
    Thanks, I needed that.

    GERALD
    You bet.

##  Appendix G Co-Written Scripts

We include $4$ scripts co-written by a human playwright and Dramatron as
supplementary material. These $4$ were produced and presented at The $2022$
Edmonton International Fringe Theatre Festival, as described in Section 5.9.

  1. (1)

Plays by Bots: The Day The Earth Stood Still \- In a world where cars
outnumber every other creature, Miranda, a mechanic, teams up with her kid
sister, Beth, to rally the humans. In a devastating conclusion, Miranda saves
the world, but only by sacrificing her own life.

  2. (2)

Plays by Bots: Cheers \- Ella, is a waitress, who falls in love with her best
friend, Allen, who is a teacher. The two drift apart when Allen makes new
friends from a different social class. Ella turns to food and becomes a famous
chef.

  3. (3)

Plays By Bots: The Black Unicorn \- Gretta is a peasant from Bridge-End who
has a trusty pet dragon named Nugget. Bridge-End is tormented by a wizard who
smells really bad. Gretta gets the upper hand using brains and brilliance.

  4. (4)

Plays by Bots: The Man at the Bar \- Teddy is a lounge singer at the Pool Pit,
a popular club. Teddy is in love with a patron, Rosie, who attends regularly
with her husband Gerald. Teddy puts out a fire and saves the day.

See pages - of figures/GOOD-1-earth-fountain.pdf See pages - of
figures/GOOD-2-cheers-fountain.pdf See pages - of figures/GOOD-3-unicorn-
fountain.pdf See pages - of figures/GOOD-4-lounge-fountain.pdf