<p>Cons:</p>
<ul>
<li>There will be a small loss of quality due to transcription error, but it's likely to be negligible and not worth worrying about.</li>
<li>it will take up way more drive space. Only a problem if you're limited for drive space (these days, not likely to be a major problem)</li>
<li>extra work (see below for an easier way)</li>
</ul>
<p>Pros:</p>
<ul>
<li>much easier to work with, as long as your storage is fast enough to deal with 255mb/s bit rate</li>
</ul>
<p>So you're good to go. <strong>But read on before you do.</strong></p>
<p>The best workflow is to use proxy files, and then revert to your original footage for final output. Premiere has a built-in proxy workflow. Usually it's for working with higher quality or higher resolution footage by swapping in smaller, lower quality copies while cutting, and reconnecting to the originals at output time, but it will work just fine in your case. This also means you don't need to use the highest quality prores codec, Prores proxy does exactly what it says on the tin, it's a good-enough quality, all i-frame codec with smaller file size that is easier on the CPU and the storage.</p>
<p>To create proxies, just right click on the media items in your project window and choose <strong>proxy &gt; create proxy</strong>. This will fire up media encoder in the bg, and replace all the clips with proxy versions.</p>
<p><a href="https://i.sstatic.net/uzKsa.png" rel="nofollow noreferrer"><img src="https://i.sstatic.net/uzKsa.png" alt="enter image description here" /></a></p>
<p>By default it will want to create h.264/mp4 proxies, why I don't know. You may need to create a quicktime proxy ingest preset. You do that in Media encoder, <a href="https://helpx.adobe.com/premiere-pro/using/ingest-proxy-workflow.html" rel="nofollow noreferrer">this page has the deets</a>. I'm not sure if prores proxy is one of the default presets or if it's one I made myself. As you can see you can even set lower resolution if you want fast editing on a crappy machine, or you have limited space. It will scale up the lower resolution proxies to match the dimensions of the originals, so you don't have to worry about resizing things. Where I work we often shoot 8k raw video, so I use this all the time.</p>
<p><a href="https://i.sstatic.net/7K8el.png" rel="nofollow noreferrer"><img src="https://i.sstatic.net/7K8el.png" alt="enter image description here" /></a></p>
<p>One gotcha is that you have to have proxies enabled in the media preferences (I've actually mapped this to a hotkey so I can toggle it while I work).</p>
<p><a href="https://i.sstatic.net/mYRAk.png" rel="nofollow noreferrer"><img src="https://i.sstatic.net/mYRAk.png" alt="enter image description here" /></a></p>
<p>At export time you just make sure that <strong>Use Proxies</strong> ain't checked. Out of superstition I usually turn off proxies in my preferences too, but that is almost certainly unnecessary.</p>
<p><a href="https://i.sstatic.net/1iu2C.png" rel="nofollow noreferrer"><img src="https://i.sstatic.net/1iu2C.png" alt="enter image description here" /></a></p>

CC BY-SA 4.0
2021-09-29T04:14:24.197Z
2021-09-29T04:14:24.197Z
stib
<p>I've shot a short film and the files are using AVC codec within an .MP4 container. I'm wondering whether transcoding to say Quicktime (ProRes 422 HQ) would have any negatives that come with it.</p>
<p>I would primarily do this because ProRes happens to work better with editing systems; in other words, it offers a faster preview because it's an intraframe codec.</p>
<p>So, are there any negative sides to doing this - and would doing it using Premiere Pro be good enough or is there a better way?</p>

<codec><workflow><prores><avchd><premiere-pro>
Transcoding from AVC to ProRes: Are there any negatives that would happen to the footage?
nocomment
# Transcoding from AVC to ProRes: Are there any negatives that would happen to the footage?

(Asked by: username_0 on 2021-09-25)

I've shot a short film and the files are using AVC codec within an .MP4 container. I'm wondering whether transcoding to say Quicktime (ProRes 422 HQ) would have any negatives that come with it.

I would primarily do this because ProRes happens to work better with editing systems; in other words, it offers a faster preview because it's an intraframe codec.

So, are there any negative sides to doing this - and would doing it using Premiere Pro be good enough or is there a better way?

**Tags:** codec, workflow, prores, avchd, premiere-pro


---

## 1 answers

### Answer by username_1 on 2021-09-29. Score: 1 | Accepted answer

Cons:

* There will be a small loss of quality due to transcription error, but it's likely to be negligible and not worth worrying about.
* it will take up way more drive space. Only a problem if you're limited for drive space (these days, not likely to be a major problem)
* extra work (see below for an easier way)

Pros:

* much easier to work with, as long as your storage is fast enough to deal with 255mb/s bit rate

So you're good to go. **But read on before you do.**

The best workflow is to use proxy files, and then revert to your original footage for final output. Premiere has a built-in proxy workflow. Usually it's for working with higher quality or higher resolution footage by swapping in smaller, lower quality copies while cutting, and reconnecting to the originals at output time, but it will work just fine in your case. This also means you don't need to use the highest quality prores codec, Prores proxy does exactly what it says on the tin, it's a good-enough quality, all i-frame codec with smaller file size that is easier on the CPU and the storage.

To create proxies, just right click on the media items in your project window and choose **proxy > create proxy**. This will fire up media encoder in the bg, and replace all the clips with proxy versions.

[![enter image description here](https://i.sstatic.net/uzKsa.png)](https://i.sstatic.net/uzKsa.png)

By default it will want to create h.264/mp4 proxies, why I don't know. You may need to create a quicktime proxy ingest preset. You do that in Media encoder, [this page has the deets](https://helpx.adobe.com/premiere-pro/using/ingest-proxy-workflow.html). I'm not sure if prores proxy is one of the default presets or if it's one I made myself. As you can see you can even set lower resolution if you want fast editing on a crappy machine, or you have limited space. It will scale up the lower resolution proxies to match the dimensions of the originals, so you don't have to worry about resizing things. Where I work we often shoot 8k raw video, so I use this all the time.

[![enter image description here](https://i.sstatic.net/7K8el.png)](https://i.sstatic.net/7K8el.png)

One gotcha is that you have to have proxies enabled in the media preferences (I've actually mapped this to a hotkey so I can toggle it while I work).

[![enter image description here](https://i.sstatic.net/mYRAk.png)](https://i.sstatic.net/mYRAk.png)

At export time you just make sure that **Use Proxies** ain't checked. Out of superstition I usually turn off proxies in my preferences too, but that is almost certainly unnecessary.

[![enter image description here](https://i.sstatic.net/1iu2C.png)](https://i.sstatic.net/1iu2C.png)


---

