<p>No, they don't have a way to keep it in sync.  This is why the timecode is clock based.  The idea is that if the clocks are reasonably close, you'll be able to line up multiple cameras across multiple shots once and note their offset.  You can then use this as a starting point on other shots that are done at the same time.  Clock drift is likely to require minor corrections though, but it can at least get you close.</p>

<p>In professional settings, there is a system called genlock where the frame timing is based on an external clock signal that keeps all cameras exactly in sync and it's even possible to provide an external timecode such that all cameras have exactly matching timecode that doesn't have to be based on real time, but can be based on shooting time instead.</p>

<p>The user bit information is for capturing other additional data about the shot that isn't caught in the timecode.  Date isn't generally included in timecode and scene number certainly isn't.  This meta data is helpful for sorting out clips in post production and is basically a digital version of the information seen on a slate at the beginning of production shots.</p>

<p>More advanced cameras support additional meta-data.  My Ursa Mini for example can record the name of the project, director, camera operator, various lens and shooting conditions, scene number, reel number, take number, whether the take was good or not, if it was shot inside or outside, day or night, etc.</p>

CC BY-SA 3.0
2017-10-13T14:03:01.220Z
2017-10-13T14:03:01.220Z
AJ Henderson
<p>In the Sony FDR-X3000 action cam user manual, it says:</p>

<p><strong><em>About time code:</strong> Time code is a useful function for advanced image editing, which records hours/minutes/seconds/frames on the image data.</em></p>

<p><strong><em>About user bit:</strong> User bit is a function that can record information (8-digit hexadecimal numbers) such as date/time/scene number. This function is useful for editing movies created using two or more cameras.</em></p>

<p>That's all it says.</p>

<p>For time code to be useful, don't multiple devices have to be synchronized, as with a master and slaves? Is the Sony X-3000 able to synchronize multiple cameras somehow? What would the benefit be of using this time code vs. just lining up multiple clips in my editing software (as with a hand-clap audio cue, for example) and cutting away?</p>

<timecode>
How to use (or should I use) time code/user bit feature on Sony FDR-X3000 action cam
birdus
# How to use (or should I use) time code/user bit feature on Sony FDR-X3000 action cam

(Asked by: username_0 on 2017-10-13)

In the Sony FDR-X3000 action cam user manual, it says:

***About time code:*** Time code is a useful function for advanced image editing, which records hours/minutes/seconds/frames on the image data.

***About user bit:*** User bit is a function that can record information (8-digit hexadecimal numbers) such as date/time/scene number. This function is useful for editing movies created using two or more cameras.

That's all it says.

For time code to be useful, don't multiple devices have to be synchronized, as with a master and slaves? Is the Sony X-3000 able to synchronize multiple cameras somehow? What would the benefit be of using this time code vs. just lining up multiple clips in my editing software (as with a hand-clap audio cue, for example) and cutting away?

**Tags:** timecode


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## 1 answers

### Answer by username_1 on 2017-10-13. Score: 2 | Accepted answer

No, they don't have a way to keep it in sync. This is why the timecode is clock based. The idea is that if the clocks are reasonably close, you'll be able to line up multiple cameras across multiple shots once and note their offset. You can then use this as a starting point on other shots that are done at the same time. Clock drift is likely to require minor corrections though, but it can at least get you close.

In professional settings, there is a system called genlock where the frame timing is based on an external clock signal that keeps all cameras exactly in sync and it's even possible to provide an external timecode such that all cameras have exactly matching timecode that doesn't have to be based on real time, but can be based on shooting time instead.

The user bit information is for capturing other additional data about the shot that isn't caught in the timecode. Date isn't generally included in timecode and scene number certainly isn't. This meta data is helpful for sorting out clips in post production and is basically a digital version of the information seen on a slate at the beginning of production shots.

More advanced cameras support additional meta-data. My Ursa Mini for example can record the name of the project, director, camera operator, various lens and shooting conditions, scene number, reel number, take number, whether the take was good or not, if it was shot inside or outside, day or night, etc.


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