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255
| label
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1
|
|---|---|---|---|
600
| 600
|
hip hop beat
| 1
|
601
| 601
|
feel more like literary conceits than flesh-and-blood humans
| 0
|
602
| 602
|
no explanation
| 0
|
603
| 603
|
funniest and
| 1
|
604
| 604
|
a chilly , remote , emotionally distant piece ... so dull that its tagline should be
| 0
|
605
| 605
|
starts off witty and sophisticated and you
| 1
|
606
| 606
|
a bargain-basement european pickup
| 0
|
607
| 607
|
, but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons
| 1
|
608
| 608
|
shines on all the characters , as the direction is intelligently accomplished
| 1
|
609
| 609
|
taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults
| 1
|
610
| 610
|
lead a group of talented friends astray
| 1
|
611
| 611
|
it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating .
| 0
|
612
| 612
|
this gentle , mesmerizing portrait
| 1
|
613
| 613
|
genial is the conceit , this is one of those rare pictures that you root for throughout ,
| 1
|
614
| 614
|
draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss
| 1
|
615
| 615
|
spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
| 0
|
616
| 616
|
is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own
| 0
|
617
| 617
|
it lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success .
| 0
|
618
| 618
|
handles it in the most unexpected way
| 1
|
619
| 619
|
those eternally devoted to the insanity of black will have an intermittently good time .
| 1
|
620
| 620
|
obscenely bad
| 0
|
621
| 621
|
devastatingly
| 0
|
622
| 622
|
i do n't see the point
| 0
|
623
| 623
|
comes off like a bad imitation of the bard
| 0
|
624
| 624
|
that excites the imagination and tickles the funny bone
| 1
|
625
| 625
|
one of its strengths
| 1
|
626
| 626
|
of masterpiece
| 1
|
627
| 627
|
into this dream hispanic role with a teeth-clenching gusto
| 1
|
628
| 628
|
stiff or just plain bad
| 0
|
629
| 629
|
makes these lives count
| 1
|
630
| 630
|
jolts the laughs from the audience --
| 1
|
631
| 631
|
a delightful stimulus
| 1
|
632
| 632
|
has no point
| 0
|
633
| 633
|
of isolation and frustration
| 0
|
634
| 634
|
winning shot
| 1
|
635
| 635
|
of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel
| 0
|
636
| 636
|
feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop .
| 1
|
637
| 637
|
lewis
| 1
|
638
| 638
|
that there 's no other reason why anyone should bother remembering it
| 0
|
639
| 639
|
bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .
| 1
|
640
| 640
|
father cliché
| 0
|
641
| 641
|
domestic tension and unhappiness
| 0
|
642
| 642
|
the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable
| 0
|
643
| 643
|
called the best korean film of 2002
| 1
|
644
| 644
|
one of the best rock
| 1
|
645
| 645
|
it forces you to watch people doing unpleasant things to each other and themselves
| 1
|
646
| 646
|
of the holiday box office pie
| 1
|
647
| 647
|
inexpressible and drab wannabe
| 0
|
648
| 648
|
the hail of bullets , none of which ever seem to hit
| 0
|
649
| 649
|
like an extended , open-ended poem than a traditionally structured story
| 1
|
650
| 650
|
's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and
| 0
|
651
| 651
|
to hate
| 0
|
652
| 652
|
to be mesmerised
| 1
|
653
| 653
|
the people who loved the 1989 paradiso will prefer this new version
| 1
|
654
| 654
|
a lot of energy
| 1
|
655
| 655
|
for its success on a patient viewer
| 1
|
656
| 656
|
while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .
| 1
|
657
| 657
|
this may be burns 's strongest film since the brothers mcmullen .
| 1
|
658
| 658
|
turned down
| 0
|
659
| 659
|
timely , tongue-in-cheek
| 1
|
660
| 660
|
undramatic
| 0
|
661
| 661
|
the pile of useless actioners
| 0
|
662
| 662
|
morton deserves an oscar nomination .
| 1
|
663
| 663
|
weirdly engaging and unpredictable character pieces
| 1
|
664
| 664
|
efficiency and an affection for the period
| 1
|
665
| 665
|
manages to accomplish what few sequels can -- it equals the original and in some ways even betters it
| 1
|
666
| 666
|
does not work .
| 0
|
667
| 667
|
it is n't merely offensive
| 0
|
668
| 668
|
tell a story about the vietnam war before the pathology set in
| 1
|
669
| 669
|
it irrigates our souls .
| 1
|
670
| 670
|
a hint of humor
| 1
|
671
| 671
|
with a big heart
| 1
|
672
| 672
|
a rollicking adventure for you and all your mateys , regardless of their ages
| 1
|
673
| 673
|
its most immediate and most obvious pleasure
| 1
|
674
| 674
|
there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies
| 1
|
675
| 675
|
one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them .
| 1
|
676
| 676
|
made a decent ` intro ' documentary
| 1
|
677
| 677
|
makes us see familiar issues , like racism and homophobia , in a fresh way .
| 1
|
678
| 678
|
the film goes right over the edge and kills every sense of believability
| 0
|
679
| 679
|
a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing debuts by an esteemed writer-actor .
| 0
|
680
| 680
|
emotional seesawing
| 0
|
681
| 681
|
movies with the courage to go over the top and movies that do n't care about being stupid
| 1
|
682
| 682
|
target audience has n't graduated from junior high school
| 0
|
683
| 683
|
this intricately structured and well-realized drama
| 1
|
684
| 684
|
embracing
| 1
|
685
| 685
|
the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire
| 0
|
686
| 686
|
a meditation on faith and madness , frailty is blood-curdling stuff .
| 1
|
687
| 687
|
a pretty listless collection
| 0
|
688
| 688
|
other than its oscar-sweeping franchise predecessor
| 1
|
689
| 689
|
almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in
| 1
|
690
| 690
|
have been called freddy gets molested by a dog
| 0
|
691
| 691
|
moody male hustler
| 0
|
692
| 692
|
uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels
| 0
|
693
| 693
|
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill
| 1
|
694
| 694
|
which is mostly a bore
| 0
|
695
| 695
|
an entertaining mix of period drama and flat-out farce that should please history fans
| 1
|
696
| 696
|
suspect that you 'll be as bored watching morvern callar as the characters are in it .
| 0
|
697
| 697
|
the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart .
| 1
|
698
| 698
|
love this movie
| 1
|
699
| 699
|
... the efforts of its star , kline , to lend some dignity to a dumb story are for naught .
| 0
|
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