Split (1)

train · 10.4M rows

ngram listlengths 0 9.89k
[ "Example: If the main character visits a restaurant then I", "the main character visits a restaurant then I want to", "can I write a short story without naming the places", "I write a short story without naming the places characters", "character visits a restaurant then I want to show it", "without naming the places characters visit? Example: If the main", "show it to the the reader without naming the restaurant.", "restaurant then I want to show it to the the", "a restaurant then I want to show it to the", "naming the places characters visit? Example: If the main character", "write a short story without naming the places characters visit?", "the places characters visit? Example: If the main character visits", "then I want to show it to the the reader", "visits a restaurant then I want to show it to", "a short story without naming the places characters visit? Example:", "If the main character visits a restaurant then I want", "short story without naming the places characters visit? Example: If", "How can I write a short story without naming the", "characters visit? Example: If the main character visits a restaurant", "main character visits a restaurant then I want to show", "want to show it to the the reader without naming", "I want to show it to the the reader without", "story without naming the places characters visit? Example: If the", "to show it to the the reader without naming the", "places characters visit? Example: If the main character visits a", "visit? Example: If the main character visits a restaurant then" ]
[ "mark - ? For example I have a pdf document", "to search in the document for the word 'lakehouse' that", "a pdf document or a word document with the following", "> Assuming the data engineer is the Delta table owner,", "following describes a benefit of a data lakehouse that is", "data engineer is the Delta table owner, which part of", "engineer use to grant the > data analysts the appropriate", "like to search for words in a sentence that ends", "by a question mark. A successful search would find the", "mark. A successful search would find the above sentence or", "> I would like to search in the document for", "- ? For example I have a pdf document or", "of the > Databricks Lakehouse Platform can the data engineer", "> > Which of the following describes a benefit of", "the appropriate access? > > > I thought I could", "the following sentence: > > Assuming the data engineer is", "owner, which part of the > Databricks Lakehouse Platform can", "question mark - ? 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Any thoughts?", "search would find the above sentence or the following sentence:", "have a pdf document or a word document with the", "appropriate access? > > > I thought I could do", "Which of the following describes a benefit of a data", "the above sentence or the following sentence: > > Assuming", "search for words in a sentence that ends with a", "pdf document or a word document with the following sentence:", "data engineer use to grant the > data analysts the", "that is > unavailable in a traditional data warehouse? >", "A successful search would find the above sentence or the", "which part of the > Databricks Lakehouse Platform can the", "can the data engineer use to grant the > data", "Assuming the data engineer is the Delta table owner, which", "words in a sentence that ends with a question mark", "data warehouse? > > > I would like to search", "Platform can the data engineer use to grant the >", "grant the > data analysts the appropriate access? > >", "For example I have a pdf document or a word", "do a search like *lakehouse?\\ but that doesn't work. Any", "the data engineer use to grant the > data analysts", "to search for words in a sentence that ends with", "sentence that ends with a question mark - ? For", "of a data lakehouse that is > unavailable in a", "unavailable in a traditional data warehouse? > > > I", "document for the word 'lakehouse' that is followed by a", "a traditional data warehouse? > > > I would like", "Lakehouse Platform can the data engineer use to grant the", "or a word document with the following sentence: > >", "search in the document for the word 'lakehouse' that is", "> data analysts the appropriate access? > > > I", "> > I thought I could do a search like", "I could do a search like *lakehouse?\\ but that doesn't", "> > > I would like to search in the", "the Delta table owner, which part of the > Databricks", "> Which of the following describes a benefit of a", "the following describes a benefit of a data lakehouse that", "that ends with a question mark - ? For example", "word 'lakehouse' that is followed by a question mark. A", "could do a search like *lakehouse?\\ but that doesn't work.", "? For example I have a pdf document or a", "> > Assuming the data engineer is the Delta table", "Databricks Lakehouse Platform can the data engineer use to grant", "part of the > Databricks Lakehouse Platform can the data", "ends with a question mark - ? For example I", "is the Delta table owner, which part of the >", "find the above sentence or the following sentence: > >", "lakehouse that is > unavailable in a traditional data warehouse?", "or the following sentence: > > Assuming the data engineer", "a word document with the following sentence: > > Which", "would like to search for words in a sentence that", "a question mark. A successful search would find the above", "engineer is the Delta table owner, which part of the", "access? > > > I thought I could do a", "a benefit of a data lakehouse that is > unavailable", "that is followed by a question mark. A successful search", "with the following sentence: > > Which of the following", "would find the above sentence or the following sentence: >", "> Databricks Lakehouse Platform can the data engineer use to", "the data engineer is the Delta table owner, which part", "is followed by a question mark. A successful search would", "a data lakehouse that is > unavailable in a traditional", "analysts the appropriate access? > > > I thought I", "use to grant the > data analysts the appropriate access?", "in a sentence that ends with a question mark -", "I have a pdf document or a word document with", "a sentence that ends with a question mark - ?", "of the following describes a benefit of a data lakehouse", "example I have a pdf document or a word document", "for words in a sentence that ends with a question", "like to search in the document for the word 'lakehouse'", "would like to search in the document for the word", "successful search would find the above sentence or the following", "word document with the following sentence: > > Which of", "above sentence or the following sentence: > > Assuming the", "the document for the word 'lakehouse' that is followed by", "benefit of a data lakehouse that is > unavailable in", "thought I could do a search like *lakehouse?\\ but that", "is > unavailable in a traditional data warehouse? > >", "I would like to search for words in a sentence", "> unavailable in a traditional data warehouse? > > >", "document or a word document with the following sentence: >", "sentence: > > Assuming the data engineer is the Delta", "data lakehouse that is > unavailable in a traditional data", "> > I would like to search in the document", "followed by a question mark. A successful search would find", "warehouse? > > > I would like to search in", "the following sentence: > > Which of the following describes", "with a question mark - ? For example I have", "data analysts the appropriate access? > > > I thought", "> I thought I could do a search like *lakehouse?\\", "the > Databricks Lakehouse Platform can the data engineer use", "in a traditional data warehouse? > > > I would", "traditional data warehouse? > > > I would like to", "question mark. A successful search would find the above sentence", "table owner, which part of the > Databricks Lakehouse Platform", "following sentence: > > Which of the following describes a", "> > > I thought I could do a search", "following sentence: > > Assuming the data engineer is the", "document with the following sentence: > > Which of the", "the word 'lakehouse' that is followed by a question mark.", "sentence: > > Which of the following describes a benefit", "sentence or the following sentence: > > Assuming the data", "to grant the > data analysts the appropriate access? >", "describes a benefit of a data lakehouse that is >", "'lakehouse' that is followed by a question mark. A successful", "I thought I could do a search like *lakehouse?\\ but", "Delta table owner, which part of the > Databricks Lakehouse", "the > data analysts the appropriate access? > > >" ]
[ "the very end while developing him as a character throughout", "you can't do it to a main character, so I", "very mysterious until the very end while developing him as", "very end while developing him as a character throughout the", "a character that remains mysterious until the very end without", "can't reveal everything about the character by showing his backstory,", "character development? I was thinking you can't do it to", "much? Should you show very little of their backstory, should", "of their backstory, should you even show some of it,", "the story. While I can't reveal everything about the character", "you keep secret to maintain this aura of mystery? I", "thought about an evil character that remained very mysterious until", "yes, what information should you keep secret to maintain this", "development? I was thinking you can't do it to a", "without sacrificing character development? I was thinking you can't do", "that remained very mysterious until the very end while developing", "until the very end while developing him as a character", "character that remained very mysterious until the very end while", "until the very end without sacrificing character development? I was", "character that remains mysterious until the very end without sacrificing", "wondering what I can reveal and how much? Should you", "information should you keep secret to maintain this aura of", "Is it possible to write a character that remains mysterious", "thinking you can't do it to a main character, so", "by showing his backstory, I am wondering what I can", "him as a character throughout the story. While I can't", "remains mysterious until the very end without sacrificing character development?", "their backstory, should you even show some of it, and", "to write a character that remains mysterious until the very", "character, so I thought about an evil character that remained", "can reveal and how much? Should you show very little", "evil character that remained very mysterious until the very end", "how much? Should you show very little of their backstory,", "I can't reveal everything about the character by showing his", "I thought about an evil character that remained very mysterious", "backstory, I am wondering what I can reveal and how", "throughout the story. While I can't reveal everything about the", "what information should you keep secret to maintain this aura", "write a character that remains mysterious until the very end", "end without sacrificing character development? I was thinking you can't", "you even show some of it, and if yes, what", "I can reveal and how much? Should you show very", "Should you show very little of their backstory, should you", "you show very little of their backstory, should you even", "secret to maintain this aura of mystery? I would like", "to a main character, so I thought about an evil", "his backstory, I am wondering what I can reveal and", "do it to a main character, so I thought about", "possible to write a character that remains mysterious until the", "developing him as a character throughout the story. While I", "a character throughout the story. While I can't reveal everything", "show some of it, and if yes, what information should", "character throughout the story. While I can't reveal everything about", "that remains mysterious until the very end without sacrificing character", "maintain this aura of mystery? I would like some tips", "very little of their backstory, should you even show some", "a main character, so I thought about an evil character", "this aura of mystery? I would like some tips for", "character by showing his backstory, I am wondering what I", "reveal everything about the character by showing his backstory, I", "story. While I can't reveal everything about the character by", "backstory, should you even show some of it, and if", "it, and if yes, what information should you keep secret", "keep secret to maintain this aura of mystery? I would", "if yes, what information should you keep secret to maintain", "very end without sacrificing character development? I was thinking you", "about the character by showing his backstory, I am wondering", "show very little of their backstory, should you even show", "and if yes, what information should you keep secret to", "everything about the character by showing his backstory, I am", "remained very mysterious until the very end while developing him", "what I can reveal and how much? Should you show", "end while developing him as a character throughout the story.", "and how much? Should you show very little of their", "even show some of it, and if yes, what information", "I am wondering what I can reveal and how much?", "of it, and if yes, what information should you keep", "showing his backstory, I am wondering what I can reveal", "aura of mystery? I would like some tips for achieving", "I was thinking you can't do it to a main", "should you keep secret to maintain this aura of mystery?", "should you even show some of it, and if yes,", "the very end without sacrificing character development? I was thinking", "mysterious until the very end while developing him as a", "so I thought about an evil character that remained very", "while developing him as a character throughout the story. While", "was thinking you can't do it to a main character,", "to maintain this aura of mystery? I would like some", "as a character throughout the story. While I can't reveal", "reveal and how much? Should you show very little of", "the character by showing his backstory, I am wondering what", "While I can't reveal everything about the character by showing", "some of it, and if yes, what information should you", "can't do it to a main character, so I thought", "little of their backstory, should you even show some of", "of mystery? I would like some tips for achieving that.", "it to a main character, so I thought about an", "about an evil character that remained very mysterious until the", "it possible to write a character that remains mysterious until", "sacrificing character development? I was thinking you can't do it", "an evil character that remained very mysterious until the very", "main character, so I thought about an evil character that", "mysterious until the very end without sacrificing character development? I", "am wondering what I can reveal and how much? Should" ]
[ "and style of writing and a sudden shift could be", "writing a story that starts out as a serious drama,", "and a sudden shift could be jarring for readers and", "tone and style of writing and a sudden shift could", "any clear reason or transition. I thought it would subvert", "thinking of writing a story that starts out as a", "not sure if this is a bad idea, because I've", "starts out as a serious drama, but suddenly shifts to", "whole story more funny, but I am not sure if", "this is a bad idea, because I've been told many", "sure if this is a bad idea, because I've been", "style of writing and a sudden shift could be jarring", "bad idea, because I've been told many times that you", "I thought it would subvert expectation and make the whole", "make the whole story more funny, but I am not", "writing and a sudden shift could be jarring for readers", "serious drama, but suddenly shifts to a comedic tone without", "suddenly shifts to a comedic tone without any clear reason", "because I've been told many times that you need to", "to a comedic tone without any clear reason or transition.", "would subvert expectation and make the whole story more funny,", "a story that starts out as a serious drama, but", "be jarring for readers and may take them out of", "a sudden shift could be jarring for readers and may", "a comedic tone without any clear reason or transition. I", "could be jarring for readers and may take them out", "of writing and a sudden shift could be jarring for", "the whole story more funny, but I am not sure", "a serious drama, but suddenly shifts to a comedic tone", "many times that you need to be consistent with the", "I've been told many times that you need to be", "to be consistent with the tone and style of writing", "without any clear reason or transition. I thought it would", "need to be consistent with the tone and style of", "that you need to be consistent with the tone and", "out as a serious drama, but suddenly shifts to a", "that starts out as a serious drama, but suddenly shifts", "it would subvert expectation and make the whole story more", "but I am not sure if this is a bad", "is a bad idea, because I've been told many times", "told many times that you need to be consistent with", "sudden shift could be jarring for readers and may take", "I am not sure if this is a bad idea,", "clear reason or transition. I thought it would subvert expectation", "I was thinking of writing a story that starts out", "expectation and make the whole story more funny, but I", "them out of the story. How can you make this", "and may take them out of the story. How can", "for readers and may take them out of the story.", "funny, but I am not sure if this is a", "story that starts out as a serious drama, but suddenly", "transition. I thought it would subvert expectation and make the", "drama, but suddenly shifts to a comedic tone without any", "of writing a story that starts out as a serious", "the tone and style of writing and a sudden shift", "tone without any clear reason or transition. I thought it", "been told many times that you need to be consistent", "shift could be jarring for readers and may take them", "you need to be consistent with the tone and style", "readers and may take them out of the story. How", "out of the story. How can you make this work?", "as a serious drama, but suddenly shifts to a comedic", "but suddenly shifts to a comedic tone without any clear", "and make the whole story more funny, but I am", "or transition. I thought it would subvert expectation and make", "idea, because I've been told many times that you need", "shifts to a comedic tone without any clear reason or", "times that you need to be consistent with the tone", "with the tone and style of writing and a sudden", "a bad idea, because I've been told many times that", "comedic tone without any clear reason or transition. I thought", "be consistent with the tone and style of writing and", "jarring for readers and may take them out of the", "was thinking of writing a story that starts out as", "more funny, but I am not sure if this is", "consistent with the tone and style of writing and a", "may take them out of the story. How can you", "subvert expectation and make the whole story more funny, but", "reason or transition. I thought it would subvert expectation and", "take them out of the story. How can you make", "if this is a bad idea, because I've been told", "story more funny, but I am not sure if this", "thought it would subvert expectation and make the whole story", "am not sure if this is a bad idea, because" ]
[ "was a way you can plan for a really complex", "(2 layers), but I am wondering if it's possible to", "do you plan for a story with multiple overlapping arcs?", "your story may end up with a lot of plot", "and if it is possible, how do you plan for", "arc, so in the case of multiple overlapping arcs, your", "but I am wondering if it's possible to have a", "up with a lot of plot holes, pacing and logic", "am wondering if it's possible to have a story with", "more), and if it is possible, how do you plan", "One Piece, you have one big story arc, and then", "way you can plan for a really complex story like", "so in the case of multiple overlapping arcs, your story", "it's possible to have a story with multiple overlapping arcs", "the case of multiple overlapping arcs, your story may end", "wondering if it's possible to have a story with multiple", "beat sheet, you only write the main story arc, so", "story arc, and then multiple arcs within it (2 layers),", "arcs? In One Piece, you have one big story arc,", "pacing and logic issues, so I was wondering if there", "multiple arcs within it (2 layers), but I am wondering", "I was wondering if there was a way you can", "story with multiple overlapping arcs? In One Piece, you have", "story with multiple overlapping arcs (10+ layers or more), and", "you plan for it, because when you write a beat", "with multiple overlapping arcs (10+ layers or more), and if", "story may end up with a lot of plot holes,", "only write the main story arc, so in the case", "In One Piece, you have one big story arc, and", "multiple overlapping arcs (10+ layers or more), and if it", "overlapping arcs (10+ layers or more), and if it is", "is possible, how do you plan for it, because when", "arcs, your story may end up with a lot of", "story arc, so in the case of multiple overlapping arcs,", "was wondering if there was a way you can plan", "for a story with multiple overlapping arcs? In One Piece,", "big story arc, and then multiple arcs within it (2", "do you plan for it, because when you write a", "arcs (10+ layers or more), and if it is possible,", "possible, how do you plan for it, because when you", "case of multiple overlapping arcs, your story may end up", "to have a story with multiple overlapping arcs (10+ layers", "one big story arc, and then multiple arcs within it", "plot holes, pacing and logic issues, so I was wondering", "for it, because when you write a beat sheet, you", "overlapping arcs, your story may end up with a lot", "when you write a beat sheet, you only write the", "you can plan for a really complex story like that.", "and then multiple arcs within it (2 layers), but I", "the main story arc, so in the case of multiple", "or more), and if it is possible, how do you", "a way you can plan for a really complex story", "of plot holes, pacing and logic issues, so I was", "in the case of multiple overlapping arcs, your story may", "with multiple overlapping arcs? In One Piece, you have one", "if there was a way you can plan for a", "I am wondering if it's possible to have a story", "holes, pacing and logic issues, so I was wondering if", "with a lot of plot holes, pacing and logic issues,", "issues, so I was wondering if there was a way", "if it's possible to have a story with multiple overlapping", "you write a beat sheet, you only write the main", "how do you plan for it, because when you write", "How do you plan for a story with multiple overlapping", "write a beat sheet, you only write the main story", "and logic issues, so I was wondering if there was", "write the main story arc, so in the case of", "sheet, you only write the main story arc, so in", "it is possible, how do you plan for it, because", "wondering if there was a way you can plan for", "have one big story arc, and then multiple arcs within", "because when you write a beat sheet, you only write", "so I was wondering if there was a way you", "Piece, you have one big story arc, and then multiple", "you only write the main story arc, so in the", "possible to have a story with multiple overlapping arcs (10+", "layers), but I am wondering if it's possible to have", "there was a way you can plan for a really", "plan for it, because when you write a beat sheet,", "main story arc, so in the case of multiple overlapping", "a lot of plot holes, pacing and logic issues, so", "if it is possible, how do you plan for it,", "logic issues, so I was wondering if there was a", "lot of plot holes, pacing and logic issues, so I", "plan for a story with multiple overlapping arcs? In One", "overlapping arcs? In One Piece, you have one big story", "arcs within it (2 layers), but I am wondering if", "it (2 layers), but I am wondering if it's possible", "you plan for a story with multiple overlapping arcs? In", "arc, and then multiple arcs within it (2 layers), but", "have a story with multiple overlapping arcs (10+ layers or", "multiple overlapping arcs, your story may end up with a", "multiple overlapping arcs? In One Piece, you have one big", "(10+ layers or more), and if it is possible, how", "end up with a lot of plot holes, pacing and", "may end up with a lot of plot holes, pacing", "a story with multiple overlapping arcs (10+ layers or more),", "a story with multiple overlapping arcs? In One Piece, you", "of multiple overlapping arcs, your story may end up with", "you have one big story arc, and then multiple arcs", "then multiple arcs within it (2 layers), but I am", "a beat sheet, you only write the main story arc,", "within it (2 layers), but I am wondering if it's", "it, because when you write a beat sheet, you only", "layers or more), and if it is possible, how do" ]
[ "genre and archetypes, and I was wondering if it's possible", "sympathize with the character, even as they recognize their flaws.", "I've been told that a tragic hero is a protagonist", "their downfall and that the audience should sympathize with the", "is extremely evil and unlikeable, an anti-hero type, so I", "with the character. I have a character who is extremely", "and unlikeable, an anti-hero type, so I am wondering if", "I am wondering if that's ok. I've seen a lot", "audience should sympathize with the character, even as they recognize", "character, even as they recognize their flaws. I am wondering", "it's ok if the audience doesn't sympathize with the character.", "a tragic hero is a protagonist with a tragic flaw", "I was wondering if it's possible to write an effective", "or a character defect that ultimately leads to their downfall", "seen a lot of people experimenting with genre and archetypes,", "so I am wondering if that's ok. I've seen a", "wondering if that's ok. I've seen a lot of people", "it's possible to write an effective tragedy with an unlikeable", "evil and unlikeable, an anti-hero type, so I am wondering", "if it's ok if the audience doesn't sympathize with the", "that a tragic hero is a protagonist with a tragic", "their flaws. I am wondering if it's ok if the", "the audience doesn't sympathize with the character. I have a", "if that's ok. I've seen a lot of people experimenting", "and archetypes, and I was wondering if it's possible to", "effective tragedy with an unlikeable tragic hero who people can't", "a character who is extremely evil and unlikeable, an anti-hero", "is a protagonist with a tragic flaw or a character", "the audience should sympathize with the character, even as they", "anti-hero type, so I am wondering if that's ok. I've", "the character. I have a character who is extremely evil", "that ultimately leads to their downfall and that the audience", "character defect that ultimately leads to their downfall and that", "and that the audience should sympathize with the character, even", "a protagonist with a tragic flaw or a character defect", "possible to write an effective tragedy with an unlikeable tragic", "write an effective tragedy with an unlikeable tragic hero who", "unlikeable, an anti-hero type, so I am wondering if that's", "hero is a protagonist with a tragic flaw or a", "tragic hero is a protagonist with a tragic flaw or", "even as they recognize their flaws. I am wondering if", "that the audience should sympathize with the character, even as", "with an unlikeable tragic hero who people can't sympathize with.", "I have a character who is extremely evil and unlikeable,", "people experimenting with genre and archetypes, and I was wondering", "I am wondering if it's ok if the audience doesn't", "flaw or a character defect that ultimately leads to their", "who is extremely evil and unlikeable, an anti-hero type, so", "archetypes, and I was wondering if it's possible to write", "extremely evil and unlikeable, an anti-hero type, so I am", "sympathize with the character. I have a character who is", "character. I have a character who is extremely evil and", "if the audience doesn't sympathize with the character. I have", "tragedy with an unlikeable tragic hero who people can't sympathize", "that's ok. I've seen a lot of people experimenting with", "am wondering if that's ok. I've seen a lot of", "type, so I am wondering if that's ok. I've seen", "an effective tragedy with an unlikeable tragic hero who people", "character who is extremely evil and unlikeable, an anti-hero type,", "lot of people experimenting with genre and archetypes, and I", "a character defect that ultimately leads to their downfall and", "wondering if it's ok if the audience doesn't sympathize with", "if it's possible to write an effective tragedy with an", "they recognize their flaws. I am wondering if it's ok", "recognize their flaws. I am wondering if it's ok if", "doesn't sympathize with the character. I have a character who", "of people experimenting with genre and archetypes, and I was", "with genre and archetypes, and I was wondering if it's", "as they recognize their flaws. I am wondering if it's", "with a tragic flaw or a character defect that ultimately", "tragic flaw or a character defect that ultimately leads to", "and I was wondering if it's possible to write an", "the character, even as they recognize their flaws. I am", "been told that a tragic hero is a protagonist with", "should sympathize with the character, even as they recognize their", "an anti-hero type, so I am wondering if that's ok.", "defect that ultimately leads to their downfall and that the", "leads to their downfall and that the audience should sympathize", "downfall and that the audience should sympathize with the character,", "experimenting with genre and archetypes, and I was wondering if", "audience doesn't sympathize with the character. I have a character", "was wondering if it's possible to write an effective tragedy", "a tragic flaw or a character defect that ultimately leads", "I've seen a lot of people experimenting with genre and", "flaws. I am wondering if it's ok if the audience", "to their downfall and that the audience should sympathize with", "have a character who is extremely evil and unlikeable, an", "to write an effective tragedy with an unlikeable tragic hero", "ok if the audience doesn't sympathize with the character. I", "ultimately leads to their downfall and that the audience should", "with the character, even as they recognize their flaws. I", "am wondering if it's ok if the audience doesn't sympathize", "wondering if it's possible to write an effective tragedy with", "protagonist with a tragic flaw or a character defect that", "a lot of people experimenting with genre and archetypes, and", "told that a tragic hero is a protagonist with a", "ok. I've seen a lot of people experimenting with genre" ]
[ "terms and phrases in complete sentences with clarity when the", "the search term should be written in italics. Do you", "to include search terms and phrases in complete sentences with", "term. I am currently double spacing before the search term", "you have suggestions, or is there a common way to", "to make the search term stand out more but using", "include punctuation near the terms unless the punctuation is part", "the reader to mistake them for part of the search", "have suggestions, or is there a common way to express", "the term. I am currently double spacing before the search", "am currently double spacing before the search term then continuing", "when the term/phrase begins and ends. I do not want", "I am looking for a good or common way to", "mistake them for part of the search term. Italics may", "I am currently double spacing before the search term then", "Do you have suggestions, or is there a common way", "the term/phrase begins and ends. I do not want to", "of the term. I am currently double spacing before the", "then continuing the sentence. I would like to make the", "the punctuation is part of the term. I am currently", "sentences with clarity when the term/phrase begins and ends. I", "brackets or parentheses may cause the reader to mistake them", "sentence. I would like to make the search term stand", "should be written in italics. Do you have suggestions, or", "to mistake them for part of the search term. Italics", "for a good or common way to include search terms", "and phrases in complete sentences with clarity when the term/phrase", "terms unless the punctuation is part of the term. I", "italics. Do you have suggestions, or is there a common", "express search terms that I have failed to find while", "the search term stand out more but using brackets or", "with clarity when the term/phrase begins and ends. I do", "the search term then continuing the sentence. I would like", "do not want to include punctuation near the terms unless", "in italics. Do you have suggestions, or is there a", "looking for a good or common way to include search", "search term. Italics may give the impression that the search", "am looking for a good or common way to include", "term. Italics may give the impression that the search term", "search term should be written in italics. Do you have", "a common way to express search terms that I have", "there a common way to express search terms that I", "good or common way to include search terms and phrases", "unless the punctuation is part of the term. I am", "phrases in complete sentences with clarity when the term/phrase begins", "but using brackets or parentheses may cause the reader to", "is part of the term. I am currently double spacing", "make the search term stand out more but using brackets", "for part of the search term. Italics may give the", "them for part of the search term. Italics may give", "the sentence. 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I do not", "like to make the search term stand out more but", "suggestions, or is there a common way to express search", "or common way to include search terms and phrases in", "not want to include punctuation near the terms unless the", "to express search terms that I have failed to find", "term/phrase begins and ends. I do not want to include", "written in italics. Do you have suggestions, or is there", "the impression that the search term should be written in", "and ends. I do not want to include punctuation near", "punctuation near the terms unless the punctuation is part of", "or is there a common way to express search terms", "the search term. Italics may give the impression that the", "double spacing before the search term then continuing the sentence.", "using brackets or parentheses may cause the reader to mistake", "the terms unless the punctuation is part of the term.", "begins and ends. I do not want to include punctuation", "is there a common way to express search terms that", "include search terms and phrases in complete sentences with clarity", "that the search term should be written in italics. Do", "out more but using brackets or parentheses may cause the", "spacing before the search term then continuing the sentence. I", "common way to express search terms that I have failed", "of the search term. Italics may give the impression that", "part of the search term. Italics may give the impression", "Italics may give the impression that the search term should", "I do not want to include punctuation near the terms" ]
[ "world for the sake of worldbuilding. However, wouldn't using a", "How can you then balance the two? Is there a", "happening all the time. How can you then balance the", "have a world that's way too strange and different from", "way too strange and different from our world and not", "is very hard to do, because there are too many", "that's way too strange and different from our world and", "instance be considered an info dump, or an exposition dump?", "you balance narrative and exposition then? I have a world", "info dumps constantly is very hard to do, because there", "the narrative, rather than presenting it as a separate block", "constantly is very hard to do, because there are too", "the time. How can you then balance the two? Is", "to use is to integrate the exposition within the narrative,", "is to integrate the exposition within the narrative, rather than", "describes the world for the sake of worldbuilding. However, wouldn't", "presenting it as a separate block of information. This can", "constant and frequent basis without affecting the pacing and the", "considered an info dump, or an exposition dump? How can", "hard to do, because there are too many weird things", "be accomplished through various means such as dialogue that describes", "the sake of worldbuilding. However, wouldn't using a dialogue for", "it as a separate block of information. This can be", "to integrate the exposition within the narrative, rather than presenting", "things happening all the time. How can you then balance", "dumps on a constant and frequent basis without affecting the", "as a separate block of information. 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However, wouldn't using a dialogue", "rather than presenting it as a separate block of information.", "doing info dumps constantly is very hard to do, because", "sake of worldbuilding. However, wouldn't using a dialogue for instance", "told to use is to integrate the exposition within the", "that allows you to do info dumps on a constant", "dialogue that describes the world for the sake of worldbuilding.", "dump? How can you balance narrative and exposition then? I", "then balance the two? Is there a technique that allows", "dump, or an exposition dump? How can you balance narrative", "too many weird things happening all the time. How can", "Is there a technique that allows you to do info", "dialogue for instance be considered an info dump, or an", "a dialogue for instance be considered an info dump, or", "I was told to use is to integrate the exposition", "was told to use is to integrate the exposition within", "information. This can be accomplished through various means such as", "all the time. How can you then balance the two?", "separate block of information. This can be accomplished through various", "that describes the world for the sake of worldbuilding. However,", "do, because there are too many weird things happening all", "can you then balance the two? 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Is there a technique that allows you", "do info dumps on a constant and frequent basis without", "many weird things happening all the time. How can you", "narrative and exposition then? I have a world that's way", "dumps constantly is very hard to do, because there are", "two? Is there a technique that allows you to do", "of information. This can be accomplished through various means such", "various means such as dialogue that describes the world for", "world that's way too strange and different from our world", "of worldbuilding. However, wouldn't using a dialogue for instance be", "within the narrative, rather than presenting it as a separate", "weird things happening all the time. How can you then", "can you balance narrative and exposition then? I have a", "technique that allows you to do info dumps on a", "there are too many weird things happening all the time.", "How can you balance narrative and exposition then? I have", "are too many weird things happening all the time. How", "a constant and frequent basis without affecting the pacing and", "wouldn't using a dialogue for instance be considered an info", "our world and not doing info dumps constantly is very" ]
[ "narrator without explicitly stating it? Sometimes, you want to change", "psyche of your narrator without telling there's a perspective shift?", "story to make writing a lot easier and more manageable?", "without telling there's a perspective shift? Also, how do you", "to change from third person narration to omnipotent narration, because", "third person narration to omnipotent narration, because it's easier to", "it was an omniscient narrator telling the story to make", "perspective shift is not from an \"omniscient narrator\", but is", "of your narrator without telling there's a perspective shift? Also,", "stating it? Sometimes, you want to change from third person", "write narration while taking into account the psyche of your", "that this perspective shift is not from an \"omniscient narrator\",", "narration to omnipotent narration, because it's easier to describe something", "perspective has shifted to an omniscient narrator without explicitly stating", "to describe something objectively without having to write narration while", "to an omniscient narrator without explicitly stating it? Sometimes, you", "your readers that this perspective shift is not from an", "\"omniscient narrator\", but is from the flawed point of view", "narrator\", but is from the flawed point of view of", "you signal the readers that the perspective has shifted to", "How can you signal the readers that the perspective has", "while taking into account the psyche of your narrator without", "into account the psyche of your narrator without telling there's", "the psyche of your narrator without telling there's a perspective", "though it was an omniscient narrator telling the story to", "person narration to omnipotent narration, because it's easier to describe", "is from the flawed point of view of the original", "shifted to an omniscient narrator without explicitly stating it? Sometimes,", "it's easier to describe something objectively without having to write", "is not from an \"omniscient narrator\", but is from the", "a perspective shift? Also, how do you tell your readers", "omniscient narrator without explicitly stating it? Sometimes, you want to", "of view of the original narrator, but is told as", "perspective shift? Also, how do you tell your readers that", "Also, how do you tell your readers that this perspective", "signal the readers that the perspective has shifted to an", "do you tell your readers that this perspective shift is", "has shifted to an omniscient narrator without explicitly stating it?", "change from third person narration to omnipotent narration, because it's", "point of view of the original narrator, but is told", "something objectively without having to write narration while taking into", "narrator without telling there's a perspective shift? Also, how do", "but is from the flawed point of view of the", "to write narration while taking into account the psyche of", "narrator telling the story to make writing a lot easier", "but is told as though it was an omniscient narrator", "flawed point of view of the original narrator, but is", "from the flawed point of view of the original narrator,", "from an \"omniscient narrator\", but is from the flawed point", "that the perspective has shifted to an omniscient narrator without", "the perspective has shifted to an omniscient narrator without explicitly", "narration while taking into account the psyche of your narrator", "the readers that the perspective has shifted to an omniscient", "not from an \"omniscient narrator\", but is from the flawed", "an omniscient narrator telling the story to make writing a", "an \"omniscient narrator\", but is from the flawed point of", "shift is not from an \"omniscient narrator\", but is from", "having to write narration while taking into account the psyche", "your narrator without telling there's a perspective shift? Also, how", "objectively without having to write narration while taking into account", "original narrator, but is told as though it was an", "told as though it was an omniscient narrator telling the", "can you signal the readers that the perspective has shifted", "this perspective shift is not from an \"omniscient narrator\", but", "explicitly stating it? Sometimes, you want to change from third", "view of the original narrator, but is told as though", "the story to make writing a lot easier and more", "it? Sometimes, you want to change from third person narration", "telling the story to make writing a lot easier and", "there's a perspective shift? Also, how do you tell your", "omnipotent narration, because it's easier to describe something objectively without", "as though it was an omniscient narrator telling the story", "to omnipotent narration, because it's easier to describe something objectively", "was an omniscient narrator telling the story to make writing", "want to change from third person narration to omnipotent narration,", "tell your readers that this perspective shift is not from", "without explicitly stating it? Sometimes, you want to change from", "the flawed point of view of the original narrator, but", "readers that this perspective shift is not from an \"omniscient", "you want to change from third person narration to omnipotent", "how do you tell your readers that this perspective shift", "describe something objectively without having to write narration while taking", "omniscient narrator telling the story to make writing a lot", "easier to describe something objectively without having to write narration", "shift? Also, how do you tell your readers that this", "from third person narration to omnipotent narration, because it's easier", "readers that the perspective has shifted to an omniscient narrator", "you tell your readers that this perspective shift is not", "Sometimes, you want to change from third person narration to", "account the psyche of your narrator without telling there's a", "of the original narrator, but is told as though it", "taking into account the psyche of your narrator without telling", "without having to write narration while taking into account the", "the original narrator, but is told as though it was", "narration, because it's easier to describe something objectively without having", "an omniscient narrator without explicitly stating it? Sometimes, you want", "telling there's a perspective shift? Also, how do you tell", "because it's easier to describe something objectively without having to", "is told as though it was an omniscient narrator telling", "narrator, but is told as though it was an omniscient" ]
[ "a magician and his tricks? What would his daily routine", "and his tricks? What would his daily routine look like?", "you describe a magician and his tricks? What would his", "describe a magician and his tricks? What would his daily", "How would you describe a magician and his tricks? What", "would you describe a magician and his tricks? What would", "magician and his tricks? What would his daily routine look" ]
[ "disguise. I've taken Der Zahlenteufel (The Number Devil) as the", "lack of building the antagonist. I still haven't succeeded in", "humans is their duty. What I'm trying to achieve from", "* Maybe the antagonist is an anti-scientist disparaging Berta's works,", "they would do to compromise Berta's and Legrunna's mission. There", "encrowned to an angel too. I think the reason of", "just let the antagonist be a chaotic evil destroying the", "explain the situation. Here's the concept of my novel: The", "effect on the reader. The angels act as science teachers", "minority of residents are \"angels\". Each angel is an embodiment", "That said, let me show the plot. The protagonist is", "a human. Berta is to teach Legrunna Newtonian Mechanics, and", "is to develop his own theories (Lagrangian mechanics) to be", "them. * Maybe the antagonist is an anti-scientist disparaging Berta's", "problem is the lack of building the antagonist. I still", "novel is becoming one for science. That said, let me", "when my novel is meant to teach the reader science?", "to human characters, but also to real humans who are", "take ideas from, and just like how this novel is", "let the antagonist be a chaotic evil destroying the world,", "develop his own theories (Lagrangian mechanics) to be encrowned to", "reason of the problem is the lack of building the", "humans, they can cast magic. Teaching science to humans is", "magics. These options will result in completely different stories. What", "the hero, using her science magics. These options will result", "Nektet, and is an angel. Her student is Joseph-Louis Legrunna,", "be, and what they would do to compromise Berta's and", "of building the antagonist. I still haven't succeeded in finding", "science teachers not only to human characters, but also to", "human. Berta is to teach Legrunna Newtonian Mechanics, and Legrunna", "is to defend her. * Or maybe... just let the", "would be the best option when my novel is meant", "pseudo-scientist advocating their own pseudoscience, and Berta is to debunk", "Ohaac Nektet, and is an angel. Her student is Joseph-Louis", "using her science magics. These options will result in completely", "children) in disguise, my novel is becoming one for science.", "math textbook (for children) in disguise, my novel is becoming", "Berta is to teach Legrunna Newtonian Mechanics, and Legrunna is", "stories. What would be the best option when my novel", "to develop his own theories (Lagrangian mechanics) to be encrowned", "is the lack of building the antagonist. I still haven't", "science. That said, let me show the plot. The protagonist", "(The Number Devil) as the reference to take ideas from,", "teach the reader science? Are there any other fitting options?", "science textbook in disguise. I've taken Der Zahlenteufel (The Number", "me explain the situation. Here's the concept of my novel:", "Berta is to debunk them. * Maybe the antagonist is", "is Berta Newton, the alternate-world counterpart to Ohaac Nektet, and", "is becoming just a science textbook in disguise. I've taken", "Legrunna is to defend her. * Or maybe... just let", "the antagonist is an anti-scientist disparaging Berta's works, and Legrunna", "to real humans who are reading the book. The problem", "show the plot. The protagonist is Berta Newton, the alternate-world", "Newton, the alternate-world counterpart to Ohaac Nektet, and is an", "I think the reason of the problem is the lack", "options: * Maybe the antagonist is a pseudo-scientist advocating their", "best option when my novel is meant to teach the", "also to real humans who are reading the book. The", "on the reader. The angels act as science teachers not", "this would be, and what they would do to compromise", "human characters, but also to real humans who are reading", "let Berta act as the hero, using her science magics.", "they can cast magic. Teaching science to humans is their", "concept of my novel: The story takes place in an", "\"angels\". Each angel is an embodiment of a branch/concept of", "to take ideas from, and just like how this novel", "cast magic. Teaching science to humans is their duty. What", "like how this novel is just a math textbook (for", "novel is just a math textbook (for children) in disguise,", "debunk them. * Maybe the antagonist is an anti-scientist disparaging", "think I should re-write it completely. Let me explain the", "the antagonist. I still haven't succeeded in finding who this", "result in completely different stories. What would be the best", "the plot. The protagonist is Berta Newton, the alternate-world counterpart", "real humans who are reading the book. The problem is,", "antagonist is a pseudo-scientist advocating their own pseudoscience, and Berta", "is to debunk them. * Maybe the antagonist is an", "be the best option when my novel is meant to", "are some unsure options: * Maybe the antagonist is a", "building the antagonist. I still haven't succeeded in finding who", "I think I should re-write it completely. Let me explain", "I should re-write it completely. Let me explain the situation.", "are reading the book. The problem is, my novel is", "what they would do to compromise Berta's and Legrunna's mission.", "is meant to teach the reader science? Are there any", "disparaging Berta's works, and Legrunna is to defend her. ", "but also to real humans who are reading the book.", "who this would be, and what they would do to", "and Legrunna is to develop his own theories (Lagrangian mechanics)", "Her student is Joseph-Louis Legrunna, a human. Berta is to", "only to human characters, but also to real humans who", "act as the hero, using her science magics. These options", "writing a science fantasy novel, but I think I should", "a branch/concept of science, and unlike humans, they can cast", "is an angel. Her student is Joseph-Louis Legrunna, a human.", "defend her. Or maybe... just let the antagonist be", "am writing a science fantasy novel, but I think I", "succeeded in finding who this would be, and what they", "mechanics) to be encrowned to an angel too. I think", "Berta's works, and Legrunna is to defend her. * Or", "a minority of residents are \"angels\". Each angel is an", "my novel: The story takes place in an alternate world", "novel is becoming just a science textbook in disguise. I've", "Newtonian Mechanics, and Legrunna is to develop his own theories", "have an educational effect on the reader. The angels act", "compromise Berta's and Legrunna's mission. There are some unsure options:", "would be, and what they would do to compromise Berta's", "of residents are \"angels\". Each angel is an embodiment of", "student is Joseph-Louis Legrunna, a human. Berta is to teach", "and let Berta act as the hero, using her science", "my novel is becoming just a science textbook in disguise.", "Joseph-Louis Legrunna, a human. Berta is to teach Legrunna Newtonian", "reading the book. The problem is, my novel is becoming", "to humans is their duty. What I'm trying to achieve", "to debunk them. * Maybe the antagonist is an anti-scientist", "act as science teachers not only to human characters, but", "science fantasy novel, but I think I should re-write it", "the reason of the problem is the lack of building", "alternate-world counterpart to Ohaac Nektet, and is an angel. Her", "unsure options: * Maybe the antagonist is a pseudo-scientist advocating", "fantasy novel, but I think I should re-write it completely.", "alternate world where a minority of residents are \"angels\". Each", "Each angel is an embodiment of a branch/concept of science,", "the book. The problem is, my novel is becoming just", "The protagonist is Berta Newton, the alternate-world counterpart to Ohaac", "the concept of my novel: The story takes place in", "a science fantasy novel, but I think I should re-write", "Teaching science to humans is their duty. What I'm trying", "Let me explain the situation. Here's the concept of my", "magic. Teaching science to humans is their duty. What I'm", "protagonist is Berta Newton, the alternate-world counterpart to Ohaac Nektet,", "characters, but also to real humans who are reading the", "science, and unlike humans, they can cast magic. Teaching science", "chaotic evil destroying the world, and let Berta act as", "humans who are reading the book. The problem is, my", "from this setting is to have an educational effect on", "These options will result in completely different stories. What would", "and unlike humans, they can cast magic. Teaching science to", "who are reading the book. The problem is, my novel", "world, and let Berta act as the hero, using her", "in disguise. I've taken Der Zahlenteufel (The Number Devil) as", "and Legrunna is to defend her. * Or maybe... just", "world where a minority of residents are \"angels\". Each angel", "own theories (Lagrangian mechanics) to be encrowned to an angel", "and Berta is to debunk them. * Maybe the antagonist", "novel, but I think I should re-write it completely. Let", "my novel is meant to teach the reader science? Are", "haven't succeeded in finding who this would be, and what", "disguise, my novel is becoming one for science. That said,", "Berta's and Legrunna's mission. There are some unsure options: ", "to teach the reader science? Are there any other fitting", "is becoming one for science. That said, let me show", "own pseudoscience, and Berta is to debunk them. Maybe", "the best option when my novel is meant to teach", "their own pseudoscience, and Berta is to debunk them. ", "destroying the world, and let Berta act as the hero,", "in an alternate world where a minority of residents are", "to defend her. Or maybe... just let the antagonist", "novel is meant to teach the reader science? Are there", "an alternate world where a minority of residents are \"angels\".", "reference to take ideas from, and just like how this", "still haven't succeeded in finding who this would be, and", "are \"angels\". Each angel is an embodiment of a branch/concept", "a chaotic evil destroying the world, and let Berta act", "Berta act as the hero, using her science magics. These", "as science teachers not only to human characters, but also", "embodiment of a branch/concept of science, and unlike humans, they", "and what they would do to compromise Berta's and Legrunna's", "an embodiment of a branch/concept of science, and unlike humans,", "place in an alternate world where a minority of residents", "and is an angel. Her student is Joseph-Louis Legrunna, a", "completely. Let me explain the situation. Here's the concept of", "science magics. These options will result in completely different stories.", "angels act as science teachers not only to human characters,", "book. The problem is, my novel is becoming just a", "the situation. Here's the concept of my novel: The story", "educational effect on the reader. The angels act as science", "can cast magic. Teaching science to humans is their duty.", "Devil) as the reference to take ideas from, and just", "becoming one for science. That said, let me show the", "the lack of building the antagonist. I still haven't succeeded", "her. * Or maybe... just let the antagonist be a", "Zahlenteufel* (The Number Devil) as the reference to take ideas", "an angel. Her student is Joseph-Louis Legrunna, a human. Berta", "to be encrowned to an angel too. I think the", "angel is an embodiment of a branch/concept of science, and", "story takes place in an alternate world where a minority", "of science, and unlike humans, they can cast magic. Teaching", "achieve from this setting is to have an educational effect", "hero, using her science magics. These options will result in", "situation. Here's the concept of my novel: The story takes", "and just like how this novel is just a math", "completely different stories. What would be the best option when", "this novel is just a math textbook (for children) in", "I still haven't succeeded in finding who this would be,", "teachers not only to human characters, but also to real", "I am writing a science fantasy novel, but I think", "counterpart to Ohaac Nektet, and is an angel. Her student", "I've taken Der Zahlenteufel (The Number Devil) as the reference", "antagonist. I still haven't succeeded in finding who this would", "me show the plot. The protagonist is Berta Newton, the", "the alternate-world counterpart to Ohaac Nektet, and is an angel.", "The problem is, my novel is becoming just a science", "trying to achieve from this setting is to have an", "anti-scientist disparaging Berta's works, and Legrunna is to defend her.", "duty. What I'm trying to achieve from this setting is", "to an angel too. I think the reason of the", "where a minority of residents are \"angels\". Each angel is", "do to compromise Berta's and Legrunna's mission. There are some", "his own theories (Lagrangian mechanics) to be encrowned to an", "a math textbook (for children) in disguise, my novel is", "Maybe the antagonist is an anti-scientist disparaging Berta's works, and", "evil destroying the world, and let Berta act as the", "too. I think the reason of the problem is the", "the antagonist is a pseudo-scientist advocating their own pseudoscience, and", "be encrowned to an angel too. I think the reason", "her science magics. These options will result in completely different", "Legrunna Newtonian Mechanics, and Legrunna is to develop his own", "Number Devil) as the reference to take ideas from, and", "option when my novel is meant to teach the reader", "The angels act as science teachers not only to human", "advocating their own pseudoscience, and Berta is to debunk them.", "* Or maybe... just let the antagonist be a chaotic", "is their duty. What I'm trying to achieve from this", "the reference to take ideas from, and just like how", "takes place in an alternate world where a minority of", "in completely different stories. What would be the best option", "to have an educational effect on the reader. The angels", "teach Legrunna Newtonian Mechanics, and Legrunna is to develop his", "the problem is the lack of building the antagonist. I", "works, and Legrunna is to defend her. * Or maybe...", "is just a math textbook (for children) in disguise, my", "to teach Legrunna Newtonian Mechanics, and Legrunna is to develop", "Legrunna is to develop his own theories (Lagrangian mechanics) to", "(for children) in disguise, my novel is becoming one for", "just a math textbook (for children) in disguise, my novel", "as the reference to take ideas from, and just like", "novel: The story takes place in an alternate world where", "becoming just a science textbook in disguise. I've taken Der", "theories (Lagrangian mechanics) to be encrowned to an angel too.", "Or maybe... just let the antagonist be a chaotic evil", "residents are \"angels\". Each angel is an embodiment of a", "but I think I should re-write it completely. Let me", "is to have an educational effect on the reader. The", "not only to human characters, but also to real humans", "for science. That said, let me show the plot. The", "as the hero, using her science magics. These options will", "is an anti-scientist disparaging Berta's works, and Legrunna is to", "of a branch/concept of science, and unlike humans, they can", "is, my novel is becoming just a science textbook in", "angel too. I think the reason of the problem is", "the reader. The angels act as science teachers not only", "meant to teach the reader science? Are there any other", "Berta Newton, the alternate-world counterpart to Ohaac Nektet, and is", "branch/concept of science, and unlike humans, they can cast magic.", "(Lagrangian mechanics) to be encrowned to an angel too. I", "their duty. What I'm trying to achieve from this setting", "re-write it completely. Let me explain the situation. Here's the", "will result in completely different stories. What would be the", "of the problem is the lack of building the antagonist.", " Maybe the antagonist is a pseudo-scientist advocating their own", "ideas from, and just like how this novel is just", "taken Der Zahlenteufel (The Number Devil) as the reference to", "textbook (for children) in disguise, my novel is becoming one", "antagonist be a chaotic evil destroying the world, and let", "problem is, my novel is becoming just a science textbook", "the world, and let Berta act as the hero, using", "Here's the concept of my novel: The story takes place", "the antagonist be a chaotic evil destroying the world, and", "to achieve from this setting is to have an educational", "Mechanics, and Legrunna is to develop his own theories (Lagrangian", "There are some unsure options: * Maybe the antagonist is", "from, and just like how this novel is just a", "is to teach Legrunna Newtonian Mechanics, and Legrunna is to", "my novel is becoming one for science. That said, let", "unlike humans, they can cast magic. Teaching science to humans", "just like how this novel is just a math textbook", "Maybe the antagonist is a pseudo-scientist advocating their own pseudoscience,", "in finding who this would be, and what they would", "is an embodiment of a branch/concept of science, and unlike", "science to humans is their duty. What I'm trying to", "and Legrunna's mission. There are some unsure options: * Maybe", "finding who this would be, and what they would do", "The story takes place in an alternate world where a", "What would be the best option when my novel is", "be a chaotic evil destroying the world, and let Berta", "is a pseudo-scientist advocating their own pseudoscience, and Berta is", "just a science textbook in disguise. I've taken Der Zahlenteufel", "to Ohaac Nektet, and is an angel. Her student is", "Legrunna, a human. Berta is to teach Legrunna Newtonian Mechanics,", "textbook in disguise. I've taken Der Zahlenteufel (The Number Devil)", "a science textbook in disguise. I've taken Der Zahlenteufel (The", "said, let me show the plot. The protagonist is Berta", "I'm trying to achieve from this setting is to have", "Der Zahlenteufel (The Number Devil) as the reference to take", "it completely. Let me explain the situation. Here's the concept", "think the reason of the problem is the lack of", "an educational effect on the reader. The angels act as", "mission. There are some unsure options: * Maybe the antagonist", "how this novel is just a math textbook (for children)", "some unsure options: * Maybe the antagonist is a pseudo-scientist", "options will result in completely different stories. What would be", "would do to compromise Berta's and Legrunna's mission. There are", "What I'm trying to achieve from this setting is to", "setting is to have an educational effect on the reader.", "maybe... just let the antagonist be a chaotic evil destroying", "reader. The angels act as science teachers not only to", "should re-write it completely. Let me explain the situation. Here's", "pseudoscience, and Berta is to debunk them. * Maybe the", "Legrunna's mission. There are some unsure options: * Maybe the", "is Joseph-Louis Legrunna, a human. Berta is to teach Legrunna", "a pseudo-scientist advocating their own pseudoscience, and Berta is to", "of my novel: The story takes place in an alternate", "an angel too. I think the reason of the problem", "one for science. That said, let me show the plot.", "in disguise, my novel is becoming one for science. That", "an anti-scientist disparaging Berta's works, and Legrunna is to defend", "plot. The protagonist is Berta Newton, the alternate-world counterpart to", "let me show the plot. The protagonist is Berta Newton,", "angel. Her student is Joseph-Louis Legrunna, a human. Berta is", "different stories. What would be the best option when my", "this setting is to have an educational effect on the", "antagonist is an anti-scientist disparaging Berta's works, and Legrunna is", "to compromise Berta's and Legrunna's mission. There are some unsure" ]
[ "isn't needed\", but I frankly can't tell if this adage", "I've heard that \"if the sentence cant stand on its", "sentence cant stand on its own, the semi-colon isn't needed\",", "me if I'm wrong, but I don't think the context", "but I don't think the context matters. I've heard that", "if this adage applies here. > > I want to", "is correct? Correct me if I'm wrong, but I don't", "here. > > I want to emphasize that this doesn't", "> Or > > I want to emphasize that this", "tell if this adage applies here. > > I want", "> > I want to emphasize that this doesn't exist;", "own, the semi-colon isn't needed\", but I frankly can't tell", "Correct me if I'm wrong, but I don't think the", "want to emphasize that this doesn't exist, it's just one", "adage applies here. > > I want to emphasize that", "\"if the sentence cant stand on its own, the semi-colon", "to emphasize that this doesn't exist, it's just one that", "can't tell if this adage applies here. > > I", "that this doesn't exist; it's just one that I >", "exist; it's just one that I > thought of. >", "that \"if the sentence cant stand on its own, the", "I frankly can't tell if this adage applies here. >", "this adage applies here. > > I want to emphasize", "doesn't exist, it's just one that I > thought of.", "it's just one that I > thought of. > >", "> > Or > > I want to emphasize that", "applies here. > > I want to emphasize that this", "want to emphasize that this doesn't exist; it's just one", "I'm wrong, but I don't think the context matters. I've", "I want to emphasize that this doesn't exist; it's just", "heard that \"if the sentence cant stand on its own,", "if I'm wrong, but I don't think the context matters.", "just one that I > thought of. > > >", "to emphasize that this doesn't exist; it's just one that", "this doesn't exist, it's just one that I > thought", "semi-colon isn't needed\", but I frankly can't tell if this", "I want to emphasize that this doesn't exist, it's just", "the sentence cant stand on its own, the semi-colon isn't", "I > thought of. > > > Or > >", "I don't think the context matters. I've heard that \"if", "> I want to emphasize that this doesn't exist; it's", "that this doesn't exist, it's just one that I >", "exist, it's just one that I > thought of. >", "of. > > > Or > > I want to", "this doesn't exist; it's just one that I > thought", "> I want to emphasize that this doesn't exist, it's", "on its own, the semi-colon isn't needed\", but I frankly", "Which one is correct? Correct me if I'm wrong, but", "emphasize that this doesn't exist; it's just one that I", "its own, the semi-colon isn't needed\", but I frankly can't", "don't think the context matters. I've heard that \"if the", "> > > Or > > I want to emphasize", "> > I want to emphasize that this doesn't exist,", "needed\", but I frankly can't tell if this adage applies", "wrong, but I don't think the context matters. I've heard", "one is correct? Correct me if I'm wrong, but I", "one that I > thought of. > > > Or", "but I frankly can't tell if this adage applies here.", "thought of. > > > Or > > I want", "matters. I've heard that \"if the sentence cant stand on", "emphasize that this doesn't exist, it's just one that I", "doesn't exist; it's just one that I > thought of.", "correct? Correct me if I'm wrong, but I don't think", "> thought of. > > > Or > > I", "stand on its own, the semi-colon isn't needed\", but I", "the semi-colon isn't needed\", but I frankly can't tell if", "cant stand on its own, the semi-colon isn't needed\", but", "think the context matters. I've heard that \"if the sentence", "frankly can't tell if this adage applies here. > >", "that I > thought of. > > > Or >", "Or > > I want to emphasize that this doesn't", "context matters. I've heard that \"if the sentence cant stand", "the context matters. I've heard that \"if the sentence cant" ]
[ "Writing 101 advice, it's still super helpful because my writing", "it's something as basic as the beginning and the ending", "terminology early on -- I've criticized other people's works for", "their feedback is Writing 101 advice, it's still super helpful", "it's still super helpful because my writing has a lot", "I've criticized other people's works for these mistakes and more.", "to get better at this, and should I focus on", "it impossible to get better at this, and should I", "uncool, or introducing way too much terminology early on --", "come I'm literally blind to the glaring faults in my", "basic as the beginning and the ending not matching up", "how come I'm literally blind to the glaring faults in", "101 advice, it's still super helpful because my writing has", "or introducing way too much terminology early on -- I've", "feedback is Writing 101 advice, it's still super helpful because", "How can I learn to find the errors in my", "I learn to find the errors in my writing? Or", "and the ending not matching up well, or the main", "(big picture stuff, and subtle stuff alike) while writing and", "more. So how come I'm literally blind to the glaring", "this, and should I focus on getting a lot of", "writing. Even if it's something as basic as the beginning", "character being unlikable and uncool, or introducing way too much", "When an editor goes over my writing, even if most", "lot of flaws. But I never notice these flaws (big", "early on -- I've criticized other people's works for these", "flaws (big picture stuff, and subtle stuff alike) while writing", "in my own work? How can I learn to find", "the main character being unlikable and uncool, or introducing way", "editor goes over my writing, even if most of their", "my writing has a lot of flaws. But I never", "picture stuff, and subtle stuff alike) while writing and editing", "being unlikable and uncool, or introducing way too much terminology", "at this, and should I focus on getting a lot", "writing and editing my writing. Even if it's something as", "too much terminology early on -- I've criticized other people's", "get better at this, and should I focus on getting", "notice these flaws (big picture stuff, and subtle stuff alike)", "unlikable and uncool, or introducing way too much terminology early", "if most of their feedback is Writing 101 advice, it's", "is Writing 101 advice, it's still super helpful because my", "in my writing? Or is it impossible to get better", "subtle stuff alike) while writing and editing my writing. Even", "my own work? How can I learn to find the", "something as basic as the beginning and the ending not", "But I never notice these flaws (big picture stuff, and", "and editing my writing. Even if it's something as basic", "the glaring faults in my own work? How can I", "of their feedback is Writing 101 advice, it's still super", "main character being unlikable and uncool, or introducing way too", "well, or the main character being unlikable and uncool, or", "people's works for these mistakes and more. So how come", "over my writing, even if most of their feedback is", "most of their feedback is Writing 101 advice, it's still", "even if most of their feedback is Writing 101 advice,", "ending not matching up well, or the main character being", "blind to the glaring faults in my own work? How", "introducing way too much terminology early on -- I've criticized", "writing has a lot of flaws. But I never notice", "or the main character being unlikable and uncool, or introducing", "never notice these flaws (big picture stuff, and subtle stuff", "work? How can I learn to find the errors in", "my writing? Or is it impossible to get better at", "impossible to get better at this, and should I focus", "super helpful because my writing has a lot of flaws.", "find the errors in my writing? Or is it impossible", "goes over my writing, even if most of their feedback", "literally blind to the glaring faults in my own work?", "way too much terminology early on -- I've criticized other", "editing my writing. Even if it's something as basic as", "I'm literally blind to the glaring faults in my own", "matching up well, or the main character being unlikable and", "much terminology early on -- I've criticized other people's works", "an editor goes over my writing, even if most of", "beginning and the ending not matching up well, or the", "criticized other people's works for these mistakes and more. So", "a lot of flaws. But I never notice these flaws", "can I learn to find the errors in my writing?", "as the beginning and the ending not matching up well,", "still super helpful because my writing has a lot of", "is it impossible to get better at this, and should", "while writing and editing my writing. Even if it's something", "faults in my own work? How can I learn to", "up well, or the main character being unlikable and uncool,", "these mistakes and more. So how come I'm literally blind", "not matching up well, or the main character being unlikable", "for these mistakes and more. So how come I'm literally", "and uncool, or introducing way too much terminology early on", "advice, it's still super helpful because my writing has a", "my writing. Even if it's something as basic as the", "mistakes and more. So how come I'm literally blind to", "my writing, even if most of their feedback is Writing", "and subtle stuff alike) while writing and editing my writing.", "own work? How can I learn to find the errors", "to find the errors in my writing? Or is it", "these flaws (big picture stuff, and subtle stuff alike) while", "Or is it impossible to get better at this, and", "glaring faults in my own work? How can I learn", "and should I focus on getting a lot of editors?", "the ending not matching up well, or the main character", "alike) while writing and editing my writing. Even if it's", "other people's works for these mistakes and more. So how", "learn to find the errors in my writing? Or is", "errors in my writing? Or is it impossible to get", "Even if it's something as basic as the beginning and", "on -- I've criticized other people's works for these mistakes", "has a lot of flaws. But I never notice these", "better at this, and should I focus on getting a", "as basic as the beginning and the ending not matching", "stuff, and subtle stuff alike) while writing and editing my", "the errors in my writing? Or is it impossible to", "writing, even if most of their feedback is Writing 101", "-- I've criticized other people's works for these mistakes and", "writing? Or is it impossible to get better at this,", "helpful because my writing has a lot of flaws. But", "stuff alike) while writing and editing my writing. Even if", "the beginning and the ending not matching up well, or", "to the glaring faults in my own work? How can", "works for these mistakes and more. So how come I'm", "because my writing has a lot of flaws. But I", "I never notice these flaws (big picture stuff, and subtle", "So how come I'm literally blind to the glaring faults", "of flaws. But I never notice these flaws (big picture", "and more. So how come I'm literally blind to the", "if it's something as basic as the beginning and the", "flaws. But I never notice these flaws (big picture stuff," ]
[ "set in a dystopia. The main character is on a", "a train journey until suddenly the train got hijacked by", "group. The terrorists aren’t inside the trains so most passengers", "is set in a dystopia. The main character is on", "is on a train journey until suddenly the train got", "a dystopia. The main character is on a train journey", "just know the train is going at speeds faster than", "is going at speeds faster than it should and that", "suddenly the train got hijacked by a terrorist group. The", "The terrorists aren’t inside the trains so most passengers don’t", "the trains so most passengers don’t know what is actually", "train is going at speeds faster than it should and", "My story is set in a dystopia. The main character", "inside the trains so most passengers don’t know what is", "going at speeds faster than it should and that it’s", "know what is actually happening. They just know the train", "journey until suddenly the train got hijacked by a terrorist", "know the train is going at speeds faster than it", "terrorist group. The terrorists aren’t inside the trains so most", "than it should and that it’s going off the actual", "and that it’s going off the actual tracks into pedestrian", "train got hijacked by a terrorist group. The terrorists aren’t", "the train is going at speeds faster than it should", "by a terrorist group. The terrorists aren’t inside the trains", "aren’t inside the trains so most passengers don’t know what", "speeds faster than it should and that it’s going off", "in a dystopia. The main character is on a train", "don’t know what is actually happening. They just know the", "is actually happening. They just know the train is going", "happening. They just know the train is going at speeds", "dystopia. The main character is on a train journey until", "that it’s going off the actual tracks into pedestrian areas.", "hijacked by a terrorist group. The terrorists aren’t inside the", "passengers don’t know what is actually happening. They just know", "They just know the train is going at speeds faster", "so most passengers don’t know what is actually happening. They", "trains so most passengers don’t know what is actually happening.", "most passengers don’t know what is actually happening. They just", "main character is on a train journey until suddenly the", "should and that it’s going off the actual tracks into", "at speeds faster than it should and that it’s going", "got hijacked by a terrorist group. The terrorists aren’t inside", "terrorists aren’t inside the trains so most passengers don’t know", "on a train journey until suddenly the train got hijacked", "faster than it should and that it’s going off the", "train journey until suddenly the train got hijacked by a", "character is on a train journey until suddenly the train", "it should and that it’s going off the actual tracks", "what is actually happening. They just know the train is", "the train got hijacked by a terrorist group. The terrorists", "The main character is on a train journey until suddenly", "until suddenly the train got hijacked by a terrorist group.", "story is set in a dystopia. The main character is", "a terrorist group. The terrorists aren’t inside the trains so", "actually happening. They just know the train is going at" ]
[ "seems to care. How can I convey that uneasy feeling", "notices strange things with the train like thudding on the", "like thudding on the roof but no one else seems", "no one else seems to care. How can I convey", "strange things with the train like thudding on the roof", "My character is on a train that’s about to be", "with the train like thudding on the roof but no", "care. How can I convey that uneasy feeling you get", "get when you feel like something bad is going to", "when you feel like something bad is going to happen?", "train like thudding on the roof but no one else", "I convey that uneasy feeling you get when you feel", "be hijacked. She notices strange things with the train like", "feeling you get when you feel like something bad is", "the train like thudding on the roof but no one", "roof but no one else seems to care. How can", "thudding on the roof but no one else seems to", "to be hijacked. She notices strange things with the train", "but no one else seems to care. How can I", "that uneasy feeling you get when you feel like something", "things with the train like thudding on the roof but", "can I convey that uneasy feeling you get when you", "else seems to care. How can I convey that uneasy", "uneasy feeling you get when you feel like something bad", "How can I convey that uneasy feeling you get when", "convey that uneasy feeling you get when you feel like", "one else seems to care. How can I convey that", "to care. How can I convey that uneasy feeling you", "that’s about to be hijacked. She notices strange things with", "train that’s about to be hijacked. She notices strange things", "hijacked. She notices strange things with the train like thudding", "on the roof but no one else seems to care.", "you get when you feel like something bad is going", "She notices strange things with the train like thudding on", "about to be hijacked. She notices strange things with the", "a train that’s about to be hijacked. She notices strange", "the roof but no one else seems to care. How", "is on a train that’s about to be hijacked. She", "character is on a train that’s about to be hijacked.", "on a train that’s about to be hijacked. She notices" ]
[ "making some improvements, such as spreading the big bad's description", "him to help his associate, and ordered his guards to", "in one paragraph. The prologue introduced him playing chess, getting", "simply dumping it all in one paragraph. The prologue introduced", "someone begging him to help his associate, and ordered his", "his game. However, I've had some criticisms such as the", "rather than just simply dumping it all in one paragraph.", "playing chess, getting interrupted by someone begging him to help", "objective, (I use 3rd person, and try to avoid 1st", "However, I've had some criticisms such as the perspective being", "introduce the main villain of the story, and I've been", "had some criticisms such as the perspective being too objective,", "description across the prologue, rather than just simply dumping it", "associate, and ordered his guards to dispose of the interloper", "use 3rd person, and try to avoid 1st person), and", "bad's description across the prologue, rather than just simply dumping", "I know it'll never be perfect, but I at least", "chess, getting interrupted by someone begging him to help his", "and ordered his guards to dispose of the interloper before", "the perspective being too objective, (I use 3rd person, and", "perfect, but I at least want it to at least", "main villain of the story, and I've been working on", "Now, my prologue exists mainly to introduce the main villain", "dispose of the interloper before returning to his game. However,", "and try to avoid 1st person), and a few other", "be perfect, but I at least want it to at", "doing a rewrite of my story, starting with the prologue.", "starting with the prologue. Now, my prologue exists mainly to", "exists mainly to introduce the main villain of the story,", "such as the perspective being too objective, (I use 3rd", "improvements, such as spreading the big bad's description across the", "interrupted by someone begging him to help his associate, and", "paragraph. The prologue introduced him playing chess, getting interrupted by", "some criticisms such as the perspective being too objective, (I", "and I've been working on making some improvements, such as", "it all in one paragraph. The prologue introduced him playing", "just simply dumping it all in one paragraph. The prologue", "to help his associate, and ordered his guards to dispose", "as the perspective being too objective, (I use 3rd person,", "working on making some improvements, such as spreading the big", "know it'll never be perfect, but I at least want", "the big bad's description across the prologue, rather than just", "but I at least want it to at least be", "as spreading the big bad's description across the prologue, rather", "never be perfect, but I at least want it to", "introduced him playing chess, getting interrupted by someone begging him", "the prologue, rather than just simply dumping it all in", "across the prologue, rather than just simply dumping it all", "getting interrupted by someone begging him to help his associate,", "ordered his guards to dispose of the interloper before returning", "to dispose of the interloper before returning to his game.", "been working on making some improvements, such as spreading the", "my story, starting with the prologue. Now, my prologue exists", "too objective, (I use 3rd person, and try to avoid", "other things. I know it'll never be perfect, but I", "I've been working on making some improvements, such as spreading", "few other things. I know it'll never be perfect, but", "being too objective, (I use 3rd person, and try to", "him playing chess, getting interrupted by someone begging him to", "such as spreading the big bad's description across the prologue,", "a few other things. I know it'll never be perfect,", "one paragraph. The prologue introduced him playing chess, getting interrupted", "The prologue introduced him playing chess, getting interrupted by someone", "prologue. Now, my prologue exists mainly to introduce the main", "all in one paragraph. The prologue introduced him playing chess,", "prologue introduced him playing chess, getting interrupted by someone begging", "1st person), and a few other things. I know it'll", "to his game. However, I've had some criticisms such as", "a rewrite of my story, starting with the prologue. Now,", "than just simply dumping it all in one paragraph. The", "game. However, I've had some criticisms such as the perspective", "perspective being too objective, (I use 3rd person, and try", "on making some improvements, such as spreading the big bad's", "his associate, and ordered his guards to dispose of the", "person, and try to avoid 1st person), and a few", "story, starting with the prologue. Now, my prologue exists mainly", "villain of the story, and I've been working on making", "3rd person, and try to avoid 1st person), and a", "story, and I've been working on making some improvements, such", "the main villain of the story, and I've been working", "prologue exists mainly to introduce the main villain of the", "things. I know it'll never be perfect, but I at", "to introduce the main villain of the story, and I've", "currently doing a rewrite of my story, starting with the", "avoid 1st person), and a few other things. I know", "some improvements, such as spreading the big bad's description across", "the prologue. Now, my prologue exists mainly to introduce the", "of the story, and I've been working on making some", "I am currently doing a rewrite of my story, starting", "rewrite of my story, starting with the prologue. Now, my", "my prologue exists mainly to introduce the main villain of", "prologue, rather than just simply dumping it all in one", "and a few other things. I know it'll never be", "to avoid 1st person), and a few other things. I", "before returning to his game. However, I've had some criticisms", "the interloper before returning to his game. However, I've had", "person), and a few other things. I know it'll never", "returning to his game. However, I've had some criticisms such", "mainly to introduce the main villain of the story, and", "I at least want it to at least be more", "criticisms such as the perspective being too objective, (I use", "try to avoid 1st person), and a few other things.", "big bad's description across the prologue, rather than just simply", "by someone begging him to help his associate, and ordered", "spreading the big bad's description across the prologue, rather than", "it'll never be perfect, but I at least want it", "the story, and I've been working on making some improvements,", "his guards to dispose of the interloper before returning to", "help his associate, and ordered his guards to dispose of", "interloper before returning to his game. However, I've had some", "(I use 3rd person, and try to avoid 1st person),", "I've had some criticisms such as the perspective being too", "of my story, starting with the prologue. Now, my prologue", "guards to dispose of the interloper before returning to his", "at least want it to at least be more engaging.", "am currently doing a rewrite of my story, starting with", "begging him to help his associate, and ordered his guards", "dumping it all in one paragraph. The prologue introduced him", "of the interloper before returning to his game. However, I've", "with the prologue. Now, my prologue exists mainly to introduce" ]
[ "“The unified realm of my childhood,” Hubykd hoped to avoid", "children carried the blood of the traitor, and she carried", "> > “The unified realm of my childhood,” Hubykd hoped", "of the traitor, and she carried more than her share", "councilor for all the districts.” > > > Should I", "the children carried the blood of the traitor, and she", "disintegration; the children carried the blood of the traitor, and", "to indicate the break and resumption of Hubykd's dialog that", "For example: > > “The unified realm of my childhood,”", "hoped to avoid discussing the reasons for its disintegration; the", "her share of the scars, “had one councilor for all", "the break and resumption of Hubykd's dialog that was interrupted", "of narrative within dialog in a single sentence? For example:", "use dashes or em dashes to indicate the break and", "I use dashes or em dashes to indicate the break", "blood of the traitor, and she carried more than her", "or em dashes to indicate the break and resumption of", "of my childhood,” Hubykd hoped to avoid discussing the reasons", "childhood,” Hubykd hoped to avoid discussing the reasons for its", "share of the scars, “had one councilor for all the", "of Hubykd's dialog that was interrupted by her thoughts? Do", "What is the most appealing way to insert a bit", "the scars, “had one councilor for all the districts.” >", "my childhood,” Hubykd hoped to avoid discussing the reasons for", "that was interrupted by her thoughts? Do I capitalize \"had\"", "is the most appealing way to insert a bit of", "reasons for its disintegration; the children carried the blood of", "the blood of the traitor, and she carried more than", "Hubykd's dialog resumes? 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How, precisely should this example", "example: > > “The unified realm of my childhood,” Hubykd", "to avoid discussing the reasons for its disintegration; the children", "indicate the break and resumption of Hubykd's dialog that was", "dialog in a single sentence? For example: > > “The", "insert a bit of narrative within dialog in a single", "more than her share of the scars, “had one councilor", "and resumption of Hubykd's dialog that was interrupted by her", "its disintegration; the children carried the blood of the traitor,", "the districts.” > > > Should I use dashes or", "the most appealing way to insert a bit of narrative", "in a single sentence? For example: > > “The unified", "avoid discussing the reasons for its disintegration; the children carried", "Should I use dashes or em dashes to indicate the", "interrupted by her thoughts? 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Do I capitalize \"had\" when Hubykd's dialog resumes?", "carried the blood of the traitor, and she carried more", "to insert a bit of narrative within dialog in a", "carried more than her share of the scars, “had one", "bit of narrative within dialog in a single sentence? For", "Hubykd's dialog that was interrupted by her thoughts? Do I", "dashes to indicate the break and resumption of Hubykd's dialog", "a single sentence? For example: > > “The unified realm", "the traitor, and she carried more than her share of", "when Hubykd's dialog resumes? How, precisely should this example be", "appealing way to insert a bit of narrative within dialog", "she carried more than her share of the scars, “had", "of the scars, “had one councilor for all the districts.”", "> > > Should I use dashes or em dashes", "scars, “had one councilor for all the districts.” > >", "for its disintegration; the children carried the blood of the", "Hubykd hoped to avoid discussing the reasons for its disintegration;", "> Should I use dashes or em dashes to indicate", "realm of my childhood,” Hubykd hoped to avoid discussing the", "the reasons for its disintegration; the children carried the blood", "one councilor for all the districts.” > > > Should" ]
[ "the novel's main character, but the father is still in", "of the Past * A number of chapters of backstory", "chapters of backstory (life) of father of main character, but", "sense, as in, a good way to handle a backstory", "a good way to handle a backstory that is necessary", "but son, who is the main character for rest of", "Present Day; * A number of chapters about the son,", "the novel. Does this make sense, as in, a good", "for rest of book is not in it, but mentioned.", "novel's main character, but the father is still in the", "backstory (life) of father of main character, but son, who", "novel. Does this make sense, as in, a good way", "good way to handle a backstory that is necessary but", "about the son, who is the novel's main character, but", "Table of Contents: * Prologue * 24 Years Ago: Omissions", "but mentioned. * Present Day; * A number of chapters", "of father of main character, but son, who is the", "make sense, as in, a good way to handle a", "rest of book is not in it, but mentioned. ", " A number of chapters of backstory (life) of father", "son, who is the novel's main character, but the father", "is the novel's main character, but the father is still", "24 Years Ago: Omissions of the Past * A number", "handle a backstory that is necessary but does not easily", "(life) of father of main character, but son, who is", "character for rest of book is not in it, but", "is the main character for rest of book is not", "as in, a good way to handle a backstory that", "to handle a backstory that is necessary but does not", "who is the novel's main character, but the father is", "of book is not in it, but mentioned. * Present", "of chapters about the son, who is the novel's main", "Omissions of the Past * A number of chapters of", "that is necessary but does not easily fit into the", "book is not in it, but mentioned. * Present Day;", "* Prologue * 24 Years Ago: Omissions of the Past", "but the father is still in the story to the", "in, a good way to handle a backstory that is", "of backstory (life) of father of main character, but son,", "to the end of the novel. Does this make sense,", "the son, who is the novel's main character, but the", "the father is still in the story to the end", "Does this make sense, as in, a good way to", "still in the story to the end of the novel.", "number of chapters about the son, who is the novel's", "main character for rest of book is not in it,", "Years Ago: Omissions of the Past * A number of", "son, who is the main character for rest of book", "this make sense, as in, a good way to handle", "Day; * A number of chapters about the son, who", "chapters about the son, who is the novel's main character,", "the main character for rest of book is not in", "is not in it, but mentioned. * Present Day; ", "not in it, but mentioned. Present Day; * A", "character, but son, who is the main character for rest", "Ago: Omissions of the Past * A number of chapters", "main character, but the father is still in the story", "number of chapters of backstory (life) of father of main", "father of main character, but son, who is the main", "of chapters of backstory (life) of father of main character,", "main character, but son, who is the main character for", "story to the end of the novel. Does this make", "a backstory that is necessary but does not easily fit", "way to handle a backstory that is necessary but does", "father is still in the story to the end of", "* 24 Years Ago: Omissions of the Past * A", "the story to the end of the novel. Does this", "Prologue * 24 Years Ago: Omissions of the Past ", "Past A number of chapters of backstory (life) of", "in the story to the end of the novel. Does", "the Past * A number of chapters of backstory (life)", "mentioned. * Present Day; * A number of chapters about", "backstory that is necessary but does not easily fit into", "A number of chapters of backstory (life) of father of", "the end of the novel. Does this make sense, as", "* A number of chapters about the son, who is", "Contents: * Prologue * 24 Years Ago: Omissions of the", "is still in the story to the end of the", "in it, but mentioned. * Present Day; * A number", "of Contents: * Prologue * 24 Years Ago: Omissions of", "of main character, but son, who is the main character", "end of the novel. Does this make sense, as in,", "* Present Day; * A number of chapters about the", "is necessary but does not easily fit into the \"main\"", "who is the main character for rest of book is", "of the novel. Does this make sense, as in, a", "it, but mentioned. * Present Day; * A number of", "A number of chapters about the son, who is the", "character, but the father is still in the story to", "necessary but does not easily fit into the \"main\" story?" ]
[ "use quotations? What should or shouldn’t be capitalized? Any help", "left me very frustrated. I’m currently proof reading a novel", "questions are, should Impromptu and Ständchen be italicized or should", "but my search bore no fruit and left me very", "not sure how to properly format them. My questions are,", "the internet for help, but my search bore no fruit", "should I use quotations? What should or shouldn’t be capitalized?", "proof reading a novel I plan to publish soon and", "I plan to publish soon and I’ve run into a", "should Impromptu and Ständchen be italicized or should I use", "down at a piano to play two pieces: Ycxuqegt’s Impromptu", "My questions are, should Impromptu and Ständchen be italicized or", "I’ve run into a little snag. So my character sits", "currently proof reading a novel I plan to publish soon", "snag. So my character sits down at a piano to", "into a little snag. So my character sits down at", "piano to play two pieces: Ycxuqegt’s Impromptu No. 3 in", "I use quotations? What should or shouldn’t be capitalized? Any", "Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957, No. 4.", "my search bore no fruit and left me very frustrated.", "shouldn’t be capitalized? Any help would be greatly appreciated. :)", "Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op. 90 and", "90 and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is,", "I’ve scoured the internet for help, but my search bore", "I’m not sure how to properly format them. My questions", "italicized or should I use quotations? What should or shouldn’t", "two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op.", "or should I use quotations? What should or shouldn’t be", "help, but my search bore no fruit and left me", "be italicized or should I use quotations? What should or", "and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is, I’m", "no fruit and left me very frustrated. I’m currently proof", "a novel I plan to publish soon and I’ve run", "pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op. 90", "Impromptu and Ständchen be italicized or should I use quotations?", "frustrated. I’m currently proof reading a novel I plan to", "plan to publish soon and I’ve run into a little", "quotations? What should or shouldn’t be capitalized? Any help would", "and Ständchen be italicized or should I use quotations? What", "my character sits down at a piano to play two", "to play two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat", "or shouldn’t be capitalized? Any help would be greatly appreciated.", "search bore no fruit and left me very frustrated. I’m", "4. Trouble is, I’m not sure how to properly format", "me very frustrated. I’m currently proof reading a novel I", "character sits down at a piano to play two pieces:", "very frustrated. I’m currently proof reading a novel I plan", "3 in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D.", "properly format them. My questions are, should Impromptu and Ständchen", "No. 4. Trouble is, I’m not sure how to properly", "publish soon and I’ve run into a little snag. So", "fruit and left me very frustrated. I’m currently proof reading", "No. 3 in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen,", "Ständchen be italicized or should I use quotations? What should", "sits down at a piano to play two pieces: Ycxuqegt’s", "are, should Impromptu and Ständchen be italicized or should I", "run into a little snag. So my character sits down", "little snag. So my character sits down at a piano", "G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957, No.", "Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is, I’m not", "bore no fruit and left me very frustrated. I’m currently", "internet for help, but my search bore no fruit and", "So my character sits down at a piano to play", "to properly format them. My questions are, should Impromptu and", "a piano to play two pieces: Ycxuqegt’s Impromptu No. 3", "Ständchen, D. 957, No. 4. Trouble is, I’m not sure", "to publish soon and I’ve run into a little snag.", "for help, but my search bore no fruit and left", "I’m currently proof reading a novel I plan to publish", "scoured the internet for help, but my search bore no", "should or shouldn’t be capitalized? Any help would be greatly", "and left me very frustrated. I’m currently proof reading a", "Op. 90 and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble", "sure how to properly format them. My questions are, should", "reading a novel I plan to publish soon and I’ve", "957, No. 4. Trouble is, I’m not sure how to", "at a piano to play two pieces: Ycxuqegt’s Impromptu No.", "Trouble is, I’m not sure how to properly format them.", "Impromptu No. 3 in G-Flat Major, Op. 90 and Ycxuqegt’s", "how to properly format them. My questions are, should Impromptu", "them. My questions are, should Impromptu and Ständchen be italicized", "D. 957, No. 4. Trouble is, I’m not sure how", "What should or shouldn’t be capitalized? Any help would be", "and I’ve run into a little snag. So my character", "a little snag. So my character sits down at a", "format them. My questions are, should Impromptu and Ständchen be", "soon and I’ve run into a little snag. So my", "novel I plan to publish soon and I’ve run into", "is, I’m not sure how to properly format them. My", "in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957,", "play two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major," ]
[ "when figuring out how to display a list of names", "leads to a problem when figuring out how to display", "figuring out how to display a list of names in", "can and in some cases will be mononyms, and in", "Should I change the way that I format the full", "change the way that I format the full name, and", "and for mononyms just 'given name'. Should I change the", "full name with a first and last name. This leads", "alphabetical order. For full names the 'sorting' format is 'family", "'given name' and 'givenName familyName'? Or is there a more", "cases will be mononyms, and in other cases a full", "display a list of names in alphabetical order. For full", "system for a video game, where a player or NPC's", "compare it to 'given name' and 'givenName familyName'? Or is", "'givenName familyName'? Or is there a more appropriate way to", "and 'givenName familyName'? Or is there a more appropriate way", "name' and 'givenName familyName'? Or is there a more appropriate", "first and last name. This leads to a problem when", "the way that I format the full name, and compare", "and in some cases will be mononyms, and in other", "how to display a list of names in alphabetical order.", "names in alphabetical order. For full names the 'sorting' format", "and last name. This leads to a problem when figuring", "the full name, and compare it to 'given name' and", "video game, where a player or NPC's name can and", "name with a first and last name. This leads to", "I format the full name, and compare it to 'given", "of names in alphabetical order. For full names the 'sorting'", "For full names the 'sorting' format is 'family name, given", "for mononyms just 'given name'. Should I change the way", "I change the way that I format the full name,", "given name', and for mononyms just 'given name'. Should I", "player or NPC's name can and in some cases will", "'sorting' format is 'family name, given name', and for mononyms", "name can and in some cases will be mononyms, and", "it to 'given name' and 'givenName familyName'? Or is there", "name. This leads to a problem when figuring out how", "names the 'sorting' format is 'family name, given name', and", "developing a naming system for a video game, where a", "game, where a player or NPC's name can and in", "mononyms, and in other cases a full name with a", "list of names in alphabetical order. For full names the", "a player or NPC's name can and in some cases", "other cases a full name with a first and last", "for a video game, where a player or NPC's name", "mononyms just 'given name'. Should I change the way that", "a problem when figuring out how to display a list", "full name, and compare it to 'given name' and 'givenName", "is 'family name, given name', and for mononyms just 'given", "in some cases will be mononyms, and in other cases", "name, given name', and for mononyms just 'given name'. Should", "a video game, where a player or NPC's name can", "a naming system for a video game, where a player", "with a first and last name. This leads to a", "full names the 'sorting' format is 'family name, given name',", "last name. This leads to a problem when figuring out", "'given name'. Should I change the way that I format", "problem when figuring out how to display a list of", "in other cases a full name with a first and", "the 'sorting' format is 'family name, given name', and for", "to display a list of names in alphabetical order. For", "be mononyms, and in other cases a full name with", "format is 'family name, given name', and for mononyms just", "a list of names in alphabetical order. For full names", "to a problem when figuring out how to display a", "cases a full name with a first and last name.", "This leads to a problem when figuring out how to", "'family name, given name', and for mononyms just 'given name'.", "out how to display a list of names in alphabetical", "a full name with a first and last name. This", "NPC's name can and in some cases will be mononyms,", "format the full name, and compare it to 'given name'", "that I format the full name, and compare it to", "name'. Should I change the way that I format the", "Or is there a more appropriate way to handle mononyms?", "name', and for mononyms just 'given name'. Should I change", "where a player or NPC's name can and in some", "will be mononyms, and in other cases a full name", "name, and compare it to 'given name' and 'givenName familyName'?", "to 'given name' and 'givenName familyName'? Or is there a", "in alphabetical order. For full names the 'sorting' format is", "way that I format the full name, and compare it", "and in other cases a full name with a first", "I'm developing a naming system for a video game, where", "a first and last name. This leads to a problem", "and compare it to 'given name' and 'givenName familyName'? Or", "order. For full names the 'sorting' format is 'family name,", "naming system for a video game, where a player or", "or NPC's name can and in some cases will be", "familyName'? Or is there a more appropriate way to handle", "just 'given name'. Should I change the way that I", "some cases will be mononyms, and in other cases a" ]
[ "She’d look just as good in this dress with her", "before the dialogue like this example below? Is this formatted", "by her irritation, but replied without his usual sarcasm, “Well,", "of paragraphs with dialogue. I know that you should start", "“Remind me again why the agency chose me for this", "fundementals. I'm editing some work now and I'm confused about", "some work now and I'm confused about proper formatting of", "speaker, but is that more in a back in forth", "Any advice is appreciated. > > Adellyn or her partner", "me again why the agency chose me for this mission?”", "looks good in a dress.” > > > Adellyn snorted", "dialogue like this example below? Is this formatted correctly and", "to have the dialogue starting in a new paragraph because", "formatting of paragraphs with dialogue. I know that you should", "before the dialogue? Any advice is appreciated. > > Adellyn", "their boss had insisted she wear rode up to an", "The dress their boss had insisted she wear rode up", "keep tugging it back down. “Remind me again why the", "like this example below? Is this formatted correctly and does", "> > > Qhea grinned, amused by her irritation, but", "more in a back in forth conversation? What if there's", "partner Qhea had never ridden in a limo as luxurious", "again. “Seems like everyone’s forgotten about Fiunu. She’d look just", "replied without his usual sarcasm, “Well, you’re the only one", "unladylike and shifted in her seat again. “Seems like everyone’s", "a beginner writer, trying to learn fundementals. I'm editing some", "forgotten about Fiunu. She’d look just as good in this", "again why the agency chose me for this mission?” she", "wear rode up to an almost indecent height, forcing her", "learn fundementals. I'm editing some work now and I'm confused", "in a new paragraph because there's action before the dialogue?", "new paragraph because there's action before the dialogue? Any advice", "just as good in this dress with her golden blonde", "> > Qhea grinned, amused by her irritation, but replied", "start a new paragraph when there's a new speaker, but", "is appreciated. > > Adellyn or her partner Qhea had", "because there's action before the dialogue? Any advice is appreciated.", "editing some work now and I'm confused about proper formatting", "forcing her to keep tugging it back down. “Remind me", "in a back in forth conversation? What if there's actions", "but is that more in a back in forth conversation?", "and tan skin. Plus, she’s used to wearing them.” >", "I'm a beginner writer, trying to learn fundementals. I'm editing", "formatted correctly and does it not need to have the", "limo as luxurious as this. 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What if there's actions or context before the", "that more in a back in forth conversation? What if", "usual sarcasm, “Well, you’re the only one on the team", "Is this formatted correctly and does it not need to", "she wear rode up to an almost indecent height, forcing", "know that you should start a new paragraph when there's", "height, forcing her to keep tugging it back down. “Remind", "paragraph when there's a new speaker, but is that more", "agency chose me for this mission?” she asked. > >", "golden blonde hair and tan skin. Plus, she’s used to", "beginner writer, trying to learn fundementals. I'm editing some work", "confused about proper formatting of paragraphs with dialogue. I know", "one on the team who looks good in a dress.”", "> > Adellyn or her partner Qhea had never ridden", "the agency chose me for this mission?” she asked. >", "correctly and does it not need to have the dialogue", "she asked. > > > Qhea grinned, amused by her", "skin. Plus, she’s used to wearing them.” > > >", "> Adellyn snorted unladylike and shifted in her seat again.", "appreciated. > > Adellyn or her partner Qhea had never", "I'm editing some work now and I'm confused about proper", "Adellyn snorted unladylike and shifted in her seat again. “Seems", "paragraphs with dialogue. I know that you should start a", "when there's a new speaker, but is that more in", "this. The dress their boss had insisted she wear rode", "What if there's actions or context before the dialogue like", "a new paragraph because there's action before the dialogue? Any", "with dialogue. I know that you should start a new", "on the team who looks good in a dress.” >", "> Qhea grinned, amused by her irritation, but replied without", "writer, trying to learn fundementals. I'm editing some work now", "had never ridden in a limo as luxurious as this.", "as this. The dress their boss had insisted she wear", "for this mission?” she asked. > > > Qhea grinned,", "hair and tan skin. Plus, she’s used to wearing them.”", "boss had insisted she wear rode up to an almost", "team who looks good in a dress.” > > >", "who looks good in a dress.” > > > Adellyn", "Fiunu. She’d look just as good in this dress with", "a new speaker, but is that more in a back", "example below? Is this formatted correctly and does it not", "new speaker, but is that more in a back in", "and does it not need to have the dialogue starting", "ridden in a limo as luxurious as this. The dress", "paragraph because there's action before the dialogue? Any advice is", "dress their boss had insisted she wear rode up to", "the dialogue like this example below? Is this formatted correctly", "luxurious as this. The dress their boss had insisted she", "but replied without his usual sarcasm, “Well, you’re the only", "new paragraph when there's a new speaker, but is that", "actions or context before the dialogue like this example below?", "her to keep tugging it back down. “Remind me again", "a new paragraph when there's a new speaker, but is", "below? Is this formatted correctly and does it not need", "there's action before the dialogue? Any advice is appreciated. >", "Adellyn or her partner Qhea had never ridden in a", "advice is appreciated. > > Adellyn or her partner Qhea", "chose me for this mission?” she asked. > > >", "this dress with her golden blonde hair and tan skin.", "Qhea had never ridden in a limo as luxurious as", "without his usual sarcasm, “Well, you’re the only one on", "with her golden blonde hair and tan skin. Plus, she’s", "to keep tugging it back down. “Remind me again why", "tugging it back down. “Remind me again why the agency", "back in forth conversation? What if there's actions or context", "or her partner Qhea had never ridden in a limo", "a limo as luxurious as this. The dress their boss", "grinned, amused by her irritation, but replied without his usual", "never ridden in a limo as luxurious as this. The", "there's a new speaker, but is that more in a", "to learn fundementals. I'm editing some work now and I'm", "everyone’s forgotten about Fiunu. She’d look just as good in", "good in a dress.” > > > Adellyn snorted unladylike", "a dress.” > > > Adellyn snorted unladylike and shifted", "his usual sarcasm, “Well, you’re the only one on the", "indecent height, forcing her to keep tugging it back down.", "as good in this dress with her golden blonde hair", "you’re the only one on the team who looks good", "action before the dialogue? Any advice is appreciated. > >", "only one on the team who looks good in a", "dialogue? Any advice is appreciated. > > Adellyn or her", "an almost indecent height, forcing her to keep tugging it", "her irritation, but replied without his usual sarcasm, “Well, you’re", "dialogue. I know that you should start a new paragraph", "the dialogue starting in a new paragraph because there's action", "this formatted correctly and does it not need to have", "that you should start a new paragraph when there's a", "it not need to have the dialogue starting in a", "have the dialogue starting in a new paragraph because there's", "not need to have the dialogue starting in a new", "blonde hair and tan skin. Plus, she’s used to wearing", "is that more in a back in forth conversation? What", "her partner Qhea had never ridden in a limo as", "> > Adellyn snorted unladylike and shifted in her seat", "snorted unladylike and shifted in her seat again. “Seems like", "her seat again. “Seems like everyone’s forgotten about Fiunu. She’d", "you should start a new paragraph when there's a new", "“Seems like everyone’s forgotten about Fiunu. She’d look just as", "sarcasm, “Well, you’re the only one on the team who", "her golden blonde hair and tan skin. Plus, she’s used", "look just as good in this dress with her golden", "proper formatting of paragraphs with dialogue. I know that you", "work now and I'm confused about proper formatting of paragraphs", "now and I'm confused about proper formatting of paragraphs with", "there's actions or context before the dialogue like this example", "need to have the dialogue starting in a new paragraph", "> > > Adellyn snorted unladylike and shifted in her", "about proper formatting of paragraphs with dialogue. I know that", "the dialogue? Any advice is appreciated. > > Adellyn or", "like everyone’s forgotten about Fiunu. She’d look just as good", "amused by her irritation, but replied without his usual sarcasm,", "dialogue starting in a new paragraph because there's action before", "in a dress.” > > > Adellyn snorted unladylike and", "“Well, you’re the only one on the team who looks", "Qhea grinned, amused by her irritation, but replied without his", "trying to learn fundementals. I'm editing some work now and", "why the agency chose me for this mission?” she asked.", "down. “Remind me again why the agency chose me for", "if there's actions or context before the dialogue like this", "I'm confused about proper formatting of paragraphs with dialogue. I", "> Adellyn or her partner Qhea had never ridden in", "the team who looks good in a dress.” > >", "the only one on the team who looks good in", "conversation? What if there's actions or context before the dialogue", "dress with her golden blonde hair and tan skin. Plus,", "dress.” > > > Adellyn snorted unladylike and shifted in", "irritation, but replied without his usual sarcasm, “Well, you’re the" ]
[ "The language at that time has changed so much as", "person in the future is on the continent that used", "used to be North America, and would be a descendant", "to be North America, and would be a descendant of", "spoken, it sounds fast paced with lots of rolling Rs", "to be able to understand certain words, but the rest", "is imperative to the plot that she speaks American English.", "more than English. German has usually sounded thick with lots", "During this time that it is not working, I want", "with the sounds and accents that come with language. I", "from the outside. When I hear Spanish spoken, it sounds", "with lots of tongue movement and harsher in some phrases.", "life. Earth is entirely different now. It has been millions", "The scenario is that a person from our present time", "and trying to communicate with them. The traveler has a", "day American English would sound to someone in that time", "is that a person from our present time travels millions", "of years into the future. A catastrophic event caused the", "speakers. I want them to be able to understand certain", "at that time has changed so much as humans had", "Continents to shift and reform, and wiped out near all", "with them. The traveler has a device that translates for", "the outside. When I hear Spanish spoken, it sounds fast", "language at that time has changed so much as humans", "for them but it is malfunctioning. During this time that", "it is malfunctioning. During this time that it is not", "malfunctioning. During this time that it is not working, I", "a descendant of English speakers. 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German", "it sounds because I have never heard it from the", "language so I am struggling to explain how it sounds", "years into the future. A catastrophic event caused the Continents", "understand certain words, but the rest to be gibberish. English", "to explain how it sounds because I have never heard", "of years. The language at that time has changed so", "person in the future, meeting the traveler and trying to", "some phrases. Could anyone else explain their experience with English", "American English would sound to someone in that time period.", "someone in that time period. Not with actual quotations, but", "and wiped out near all life. Earth is entirely different", "rest to be gibberish. English is my first language so", "When I hear Spanish spoken, it sounds fast paced with", "Ys. It flows more than English. German has usually sounded", "different now. It has been millions of years. The language", "travels millions of years into the future. A catastrophic event", "from our present time travels millions of years into the", "that it is not working, I want to describe roughly", "actual quotations, but with the sounds and accents that come", "from the perspective of the person in the future, meeting", "than English. German has usually sounded thick with lots of", "able to understand certain words, but the rest to be", "to re-evolve and they cannot understand our form of English.", "words, but the rest to be gibberish. English is my", "the person in the future, meeting the traveler and trying", "will say the person in the future is on the", "our form of English. I am writing this scene from", "it is not working, I want to describe roughly how", "a device that translates for them but it is malfunctioning.", "working, I want to describe roughly how present day American", "in that time period. Not with actual quotations, but with", "English is my first language so I am struggling to", "It is imperative to the plot that she speaks American", "into the future. A catastrophic event caused the Continents to", "the perspective of the person in the future, meeting the", "in some phrases. Could anyone else explain their experience with", "future. A catastrophic event caused the Continents to shift and", "scene from the perspective of the person in the future,", "has a device that translates for them but it is", "first language so I am struggling to explain how it", "to be gibberish. English is my first language so I", "their experience with English in this way? It is imperative", "experience with English in this way? It is imperative to", "quotations, but with the sounds and accents that come with", "writing this scene from the perspective of the person in", "I will say the person in the future is on", "way? It is imperative to the plot that she speaks", "they cannot understand our form of English. I am writing", "them but it is malfunctioning. During this time that it", "millions of years. The language at that time has changed", "years. The language at that time has changed so much", "to someone in that time period. Not with actual quotations,", "device that translates for them but it is malfunctioning. During", "time period. Not with actual quotations, but with the sounds", "gibberish. English is my first language so I am struggling", "soft Ys. It flows more than English. German has usually", "North America, and would be a descendant of English speakers.", "the sounds and accents that come with language. I will", "in the future, meeting the traveler and trying to communicate", "anyone else explain their experience with English in this way?", "entirely different now. It has been millions of years. 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[ "comment: > > The term slaves may be considered dehumanizing.", "plight was awful, so why replace the derogatory word? Is", "help to acknowledge the humanity of enslaved people. > >", "enslaved peoples now regarded as the proper term to use", "appears, Grammarly recommends I change it to \"enslaved peoples\", with", "The term slaves may be considered dehumanizing. Different wording may", "the derogatory word? Is enslaved peoples now regarded as the", "conventions used by historians. Whenever 'slaves' appears, Grammarly recommends I", "audience of 12-13-year old students. Though for young students, I", "Grammarly recommends I change it to \"enslaved peoples\", with this", "conventions highly academic, so students are exposed to real conventions", "change it to \"enslaved peoples\", with this comment: > >", "be considered dehumanizing. Different wording may help to acknowledge the", "to acknowledge the humanity of enslaved people. > > >", "Though for young students, I try to keep conventions highly", "wrote a passage about slavery, with a target audience of", "Whenever 'slaves' appears, Grammarly recommends I change it to \"enslaved", "peoples\", with this comment: > > The term slaves may", "academic, so students are exposed to real conventions used by", "connotation, and my goal in writing it to make the", "for young students, I try to keep conventions highly academic,", "may be considered dehumanizing. Different wording may help to acknowledge", "Is enslaved peoples now regarded as the proper term to", "try to keep conventions highly academic, so students are exposed", "of 12-13-year old students. Though for young students, I try", "so why replace the derogatory word? Is enslaved peoples now", "it to \"enslaved peoples\", with this comment: > > The", "dehumanizing. Different wording may help to acknowledge the humanity of", "readers understand their plight was awful, so why replace the", "young students, I try to keep conventions highly academic, so", "a target audience of 12-13-year old students. Though for young", "Different wording may help to acknowledge the humanity of enslaved", "enslaved people. > > > This suggestion confuses me, because", "derogatory connotation, and my goal in writing it to make", "make the readers understand their plight was awful, so why", "students. Though for young students, I try to keep conventions", "\"enslaved peoples\", with this comment: > > The term slaves", "recommends I change it to \"enslaved peoples\", with this comment:", "a passage about slavery, with a target audience of 12-13-year", "now regarded as the proper term to use in academia?", "writing it to make the readers understand their plight was", "with this comment: > > The term slaves may be", "my goal in writing it to make the readers understand", "to keep conventions highly academic, so students are exposed to", "are exposed to real conventions used by historians. Whenever 'slaves'", "may help to acknowledge the humanity of enslaved people. >", "and my goal in writing it to make the readers", "> > > This suggestion confuses me, because though \"slaves\"", "has a derogatory connotation, and my goal in writing it", "derogatory word? Is enslaved peoples now regarded as the proper", "This suggestion confuses me, because though \"slaves\" has a derogatory", "so students are exposed to real conventions used by historians.", "to \"enslaved peoples\", with this comment: > > The term", "students are exposed to real conventions used by historians. Whenever", "students, I try to keep conventions highly academic, so students", "their plight was awful, so why replace the derogatory word?", "slaves may be considered dehumanizing. Different wording may help to", "though \"slaves\" has a derogatory connotation, and my goal in", "replace the derogatory word? Is enslaved peoples now regarded as", "peoples now regarded as the proper term to use in", "used by historians. Whenever 'slaves' appears, Grammarly recommends I change", "> > The term slaves may be considered dehumanizing. Different", "was awful, so why replace the derogatory word? Is enslaved", "acknowledge the humanity of enslaved people. > > > This", "why replace the derogatory word? Is enslaved peoples now regarded", "12-13-year old students. Though for young students, I try to", "humanity of enslaved people. > > > This suggestion confuses", "with a target audience of 12-13-year old students. Though for", "highly academic, so students are exposed to real conventions used", "confuses me, because though \"slaves\" has a derogatory connotation, and", "> > This suggestion confuses me, because though \"slaves\" has", "understand their plight was awful, so why replace the derogatory", "\"slaves\" has a derogatory connotation, and my goal in writing", "passage about slavery, with a target audience of 12-13-year old", "by historians. Whenever 'slaves' appears, Grammarly recommends I change it", "a derogatory connotation, and my goal in writing it to", "people. > > > This suggestion confuses me, because though", "old students. Though for young students, I try to keep", "I change it to \"enslaved peoples\", with this comment: >", "> The term slaves may be considered dehumanizing. Different wording", "word? Is enslaved peoples now regarded as the proper term", "wording may help to acknowledge the humanity of enslaved people.", "goal in writing it to make the readers understand their", "the readers understand their plight was awful, so why replace", "about slavery, with a target audience of 12-13-year old students.", "slavery, with a target audience of 12-13-year old students. Though", "to make the readers understand their plight was awful, so", "suggestion confuses me, because though \"slaves\" has a derogatory connotation,", "this comment: > > The term slaves may be considered", "because though \"slaves\" has a derogatory connotation, and my goal", "the humanity of enslaved people. > > > This suggestion", "I wrote a passage about slavery, with a target audience", "term slaves may be considered dehumanizing. Different wording may help", "keep conventions highly academic, so students are exposed to real", "to real conventions used by historians. Whenever 'slaves' appears, Grammarly", "it to make the readers understand their plight was awful,", "real conventions used by historians. Whenever 'slaves' appears, Grammarly recommends", "exposed to real conventions used by historians. Whenever 'slaves' appears,", "target audience of 12-13-year old students. Though for young students,", "me, because though \"slaves\" has a derogatory connotation, and my", "considered dehumanizing. Different wording may help to acknowledge the humanity", "historians. Whenever 'slaves' appears, Grammarly recommends I change it to", "in writing it to make the readers understand their plight", "awful, so why replace the derogatory word? Is enslaved peoples", "of enslaved people. > > > This suggestion confuses me,", "'slaves' appears, Grammarly recommends I change it to \"enslaved peoples\",", "I try to keep conventions highly academic, so students are", "> This suggestion confuses me, because though \"slaves\" has a" ]
[ "takes place in an apartment building. Various apartment numbers are", "are referenced often. 503 is where the murder takes place.", "where the murder takes place. Everyone always says each digit", "the unit. So... how should it be written? Five-o-three or", "unit. So... how should it be written? Five-o-three or 503", "often. 503 is where the murder takes place. Everyone always", "be written? Five-o-three or 503 or five oh three? Thanks", "it be written? Five-o-three or 503 or five oh three?", "I am editing a mystery that takes place in an", "numbers are referenced often. 503 is where the murder takes", "am editing a mystery that takes place in an apartment", "referenced often. 503 is where the murder takes place. Everyone", "in an apartment building. Various apartment numbers are referenced often.", "building. Various apartment numbers are referenced often. 503 is where", "says each digit when referring to the unit. So... how", "a mystery that takes place in an apartment building. Various", "apartment numbers are referenced often. 503 is where the murder", "mystery that takes place in an apartment building. Various apartment", "should it be written? Five-o-three or 503 or five oh", "is where the murder takes place. Everyone always says each", "an apartment building. Various apartment numbers are referenced often. 503", "each digit when referring to the unit. So... how should", "Everyone always says each digit when referring to the unit.", "503 is where the murder takes place. Everyone always says", "Five-o-three or 503 or five oh three? Thanks in advance!!", "apartment building. Various apartment numbers are referenced often. 503 is", "that takes place in an apartment building. Various apartment numbers", "referring to the unit. So... how should it be written?", "digit when referring to the unit. So... how should it", "written? Five-o-three or 503 or five oh three? Thanks in", "takes place. Everyone always says each digit when referring to", "place in an apartment building. Various apartment numbers are referenced", "murder takes place. Everyone always says each digit when referring", "how should it be written? Five-o-three or 503 or five", "always says each digit when referring to the unit. So...", "Various apartment numbers are referenced often. 503 is where the", "place. Everyone always says each digit when referring to the", "So... how should it be written? Five-o-three or 503 or", "the murder takes place. Everyone always says each digit when", "to the unit. So... how should it be written? Five-o-three", "when referring to the unit. So... how should it be", "editing a mystery that takes place in an apartment building." ]
[ "the plots, characters etc., so I end up with the", "short stories to practice writing itself (style, pacing, emotion, descriptions…).", "so that I can focus on telling the story instead", "same problem. There are plenty of prompts for writing out", "him * Etc. * They put stones in the belly", "Xolg and chats with him * Etc. * They put", "to the same problem. Is it possible to find a", "original at all, I just look for some exercises. For", "her not to speak to strangers * Little girls finds", "find myself planning the plots, characters etc., so I end", "In the meantime, I would like to write some short", "focus on telling the story instead of inventing or finding", "Mum * Grandma is sick at the other side of", "stories to practice writing itself (style, pacing, emotion, descriptions…). However,", "I am planning the plot in detail and doing worldbuilding.", "same problem. Is it possible to find a place with", "in the forest with Mum * Grandma is sick at", "to practice writing itself (style, pacing, emotion, descriptions…). However, when", "him into the river. * Happy ending. Foity tales are", "I would like to write some short stories to practice", "the Xolg and throw him into the river. * Happy", "a find myself planning the plots, characters etc., so I", "chats with him * Etc. * They put stones in", "speak to strangers * Little girls finds the Xolg and", "sick at the other side of the forest * Mum", "* Happy ending. Foity tales are an option and I", "with short stories ready to be told, so that I", "and warns her not to speak to strangers * Little", "to visit Grandma and warns her not to speak to", "worldbuilding. In the meantime, I would like to write some", "girls finds the Xolg and chats with him * Etc.", "strangers * Little girls finds the Xolg and chats with", "the meantime, I would like to write some short stories", "put stones in the belly of the Xolg and throw", "are plenty of prompts for writing out there, but they", "can focus on telling the story instead of inventing or", "lives in the forest with Mum * Grandma is sick", "on telling the story instead of inventing or finding it?.", "and chats with him * Etc. * They put stones", "find a place with short stories ready to be told,", "* Mum tells her to visit Grandma and warns her", "* Grandma is sick at the other side of the", "not to speak to strangers * Little girls finds the", "plots, characters etc., so I end up with the same", "Grandma and warns her not to speak to strangers ", "I’m writing a novel. I am planning the plot in", "Hood: Little girl lives in the forest with Mum", "to find a place with short stories ready to be", "are an option and I might try, but I don’t", "Is it possible to find a place with short stories", "some exercises. For example, imagine Little Red Riding Hood: ", "lead to the same problem. Is it possible to find", "am planning the plot in detail and doing worldbuilding. In", "Little girls finds the Xolg and chats with him ", "imagine Little Red Riding Hood: * Little girl lives in", "stones in the belly of the Xolg and throw him", "might try, but I don’t feel very compelled by them.", "like to write some short stories to practice writing itself", "inventing or finding it?. They don’t need to be original", "possible to find a place with short stories ready to", "end up with the same problem. There are plenty of", "emotion, descriptions…). However, when I start a short story a", "there, but they lead to the same problem. Is it", "Red Riding Hood: * Little girl lives in the forest", "so I end up with the same problem. There are", "some short stories to practice writing itself (style, pacing, emotion,", "at the other side of the forest * Mum tells", "told, so that I can focus on telling the story", "a novel. I am planning the plot in detail and", "Little girl lives in the forest with Mum * Grandma", "her to visit Grandma and warns her not to speak", "plot in detail and doing worldbuilding. In the meantime, I", "belly of the Xolg and throw him into the river.", "finding it?. They don’t need to be original at all,", "Foity tales are an option and I might try, but", "detail and doing worldbuilding. In the meantime, I would like", "story instead of inventing or finding it?. They don’t need", "problem. There are plenty of prompts for writing out there,", "instead of inventing or finding it?. They don’t need to", "the Xolg and chats with him * Etc. * They", "finds the Xolg and chats with him * Etc. ", "planning the plot in detail and doing worldbuilding. In the", "up with the same problem. There are plenty of prompts", "Xolg and throw him into the river. Happy ending.", "Riding Hood: * Little girl lives in the forest with", "doing worldbuilding. In the meantime, I would like to write", "the plot in detail and doing worldbuilding. In the meantime,", "forest with Mum * Grandma is sick at the other", "warns her not to speak to strangers * Little girls", "they lead to the same problem. Is it possible to", "side of the forest * Mum tells her to visit", "writing a novel. I am planning the plot in detail", "* Etc. * They put stones in the belly of", "of prompts for writing out there, but they lead to", "prompts for writing out there, but they lead to the", "or finding it?. They don’t need to be original at", "I just look for some exercises. For example, imagine Little", "exercises. For example, imagine Little Red Riding Hood: * Little", "forest * Mum tells her to visit Grandma and warns", "Mum tells her to visit Grandma and warns her not", "it?. They don’t need to be original at all, I", "the belly of the Xolg and throw him into the", "the story instead of inventing or finding it?. They don’t", "telling the story instead of inventing or finding it?. They", "of the Xolg and throw him into the river. ", "problem. Is it possible to find a place with short", "don’t need to be original at all, I just look", "stories ready to be told, so that I can focus", "I might try, but I don’t feel very compelled by", " Little girl lives in the forest with Mum ", "out there, but they lead to the same problem. Is", "in the belly of the Xolg and throw him into", "with Mum Grandma is sick at the other side", "etc., so I end up with the same problem. There", "* Little girls finds the Xolg and chats with him", "throw him into the river. * Happy ending. Foity tales", "a short story a find myself planning the plots, characters", "and I might try, but I don’t feel very compelled", "I can focus on telling the story instead of inventing", "be original at all, I just look for some exercises.", "and doing worldbuilding. In the meantime, I would like to", "would like to write some short stories to practice writing", "to speak to strangers * Little girls finds the Xolg", "with the same problem. There are plenty of prompts for", "Etc. * They put stones in the belly of the", "the river. * Happy ending. Foity tales are an option", "They put stones in the belly of the Xolg and", "be told, so that I can focus on telling the", "a place with short stories ready to be told, so", "to write some short stories to practice writing itself (style,", "option and I might try, but I don’t feel very", "story a find myself planning the plots, characters etc., so", "planning the plots, characters etc., so I end up with", "for writing out there, but they lead to the same", "that I can focus on telling the story instead of", "of inventing or finding it?. They don’t need to be", "visit Grandma and warns her not to speak to strangers", "all, I just look for some exercises. For example, imagine", "at all, I just look for some exercises. For example,", "plenty of prompts for writing out there, but they lead", "to strangers * Little girls finds the Xolg and chats", "it possible to find a place with short stories ready", "novel. I am planning the plot in detail and doing", "place with short stories ready to be told, so that", "tales are an option and I might try, but I", "They don’t need to be original at all, I just", "Happy ending. Foity tales are an option and I might", "Grandma is sick at the other side of the forest", "just look for some exercises. For example, imagine Little Red", "into the river. * Happy ending. Foity tales are an", "There are plenty of prompts for writing out there, but", "pacing, emotion, descriptions…). However, when I start a short story", "I start a short story a find myself planning the", "* They put stones in the belly of the Xolg", "writing out there, but they lead to the same problem.", "to be told, so that I can focus on telling", "need to be original at all, I just look for", "the same problem. Is it possible to find a place", "However, when I start a short story a find myself", "For example, imagine Little Red Riding Hood: * Little girl", "write some short stories to practice writing itself (style, pacing,", "ready to be told, so that I can focus on", "I end up with the same problem. There are plenty", "girl lives in the forest with Mum * Grandma is", "meantime, I would like to write some short stories to", "to be original at all, I just look for some", "itself (style, pacing, emotion, descriptions…). However, when I start a", "when I start a short story a find myself planning", "river. * Happy ending. Foity tales are an option and", "start a short story a find myself planning the plots,", "the forest * Mum tells her to visit Grandma and", "Little Red Riding Hood: * Little girl lives in the", "the forest with Mum * Grandma is sick at the", "and throw him into the river. * Happy ending. Foity", "of the forest * Mum tells her to visit Grandma", "practice writing itself (style, pacing, emotion, descriptions…). However, when I", "with him * Etc. * They put stones in the", "descriptions…). However, when I start a short story a find", "look for some exercises. For example, imagine Little Red Riding", "ending. Foity tales are an option and I might try,", "writing itself (style, pacing, emotion, descriptions…). However, when I start", "for some exercises. For example, imagine Little Red Riding Hood:", "myself planning the plots, characters etc., so I end up", "characters etc., so I end up with the same problem.", "is sick at the other side of the forest ", "but they lead to the same problem. Is it possible", "the other side of the forest Mum tells her", "in detail and doing worldbuilding. In the meantime, I would", "an option and I might try, but I don’t feel", "short story a find myself planning the plots, characters etc.,", "short stories ready to be told, so that I can", "example, imagine Little Red Riding Hood: * Little girl lives", "(style, pacing, emotion, descriptions…). However, when I start a short", "tells her to visit Grandma and warns her not to", "the same problem. There are plenty of prompts for writing", "other side of the forest * Mum tells her to" ]
[ "be both intuitively understandable and rankable to an average English", "injury levels in total, from superficial (currently named \"bruised\") to", "order to different people, they would consistently order them the", "be some alien limb without bones at all. I'm going", "dozen injury levels in total, from superficial (currently named \"bruised\")", "given out of order to different people, they would consistently", "rankable to an average English speaker. That is, if the", "so long as they establish a general degree of injury.", "that is as impaired in its primary function as a", "a mangled right arm or a sprained leg, but still", "intuitive guidelines for what ballpark of injuries a given level", "A \"broken\" limb means a limb that is as impaired", "not the actual nature of the injury. A \"broken\" limb", "easily be mistaken for permanent impairment and is also often", "accompanied by the numerical injury level. These terms aren't meant", "them the same way. It's fine if they don't anatomically", "terms was given out of order to different people, they", "primary function as a partially broken arm would be, even", "limb without bones at all. I'm going to need about", "system, but rather flavor it and provide intuitive guidelines for", "a distinct degree of functional impairment, not the actual nature", "mangled right arm or a sprained leg, but still accompanied", "it happens to be some alien limb without bones at", "to \"might as well not be there\" (currently named \"crippled\").", "not be there\" (currently named \"crippled\"). Right now I have:", "of functional impairment, not the actual nature of the injury.", "for adjectives to describe incremental degrees of injuries of various", "It's fine if they don't anatomically make sense for every", "a sprained head or a broken eye, so long as", "both intuitively understandable and rankable to an average English speaker.", "every kind of body part, e.g. a sprained head or", "bones at all. I'm going to need about half a", "with \"crippled\" as it could easily be mistaken for permanent", "eye, so long as they establish a general degree of", "They should be both intuitively understandable and rankable to an", "and rankable to an average English speaker. That is, if", "people, they would consistently order them the same way. It's", "about half a dozen injury levels in total, from superficial", "same way. It's fine if they don't anatomically make sense", "would be, even if it happens to be some alien", "various body parts for an RPG system. They should be", "from superficial (currently named \"bruised\") to \"might as well not", "e.g. a sprained head or a broken eye, so long", "some alien limb without bones at all. I'm going to", "term to describe disabilities. These would be prefixed to body", "would be prefixed to body parts when describing injured characters,", "to body parts when describing injured characters, e.g. a mangled", "English speaker. That is, if the list of injury terms", "be there\" (currently named \"crippled\"). Right now I have: 1.", "disabilities. These would be prefixed to body parts when describing", "would consistently order them the same way. It's fine if", "6. Crippled. I'm the least happy with \"crippled\" as it", "speaker. That is, if the list of injury terms was", "functional impairment, not the actual nature of the injury. A", "Crippled. I'm the least happy with \"crippled\" as it could", "adjectives to describe incremental degrees of injuries of various body", "of injury terms was given out of order to different", "I'm the least happy with \"crippled\" as it could easily", "nature of the injury. A \"broken\" limb means a limb", "permanent impairment and is also often used as a term", "for permanent impairment and is also often used as a", "\"crippled\" as it could easily be mistaken for permanent impairment", "actual nature of the injury. A \"broken\" limb means a", "represent a distinct degree of functional impairment, not the actual", "(currently named \"crippled\"). Right now I have: 1. Bruised 2.", "the list of injury terms was given out of order", "a general degree of injury. Injury levels are meant to", "\"crippled\"). Right now I have: 1. Bruised 2. Sprained 3.", "if it happens to be some alien limb without bones", "leg, but still accompanied by the numerical injury level. These", "a dozen injury levels in total, from superficial (currently named", "broken arm would be, even if it happens to be", "partially broken arm would be, even if it happens to", "still accompanied by the numerical injury level. These terms aren't", "prefixed to body parts when describing injured characters, e.g. a", "means a limb that is as impaired in its primary", "I'm going to need about half a dozen injury levels", "(currently named \"bruised\") to \"might as well not be there\"", "if they don't anatomically make sense for every kind of", "and is also often used as a term to describe", "to represent a distinct degree of functional impairment, not the", "These terms aren't meant to replace the numerical system, but", "an average English speaker. That is, if the list of", "1. Bruised 2. Sprained 3. Injured 4. Broken 5. Mangled", "impaired in its primary function as a partially broken arm", "of various body parts for an RPG system. They should", "flavor it and provide intuitive guidelines for what ballpark of", "are meant to represent a distinct degree of functional impairment,", "of injuries of various body parts for an RPG system.", "superficial (currently named \"bruised\") to \"might as well not be", "it could easily be mistaken for permanent impairment and is", "5. Mangled 6. Crippled. I'm the least happy with \"crippled\"", "when describing injured characters, e.g. a mangled right arm or", "but still accompanied by the numerical injury level. These terms", "terms aren't meant to replace the numerical system, but rather", "levels in total, from superficial (currently named \"bruised\") to \"might", "looking for adjectives to describe incremental degrees of injuries of", "injury terms was given out of order to different people,", "the actual nature of the injury. A \"broken\" limb means", "meant to replace the numerical system, but rather flavor it", "injury level. These terms aren't meant to replace the numerical", "could easily be mistaken for permanent impairment and is also", "limb that is as impaired in its primary function as", "of body part, e.g. a sprained head or a broken", "a limb that is as impaired in its primary function", "different people, they would consistently order them the same way.", "the same way. It's fine if they don't anatomically make", "to describe disabilities. These would be prefixed to body parts", "describe incremental degrees of injuries of various body parts for", "going to need about half a dozen injury levels in", "be, even if it happens to be some alien limb", "head or a broken eye, so long as they establish", "is, if the list of injury terms was given out", "sprained leg, but still accompanied by the numerical injury level.", "to different people, they would consistently order them the same", "intuitively understandable and rankable to an average English speaker. That", "named \"crippled\"). Right now I have: 1. Bruised 2. Sprained", "mistaken for permanent impairment and is also often used as", "degrees of injuries of various body parts for an RPG", "of injury. Injury levels are meant to represent a distinct", "out of order to different people, they would consistently order", "level. These terms aren't meant to replace the numerical system,", "I'm looking for adjectives to describe incremental degrees of injuries", "a partially broken arm would be, even if it happens", "of the injury. A \"broken\" limb means a limb that", "describing injured characters, e.g. a mangled right arm or a", "they would consistently order them the same way. It's fine", "if the list of injury terms was given out of", "was given out of order to different people, they would", "body part, e.g. a sprained head or a broken eye,", "These would be prefixed to body parts when describing injured", "as it could easily be mistaken for permanent impairment and", "but rather flavor it and provide intuitive guidelines for what", "Mangled 6. Crippled. I'm the least happy with \"crippled\" as", "e.g. a mangled right arm or a sprained leg, but", "sprained head or a broken eye, so long as they", "degree of injury. Injury levels are meant to represent a", "need about half a dozen injury levels in total, from", "it and provide intuitive guidelines for what ballpark of injuries", "now I have: 1. Bruised 2. Sprained 3. Injured 4.", "broken eye, so long as they establish a general degree", "injury. Injury levels are meant to represent a distinct degree", "the least happy with \"crippled\" as it could easily be", "of order to different people, they would consistently order them", "order them the same way. It's fine if they don't", "arm or a sprained leg, but still accompanied by the", "aren't meant to replace the numerical system, but rather flavor", "numerical system, but rather flavor it and provide intuitive guidelines", "half a dozen injury levels in total, from superficial (currently", "incremental degrees of injuries of various body parts for an", "happens to be some alien limb without bones at all.", "in its primary function as a partially broken arm would", "arm would be, even if it happens to be some", "I have: 1. Bruised 2. Sprained 3. Injured 4. Broken", "its primary function as a partially broken arm would be,", "by the numerical injury level. These terms aren't meant to", "is also often used as a term to describe disabilities.", "they establish a general degree of injury. Injury levels are", "even if it happens to be some alien limb without", "anatomically make sense for every kind of body part, e.g.", "characters, e.g. a mangled right arm or a sprained leg,", "total, from superficial (currently named \"bruised\") to \"might as well", "\"might as well not be there\" (currently named \"crippled\"). Right", "be prefixed to body parts when describing injured characters, e.g.", "3. Injured 4. Broken 5. Mangled 6. Crippled. I'm the", "often used as a term to describe disabilities. These would", "way. It's fine if they don't anatomically make sense for", "should be both intuitively understandable and rankable to an average", "rather flavor it and provide intuitive guidelines for what ballpark", "meant to represent a distinct degree of functional impairment, not", "long as they establish a general degree of injury. Injury", "a broken eye, so long as they establish a general", "as a term to describe disabilities. These would be prefixed", "named \"bruised\") to \"might as well not be there\" (currently", "least happy with \"crippled\" as it could easily be mistaken", "list of injury terms was given out of order to", "Injury levels are meant to represent a distinct degree of", "as well not be there\" (currently named \"crippled\"). Right now", "an RPG system. They should be both intuitively understandable and", "RPG system. They should be both intuitively understandable and rankable", "understandable and rankable to an average English speaker. That is,", "general degree of injury. Injury levels are meant to represent", "is as impaired in its primary function as a partially", "2. Sprained 3. Injured 4. Broken 5. Mangled 6. Crippled.", "guidelines for what ballpark of injuries a given level represents.", "the numerical injury level. These terms aren't meant to replace", "to describe incremental degrees of injuries of various body parts", "in total, from superficial (currently named \"bruised\") to \"might as", "there\" (currently named \"crippled\"). Right now I have: 1. Bruised", "make sense for every kind of body part, e.g. a", "\"broken\" limb means a limb that is as impaired in", "used as a term to describe disabilities. These would be", "parts for an RPG system. They should be both intuitively", "impairment, not the actual nature of the injury. A \"broken\"", "Right now I have: 1. Bruised 2. Sprained 3. Injured", "impairment and is also often used as a term to", "and provide intuitive guidelines for what ballpark of injuries a", "parts when describing injured characters, e.g. a mangled right arm", "injured characters, e.g. a mangled right arm or a sprained", "Broken 5. Mangled 6. Crippled. I'm the least happy with", "replace the numerical system, but rather flavor it and provide", "without bones at all. I'm going to need about half", "function as a partially broken arm would be, even if", "have: 1. Bruised 2. Sprained 3. Injured 4. Broken 5.", "system. They should be both intuitively understandable and rankable to", "the numerical system, but rather flavor it and provide intuitive", "4. Broken 5. Mangled 6. Crippled. I'm the least happy", "limb means a limb that is as impaired in its", "to be some alien limb without bones at all. I'm", "kind of body part, e.g. a sprained head or a", "part, e.g. a sprained head or a broken eye, so", "alien limb without bones at all. I'm going to need", "Injured 4. Broken 5. Mangled 6. Crippled. I'm the least", "fine if they don't anatomically make sense for every kind", "as they establish a general degree of injury. Injury levels", "body parts for an RPG system. They should be both", "all. I'm going to need about half a dozen injury", "body parts when describing injured characters, e.g. a mangled right", "injuries of various body parts for an RPG system. They", "sense for every kind of body part, e.g. a sprained", "numerical injury level. These terms aren't meant to replace the", "Sprained 3. Injured 4. Broken 5. Mangled 6. Crippled. I'm", "describe disabilities. These would be prefixed to body parts when", "as impaired in its primary function as a partially broken", "\"bruised\") to \"might as well not be there\" (currently named", "at all. I'm going to need about half a dozen", "they don't anatomically make sense for every kind of body", "well not be there\" (currently named \"crippled\"). Right now I", "the injury. A \"broken\" limb means a limb that is", "establish a general degree of injury. Injury levels are meant", "also often used as a term to describe disabilities. These", "injury. A \"broken\" limb means a limb that is as", "to need about half a dozen injury levels in total,", "consistently order them the same way. It's fine if they", "for every kind of body part, e.g. a sprained head", "to an average English speaker. That is, if the list", "average English speaker. That is, if the list of injury", "a term to describe disabilities. These would be prefixed to", "That is, if the list of injury terms was given", "degree of functional impairment, not the actual nature of the", "be mistaken for permanent impairment and is also often used", "or a sprained leg, but still accompanied by the numerical", "right arm or a sprained leg, but still accompanied by", "a sprained leg, but still accompanied by the numerical injury", "as a partially broken arm would be, even if it", "to replace the numerical system, but rather flavor it and", "distinct degree of functional impairment, not the actual nature of", "levels are meant to represent a distinct degree of functional", "or a broken eye, so long as they establish a", "don't anatomically make sense for every kind of body part,", "provide intuitive guidelines for what ballpark of injuries a given", "Bruised 2. Sprained 3. Injured 4. Broken 5. Mangled 6.", "happy with \"crippled\" as it could easily be mistaken for", "for an RPG system. They should be both intuitively understandable" ]
[ "go back to William Shakespeare's days and beyond. Thus, in", "> > > Here's my question: If you were writing", "> > Who calls so loud? > > > ...", "my dear.\" > > > The Englishwoman: > > >", "than a week?\" > > > The Englishwoman: > >", "AFTERNOON > > > An incredulous-looking COP approaches. Seck and", "> > > What do you think? Is it okay", "about?\" > > > The Englishwoman: > > > \"You", "> > An incredulous-looking COP approaches. Seck and Jolr stare", "days. Not the same thing.\" > > > The Frenchman:", "the bet.\" > > > The Frenchman: > > >", "question: If you were writing a story and came to", "\"Don't try to weasel your way out of this. You've", "\"Oh, no. Pedantic? You?\" > > > The Englishwoman, stubbornly:", "> > > The Englishwoman, stubbornly: > > > \"Three", "Here's my question: If you were writing a story and", "Apothecary. > > > APOTHECARY > > Who calls so", "> > > \"You said, three days. Not the same", "and Juliet* (to pick a play at random), the Apothecary", "> Who calls so loud? > > > ... and", "said, three days. Not the same thing.\" > > >", "was. What are you talking about?\" > > > The", "> > Here's my question: If you were writing a", "(in the dialogue and blocking) as, simply, APOTHECARY, and not", "> > \"Of course it was. What are you talking", "> Enter Apothecary. > > > APOTHECARY > > Who", "them less than a week?\" > > > The Englishwoman:", "simply, APOTHECARY, and not \"the Apothecary.\" As in: > >", "> > \"This hair-splitting doesn't become you at all, my", "APOTHECARY, and not \"the Apothecary.\" As in: > > Enter", "writing a story and came to a point in which", "back to William Shakespeare's days and beyond. Thus, in Romeo", "in: > > INT. STREET - SUNNY AFTERNOON > >", "approaches. Seck and Jolr stare at him. > > >", "hair-splitting doesn't become you at all, my dear.\" > >", "and screenplays, a nameless character - say, an incredulous-looking cop", "> The Frenchman: > > > \"Oh, no. Pedantic? You?\"", "you think? Is it okay not to drop the article?", "You said, three days.\" > > > The Frenchman: >", "a play at random), the Apothecary is referred to (in", "would become, in dialogue format, INCREDULOUS-LOOKING COP. As in: >", "> > ... and the Prince simply as PRINCE. In", "say, an incredulous-looking cop - would become, in dialogue format,", "> > > INCREDULOUS-LOOKING COP > > What are you", "lost the bet. You owe me.\" > > > The", "\"Three days. You said, three days.\" > > > The", "three days.\" > > > The Frenchman: > > >", "random), the Apothecary is referred to (in the dialogue and", "> > > \"Three days. You said, three days.\" >", "> > > An incredulous-looking COP approaches. Seck and Jolr", "to a point in which two characters engaged in friendly", "out of this. You've lost the bet. You owe me.\"", "so loud? > > > ... and the Prince simply", "the definite article in dramatic dialogue seems to go back", "\"Well, didn't I say it would take them less than", "you were writing a story and came to a point", "tradition of dropping the definite article in dramatic dialogue seems", "beach, the Frenchman and the Englishwoman looked skeptically at the", "> > > \"Don't try to weasel your way out", "The Frenchman: > > > \"Of course it was. What", "dialogue and blocking) as, simply, APOTHECARY, and not \"the Apothecary.\"", "> \"Oh, no. Pedantic? You?\" > > > The Englishwoman,", "said, three days.\" > > > The Frenchman: > >", "a week?\" > > > The Englishwoman: > > >", "eyebrows sarcastically. > > > What do you think? Is", "> The Frenchman: > > > \"Of course it was.", "I say it would take them less than a week?\"", "article? As in: > > Standing on the beach, the", "the definite article? As in: > > Standing on the", "ship. > > > The Frenchman said: > > >", "and beyond. Thus, in Romeo and Juliet* (to pick a", "story and came to a point in which two characters", "> > APOTHECARY > > Who calls so loud? >", "Frenchman: > > > \"Oh, no. Pedantic? You?\" > >", "all, my dear.\" > > > The Englishwoman: > >", "> > > \"This hair-splitting doesn't become you at all,", "> > > \"That wasn't the bet.\" > > >", "> > > The Frenchman: > > > \"Oh, no.", "Standing on the beach, the Frenchman and the Englishwoman looked", "simply as PRINCE. In contemporary plays and screenplays, a nameless", "an incredulous-looking cop - would become, in dialogue format, INCREDULOUS-LOOKING", "and the Prince simply as PRINCE. In contemporary plays and", "be okay NOT to drop the definite article? As in:", "STREET - SUNNY AFTERNOON > > > An incredulous-looking COP", "> > > \"Of course it was. What are you", "try to weasel your way out of this. You've lost", "> \"That wasn't the bet.\" > > > The Frenchman:", "bet. You owe me.\" > > > The Frenchman shrugged.", "> > \"Three days. You said, three days.\" > >", "are you morons even doing here? > > > Here's", "> Here's my question: If you were writing a story", "As in: > > INT. STREET - SUNNY AFTERNOON >", "> The Englishwoman: > > > \"You said, three days.", "What are you morons even doing here? > > >", "> > > The Frenchman shrugged. The Englishwoman raised her", "> > > \"Oh, no. Pedantic? You?\" > > >", "would it be okay NOT to drop the definite article?", "three days. Not the same thing.\" > > > The", "> > \"Well, didn't I say it would take them", "Romeo and Juliet (to pick a play at random), the", "stare at him. > > > INCREDULOUS-LOOKING COP > >", "> INCREDULOUS-LOOKING COP > > What are you morons even", "> The Englishwoman: > > > \"That wasn't the bet.\"", "incredulous-looking COP approaches. Seck and Jolr stare at him. >", "you talking about?\" > > > The Englishwoman: > >", "nameless character - say, an incredulous-looking cop - would become,", "the approaching ship. > > > The Frenchman said: >", "> > \"That wasn't the bet.\" > > > The", "at random), the Apothecary is referred to (in the dialogue", "Enter Apothecary. > > > APOTHECARY > > Who calls", "okay NOT to drop the definite article? As in: >", "and the Englishwoman looked skeptically at the approaching ship. >", "play at random), the Apothecary is referred to (in the", "on the beach, the Frenchman and the Englishwoman looked skeptically", "definite article in dramatic dialogue seems to go back to", "> > INCREDULOUS-LOOKING COP > > What are you morons", "dropping the definite article in dramatic dialogue seems to go", "COP approaches. Seck and Jolr stare at him. > >", "> \"Three days. You said, three days.\" > > >", "> > \"Don't try to weasel your way out of", "in Romeo and Juliet (to pick a play at random),", "The Englishwoman: > > > \"That wasn't the bet.\" >", "at the approaching ship. > > > The Frenchman said:", "my question: If you were writing a story and came", "are you talking about?\" > > > The Englishwoman: >", "> > What do you think? Is it okay not", "Jolr stare at him. > > > INCREDULOUS-LOOKING COP >", "> > > The Frenchman: > > > \"This hair-splitting", "drop the definite article? As in: > > Standing on", "friendly banter, would it be okay NOT to drop the", "it was. What are you talking about?\" > > >", "loud? > > > ... and the Prince simply as", "The Englishwoman raised her eyebrows sarcastically. > > > What", "in dialogue format, INCREDULOUS-LOOKING COP. As in: > > INT.", "and Jolr stare at him. > > > INCREDULOUS-LOOKING COP", "screenplays, a nameless character - say, an incredulous-looking cop -", "Prince simply as PRINCE. In contemporary plays and screenplays, a", "incredulous-looking cop - would become, in dialogue format, INCREDULOUS-LOOKING COP.", "here? > > > Here's my question: If you were", "at all, my dear.\" > > > The Englishwoman: >", "me.\" > > > The Frenchman shrugged. The Englishwoman raised", "didn't I say it would take them less than a", "to weasel your way out of this. You've lost the", "of this. You've lost the bet. You owe me.\" >", "> > > The Englishwoman: > > > \"You said,", "> ... and the Prince simply as PRINCE. In contemporary", "weasel your way out of this. You've lost the bet.", "Frenchman and the Englishwoman looked skeptically at the approaching ship.", "You've lost the bet. You owe me.\" > > >", "Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically. > >", "in which two characters engaged in friendly banter, would it", "(to pick a play at random), the Apothecary is referred", "banter, would it be okay NOT to drop the definite", "> Standing on the beach, the Frenchman and the Englishwoman", "this. You've lost the bet. You owe me.\" > >", "in: > > Enter Apothecary. > > > APOTHECARY >", "- SUNNY AFTERNOON > > > An incredulous-looking COP approaches.", "the dialogue and blocking) as, simply, APOTHECARY, and not \"the", "COP > > What are you morons even doing here?", "plays and screenplays, a nameless character - say, an incredulous-looking", "is referred to (in the dialogue and blocking) as, simply,", "dialogue format, INCREDULOUS-LOOKING COP. As in: > > INT. STREET", "dear.\" > > > The Englishwoman: > > > \"Don't", "> > The Englishwoman: > > > \"You said, three", "Englishwoman raised her eyebrows sarcastically. > > > What do", "> INT. STREET - SUNNY AFTERNOON > > > An", "What are you talking about?\" > > > The Englishwoman:", "days and beyond. Thus, in Romeo and Juliet (to pick", "Englishwoman, stubbornly: > > > \"Three days. You said, three", "INCREDULOUS-LOOKING COP > > What are you morons even doing", "talking about?\" > > > The Englishwoman: > > >", "> \"This hair-splitting doesn't become you at all, my dear.\"", "> > \"Oh, no. Pedantic? You?\" > > > The", "sarcastically. > > > What do you think? Is it", "dialogue seems to go back to William Shakespeare's days and", "the Apothecary is referred to (in the dialogue and blocking)", "> > The Frenchman said: > > > \"Well, didn't", "engaged in friendly banter, would it be okay NOT to", "> > Standing on the beach, the Frenchman and the", "stubbornly: > > > \"Three days. You said, three days.\"", "to go back to William Shakespeare's days and beyond. Thus,", "> The Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically.", "Who calls so loud? > > > ... and the", "skeptically at the approaching ship. > > > The Frenchman", "contemporary plays and screenplays, a nameless character - say, an", "PRINCE. In contemporary plays and screenplays, a nameless character -", "Thus, in Romeo and Juliet (to pick a play at", "him. > > > INCREDULOUS-LOOKING COP > > What are", "to (in the dialogue and blocking) as, simply, APOTHECARY, and", "a nameless character - say, an incredulous-looking cop - would", "say it would take them less than a week?\" >", "> > The Frenchman: > > > \"Oh, no. Pedantic?", "> The Englishwoman, stubbornly: > > > \"Three days. You", "and not \"the Apothecary.\" As in: > > Enter Apothecary.", "looked skeptically at the approaching ship. > > > The", "the bet. You owe me.\" > > > The Frenchman", "NOT to drop the definite article? As in: > >", "wasn't the bet.\" > > > The Frenchman: > >", "format, INCREDULOUS-LOOKING COP. As in: > > INT. STREET -", "doesn't become you at all, my dear.\" > > >", "> > > \"Well, didn't I say it would take", "at him. > > > INCREDULOUS-LOOKING COP > > What", "thing.\" > > > The Frenchman: > > > \"Oh,", "the Frenchman and the Englishwoman looked skeptically at the approaching", "The Frenchman: > > > \"Oh, no. Pedantic? You?\" >", "> > The Frenchman: > > > \"This hair-splitting doesn't", "the same thing.\" > > > The Frenchman: > >", "Frenchman: > > > \"Of course it was. What are", "Englishwoman: > > > \"Don't try to weasel your way", "> > > The Frenchman said: > > > \"Well,", "> > The Englishwoman: > > > \"Don't try to", "If you were writing a story and came to a", "and blocking) as, simply, APOTHECARY, and not \"the Apothecary.\" As", "the Prince simply as PRINCE. In contemporary plays and screenplays,", "way out of this. You've lost the bet. You owe", "An incredulous-looking COP approaches. Seck and Jolr stare at him.", "came to a point in which two characters engaged in", "definite article? As in: > > Standing on the beach,", "Frenchman said: > > > \"Well, didn't I say it", "characters engaged in friendly banter, would it be okay NOT", "you morons even doing here? > > > Here's my", "were writing a story and came to a point in", "Pedantic? You?\" > > > The Englishwoman, stubbornly: > >", "> > > APOTHECARY > > Who calls so loud?", "> \"Don't try to weasel your way out of this.", "\"the Apothecary.\" As in: > > Enter Apothecary. > >", "> > > The Englishwoman: > > > \"That wasn't", "> > Enter Apothecary. > > > APOTHECARY > >", "> > What are you morons even doing here? >", "> > The Englishwoman: > > > \"That wasn't the", "INT. STREET - SUNNY AFTERNOON > > > An incredulous-looking", "even doing here? > > > Here's my question: If", "The tradition of dropping the definite article in dramatic dialogue", "her eyebrows sarcastically. > > > What do you think?", "> An incredulous-looking COP approaches. Seck and Jolr stare at", "in: > > Standing on the beach, the Frenchman and", "The Frenchman: > > > \"This hair-splitting doesn't become you", "dramatic dialogue seems to go back to William Shakespeare's days", "pick a play at random), the Apothecary is referred to", "> The Englishwoman: > > > \"Don't try to weasel", "SUNNY AFTERNOON > > > An incredulous-looking COP approaches. Seck", "Seck and Jolr stare at him. > > > INCREDULOUS-LOOKING", "bet.\" > > > The Frenchman: > > > \"Of", "which two characters engaged in friendly banter, would it be", "raised her eyebrows sarcastically. > > > What do you", "Englishwoman looked skeptically at the approaching ship. > > >", "to William Shakespeare's days and beyond. Thus, in Romeo and", "Not the same thing.\" > > > The Frenchman: >", "Apothecary.\" As in: > > Enter Apothecary. > > >", "> The Frenchman said: > > > \"Well, didn't I", "As in: > > Standing on the beach, the Frenchman", "referred to (in the dialogue and blocking) as, simply, APOTHECARY,", "COP. As in: > > INT. STREET - SUNNY AFTERNOON", "the beach, the Frenchman and the Englishwoman looked skeptically at", "> > INT. STREET - SUNNY AFTERNOON > > >", "> \"Well, didn't I say it would take them less", "... and the Prince simply as PRINCE. In contemporary plays", "two characters engaged in friendly banter, would it be okay", "In contemporary plays and screenplays, a nameless character - say,", "The Frenchman said: > > > \"Well, didn't I say", "Frenchman: > > > \"This hair-splitting doesn't become you at", "do you think? Is it okay not to drop the", "Juliet (to pick a play at random), the Apothecary is", "> > > The Englishwoman: > > > \"Don't try", "seems to go back to William Shakespeare's days and beyond.", "less than a week?\" > > > The Englishwoman: >", "the Englishwoman looked skeptically at the approaching ship. > >", "approaching ship. > > > The Frenchman said: > >", "as, simply, APOTHECARY, and not \"the Apothecary.\" As in: >", "blocking) as, simply, APOTHECARY, and not \"the Apothecary.\" As in:", "your way out of this. You've lost the bet. You", "it be okay NOT to drop the definite article? As", "> > The Frenchman shrugged. The Englishwoman raised her eyebrows", "a point in which two characters engaged in friendly banter,", "> What are you morons even doing here? > >", "The Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically. >", "What do you think? Is it okay not to drop", "article in dramatic dialogue seems to go back to William", "> > > The Frenchman: > > > \"Of course", "morons even doing here? > > > Here's my question:", "> The Frenchman: > > > \"This hair-splitting doesn't become", "Shakespeare's days and beyond. Thus, in Romeo and Juliet (to", "> APOTHECARY > > Who calls so loud? > >", "Englishwoman: > > > \"You said, three days. Not the", "Englishwoman: > > > \"That wasn't the bet.\" > >", "- would become, in dialogue format, INCREDULOUS-LOOKING COP. As in:", "> \"You said, three days. Not the same thing.\" >", "course it was. What are you talking about?\" > >", "You?\" > > > The Englishwoman, stubbornly: > > >", "as PRINCE. In contemporary plays and screenplays, a nameless character", "The Englishwoman, stubbornly: > > > \"Three days. You said,", "beyond. Thus, in Romeo and Juliet (to pick a play", "you at all, my dear.\" > > > The Englishwoman:", "\"Of course it was. What are you talking about?\" >", "days. You said, three days.\" > > > The Frenchman:", "character - say, an incredulous-looking cop - would become, in", "The Englishwoman: > > > \"Don't try to weasel your", "in friendly banter, would it be okay NOT to drop", "would take them less than a week?\" > > >", "a story and came to a point in which two", "\"This hair-splitting doesn't become you at all, my dear.\" >", "\"You said, three days. Not the same thing.\" > >", "no. Pedantic? You?\" > > > The Englishwoman, stubbornly: >", "You owe me.\" > > > The Frenchman shrugged. The", "> > > ... and the Prince simply as PRINCE.", "same thing.\" > > > The Frenchman: > > >", "not \"the Apothecary.\" As in: > > Enter Apothecary. >", "\"That wasn't the bet.\" > > > The Frenchman: >", "it would take them less than a week?\" > >", "> > The Englishwoman, stubbornly: > > > \"Three days.", "> > The Frenchman: > > > \"Of course it", "cop - would become, in dialogue format, INCREDULOUS-LOOKING COP. As", "said: > > > \"Well, didn't I say it would", "The Englishwoman: > > > \"You said, three days. Not", "William Shakespeare's days and beyond. Thus, in Romeo and Juliet", "calls so loud? > > > ... and the Prince", "> What do you think? Is it okay not to", "Apothecary is referred to (in the dialogue and blocking) as,", "owe me.\" > > > The Frenchman shrugged. The Englishwoman", "become, in dialogue format, INCREDULOUS-LOOKING COP. As in: > >", "- say, an incredulous-looking cop - would become, in dialogue", "> \"Of course it was. What are you talking about?\"", "of dropping the definite article in dramatic dialogue seems to", "doing here? > > > Here's my question: If you", "become you at all, my dear.\" > > > The", "APOTHECARY > > Who calls so loud? > > >", "and came to a point in which two characters engaged", "As in: > > Enter Apothecary. > > > APOTHECARY", "shrugged. The Englishwoman raised her eyebrows sarcastically. > > >", "week?\" > > > The Englishwoman: > > > \"That", "to drop the definite article? As in: > > Standing", "INCREDULOUS-LOOKING COP. As in: > > INT. STREET - SUNNY", "in dramatic dialogue seems to go back to William Shakespeare's", "take them less than a week?\" > > > The", "> > \"You said, three days. Not the same thing.\"", "point in which two characters engaged in friendly banter, would", "days.\" > > > The Frenchman: > > > \"This" ]
[ "What could I possibly do to apply less character perspective", "fictional(science fiction) story. Currently, I'm on a chapter that has", "a chapter that has a lot perspective changes, and I'm", "main antagonist. I want to apply very little perspective changes", "little perspective changes to the chapter, but the whole story", "written into the core of the book's identity. What could", "story has a ton of action written into the core", "writing in third person, so my readers can experience things", "in third person, so my readers can experience things near", "experience things near the protagonists or the main antagonist. I", "person, so my readers can experience things near the protagonists", "things near the protagonists or the main antagonist. I want", "protagonists or the main antagonist. I want to apply very", "a lot perspective changes, and I'm writing in third person,", "want to apply very little perspective changes to the chapter,", "of action written into the core of the book's identity.", "into the core of the book's identity. What could I", "Currently, I'm on a chapter that has a lot perspective", "on a chapter that has a lot perspective changes, and", "that has a lot perspective changes, and I'm writing in", "of the book's identity. What could I possibly do to", "ton of action written into the core of the book's", "antagonist. I want to apply very little perspective changes to", "lot perspective changes, and I'm writing in third person, so", "chapter, but the whole story has a ton of action", "the chapter, but the whole story has a ton of", "or the main antagonist. I want to apply very little", "my readers can experience things near the protagonists or the", "can experience things near the protagonists or the main antagonist.", "to apply very little perspective changes to the chapter, but", "and I'm writing in third person, so my readers can", "perspective changes, and I'm writing in third person, so my", "fiction) story. Currently, I'm on a chapter that has a", "the whole story has a ton of action written into", "the book's identity. What could I possibly do to apply", "story. Currently, I'm on a chapter that has a lot", "but the whole story has a ton of action written", "third person, so my readers can experience things near the", "action written into the core of the book's identity. What", "I want to apply very little perspective changes to the", "the core of the book's identity. What could I possibly", "could I possibly do to apply less character perspective changes?", "whole story has a ton of action written into the", "a ton of action written into the core of the", "perspective changes to the chapter, but the whole story has", "has a ton of action written into the core of", "the main antagonist. I want to apply very little perspective", "changes to the chapter, but the whole story has a", "so my readers can experience things near the protagonists or", "has a lot perspective changes, and I'm writing in third", "I'm on a chapter that has a lot perspective changes,", "chapter that has a lot perspective changes, and I'm writing", "very little perspective changes to the chapter, but the whole", "I'm writing a fictional(science fiction) story. Currently, I'm on a", "core of the book's identity. What could I possibly do", "writing a fictional(science fiction) story. Currently, I'm on a chapter", "a fictional(science fiction) story. Currently, I'm on a chapter that", "near the protagonists or the main antagonist. I want to", "apply very little perspective changes to the chapter, but the", "changes, and I'm writing in third person, so my readers", "book's identity. What could I possibly do to apply less", "readers can experience things near the protagonists or the main", "the protagonists or the main antagonist. I want to apply", "I'm writing in third person, so my readers can experience", "identity. What could I possibly do to apply less character", "to the chapter, but the whole story has a ton" ]
[ "a universal element…like helium. > > > This seemed to", "helium, is a universal element. > > > Or even", "writing with Harlan Ellison. There was this sentence in Season", "Harlan Ellison. There was this sentence in Season 5 >", "lack impact, especially as delivered with the pause by Bruce", "was this sentence in Season 5 > > Humor is", "am used to excellent writing with Harlan Ellison. There was", "> Humor is a universal element…like helium. > > >", "to lack impact, especially as delivered with the pause by", "helium, humor is a universal element. > > > Is", "element…like helium. > > > This seemed to lack impact,", "Or even better > > Like helium, humor is a", "> Is it just me. Is there a term for", "Ellison. There was this sentence in Season 5 > >", "seems to me that it should be > > Humor,", "that it should be > > Humor, like helium, is", "a term for screwing up a sentence in this fashion?", "Was watching Babylon 5 and am used to excellent writing", "the pause by Bruce Boxleitner. It seems to me that", "universal element. > > > Or even better > >", "Humor is a universal element…like helium. > > > This", "Is it just me. Is there a term for screwing", "in Season 5 > > Humor is a universal element…like", "> Like helium, humor is a universal element. > >", "There was this sentence in Season 5 > > Humor", "with the pause by Bruce Boxleitner. It seems to me", "delivered with the pause by Bruce Boxleitner. It seems to", "to me that it should be > > Humor, like", "used to excellent writing with Harlan Ellison. There was this", "Humor, like helium, is a universal element. > > >", "Boxleitner. It seems to me that it should be >", "with Harlan Ellison. There was this sentence in Season 5", "humor is a universal element. > > > Is it", "as delivered with the pause by Bruce Boxleitner. It seems", "there a term for screwing up a sentence in this", "Babylon 5 and am used to excellent writing with Harlan", "should be > > Humor, like helium, is a universal", "even better > > Like helium, humor is a universal", "just me. Is there a term for screwing up a", "is a universal element…like helium. > > > This seemed", "universal element…like helium. > > > This seemed to lack", "impact, especially as delivered with the pause by Bruce Boxleitner.", "> > > This seemed to lack impact, especially as", "sentence in Season 5 > > Humor is a universal", "> > This seemed to lack impact, especially as delivered", "better > > Like helium, humor is a universal element.", "a universal element. > > > Or even better >", "to excellent writing with Harlan Ellison. There was this sentence", "> > Like helium, humor is a universal element. >", "me. Is there a term for screwing up a sentence", "universal element. > > > Is it just me. Is", "me that it should be > > Humor, like helium,", "> > Humor, like helium, is a universal element. >", "> > Humor is a universal element…like helium. > >", "it just me. Is there a term for screwing up", "and am used to excellent writing with Harlan Ellison. There", "> > > Is it just me. Is there a", "by Bruce Boxleitner. It seems to me that it should", "> This seemed to lack impact, especially as delivered with", "Is there a term for screwing up a sentence in", "is a universal element. > > > Or even better", "this sentence in Season 5 > > Humor is a", "element. > > > Or even better > > Like", "> > Or even better > > Like helium, humor", "Like helium, humor is a universal element. > > >", "especially as delivered with the pause by Bruce Boxleitner. It", "Season 5 > > Humor is a universal element…like helium.", "> > > Or even better > > Like helium,", "seemed to lack impact, especially as delivered with the pause", "be > > Humor, like helium, is a universal element.", "is a universal element. > > > Is it just", "5 > > Humor is a universal element…like helium. >", "> > Is it just me. Is there a term", "> Humor, like helium, is a universal element. > >", "This seemed to lack impact, especially as delivered with the", "> Or even better > > Like helium, humor is", "a universal element. > > > Is it just me.", "Bruce Boxleitner. It seems to me that it should be", "like helium, is a universal element. > > > Or", "element. > > > Is it just me. Is there", "helium. > > > This seemed to lack impact, especially", "watching Babylon 5 and am used to excellent writing with", "5 and am used to excellent writing with Harlan Ellison.", "It seems to me that it should be > >", "it should be > > Humor, like helium, is a", "pause by Bruce Boxleitner. It seems to me that it", "excellent writing with Harlan Ellison. There was this sentence in" ]
[ "was flattered) is no longer in vogue. Can a successful", "fantasy novel be narrated with a combination of both omniscient", "latest manuscript into a shape that someone might be inclined", "add immediacy and authenticity (and changing POV can be jarring),", "Churluq Yicrans (I was flattered) is no longer in vogue.", "Yicrans (I was flattered) is no longer in vogue. Can", "be inclined to publish. To help me along I hired", "and authenticity (and changing POV can be jarring), sometimes it", "help me along I hired a professional editor and writer,", "editor insists that the omniscient observer style of, say, Churluq", "longer in vogue. Can a successful urban fantasy novel be", "just doesn’t work for me. My editor insists that the", "work for me. My editor insists that the omniscient observer", "However, I am struggling with her insistence that I avoid", "flattered) is no longer in vogue. 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Can a successful urban fantasy novel be narrated with", "insistence that I avoid the third person omniscient POV. While", "have been very helpful. However, I am struggling with her", "can be jarring), sometimes it just doesn’t work for me.", "is no longer in vogue. Can a successful urban fantasy", "person omniscient POV. While writing from a character's POV can", "successful urban fantasy novel be narrated with a combination of", "midst of reworking my latest manuscript into a shape that", "To help me along I hired a professional editor and", "writing from a character's POV can certainly add immediacy and", "and suggestions, for the most part, have been very helpful.", "my latest manuscript into a shape that someone might be", "a combination of both omniscient observer and individual characters POVs?", "in the midst of reworking my latest manuscript into a", "(and changing POV can be jarring), sometimes it just doesn’t", "me. My editor insists that the omniscient observer style of,", "I hired a professional editor and writer, whose comments and", "sometimes it just doesn’t work for me. My editor insists", "from a character's POV can certainly add immediacy and authenticity", "urban fantasy novel be narrated with a combination of both", "certainly add immediacy and authenticity (and changing POV can be", "that someone might be inclined to publish. To help me", "her insistence that I avoid the third person omniscient POV.", "with a combination of both omniscient observer and individual characters", "be narrated with a combination of both omniscient observer and", "of reworking my latest manuscript into a shape that someone", "of, say, Churluq Yicrans (I was flattered) is no longer", "reworking my latest manuscript into a shape that someone might", "publish. To help me along I hired a professional editor", "can certainly add immediacy and authenticity (and changing POV can", "the third person omniscient POV. While writing from a character's", "inclined to publish. To help me along I hired a", "style of, say, Churluq Yicrans (I was flattered) is no", "helpful. However, I am struggling with her insistence that I", "I avoid the third person omniscient POV. While writing from", "for me. My editor insists that the omniscient observer style", "a character's POV can certainly add immediacy and authenticity (and", "insists that the omniscient observer style of, say, Churluq Yicrans", "POV can be jarring), sometimes it just doesn’t work for", "whose comments and suggestions, for the most part, have been", "changing POV can be jarring), sometimes it just doesn’t work", "(I was flattered) is no longer in vogue. Can a", "the most part, have been very helpful. However, I am", "someone might be inclined to publish. To help me along", "manuscript into a shape that someone might be inclined to", "While writing from a character's POV can certainly add immediacy", "along I hired a professional editor and writer, whose comments", "say, Churluq Yicrans (I was flattered) is no longer in", "comments and suggestions, for the most part, have been very", "writer, whose comments and suggestions, for the most part, have", "for the most part, have been very helpful. However, I", "been very helpful. However, I am struggling with her insistence", "might be inclined to publish. To help me along I", "shape that someone might be inclined to publish. To help", "in vogue. Can a successful urban fantasy novel be narrated", "jarring), sometimes it just doesn’t work for me. My editor", "be jarring), sometimes it just doesn’t work for me. My", "authenticity (and changing POV can be jarring), sometimes it just", "omniscient POV. While writing from a character's POV can certainly", "very helpful. However, I am struggling with her insistence that", "to publish. To help me along I hired a professional", "no longer in vogue. Can a successful urban fantasy novel", "narrated with a combination of both omniscient observer and individual", "POV can certainly add immediacy and authenticity (and changing POV", "with her insistence that I avoid the third person omniscient", "that I avoid the third person omniscient POV. While writing", "Can a successful urban fantasy novel be narrated with a", "me along I hired a professional editor and writer, whose", "professional editor and writer, whose comments and suggestions, for the", "struggling with her insistence that I avoid the third person", "it just doesn’t work for me. My editor insists that", "doesn’t work for me. My editor insists that the omniscient", "am struggling with her insistence that I avoid the third", "third person omniscient POV. While writing from a character's POV", "My editor insists that the omniscient observer style of, say,", "hired a professional editor and writer, whose comments and suggestions,", "am in the midst of reworking my latest manuscript into", "a successful urban fantasy novel be narrated with a combination", "the omniscient observer style of, say, Churluq Yicrans (I was", "POV. While writing from a character's POV can certainly add", "suggestions, for the most part, have been very helpful. However,", "a professional editor and writer, whose comments and suggestions, for", "omniscient observer style of, say, Churluq Yicrans (I was flattered)", "part, have been very helpful. However, I am struggling with" ]
[ "a character who the main characters have saved before is", "antagonist. I originally wanted this reveal to happen at the", "book a character who the main characters have saved before", "I found that they usually happen at the climax. But", "betrayals in most things, I found that they usually happen", "at betrayals in most things, I found that they usually", "looking at betrayals in most things, I found that they", "most things, I found that they usually happen at the", "have saved before is revealed to be the real main", "main antagonist. I originally wanted this reveal to happen at", "question is: When is a good time to have a", "the main characters have saved before is revealed to be", "climax. But my question is: When is a good time", "my book a character who the main characters have saved", "this reveal to happen at the end, but after looking", "be the real main antagonist. I originally wanted this reveal", "to happen at the end, but after looking at betrayals", "But my question is: When is a good time to", "characters have saved before is revealed to be the real", "before is revealed to be the real main antagonist. I", "that they usually happen at the climax. But my question", "the end, but after looking at betrayals in most things,", "end, but after looking at betrayals in most things, I", "saved before is revealed to be the real main antagonist.", "character who the main characters have saved before is revealed", "happen at the climax. But my question is: When is", "wanted this reveal to happen at the end, but after", "who the main characters have saved before is revealed to", "happen at the end, but after looking at betrayals in", "I originally wanted this reveal to happen at the end,", "in most things, I found that they usually happen at", "after looking at betrayals in most things, I found that", "my question is: When is a good time to have", "at the climax. But my question is: When is a", "originally wanted this reveal to happen at the end, but", "revealed to be the real main antagonist. I originally wanted", "In my book a character who the main characters have", "is: When is a good time to have a betrayal?", "is revealed to be the real main antagonist. I originally", "real main antagonist. I originally wanted this reveal to happen", "the climax. But my question is: When is a good", "they usually happen at the climax. But my question is:", "main characters have saved before is revealed to be the", "but after looking at betrayals in most things, I found", "reveal to happen at the end, but after looking at", "the real main antagonist. I originally wanted this reveal to", "things, I found that they usually happen at the climax.", "found that they usually happen at the climax. But my", "at the end, but after looking at betrayals in most", "usually happen at the climax. But my question is: When", "to be the real main antagonist. I originally wanted this" ]
[ "is.\" > > > The interrupted question is what I'm", "to get punctuated correctly. Sam is talking with Perkins. >", "costing you money,\" Sam said. \"Ashcroft Apartments. Do you remember,", "today is.\" > > > The interrupted question is what", "Sam is talking with Perkins. > > \"This is costing", "suggestions as well. Should there be a comma after 'remember'?", "question is what I'm struggling with, but will pay attention", "talking with Perkins. > > \"This is costing me money,\"", "what I'm struggling with, but will pay attention to other", "said. \"Ashcroft Apartments. Do you remember, not this past Sunday,", "interrupted, \"I don't even know what day today is.\" >", "> > > The interrupted question is what I'm struggling", "I'm struggling with, but will pay attention to other suggestions", "> > > \"Buddy,\" the driver interrupted, \"I don't even", "Sam said. \"Ashcroft Apartments. Do you remember, not this past", "\"This is costing me money,\" Perkins retorted. \"And Triple A", "comma after 'remember'? And should there be a question mark", "costing me money,\" Perkins retorted. \"And Triple A doesn't pay", "before that--\" > > > \"Buddy,\" the driver interrupted, \"I", "Sunday, but the Sunday before that--\" > > > \"Buddy,\"", "retorted. \"And Triple A doesn't pay enough as it is.\"", "there be a question mark after the dash? Thanks very", "even know what day today is.\" > > > The", "is talking with Perkins. > > \"This is costing me", "am struggling to get punctuated correctly. Sam is talking with", "is.\" > > > \"Sorry to be costing you money,\"", "but will pay attention to other suggestions as well. Should", "be costing you money,\" Sam said. \"Ashcroft Apartments. Do you", "is costing me money,\" Perkins retorted. \"And Triple A doesn't", "> > \"Buddy,\" the driver interrupted, \"I don't even know", "but the Sunday before that--\" > > > \"Buddy,\" the", "Should there be a comma after 'remember'? And should there", "it is.\" > > > \"Sorry to be costing you", "the Sunday before that--\" > > > \"Buddy,\" the driver", "with Perkins. > > \"This is costing me money,\" Perkins", "me money,\" Perkins retorted. \"And Triple A doesn't pay enough", "> The interrupted question is what I'm struggling with, but", "after 'remember'? And should there be a question mark after", "money,\" Perkins retorted. \"And Triple A doesn't pay enough as", "I am struggling to get punctuated correctly. Sam is talking", "there be a comma after 'remember'? And should there be", "driver interrupted, \"I don't even know what day today is.\"", "> \"Sorry to be costing you money,\" Sam said. \"Ashcroft", "> \"This is costing me money,\" Perkins retorted. \"And Triple", "> > \"This is costing me money,\" Perkins retorted. \"And", "question mark after the dash? Thanks very much in advance!", "you remember, not this past Sunday, but the Sunday before", "interrupted question is what I'm struggling with, but will pay", "a convoluted sentence that I am struggling to get punctuated", "> \"Buddy,\" the driver interrupted, \"I don't even know what", "other suggestions as well. Should there be a comma after", "should there be a question mark after the dash? Thanks", "pay attention to other suggestions as well. Should there be", "And should there be a question mark after the dash?", "be a question mark after the dash? Thanks very much", "\"Buddy,\" the driver interrupted, \"I don't even know what day", "pay enough as it is.\" > > > \"Sorry to", "the driver interrupted, \"I don't even know what day today", "that--\" > > > \"Buddy,\" the driver interrupted, \"I don't", "Perkins retorted. \"And Triple A doesn't pay enough as it", "Triple A doesn't pay enough as it is.\" > >", "The interrupted question is what I'm struggling with, but will", "is what I'm struggling with, but will pay attention to", "convoluted sentence that I am struggling to get punctuated correctly.", "this past Sunday, but the Sunday before that--\" > >", "Sunday before that--\" > > > \"Buddy,\" the driver interrupted,", "will pay attention to other suggestions as well. Should there", "'remember'? And should there be a question mark after the", "\"Ashcroft Apartments. Do you remember, not this past Sunday, but", "to be costing you money,\" Sam said. \"Ashcroft Apartments. Do", "get punctuated correctly. Sam is talking with Perkins. > >", "Do you remember, not this past Sunday, but the Sunday", "as well. Should there be a comma after 'remember'? And", "A doesn't pay enough as it is.\" > > >", "enough as it is.\" > > > \"Sorry to be", "don't even know what day today is.\" > > >", "have a convoluted sentence that I am struggling to get", "with, but will pay attention to other suggestions as well.", "attention to other suggestions as well. Should there be a", "to other suggestions as well. Should there be a comma", "remember, not this past Sunday, but the Sunday before that--\"", "know what day today is.\" > > > The interrupted", "well. Should there be a comma after 'remember'? And should", "punctuated correctly. Sam is talking with Perkins. > > \"This", "> > The interrupted question is what I'm struggling with,", "you money,\" Sam said. \"Ashcroft Apartments. Do you remember, not", "> > > \"Sorry to be costing you money,\" Sam", "that I am struggling to get punctuated correctly. Sam is", "a comma after 'remember'? And should there be a question", "not this past Sunday, but the Sunday before that--\" >", "\"I don't even know what day today is.\" > >", "a question mark after the dash? Thanks very much in", "money,\" Sam said. \"Ashcroft Apartments. Do you remember, not this", "day today is.\" > > > The interrupted question is", "struggling with, but will pay attention to other suggestions as", "what day today is.\" > > > The interrupted question", "past Sunday, but the Sunday before that--\" > > >", "\"Sorry to be costing you money,\" Sam said. \"Ashcroft Apartments.", "correctly. Sam is talking with Perkins. > > \"This is", "as it is.\" > > > \"Sorry to be costing", "> > \"Sorry to be costing you money,\" Sam said.", "struggling to get punctuated correctly. Sam is talking with Perkins.", "doesn't pay enough as it is.\" > > > \"Sorry", "Perkins. > > \"This is costing me money,\" Perkins retorted.", "sentence that I am struggling to get punctuated correctly. Sam", "I have a convoluted sentence that I am struggling to", "be a comma after 'remember'? And should there be a", "\"And Triple A doesn't pay enough as it is.\" >", "Apartments. Do you remember, not this past Sunday, but the" ]
[ "won't be enough to tell the story fully. Using some", "to use a [spoken] narrator to tell the story. I", "third person perspective. It's a simple narration, in rhyming verse.", "will there be roles, acting, characters, costumes, or a set.", "good sources: * diary accounts and letters from people who", "narrative poetry and more abstract * newspaper articles from the", "costumes, or a set. The subject of the piece is", "it's too dark to read them, people who listen to", "chorus will sing. Note that this is not a \"dramatic", "Note that this is not a \"dramatic work\" like an", "to tell the story. I want to tell it entirely", "set. The subject of the piece is a significant historical", "music. But how to I make sure the audience grasps", "significant historical event in the 19th century, for which I", "were there * poetry by people who were there, both", "there * poetry by people who were there, both narrative", "to be printed in the concert program, but wouldn't want", "I would love ideas for how lyricists/librettists would approach thinking", "- that suits itself well to chorus - but it", "of the piece is a significant historical event in the", "piece is a significant historical event in the 19th century,", "from people who were there * poetry by people who", "work into movements and give each movement a descriptive title,", "for how lyricists/librettists would approach thinking about handling narrative voice", "parts of the story in dialogue? I could break the", "the poems written about the event uses a detached, third", "of the poems written about the event uses a detached,", "to read them, people who listen to recordings after the", "that this won't be enough to tell the story fully.", "write explanations to be printed in the concert program, but", "* newspaper articles from the days and weeks after the", "sung by a chorus. I will also be composing the", "want to use a [spoken] narrator to tell the story.", "The subject of the piece is a significant historical event", "sing. Note that this is not a \"dramatic work\" like", "could write explanations to be printed in the concert program,", "found several good sources: * diary accounts and letters from", "One of the poems written about the event uses a", "abstract * newspaper articles from the days and weeks after", "be printed in the concert program, but wouldn't want to", "the first person accounts, which tell parts of the story", "am writing the text of a significant musical work that", "it doesn't really advance the narrative. I would love ideas", "what is going on? I could write explanations to be", "the chorus will sing. Note that this is not a", "poetry is easier to do - that suits itself well", "tell it entirely in music. But how to I make", "of the more abstract poetry is easier to do -", "significant musical work that will be sung by a chorus.", "a \"dramatic work\" like an opera or music theatre work,", "I have found several good sources: * diary accounts and", "the event uses a detached, third person perspective. It's a", "these because sometimes it's too dark to read them, people", "first person accounts, which tell parts of the story in", "it entirely in music. But how to I make sure", "them, people who listen to recordings after the fact won't", "simple narration, in rhyming verse. But then, how do I", "into movements and give each movement a descriptive title, but", "make sure the audience grasps what is going on? I", "music theatre work, but rather a \"concert work.\" None of", "I could break the work into movements and give each", "be composing the music, but this question is specific to", "and more abstract * newspaper articles from the days and", "but this question is specific to the lyrics that the", "I am writing the text of a significant musical work", "this is not a \"dramatic work\" like an opera or", "to the first person accounts, which tell parts of the", "not want to use a [spoken] narrator to tell the", "that this is not a \"dramatic work\" like an opera", "ten years Stylistically, I do not want to use a", "a [spoken] narrator to tell the story. I want to", "this question is specific to the lyrics that the chorus", "I do not want to use a [spoken] narrator to", "dialogue? I could break the work into movements and give", "rhyming verse. But then, how do I transition the text", "will be sung by a chorus. I will also be", "writing the text of a significant musical work that will", "also be composing the music, but this question is specific", "historical accounts written in the last ten years Stylistically, I", "story in dialogue? I could break the work into movements", "of the story in dialogue? I could break the work", "that suits itself well to chorus - but it doesn't", "by a chorus. I will also be composing the music,", "some of the more abstract poetry is easier to do", "them, etc. One of the poems written about the event", "is a significant historical event in the 19th century, for", "a descriptive title, but I worry that this won't be", "easier to do - that suits itself well to chorus", "- but it doesn't really advance the narrative. I would", "musical work that will be sung by a chorus. I", "is easier to do - that suits itself well to", "want to tell it entirely in music. But how to", "transition the text back to the first person accounts, which", "too dark to read them, people who listen to recordings", "do - that suits itself well to chorus - but", "entirely in music. But how to I make sure the", "by people who were there, both narrative poetry and more", "as actors, nor will there be roles, acting, characters, costumes,", "wouldn't want to rely on these because sometimes it's too", "tell the story fully. Using some of the more abstract", "the more abstract poetry is easier to do - that", "several good sources: * diary accounts and letters from people", "fully. Using some of the more abstract poetry is easier", "in music. But how to I make sure the audience", "the singers in the chorus are trained as actors, nor", "but rather a \"concert work.\" None of the singers in", "I will also be composing the music, but this question", "to chorus - but it doesn't really advance the narrative.", "theatre work, but rather a \"concert work.\" None of the", "* historical accounts written in the last ten years Stylistically,", "are trained as actors, nor will there be roles, acting,", "the days and weeks after the event * historical accounts", "program, but wouldn't want to rely on these because sometimes", "letters from people who were there * poetry by people", "lyricists/librettists would approach thinking about handling narrative voice in such", "dark to read them, people who listen to recordings after", "chorus. I will also be composing the music, but this", "doesn't really advance the narrative. I would love ideas for", "text of a significant musical work that will be sung", "a \"concert work.\" None of the singers in the chorus", "event * historical accounts written in the last ten years", "I could write explanations to be printed in the concert", "tell parts of the story in dialogue? I could break", "movements and give each movement a descriptive title, but I", "actors, nor will there be roles, acting, characters, costumes, or", "could break the work into movements and give each movement", "I want to tell it entirely in music. But how", "roles, acting, characters, costumes, or a set. The subject of", "Using some of the more abstract poetry is easier to", "subject of the piece is a significant historical event in", "poetry by people who were there, both narrative poetry and", "narrator to tell the story. I want to tell it", "audience grasps what is going on? I could write explanations", "written about the event uses a detached, third person perspective.", "itself well to chorus - but it doesn't really advance", "there be roles, acting, characters, costumes, or a set. The", "but wouldn't want to rely on these because sometimes it's", "want to rely on these because sometimes it's too dark", "to the lyrics that the chorus will sing. Note that", "recordings after the fact won't have them, etc. One of", "do not want to use a [spoken] narrator to tell", "which tell parts of the story in dialogue? I could", "abstract poetry is easier to do - that suits itself", "concert program, but wouldn't want to rely on these because", "would love ideas for how lyricists/librettists would approach thinking about", "detached, third person perspective. It's a simple narration, in rhyming", "be sung by a chorus. I will also be composing", "or a set. The subject of the piece is a", "going on? I could write explanations to be printed in", "and give each movement a descriptive title, but I worry", "narration, in rhyming verse. But then, how do I transition", "who were there * poetry by people who were there,", "chorus - but it doesn't really advance the narrative. I", "diary accounts and letters from people who were there ", "on? I could write explanations to be printed in the", "in the last ten years Stylistically, I do not want", "But then, how do I transition the text back to", "sure the audience grasps what is going on? I could", "will sing. Note that this is not* a \"dramatic work\"", "story fully. Using some of the more abstract poetry is", "about the event uses a detached, third person perspective. It's", "etc. One of the poems written about the event uses", "listen to recordings after the fact won't have them, etc.", "after the fact won't have them, etc. One of the", "I transition the text back to the first person accounts,", "days and weeks after the event * historical accounts written", "have found several good sources: * diary accounts and letters", "specific to the lyrics that the chorus will sing. Note", "both narrative poetry and more abstract * newspaper articles from", "years Stylistically, I do not want to use a [spoken]", "an opera or music theatre work, but rather a \"concert", "question is specific to the lyrics that the chorus will", "not a \"dramatic work\" like an opera or music theatre", "work that will be sung by a chorus. I will", "were there, both narrative poetry and more abstract * newspaper", "really advance the narrative. I would love ideas for how", "work, but rather a \"concert work.\" None of the singers", "this won't be enough to tell the story fully. Using", "\"concert work.\" None of the singers in the chorus are", "the chorus are trained as actors, nor will there be", "because sometimes it's too dark to read them, people who", "person accounts, which tell parts of the story in dialogue?", "is not a \"dramatic work\" like an opera or music", "on these because sometimes it's too dark to read them,", "in the chorus are trained as actors, nor will there", "the 19th century, for which I have found several good", "to rely on these because sometimes it's too dark to", "the music, but this question is specific to the lyrics", "weeks after the event * historical accounts written in the", "more abstract poetry is easier to do - that suits", "and letters from people who were there * poetry by", "be enough to tell the story fully. Using some of", "music, but this question is specific to the lyrics that", "printed in the concert program, but wouldn't want to rely", "[spoken] narrator to tell the story. I want to tell", "read them, people who listen to recordings after the fact", "a set. The subject of the piece is a significant", "more abstract * newspaper articles from the days and weeks", "I worry that this won't be enough to tell the", "people who were there, both narrative poetry and more abstract", "poetry and more abstract * newspaper articles from the days", "poems written about the event uses a detached, third person", "is specific to the lyrics that the chorus will sing.", "singers in the chorus are trained as actors, nor will", "the text back to the first person accounts, which tell", "after the event * historical accounts written in the last", "newspaper articles from the days and weeks after the event", "Stylistically, I do not want to use a [spoken] narrator", "tell the story. I want to tell it entirely in", "opera or music theatre work, but rather a \"concert work.\"", "but I worry that this won't be enough to tell", "the piece is a significant historical event in the 19th", "a detached, third person perspective. It's a simple narration, in", "I make sure the audience grasps what is going on?", "will also be composing the music, but this question is", "narrative. I would love ideas for how lyricists/librettists would approach", "a significant musical work that will be sung by a", "have them, etc. One of the poems written about the", "But how to I make sure the audience grasps what", "to tell the story fully. Using some of the more", "accounts and letters from people who were there * poetry", "how to I make sure the audience grasps what is", "the story. I want to tell it entirely in music.", "verse. But then, how do I transition the text back", "is going on? I could write explanations to be printed", "\"dramatic work\" like an opera or music theatre work, but", "rely on these because sometimes it's too dark to read", "then, how do I transition the text back to the", "in the 19th century, for which I have found several", "grasps what is going on? I could write explanations to", "who listen to recordings after the fact won't have them,", "the work into movements and give each movement a descriptive", "story. I want to tell it entirely in music. But", "chorus are trained as actors, nor will there be roles,", "how do I transition the text back to the first", "uses a detached, third person perspective. It's a simple narration,", "19th century, for which I have found several good sources:", "a chorus. I will also be composing the music, but", "explanations to be printed in the concert program, but wouldn't", "back to the first person accounts, which tell parts of", "to I make sure the audience grasps what is going", "that the chorus will sing. Note that this is not", "enough to tell the story fully. Using some of the", "for which I have found several good sources: * diary", "the lyrics that the chorus will sing. Note that this", "or music theatre work, but rather a \"concert work.\" None", "break the work into movements and give each movement a", "to recordings after the fact won't have them, etc. One", "lyrics that the chorus will sing. Note that this is", "* poetry by people who were there, both narrative poetry", "sometimes it's too dark to read them, people who listen", "fact won't have them, etc. One of the poems written", "in dialogue? I could break the work into movements and", "trained as actors, nor will there be roles, acting, characters,", "the text of a significant musical work that will be", "sources: * diary accounts and letters from people who were", "the story in dialogue? I could break the work into", "give each movement a descriptive title, but I worry that", "of a significant musical work that will be sung by", "articles from the days and weeks after the event ", "and weeks after the event historical accounts written in", "the fact won't have them, etc. One of the poems", "the last ten years Stylistically, I do not want to", "there, both narrative poetry and more abstract * newspaper articles", "* diary accounts and letters from people who were there", "each movement a descriptive title, but I worry that this", "work\" like an opera or music theatre work, but rather", "to do - that suits itself well to chorus -", "people who listen to recordings after the fact won't have", "descriptive title, but I worry that this won't be enough", "text back to the first person accounts, which tell parts", "suits itself well to chorus - but it doesn't really", "approach thinking about handling narrative voice in such a setting.", "event in the 19th century, for which I have found", "historical event in the 19th century, for which I have", "event uses a detached, third person perspective. It's a simple", "well to chorus - but it doesn't really advance the", "nor will there be roles, acting, characters, costumes, or a", "would approach thinking about handling narrative voice in such a", "rather a \"concert work.\" None of the singers in the", "the audience grasps what is going on? I could write", "None of the singers in the chorus are trained as", "a significant historical event in the 19th century, for which", "but it doesn't really advance the narrative. I would love", "a simple narration, in rhyming verse. But then, how do", "last ten years Stylistically, I do not want to use", "ideas for how lyricists/librettists would approach thinking about handling narrative", "who were there, both narrative poetry and more abstract ", "work.\" None of the singers in the chorus are trained", "do I transition the text back to the first person", "from the days and weeks after the event historical", "century, for which I have found several good sources: ", "that will be sung by a chorus. I will also", "It's a simple narration, in rhyming verse. But then, how", "the concert program, but wouldn't want to rely on these", "title, but I worry that this won't be enough to", "the event historical accounts written in the last ten", "people who were there * poetry by people who were", "acting, characters, costumes, or a set. The subject of the", "person perspective. It's a simple narration, in rhyming verse. But", "of the singers in the chorus are trained as actors,", "in rhyming verse. But then, how do I transition the", "worry that this won't be enough to tell the story", "won't have them, etc. One of the poems written about", "how lyricists/librettists would approach thinking about handling narrative voice in", "in the concert program, but wouldn't want to rely on", "the narrative. I would love ideas for how lyricists/librettists would", "which I have found several good sources: * diary accounts", "composing the music, but this question is specific to the", "be roles, acting, characters, costumes, or a set. The subject", "like an opera or music theatre work, but rather a", "perspective. It's a simple narration, in rhyming verse. But then,", "love ideas for how lyricists/librettists would approach thinking about handling", "use a [spoken] narrator to tell the story. I want", "accounts written in the last ten years Stylistically, I do", "accounts, which tell parts of the story in dialogue? I", "to tell it entirely in music. But how to I", "movement a descriptive title, but I worry that this won't", "characters, costumes, or a set. The subject of the piece", "advance the narrative. I would love ideas for how lyricists/librettists", "the story fully. Using some of the more abstract poetry", "written in the last ten years Stylistically, I do not" ]
[ "moment of the attack he was a bit away from", "least a bit of it (to the point of recognising", "hood falls for a moment, or maybe for both reasons).", "so the attackers don't know he's there and aren't looking", "a short story set in a medieval-like fantasy kingdom. At", "passing through a forested low mountain area when they are", "survive. He witnesses the massacre, or at least a bit", "If so, what kind of tree would be suitable? If", "fight with arrows, swords etc and the villains win. However,", "for fun before the attack)? If so, what kind of", "people are passing through a forested low mountain area when", "point of recognising the assailants, either because he recognises some", "tree is not a good place to hide, what about", "At some point a group of people are passing through", "10-year-old child manages to hide and survive. He witnesses the", "a fight with arrows, swords etc and the villains win.", "through a forested low mountain area when they are attacked", "witnesses the massacre, or at least a bit of it", "is not a good place to hide, what about a", "is a fight with arrows, swords etc and the villains", "attack)? If so, what kind of tree would be suitable?", "of tree would be suitable? If a tree is not", "the group, so the attackers don't know he's there and", "the attackers don't know he's there and aren't looking for", "the point of recognising the assailants, either because he recognises", "it (to the point of recognising the assailants, either because", "the assailants, either because he recognises some of their voices,", "maybe because a hood falls for a moment, or maybe", "wasn't supposed to be there in the first place, and", "a group of people are passing through a forested low", "group, so the attackers don't know he's there and aren't", "attackers don't know he's there and aren't looking for him.", "aren't looking for him. Is it realistic for the boy", "falls for a moment, or maybe for both reasons). The", "what about a bush? Or a tree with big curved", "place, and at the moment of the attack he was", "there and aren't looking for him. Is it realistic for", "of the attack he was a bit away from the", "supposed to be there in the first place, and at", "there is a fight with arrows, swords etc and the", "tree would be suitable? If a tree is not a", "at the moment of the attack he was a bit", "hooded people, there is a fight with arrows, swords etc", "villains win. However, a 10-year-old child manages to hide and", "and the villains win. However, a 10-year-old child manages to", "when they are attacked by hooded people, there is a", "a 10-year-old child manages to hide and survive. He witnesses", "boy to hide in a tree (he would climb it", "point a group of people are passing through a forested", "short story set in a medieval-like fantasy kingdom. At some", "away from the group, so the attackers don't know he's", "Is it realistic for the boy to hide in a", "at least a bit of it (to the point of", "place to hide, what about a bush? Or a tree", "hide and survive. He witnesses the massacre, or at least", "realistic for the boy to hide in a tree (he", "or at least a bit of it (to the point", "the attack)? If so, what kind of tree would be", "be suitable? If a tree is not a good place", "maybe for both reasons). The child wasn't supposed to be", "first place, and at the moment of the attack he", "the attack he was a bit away from the group,", "some of their voices, or maybe because a hood falls", "attack he was a bit away from the group, so", "their voices, or maybe because a hood falls for a", "etc and the villains win. However, a 10-year-old child manages", "bit of it (to the point of recognising the assailants,", "writing a short story set in a medieval-like fantasy kingdom.", "he's there and aren't looking for him. Is it realistic", "a medieval-like fantasy kingdom. At some point a group of", "he recognises some of their voices, or maybe because a", "they are attacked by hooded people, there is a fight", "know he's there and aren't looking for him. Is it", "by hooded people, there is a fight with arrows, swords", "climb it for fun before the attack)? If so, what", "(he would climb it for fun before the attack)? If", "the first place, and at the moment of the attack", "to hide in a tree (he would climb it for", "because he recognises some of their voices, or maybe because", "for a moment, or maybe for both reasons). The child", "moment, or maybe for both reasons). The child wasn't supposed", "massacre, or at least a bit of it (to the", "of people are passing through a forested low mountain area", "kingdom. At some point a group of people are passing", "group of people are passing through a forested low mountain", "he was a bit away from the group, so the", "However, a 10-year-old child manages to hide and survive. He", "a good place to hide, what about a bush? Or", "people, there is a fight with arrows, swords etc and", "are passing through a forested low mountain area when they", "hide, what about a bush? Or a tree with big", "reasons). The child wasn't supposed to be there in the", "before the attack)? If so, what kind of tree would", "bit away from the group, so the attackers don't know", "for the boy to hide in a tree (he would", "don't know he's there and aren't looking for him. Is", "of their voices, or maybe because a hood falls for", "child manages to hide and survive. He witnesses the massacre,", "what kind of tree would be suitable? If a tree", "recognises some of their voices, or maybe because a hood", "with arrows, swords etc and the villains win. However, a", "area when they are attacked by hooded people, there is", "I'm writing a short story set in a medieval-like fantasy", "The child wasn't supposed to be there in the first", "would climb it for fun before the attack)? If so,", "low mountain area when they are attacked by hooded people,", "either because he recognises some of their voices, or maybe", "mountain area when they are attacked by hooded people, there", "forested low mountain area when they are attacked by hooded", "in a tree (he would climb it for fun before", "If a tree is not a good place to hide,", "the massacre, or at least a bit of it (to", "the boy to hide in a tree (he would climb", "for both reasons). The child wasn't supposed to be there", "was a bit away from the group, so the attackers", "suitable? If a tree is not a good place to", "so, what kind of tree would be suitable? If a", "attacked by hooded people, there is a fight with arrows,", "there in the first place, and at the moment of", "story set in a medieval-like fantasy kingdom. At some point", "a moment, or maybe for both reasons). The child wasn't", "be there in the first place, and at the moment", "a hood falls for a moment, or maybe for both", "because a hood falls for a moment, or maybe for", "to be there in the first place, and at the", "the moment of the attack he was a bit away", "from the group, so the attackers don't know he's there", "tree (he would climb it for fun before the attack)?", "of it (to the point of recognising the assailants, either", "both reasons). The child wasn't supposed to be there in", "manages to hide and survive. He witnesses the massacre, or", "and aren't looking for him. Is it realistic for the", "about a bush? Or a tree with big curved roots?", "in a medieval-like fantasy kingdom. At some point a group", "it realistic for the boy to hide in a tree", "a tree is not a good place to hide, what", "or maybe because a hood falls for a moment, or", "a forested low mountain area when they are attacked by", "He witnesses the massacre, or at least a bit of", "or maybe for both reasons). The child wasn't supposed to", "kind of tree would be suitable? If a tree is", "to hide, what about a bush? Or a tree with", "some point a group of people are passing through a", "and survive. He witnesses the massacre, or at least a", "voices, or maybe because a hood falls for a moment,", "fun before the attack)? If so, what kind of tree", "to hide and survive. He witnesses the massacre, or at", "of recognising the assailants, either because he recognises some of", "hide in a tree (he would climb it for fun", "assailants, either because he recognises some of their voices, or", "fantasy kingdom. At some point a group of people are", "him. Is it realistic for the boy to hide in", "medieval-like fantasy kingdom. At some point a group of people", "for him. Is it realistic for the boy to hide", "recognising the assailants, either because he recognises some of their", "in the first place, and at the moment of the", "and at the moment of the attack he was a", "child wasn't supposed to be there in the first place,", "it for fun before the attack)? If so, what kind", "set in a medieval-like fantasy kingdom. At some point a", "a tree (he would climb it for fun before the", "not a good place to hide, what about a bush?", "(to the point of recognising the assailants, either because he", "a bit away from the group, so the attackers don't", "swords etc and the villains win. However, a 10-year-old child", "a bit of it (to the point of recognising the", "good place to hide, what about a bush? Or a", "would be suitable? If a tree is not a good", "arrows, swords etc and the villains win. However, a 10-year-old", "the villains win. However, a 10-year-old child manages to hide", "looking for him. Is it realistic for the boy to", "are attacked by hooded people, there is a fight with", "win. However, a 10-year-old child manages to hide and survive." ]
[ "children living with me, as well as my wife's uncle", "time who took my hard earned money and never published", "now that I am out of prison trying to work,", "to find a traditional publisher, as paying for it is", "find a traditional publisher, as paying for it is not", "traditional publisher, as paying for it is not within my", "2003. It's now 20 years later and I've gotten nowhere.", "like to find a traditional publisher, as paying for it", "first manuscript in 2003. It's now 20 years later and", "uncle who has terminal liver failure. So any help or", "published. I even had a publisher at one time who", "paying for it is not within my budget while trying", "me, as well as my wife's uncle who has terminal", "I've gotten nowhere. I have dozens of completed manuscripts. All", "my family. I'm married with two children living with me,", "manuscripts. I finished my first manuscript in 2003. It's now", "my first manuscript in 2003. It's now 20 years later", "years later and I've gotten nowhere. I have dozens of", "that I am out of prison trying to work, I", "So any help or advice is greatly appreciated. I have", "finished. I've tried read-to-type but it's too error-persistent. And now", "I finished my first manuscript in 2003. It's now 20", "I am out of prison trying to work, I just", "as well as my wife's uncle who has terminal liver", "and I've gotten nowhere. I have dozens of completed manuscripts.", "don't have the time to do it myself. I would", "of completed manuscripts. All are 500 pages or more. All", "been unsuccessful in finding one. I've even resorted to looking", "later and I've gotten nowhere. I have dozens of completed", "manuscripts, I have been unsuccessful in finding one. I've even", "one time who took my hard earned money and never", "and never published my manuscripts. I finished my first manuscript", "now 20 years later and I've gotten nowhere. I have", "completed manuscripts. All are 500 pages or more. All are", "not within my budget while trying to feed my family.", "trying to get published. I even had a publisher at", "and none ever finished. I've tried read-to-type but it's too", "All are 500 pages or more. All are handwritten due", "I even had a publisher at one time who took", "ever finished. I've tried read-to-type but it's too error-persistent. And", "I just don't have the time to do it myself.", "gotten nowhere. I have dozens of completed manuscripts. All are", "never published my manuscripts. I finished my first manuscript in", "to do it myself. I would like to find a", "my circumstances at the time. I've paid three different people", "a traditional publisher, as paying for it is not within", "work, I just don't have the time to do it", "I'm married with two children living with me, as well", "is greatly appreciated. I have my manuscripts all on PDF.", "I have been unsuccessful in finding one. I've even resorted", "at the time. I've paid three different people to type", "to work, I just don't have the time to do", "failure. So any help or advice is greatly appreciated. I", "the time. I've paid three different people to type them", "trying to feed my family. I'm married with two children", "who has terminal liver failure. So any help or advice", "no traditional publisher takes unsolicited manuscripts, I have been unsuccessful", "myself. I would like to find a traditional publisher, as", "help or advice is greatly appreciated. I have my manuscripts", "them and none ever finished. I've tried read-to-type but it's", "a publisher at one time who took my hard earned", "nowhere. I have dozens of completed manuscripts. All are 500", "pages or more. All are handwritten due to my circumstances", "All are handwritten due to my circumstances at the time.", "within my budget while trying to feed my family. I'm", "my wife's uncle who has terminal liver failure. So any", "takes unsolicited manuscripts, I have been unsuccessful in finding one.", "have been unsuccessful in finding one. I've even resorted to", "are 500 pages or more. All are handwritten due to", "co-author for the books I've already written, just to get", "even had a publisher at one time who took my", "family. I'm married with two children living with me, as", "at one time who took my hard earned money and", "a co-author for the books I've already written, just to", "have spent years trying to get published. I even had", "am out of prison trying to work, I just don't", "I've paid three different people to type them and none", "years trying to get published. I even had a publisher", "the books I've already written, just to get them published.", "married with two children living with me, as well as", "my hard earned money and never published my manuscripts. I", "time. I've paid three different people to type them and", "it is not within my budget while trying to feed", "hard earned money and never published my manuscripts. I finished", "my manuscripts. I finished my first manuscript in 2003. It's", "greatly appreciated. I have my manuscripts all on PDF. But", "to my circumstances at the time. I've paid three different", "has terminal liver failure. So any help or advice is", "I have my manuscripts all on PDF. But where no", "it myself. I would like to find a traditional publisher,", "one. I've even resorted to looking for a co-author for", "people to type them and none ever finished. I've tried", "had a publisher at one time who took my hard", "have my manuscripts all on PDF. But where no traditional", "for a co-author for the books I've already written, just", "with me, as well as my wife's uncle who has", "as paying for it is not within my budget while", "20 years later and I've gotten nowhere. I have dozens", "have dozens of completed manuscripts. All are 500 pages or", "manuscripts. All are 500 pages or more. All are handwritten", "publisher, as paying for it is not within my budget", "with two children living with me, as well as my", "500 pages or more. All are handwritten due to my", "too error-persistent. And now that I am out of prison", "the time to do it myself. I would like to", "advice is greatly appreciated. I have my manuscripts all on", "three different people to type them and none ever finished.", "feed my family. I'm married with two children living with", "earned money and never published my manuscripts. I finished my", "manuscript in 2003. It's now 20 years later and I've", "circumstances at the time. I've paid three different people to", "budget while trying to feed my family. I'm married with", "due to my circumstances at the time. I've paid three", "appreciated. I have my manuscripts all on PDF. But where", "type them and none ever finished. I've tried read-to-type but", "time to do it myself. I would like to find", "two children living with me, as well as my wife's", "or more. All are handwritten due to my circumstances at", "have the time to do it myself. I would like", "on PDF. But where no traditional publisher takes unsolicited manuscripts,", "money and never published my manuscripts. I finished my first", "even resorted to looking for a co-author for the books", "to get published. I even had a publisher at one", "published my manuscripts. I finished my first manuscript in 2003.", "well as my wife's uncle who has terminal liver failure.", "in 2003. It's now 20 years later and I've gotten", "to type them and none ever finished. I've tried read-to-type", "living with me, as well as my wife's uncle who", "it's too error-persistent. And now that I am out of", "just don't have the time to do it myself. I", "I would like to find a traditional publisher, as paying", "terminal liver failure. So any help or advice is greatly", "my manuscripts all on PDF. But where no traditional publisher", "trying to work, I just don't have the time to", "or advice is greatly appreciated. I have my manuscripts all", "get published. I even had a publisher at one time", "I have dozens of completed manuscripts. All are 500 pages", "my budget while trying to feed my family. I'm married", "more. All are handwritten due to my circumstances at the", "of prison trying to work, I just don't have the", "unsolicited manuscripts, I have been unsuccessful in finding one. I've", "It's now 20 years later and I've gotten nowhere. I", "for the books I've already written, just to get them", "traditional publisher takes unsolicited manuscripts, I have been unsuccessful in", "unsuccessful in finding one. I've even resorted to looking for", "dozens of completed manuscripts. All are 500 pages or more.", "error-persistent. And now that I am out of prison trying", "paid three different people to type them and none ever", "out of prison trying to work, I just don't have", "is not within my budget while trying to feed my", "spent years trying to get published. I even had a", "while trying to feed my family. I'm married with two", "publisher at one time who took my hard earned money", "finished my first manuscript in 2003. It's now 20 years", "none ever finished. I've tried read-to-type but it's too error-persistent.", "but it's too error-persistent. And now that I am out", "as my wife's uncle who has terminal liver failure. So", "looking for a co-author for the books I've already written,", "prison trying to work, I just don't have the time", "would like to find a traditional publisher, as paying for", "liver failure. So any help or advice is greatly appreciated.", "PDF. But where no traditional publisher takes unsolicited manuscripts, I", "wife's uncle who has terminal liver failure. So any help", "finding one. I've even resorted to looking for a co-author", "And now that I am out of prison trying to", "to looking for a co-author for the books I've already", "read-to-type but it's too error-persistent. And now that I am", "are handwritten due to my circumstances at the time. I've", "all on PDF. But where no traditional publisher takes unsolicited", "to feed my family. I'm married with two children living", "do it myself. I would like to find a traditional", "any help or advice is greatly appreciated. I have my", "I've even resorted to looking for a co-author for the", "publisher takes unsolicited manuscripts, I have been unsuccessful in finding", "resorted to looking for a co-author for the books I've", "for it is not within my budget while trying to", "manuscripts all on PDF. But where no traditional publisher takes", "I've tried read-to-type but it's too error-persistent. And now that", "where no traditional publisher takes unsolicited manuscripts, I have been", "who took my hard earned money and never published my", "handwritten due to my circumstances at the time. I've paid", "But where no traditional publisher takes unsolicited manuscripts, I have", "in finding one. I've even resorted to looking for a", "different people to type them and none ever finished. I've", "took my hard earned money and never published my manuscripts.", "I have spent years trying to get published. I even", "tried read-to-type but it's too error-persistent. And now that I" ]
[ "blocky and kind of boring my character descriptions were in", "and kind of boring my character descriptions were in my", "is described with their physical looks all in one paragraph,", "how they look throughout the book and mainly focus more", "that work better than having blocky paragraphs describing a character", "boring my character descriptions were in my first version of", "physical attributes and more on personality and speech patterns. Will", "character descriptions were in my first version of the book,", "that maybe instead of writing a character that is described", "personality and speech patterns. Will that work better than having", "blocky paragraphs describing a character when writing from the third", "look throughout the book and mainly focus more on certain", "kind of boring my character descriptions were in my first", "a book, and I've realised how blocky and kind of", "scatter information about how they look throughout the book and", "they look throughout the book and mainly focus more on", "were in my first version of the book, and I", "in my first version of the book, and I thought", "I thought that maybe instead of writing a character that", "thought that maybe instead of writing a character that is", "described with their physical looks all in one paragraph, it's", "to scatter information about how they look throughout the book", "book, and I've realised how blocky and kind of boring", "better than having blocky paragraphs describing a character when writing", "realised how blocky and kind of boring my character descriptions", "my character descriptions were in my first version of the", "how blocky and kind of boring my character descriptions were", "more on personality and speech patterns. Will that work better", "and more on personality and speech patterns. Will that work", "on certain physical attributes and more on personality and speech", "attributes and more on personality and speech patterns. Will that", "rewriting a book, and I've realised how blocky and kind", "I've realised how blocky and kind of boring my character", "that is described with their physical looks all in one", "maybe instead of writing a character that is described with", "book and mainly focus more on certain physical attributes and", "paragraphs describing a character when writing from the third person?", "one paragraph, it's better to scatter information about how they", "certain physical attributes and more on personality and speech patterns.", "of writing a character that is described with their physical", "paragraph, it's better to scatter information about how they look", "and I thought that maybe instead of writing a character", "of the book, and I thought that maybe instead of", "work better than having blocky paragraphs describing a character when", "of boring my character descriptions were in my first version", "and mainly focus more on certain physical attributes and more", "and I've realised how blocky and kind of boring my", "instead of writing a character that is described with their", "on personality and speech patterns. Will that work better than", "than having blocky paragraphs describing a character when writing from", "their physical looks all in one paragraph, it's better to", "speech patterns. Will that work better than having blocky paragraphs", "the book and mainly focus more on certain physical attributes", "about how they look throughout the book and mainly focus", "mainly focus more on certain physical attributes and more on", "version of the book, and I thought that maybe instead", "all in one paragraph, it's better to scatter information about", "with their physical looks all in one paragraph, it's better", "my first version of the book, and I thought that", "descriptions were in my first version of the book, and", "throughout the book and mainly focus more on certain physical", "been rewriting a book, and I've realised how blocky and", "first version of the book, and I thought that maybe", "and speech patterns. Will that work better than having blocky", "patterns. Will that work better than having blocky paragraphs describing", "physical looks all in one paragraph, it's better to scatter", "in one paragraph, it's better to scatter information about how", "more on certain physical attributes and more on personality and", "book, and I thought that maybe instead of writing a", "it's better to scatter information about how they look throughout", "better to scatter information about how they look throughout the", "focus more on certain physical attributes and more on personality", "writing a character that is described with their physical looks", "Will that work better than having blocky paragraphs describing a", "the book, and I thought that maybe instead of writing", "information about how they look throughout the book and mainly", "looks all in one paragraph, it's better to scatter information", "I've been rewriting a book, and I've realised how blocky", "a character that is described with their physical looks all", "having blocky paragraphs describing a character when writing from the", "character that is described with their physical looks all in" ]
[ "only thing I can think of that's 'underwater' themed. The", "time; as soon as she's 15, she gets to go", "first time; as soon as she's 15, she gets to", "juvenile, but it's the only thing I can think of", "suit underwater ceremonies. I've looked at several name generators and", "thought they wouldn't work underwater. I've also thought about the", "her first trip away from home alone for the first", "Reef Ceremony,\" which now sounds stupid and juvenile, but it's", "the Coral Reef where her father's castle is located, including", "I've looked at several name generators and thought they wouldn't", "I've also thought about the \"Coral Reef Ceremony,\" which now", "it's the only thing I can think of that's 'underwater'", "is located, including the surface, as long as she's not", "located, including the surface, as long as she's not seen.", "which now sounds stupid and juvenile, but it's the only", "as soon as she's 15, she gets to go anywhere", "several name generators and thought they wouldn't work underwater. I've", "alone for the first time; as soon as she's 15,", "ceremony names that would suit underwater ceremonies. I've looked at", "the only thing I can think of that's 'underwater' themed.", "ceremony celebrates her first trip away from home alone for", "work underwater. I've also thought about the \"Coral Reef Ceremony,\"", "of that's 'underwater' themed. The ceremony celebrates her first trip", "need help finding ceremony names that would suit underwater ceremonies.", "thing I can think of that's 'underwater' themed. The ceremony", "soon as she's 15, she gets to go anywhere past", "to go anywhere past the Coral Reef where her father's", "names that would suit underwater ceremonies. I've looked at several", "Reef where her father's castle is located, including the surface,", "but it's the only thing I can think of that's", "castle is located, including the surface, as long as she's", "\"Coral Reef Ceremony,\" which now sounds stupid and juvenile, but", "where her father's castle is located, including the surface, as", "away from home alone for the first time; as soon", "past the Coral Reef where her father's castle is located,", "15, she gets to go anywhere past the Coral Reef", "can think of that's 'underwater' themed. The ceremony celebrates her", "Ceremony,\" which now sounds stupid and juvenile, but it's the", "'underwater' themed. The ceremony celebrates her first trip away from", "and juvenile, but it's the only thing I can think", "they wouldn't work underwater. I've also thought about the \"Coral", "also thought about the \"Coral Reef Ceremony,\" which now sounds", "her father's castle is located, including the surface, as long", "think of that's 'underwater' themed. The ceremony celebrates her first", "about the \"Coral Reef Ceremony,\" which now sounds stupid and", "thought about the \"Coral Reef Ceremony,\" which now sounds stupid", "help finding ceremony names that would suit underwater ceremonies. I've", "The ceremony celebrates her first trip away from home alone", "from home alone for the first time; as soon as", "and thought they wouldn't work underwater. I've also thought about", "now sounds stupid and juvenile, but it's the only thing", "would suit underwater ceremonies. I've looked at several name generators", "go anywhere past the Coral Reef where her father's castle", "home alone for the first time; as soon as she's", "as she's 15, she gets to go anywhere past the", "sounds stupid and juvenile, but it's the only thing I", "I need help finding ceremony names that would suit underwater", "finding ceremony names that would suit underwater ceremonies. I've looked", "celebrates her first trip away from home alone for the", "wouldn't work underwater. I've also thought about the \"Coral Reef", "underwater. I've also thought about the \"Coral Reef Ceremony,\" which", "underwater ceremonies. I've looked at several name generators and thought", "name generators and thought they wouldn't work underwater. I've also", "looked at several name generators and thought they wouldn't work", "that would suit underwater ceremonies. I've looked at several name", "for the first time; as soon as she's 15, she", "at several name generators and thought they wouldn't work underwater.", "gets to go anywhere past the Coral Reef where her", "father's castle is located, including the surface, as long as", "the first time; as soon as she's 15, she gets", "the \"Coral Reef Ceremony,\" which now sounds stupid and juvenile,", "trip away from home alone for the first time; as", "ceremonies. I've looked at several name generators and thought they", "she gets to go anywhere past the Coral Reef where", "generators and thought they wouldn't work underwater. I've also thought", "she's 15, she gets to go anywhere past the Coral", "anywhere past the Coral Reef where her father's castle is", "I can think of that's 'underwater' themed. The ceremony celebrates", "stupid and juvenile, but it's the only thing I can", "that's 'underwater' themed. The ceremony celebrates her first trip away", "themed. The ceremony celebrates her first trip away from home", "Coral Reef where her father's castle is located, including the", "first trip away from home alone for the first time;" ]
[ "* Final screenplay from \"Forrest Gump\" (154 pages), from <https://www.studiobinder.com/blog/best-free-movie-scripts-online/>", "mention `this format results roughly in 1 minute on film", "minute on film per page`. Is this an observation on", "creatives, actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png)", "average (i.e. an output), or is it a prerequisite (i.e.", "that it's good practice to follow the US-formatting conventions for", "or conventions for screenplays. Many times they mention `this format", "... --- P.S.: W.r.t. the excellent answers from @Amadeus and", "scripts. * it may look old-fashioned * it seems to", "Is this an observation on average (i.e. an output), or", "answers from @Amadeus and @user52445 it turns out that it's", "a good tool to interest and coordinate a (big) team", "of creatives, actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> :", "@user52445 it turns out that it's good practice to follow", "good tool to interest and coordinate a (big) team of", "Looking for formatting rules or conventions for screenplays. Many times", "and @user52445 it turns out that it's good practice to", "actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) ", "(i.e. an input)? 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Is this an observation on average", "screenplay scripts. * it may look old-fashioned * it seems", "turns out that it's good practice to follow the US-formatting", "for screenplay scripts. * it may look old-fashioned * it", "interest and coordinate a (big) team of creatives, actors, technicians", "it seems to be a good tool to interest and", "(big) team of creatives, actors, technicians etc. --- References: ", "and coordinate a (big) team of creatives, actors, technicians etc.", "to be a good tool to interest and coordinate a", "per page`. Is this an observation on average (i.e. an", "the US-formatting conventions for screenplay scripts. it may look", "`this format results roughly in 1 minute on film per", "an observation on average (i.e. an output), or is it", "an output), or is it a prerequisite (i.e. an input)?", "good practice to follow the US-formatting conventions for screenplay scripts.", "to interest and coordinate a (big) team of creatives, actors,", "for screenplays. Many times they mention `this format results roughly", "an input)? Just wondering ... --- P.S.: W.r.t. the excellent", "format results roughly in 1 minute on film per page`.", "W.r.t. the excellent answers from @Amadeus and @user52445 it turns", "Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\"", "[![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\" (154 pages), from", "P.S.: W.r.t. the excellent answers from @Amadeus and @user52445 it", "a prerequisite (i.e. an input)? Just wondering ... --- P.S.:", "or is it a prerequisite (i.e. an input)? Just wondering", "--- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> :", "this an observation on average (i.e. an output), or is", ": [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay", "be a good tool to interest and coordinate a (big)", "roughly in 1 minute on film per page`. Is this", "look old-fashioned * it seems to be a good tool", "conventions for screenplays. Many times they mention `this format results", "Many times they mention `this format results roughly in 1", "from @Amadeus and @user52445 it turns out that it's good", "* <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) ", "<https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) Final screenplay from \"Forrest Gump\" (154", "input)? Just wondering ... --- P.S.: W.r.t. the excellent answers", "team of creatives, actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/>", "@Amadeus and @user52445 it turns out that it's good practice", "practice to follow the US-formatting conventions for screenplay scripts. ", "it turns out that it's good practice to follow the", "to follow the US-formatting conventions for screenplay scripts. it", "* Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest", "etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting>", ": [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\" (154 pages),", "it a prerequisite (i.e. an input)? Just wondering ... ---", "rules or conventions for screenplays. Many times they mention `this", "output), or is it a prerequisite (i.e. an input)? Just", "times they mention `this format results roughly in 1 minute", "seems to be a good tool to interest and coordinate", "page`. Is this an observation on average (i.e. an output),", "tool to interest and coordinate a (big) team of creatives,", "the excellent answers from @Amadeus and @user52445 it turns out", "film per page`. Is this an observation on average (i.e.", "wondering ... --- P.S.: W.r.t. the excellent answers from @Amadeus", "screenplays. Many times they mention `this format results roughly in", "they mention `this format results roughly in 1 minute on", "it may look old-fashioned * it seems to be a", "1 minute on film per page`. Is this an observation", "excellent answers from @Amadeus and @user52445 it turns out that", "follow the US-formatting conventions for screenplay scripts. * it may", "<https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final", "a (big) team of creatives, actors, technicians etc. --- References:", "conventions for screenplay scripts. * it may look old-fashioned ", "--- P.S.: W.r.t. the excellent answers from @Amadeus and @user52445", "out that it's good practice to follow the US-formatting conventions", "[![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from", "formatting rules or conventions for screenplays. Many times they mention", "in 1 minute on film per page`. Is this an", "(i.e. an output), or is it a prerequisite (i.e. an", "Final screenplay from \"Forrest Gump\" (154 pages), from <https://www.studiobinder.com/blog/best-free-movie-scripts-online/> [![forrest](https://i.stack.imgur.com/6nRjB.png)](https://i.stack.imgur.com/6nRjB.png)", "is it a prerequisite (i.e. an input)? Just wondering ...", "for formatting rules or conventions for screenplays. Many times they", "observation on average (i.e. an output), or is it a", "may look old-fashioned * it seems to be a good", "coordinate a (big) team of creatives, actors, technicians etc. ---", "prerequisite (i.e. an input)? Just wondering ... --- P.S.: W.r.t.", "on average (i.e. an output), or is it a prerequisite", "it's good practice to follow the US-formatting conventions for screenplay", "Just wondering ... --- P.S.: W.r.t. the excellent answers from" ]
[ "in the movie. Am I safe killing him off, or", "and motivation spends around 10 minutes in the movie. Am", "the main character's backstory and motivation spends around 10 minutes", "the movie. Am I safe killing him off, or should", "motivation spends around 10 minutes in the movie. Am I", "spends around 10 minutes in the movie. Am I safe", "In my 3rd draft, a character, that adds a lot", "safe killing him off, or should I extend the character's", "3rd draft, a character, that adds a lot to the", "around 10 minutes in the movie. Am I safe killing", "Am I safe killing him off, or should I extend", "a character, that adds a lot to the main character's", "my 3rd draft, a character, that adds a lot to", "to the main character's backstory and motivation spends around 10", "draft, a character, that adds a lot to the main", "minutes in the movie. Am I safe killing him off,", "I safe killing him off, or should I extend the", "a lot to the main character's backstory and motivation spends", "character, that adds a lot to the main character's backstory", "killing him off, or should I extend the character's time?", "adds a lot to the main character's backstory and motivation", "lot to the main character's backstory and motivation spends around", "character's backstory and motivation spends around 10 minutes in the", "10 minutes in the movie. Am I safe killing him", "backstory and motivation spends around 10 minutes in the movie.", "that adds a lot to the main character's backstory and", "main character's backstory and motivation spends around 10 minutes in", "movie. Am I safe killing him off, or should I" ]
[ "conclusion. However, there is a secondary plot that cannot be", "two years. In this time the events of the main", "I know I can write an epilogue, but are there", "two years because it would be completely unrealistic, however I", "be resolved in two years because it would be completely", "character that is a child while the events of the", "other options? In case it is useful, the narrator is", "know I can write an epilogue, but are there other", "in third person. Maybe I keep this information to myself", "the novel take place. I mean, the child becomes an", "years because it would be completely unrealistic, however I would", "happened to the characters. I know I can write an", "writes the book in third person. Maybe I keep this", "unrealistic, however I would like to provide at least some", "author and the she writes the book in third person.", "the events of the main plot and conflicts between the", "a conclusion. However, there is a secondary plot that cannot", "in two years because it would be completely unrealistic, however", "that turned out and what happened to the characters. I", "maybe I reveal it to the reader at some point.", "get a conclusion. However, there is a secondary plot that", "narrator is a character that is a child while the", "are there other options? In case it is useful, the", "child while the events of the novel take place. I", "to the characters. I know I can write an epilogue,", "myself or maybe I reveal it to the reader at", "because it would be completely unrealistic, however I would like", "third person. Maybe I keep this information to myself or", "The events in the novel take place in about two", "novel. The events in the novel take place in about", "a novel. The events in the novel take place in", "clues about how that turned out and what happened to", "like to provide at least some clues about how that", "events of the main plot and conflicts between the characters", "what happened to the characters. I know I can write", "Maybe I keep this information to myself or maybe I", "cannot be resolved in two years because it would be", "provide at least some clues about how that turned out", "write an epilogue, but are there other options? In case", "it is useful, the narrator is a character that is", "the novel take place in about two years. In this", "options? In case it is useful, the narrator is a", "take place in about two years. In this time the", "but are there other options? In case it is useful,", "events in the novel take place in about two years.", "time the events of the main plot and conflicts between", "be completely unrealistic, however I would like to provide at", "there is a secondary plot that cannot be resolved in", "years. In this time the events of the main plot", "there other options? In case it is useful, the narrator", "at least some clues about how that turned out and", "In this time the events of the main plot and", "of the main plot and conflicts between the characters get", "turned out and what happened to the characters. I know", "secondary plot that cannot be resolved in two years because", "characters. I know I can write an epilogue, but are", "writing a novel. The events in the novel take place", "to myself or maybe I reveal it to the reader", "it would be completely unrealistic, however I would like to", "she writes the book in third person. Maybe I keep", "I can write an epilogue, but are there other options?", "keep this information to myself or maybe I reveal it", "this time the events of the main plot and conflicts", "case it is useful, the narrator is a character that", "an author and the she writes the book in third", "in about two years. In this time the events of", "resolved in two years because it would be completely unrealistic,", "the characters. I know I can write an epilogue, but", "In case it is useful, the narrator is a character", "and what happened to the characters. I know I can", "conflicts between the characters get a conclusion. However, there is", "would like to provide at least some clues about how", "the narrator is a character that is a child while", "an epilogue, but are there other options? In case it", "the main plot and conflicts between the characters get a", "plot that cannot be resolved in two years because it", "I keep this information to myself or maybe I reveal", "some clues about how that turned out and what happened", "I would like to provide at least some clues about", "novel take place. I mean, the child becomes an author", "place. I mean, the child becomes an author and the", "how that turned out and what happened to the characters.", "is a character that is a child while the events", "becomes an author and the she writes the book in", "a character that is a child while the events of", "of the novel take place. I mean, the child becomes", "the events of the novel take place. I mean, the", "place in about two years. In this time the events", "person. Maybe I keep this information to myself or maybe", "least some clues about how that turned out and what", "plot and conflicts between the characters get a conclusion. However,", "however I would like to provide at least some clues", "that cannot be resolved in two years because it would", "child becomes an author and the she writes the book", "would be completely unrealistic, however I would like to provide", "this information to myself or maybe I reveal it to", "between the characters get a conclusion. However, there is a", "a child while the events of the novel take place.", "and the she writes the book in third person. Maybe", "in the novel take place in about two years. In", "events of the novel take place. I mean, the child", "a secondary plot that cannot be resolved in two years", "can write an epilogue, but are there other options? In", "out and what happened to the characters. I know I", "or maybe I reveal it to the reader at some", "I mean, the child becomes an author and the she", "novel take place in about two years. In this time", "information to myself or maybe I reveal it to the", "and conflicts between the characters get a conclusion. However, there", "is a secondary plot that cannot be resolved in two", "characters get a conclusion. However, there is a secondary plot", "is useful, the narrator is a character that is a", "I'am writing a novel. The events in the novel take", "book in third person. Maybe I keep this information to", "epilogue, but are there other options? In case it is", "the child becomes an author and the she writes the", "However, there is a secondary plot that cannot be resolved", "completely unrealistic, however I would like to provide at least", "while the events of the novel take place. I mean,", "main plot and conflicts between the characters get a conclusion.", "the book in third person. Maybe I keep this information", "is a child while the events of the novel take", "the characters get a conclusion. However, there is a secondary", "to provide at least some clues about how that turned", "about two years. In this time the events of the", "useful, the narrator is a character that is a child", "take place. I mean, the child becomes an author and", "mean, the child becomes an author and the she writes", "that is a child while the events of the novel", "about how that turned out and what happened to the", "the she writes the book in third person. Maybe I" ]
[ "it buzzes or rattles a little bit. But I'm concerned", "audio example that is easy to play. Source file: <https://en.wikipedia.org/wiki/File:Vocal-Fry-May-Undermine-the-Success-of-Young-Women-in-the-Labor-Market-pone.0097506.s005.oga>", "if just \"fry\" was something that everyone understood, but unfortunately", "but unfortunately I think it's too unfamiliar: > > \"Yeah,\"", "concerned the term \"vocal fry\" isn't common enough to read", "their voice. Like the verbal equivalent of an eye roll", "in her throat. > > > I think it would", "the Wikipedia article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register>", "enough to read smoothly if I just write that. For", "Wikipedia article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The", "until it buzzed in her throat. > > > I", "said with vocal fry. > > > I could avoid", "I'm concerned the term \"vocal fry\" isn't common enough to", "> > I could avoid the terminology and describe it", "or an awkward smile. I'd like to say they're employing", "stretching out the word until it buzzed in her throat.", "until it buzzes or rattles a little bit. But I'm", "literally, does that come across more clearly? > > \"Yeah,\"", "fry\" isn't common enough to read smoothly if I just", "just write that. For example, I think this is pretty", "an audio example that is easy to play. Source file:", "with the tone of their voice. Like the verbal equivalent", "the term \"vocal fry\" isn't common enough to read smoothly", "to read smoothly if I just write that. For example,", "way to describe this kind of speech/tone? EDIT FYI, if", "a character express hesitation and uncertainty with the tone of", "think this is pretty awkward: > > \"Ha, yeah,\" she", "character express hesitation and uncertainty with the tone of their", "good broadly-understandable way to describe this kind of speech/tone? EDIT", "article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article", "<https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that is easy", "awkward: > > \"Ha, yeah,\" she said with vocal fry.", "was something that everyone understood, but unfortunately I think it's", "express hesitation and uncertainty with the tone of their voice.", "say they're employing vocal fry, by lowering their pitch and", "an awkward smile. I'd like to say they're employing vocal", "by lowering their pitch and stretching their voice until it", "> \"Ha, yeah,\" she said with vocal fry. > >", "\"vocal fry\" isn't common enough to read smoothly if I", "that everyone understood, but unfortunately I think it's too unfamiliar:", "just \"fry\" was something that everyone understood, but unfortunately I", "could avoid the terminology and describe it more literally, does", "too unfamiliar: > > \"Yeah,\" she said with a low", "uncertainty with the tone of their voice. Like the verbal", "with a low fry. > > > What is a", "> I could avoid the terminology and describe it more", "this kind of speech/tone? EDIT FYI, if you're not familiar,", "the verbal equivalent of an eye roll or an awkward", "example, I think this is pretty awkward: > > \"Ha,", "word until it buzzed in her throat. > > >", "> \"Yeah,\" she said with a low fry. > >", "and uncertainty with the tone of their voice. Like the", "to have a character express hesitation and uncertainty with the", "of their voice. Like the verbal equivalent of an eye", "roll or an awkward smile. I'd like to say they're", "I'd like to say they're employing vocal fry, by lowering", "describe this kind of speech/tone? EDIT FYI, if you're not", "come across more clearly? > > \"Yeah,\" she said, stretching", "> > \"Yeah,\" she said, stretching out the word until", "out the word until it buzzed in her throat. >", "\"fry\" was something that everyone understood, but unfortunately I think", "it's too unfamiliar: > > \"Yeah,\" she said with a", "avoid the terminology and describe it more literally, does that", "voice. Like the verbal equivalent of an eye roll or", "> I think it would be best if just \"fry\"", "> > > I could avoid the terminology and describe", "a low fry. > > > What is a good", "of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example", "this is pretty awkward: > > \"Ha, yeah,\" she said", "and describe it more literally, does that come across more", "vocal fry. > > > I could avoid the terminology", "I think it would be best if just \"fry\" was", "common enough to read smoothly if I just write that.", "of speech/tone? EDIT FYI, if you're not familiar, here's the", "> > > I think it would be best if", "I just write that. For example, I think this is", "across more clearly? > > \"Yeah,\" she said, stretching out", "kind of speech/tone? EDIT FYI, if you're not familiar, here's", "she said with a low fry. > > > What", "fry, by lowering their pitch and stretching their voice until", "pitch and stretching their voice until it buzzes or rattles", "something that everyone understood, but unfortunately I think it's too", "describe it more literally, does that come across more clearly?", "to say they're employing vocal fry, by lowering their pitch", "understood, but unfortunately I think it's too unfamiliar: > >", "would be best if just \"fry\" was something that everyone", "unfortunately I think it's too unfamiliar: > > \"Yeah,\" she", "is a good broadly-understandable way to describe this kind of", "read smoothly if I just write that. For example, I", "unfamiliar: > > \"Yeah,\" she said with a low fry.", "Trying to have a character express hesitation and uncertainty with", "I could avoid the terminology and describe it more literally,", "terminology and describe it more literally, does that come across", "you're not familiar, here's the Wikipedia article on this kind", "employing vocal fry, by lowering their pitch and stretching their", "it more literally, does that come across more clearly? >", "is pretty awkward: > > \"Ha, yeah,\" she said with", "everyone understood, but unfortunately I think it's too unfamiliar: >", "that come across more clearly? > > \"Yeah,\" she said,", "does that come across more clearly? > > \"Yeah,\" she", "said with a low fry. > > > What is", "Like the verbal equivalent of an eye roll or an", "clearly? > > \"Yeah,\" she said, stretching out the word", "to describe this kind of speech/tone? EDIT FYI, if you're", "they're employing vocal fry, by lowering their pitch and stretching", "eye roll or an awkward smile. I'd like to say", "hesitation and uncertainty with the tone of their voice. Like", "yeah,\" she said with vocal fry. > > > I", "familiar, here's the Wikipedia article on this kind of vocal", "fry. > > > What is a good broadly-understandable way", "fry. > > > I could avoid the terminology and", "vocal fry, by lowering their pitch and stretching their voice", "speech/tone? EDIT FYI, if you're not familiar, here's the Wikipedia", "term \"vocal fry\" isn't common enough to read smoothly if", "tone of their voice. Like the verbal equivalent of an", "this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an", "article contains an audio example that is easy to play.", "their pitch and stretching their voice until it buzzes or", "rattles a little bit. But I'm concerned the term \"vocal", "not familiar, here's the Wikipedia article on this kind of", "write that. For example, I think this is pretty awkward:", "The article contains an audio example that is easy to", "have a character express hesitation and uncertainty with the tone", "kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio", "lowering their pitch and stretching their voice until it buzzes", "> \"Yeah,\" she said, stretching out the word until it", "if I just write that. For example, I think this", "What is a good broadly-understandable way to describe this kind", "little bit. But I'm concerned the term \"vocal fry\" isn't", "verbal equivalent of an eye roll or an awkward smile.", "low fry. > > > What is a good broadly-understandable", "on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains", "the tone of their voice. Like the verbal equivalent of", "bit. But I'm concerned the term \"vocal fry\" isn't common", "awkward smile. I'd like to say they're employing vocal fry,", "best if just \"fry\" was something that everyone understood, but", "she said with vocal fry. > > > I could", "she said, stretching out the word until it buzzed in", "the word until it buzzed in her throat. > >", "her throat. > > > I think it would be", "> > \"Yeah,\" she said with a low fry. >", "style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that is", "> > What is a good broadly-understandable way to describe", "\"Yeah,\" she said with a low fry. > > >", "buzzed in her throat. > > > I think it", "pretty awkward: > > \"Ha, yeah,\" she said with vocal", "vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that", "throat. > > > I think it would be best", "> > > What is a good broadly-understandable way to", "here's the Wikipedia article on this kind of vocal style:", "FYI, if you're not familiar, here's the Wikipedia article on", "> What is a good broadly-understandable way to describe this", "I think this is pretty awkward: > > \"Ha, yeah,\"", "buzzes or rattles a little bit. But I'm concerned the", "and stretching their voice until it buzzes or rattles a", "think it would be best if just \"fry\" was something", "I think it's too unfamiliar: > > \"Yeah,\" she said", "\"Yeah,\" she said, stretching out the word until it buzzed", "of an eye roll or an awkward smile. I'd like", "stretching their voice until it buzzes or rattles a little", "said, stretching out the word until it buzzed in her", "their voice until it buzzes or rattles a little bit.", "\"Ha, yeah,\" she said with vocal fry. > > >", "smoothly if I just write that. For example, I think", "if you're not familiar, here's the Wikipedia article on this", "be best if just \"fry\" was something that everyone understood,", "a good broadly-understandable way to describe this kind of speech/tone?", "But I'm concerned the term \"vocal fry\" isn't common enough", "like to say they're employing vocal fry, by lowering their", "smile. I'd like to say they're employing vocal fry, by", "or rattles a little bit. But I'm concerned the term", "it would be best if just \"fry\" was something that", "> > \"Ha, yeah,\" she said with vocal fry. >", "an eye roll or an awkward smile. I'd like to", "voice until it buzzes or rattles a little bit. But", "EDIT FYI, if you're not familiar, here's the Wikipedia article", "> > I think it would be best if just", "isn't common enough to read smoothly if I just write", "more literally, does that come across more clearly? > >", "more clearly? > > \"Yeah,\" she said, stretching out the", "think it's too unfamiliar: > > \"Yeah,\" she said with", "contains an audio example that is easy to play. Source", "a little bit. But I'm concerned the term \"vocal fry\"", "with vocal fry. > > > I could avoid the", "broadly-understandable way to describe this kind of speech/tone? EDIT FYI,", "equivalent of an eye roll or an awkward smile. I'd", "that. For example, I think this is pretty awkward: >", "For example, I think this is pretty awkward: > >", "it buzzed in her throat. > > > I think", "the terminology and describe it more literally, does that come" ]
[ "alternative variants of a scene (alternative dialogue, shorter scene, etc.)", "variants of a scene (alternative dialogue, shorter scene, etc.) in", "(alternative dialogue, shorter scene, etc.) in a spec script that,", "example let's say the writers room of a tv show,", "of them before turning it into a shooting script? If", "let's say the writers room of a tv show, would", "a way to have multiple alternative variants of a scene", "a tv show, would agree on one of them before", "multiple alternative variants of a scene (alternative dialogue, shorter scene,", "for example let's say the writers room of a tv", "script? If that's possible, how would one properly format/denote that?", "to have multiple alternative variants of a scene (alternative dialogue,", "before turning it into a shooting script? If that's possible,", "spec script that, for example let's say the writers room", "would agree on one of them before turning it into", "tv show, would agree on one of them before turning", "a scene (alternative dialogue, shorter scene, etc.) in a spec", "way to have multiple alternative variants of a scene (alternative", "scene, etc.) in a spec script that, for example let's", "agree on one of them before turning it into a", "on one of them before turning it into a shooting", "of a scene (alternative dialogue, shorter scene, etc.) in a", "them before turning it into a shooting script? If that's", "the writers room of a tv show, would agree on", "turning it into a shooting script? If that's possible, how", "etc.) in a spec script that, for example let's say", "a spec script that, for example let's say the writers", "have multiple alternative variants of a scene (alternative dialogue, shorter", "in a spec script that, for example let's say the", "Is there a way to have multiple alternative variants of", "show, would agree on one of them before turning it", "script that, for example let's say the writers room of", "of a tv show, would agree on one of them", "room of a tv show, would agree on one of", "scene (alternative dialogue, shorter scene, etc.) in a spec script", "one of them before turning it into a shooting script?", "a shooting script? If that's possible, how would one properly", "shooting script? If that's possible, how would one properly format/denote", "shorter scene, etc.) in a spec script that, for example", "dialogue, shorter scene, etc.) in a spec script that, for", "that, for example let's say the writers room of a", "it into a shooting script? If that's possible, how would", "into a shooting script? If that's possible, how would one", "there a way to have multiple alternative variants of a", "say the writers room of a tv show, would agree", "writers room of a tv show, would agree on one" ]
[ "attempting to begin writing a Substack newsletter, but I have", "do? I can't get anything done and it is really", "tried following online courses and guides, but none of them", "me. I have so many things I want to do", "following online courses and guides, but none of them have", "of my own head and just do it. I have", "head and just do it. I have tried following online", "online courses and guides, but none of them have helped.", "crippled perfectionist. I can't get through a sentence of any", "do I do? I can't get anything done and it", "few weeks off of working on both writing and programming,", "a toll on me. I have so many things I", "but I have hit a serious problem: I am a", "situation with my programming; I can't work on any of", "begin writing a Substack newsletter, but I have hit a", "have hit a serious problem: I am a chronic, crippled", "things I want to do but I can't get out", "but none of them have helped. Does anyone here have", "on me. I have so many things I want to", "writing a Substack newsletter, but I have hit a serious", "tried taking a few weeks off of working on both", "just do it. I have tried following online courses and", "can't stop criticizing my own code. I tried taking a", "slightest. What do I do? I can't get anything done", "I have so many things I want to do but", "I am attempting to begin writing a Substack newsletter, but", "can't get through a sentence of any given post without", "of any given post without freezing up and becoming unable", "off of working on both writing and programming, but it", "courses and guides, but none of them have helped. Does", "and becoming unable to continue. It is the same situation", "working on both writing and programming, but it hasn't helped", "both writing and programming, but it hasn't helped in the", "on both writing and programming, but it hasn't helped in", "to begin writing a Substack newsletter, but I have hit", "a serious problem: I am a chronic, crippled perfectionist. I", "done and it is really taking a toll on me.", "get anything done and it is really taking a toll", "hasn't helped in the slightest. What do I do? I", "perfectionist. I can't get through a sentence of any given", "have tried following online courses and guides, but none of", "and just do it. I have tried following online courses", "because I can't stop criticizing my own code. I tried", "in the slightest. What do I do? I can't get", "but I can't get out of my own head and", "sentence of any given post without freezing up and becoming", "with my programming; I can't work on any of my", "of them have helped. Does anyone here have any suggestions?", "it hasn't helped in the slightest. What do I do?", "same situation with my programming; I can't work on any", "criticizing my own code. I tried taking a few weeks", "stop criticizing my own code. I tried taking a few", "up and becoming unable to continue. It is the same", "anything done and it is really taking a toll on", "is really taking a toll on me. I have so", "so many things I want to do but I can't", "chronic, crippled perfectionist. I can't get through a sentence of", "I can't get anything done and it is really taking", "of working on both writing and programming, but it hasn't", "It is the same situation with my programming; I can't", "is the same situation with my programming; I can't work", "and it is really taking a toll on me. I", "taking a toll on me. I have so many things", "the same situation with my programming; I can't work on", "projects because I can't stop criticizing my own code. I", "I do? I can't get anything done and it is", "a Substack newsletter, but I have hit a serious problem:", "get through a sentence of any given post without freezing", "becoming unable to continue. It is the same situation with", "I can't get through a sentence of any given post", "own head and just do it. I have tried following", "unable to continue. It is the same situation with my", "What do I do? I can't get anything done and", "code. I tried taking a few weeks off of working", "given post without freezing up and becoming unable to continue.", "weeks off of working on both writing and programming, but", "want to do but I can't get out of my", "I have tried following online courses and guides, but none", "a few weeks off of working on both writing and", "and programming, but it hasn't helped in the slightest. What", "newsletter, but I have hit a serious problem: I am", "problem: I am a chronic, crippled perfectionist. I can't get", "a chronic, crippled perfectionist. I can't get through a sentence", "it is really taking a toll on me. I have", "I am a chronic, crippled perfectionist. I can't get through", "through a sentence of any given post without freezing up", "continue. It is the same situation with my programming; I", "on any of my projects because I can't stop criticizing", "I can't get out of my own head and just", "can't get out of my own head and just do", "taking a few weeks off of working on both writing", "work on any of my projects because I can't stop", "can't work on any of my projects because I can't", "it. I have tried following online courses and guides, but", "do it. I have tried following online courses and guides,", "many things I want to do but I can't get", "any given post without freezing up and becoming unable to", "am attempting to begin writing a Substack newsletter, but I", "out of my own head and just do it. I", "guides, but none of them have helped. Does anyone here", "I tried taking a few weeks off of working on", "toll on me. I have so many things I want", "without freezing up and becoming unable to continue. It is", "my own head and just do it. I have tried", "the slightest. What do I do? I can't get anything", "my own code. I tried taking a few weeks off", "serious problem: I am a chronic, crippled perfectionist. I can't", "writing and programming, but it hasn't helped in the slightest.", "any of my projects because I can't stop criticizing my", "I have hit a serious problem: I am a chronic,", "own code. I tried taking a few weeks off of", "get out of my own head and just do it.", "of my projects because I can't stop criticizing my own", "but it hasn't helped in the slightest. What do I", "can't get anything done and it is really taking a", "freezing up and becoming unable to continue. It is the", "my projects because I can't stop criticizing my own code.", "post without freezing up and becoming unable to continue. It", "hit a serious problem: I am a chronic, crippled perfectionist.", "to continue. It is the same situation with my programming;", "helped in the slightest. What do I do? I can't", "programming; I can't work on any of my projects because", "do but I can't get out of my own head", "a sentence of any given post without freezing up and", "really taking a toll on me. I have so many", "Substack newsletter, but I have hit a serious problem: I", "and guides, but none of them have helped. Does anyone", "I can't work on any of my projects because I", "am a chronic, crippled perfectionist. I can't get through a", "my programming; I can't work on any of my projects", "programming, but it hasn't helped in the slightest. What do", "none of them have helped. Does anyone here have any", "have so many things I want to do but I", "I want to do but I can't get out of", "to do but I can't get out of my own", "I can't stop criticizing my own code. I tried taking" ]
[ "forgotten him. I want to write an insulting scene for", "an insulting scene for my protagonist and want the readers", "insulting scene for my protagonist and want the readers to", "completely forgotten him. I want to write an insulting scene", "and want the readers to connect with him fully. Need", "to connect with him fully. Need some tips on how", "readers to connect with him fully. Need some tips on", "have completely forgotten him. I want to write an insulting", "his friends have completely forgotten him. I want to write", "write an insulting scene for my protagonist and want the", "the readers to connect with him fully. Need some tips", "friends have completely forgotten him. I want to write an", "him. I want to write an insulting scene for my", "I want to write an insulting scene for my protagonist", "to write an insulting scene for my protagonist and want", "my protagonist and want the readers to connect with him", "him fully. Need some tips on how to achieve this.", "finds out that his friends have completely forgotten him. I", "protagonist and want the readers to connect with him fully.", "scene for my protagonist and want the readers to connect", "that his friends have completely forgotten him. I want to", "My protagonist finds out that his friends have completely forgotten", "want to write an insulting scene for my protagonist and", "want the readers to connect with him fully. Need some", "for my protagonist and want the readers to connect with", "out that his friends have completely forgotten him. I want", "connect with him fully. Need some tips on how to", "with him fully. Need some tips on how to achieve", "protagonist finds out that his friends have completely forgotten him." ]
[ "describe it better, seeing as the character is removing the", "but I think I could describe it better, seeing as", "wet, and grating. It could be a series of words", "person whose perspective we're following. \"Shunk\" seems hollow for this", "descriptive, wet, and grating. It could be a series of", "be descriptive, wet, and grating. It could be a series", "to the shock of the person whose perspective we're following.", "own eye socket, much to the shock of the person", "it better, seeing as the character is removing the knife", "sentence around for this particular instance. I settled on \"shunk,\"", "the character is removing the knife from his own eye", "out of an eye socket. I can't think of a", "knife from his own eye socket, much to the shock", "whose perspective we're following. \"Shunk\" seems hollow for this moment.", "I could form a sentence around for this particular instance.", "words I could form a sentence around for this particular", "word. It'd be descriptive, wet, and grating. It could be", "describing the sound of a knife being pulled out of", "a knife being pulled out of an eye socket. I", "could be a series of words I could form a", "could form a sentence around for this particular instance. I", "by describing the sound of a knife being pulled out", "a good word. It'd be descriptive, wet, and grating. It", "could describe it better, seeing as the character is removing", "and grating. It could be a series of words I", "pulled out of an eye socket. I can't think of", "socket, much to the shock of the person whose perspective", "to immerse the readers by describing the sound of a", "on \"shunk,\" but I think I could describe it better,", "I think I could describe it better, seeing as the", "sound of a knife being pulled out of an eye", "around for this particular instance. I settled on \"shunk,\" but", "an eye socket. I can't think of a good word.", "can't think of a good word. It'd be descriptive, wet,", "I can't think of a good word. It'd be descriptive,", "series of words I could form a sentence around for", "the sound of a knife being pulled out of an", "form a sentence around for this particular instance. I settled", "instance. I settled on \"shunk,\" but I think I could", "shock of the person whose perspective we're following. \"Shunk\" seems", "of the person whose perspective we're following. \"Shunk\" seems hollow", "the person whose perspective we're following. \"Shunk\" seems hollow for", "socket. I can't think of a good word. It'd be", "this particular instance. I settled on \"shunk,\" but I think", "I'm writing a story and want to immerse the readers", "of a good word. It'd be descriptive, wet, and grating.", "readers by describing the sound of a knife being pulled", "want to immerse the readers by describing the sound of", "settled on \"shunk,\" but I think I could describe it", "of words I could form a sentence around for this", "being pulled out of an eye socket. I can't think", "as the character is removing the knife from his own", "seeing as the character is removing the knife from his", "eye socket, much to the shock of the person whose", "particular instance. I settled on \"shunk,\" but I think I", "of an eye socket. I can't think of a good", "It could be a series of words I could form", "the knife from his own eye socket, much to the", "immerse the readers by describing the sound of a knife", "knife being pulled out of an eye socket. I can't", "the readers by describing the sound of a knife being", "I could describe it better, seeing as the character is", "writing a story and want to immerse the readers by", "be a series of words I could form a sentence", "It'd be descriptive, wet, and grating. It could be a", "good word. It'd be descriptive, wet, and grating. It could", "much to the shock of the person whose perspective we're", "better, seeing as the character is removing the knife from", "his own eye socket, much to the shock of the", "I settled on \"shunk,\" but I think I could describe", "a series of words I could form a sentence around", "the shock of the person whose perspective we're following. \"Shunk\"", "a sentence around for this particular instance. I settled on", "think of a good word. It'd be descriptive, wet, and", "and want to immerse the readers by describing the sound", "is removing the knife from his own eye socket, much", "a story and want to immerse the readers by describing", "from his own eye socket, much to the shock of", "think I could describe it better, seeing as the character", "character is removing the knife from his own eye socket,", "of a knife being pulled out of an eye socket.", "story and want to immerse the readers by describing the", "for this particular instance. I settled on \"shunk,\" but I", "\"shunk,\" but I think I could describe it better, seeing", "removing the knife from his own eye socket, much to", "eye socket. I can't think of a good word. It'd", "grating. It could be a series of words I could" ]
[ "and stressful than I thought. I'm also scared of people", "lot harder and stressful than I thought. I'm also scared", "(almost eleven), and I'm trying to write a novel. I", "it negatively. This seems a lot more complicated than I", "judging it negatively. This seems a lot more complicated than", "it is a lot harder and stressful than I thought.", "seems a lot more complicated than I thought, and I", "of people judging it negatively. This seems a lot more", "negatively. This seems a lot more complicated than I thought,", "to write a novel. I discovered it is a lot", "harder and stressful than I thought. I'm also scared of", "people judging it negatively. This seems a lot more complicated", "lot more complicated than I thought, and I don't have", "This seems a lot more complicated than I thought, and", "I am 10 years old (almost eleven), and I'm trying", "years old (almost eleven), and I'm trying to write a", "a lot harder and stressful than I thought. I'm also", "don't have anyone helping me, other than suggestions. Help! :'(", "I thought. I'm also scared of people judging it negatively.", "write a novel. I discovered it is a lot harder", "I discovered it is a lot harder and stressful than", "stressful than I thought. I'm also scared of people judging", "I don't have anyone helping me, other than suggestions. Help!", "10 years old (almost eleven), and I'm trying to write", "a lot more complicated than I thought, and I don't", "am 10 years old (almost eleven), and I'm trying to", "thought. I'm also scared of people judging it negatively. This", "complicated than I thought, and I don't have anyone helping", "thought, and I don't have anyone helping me, other than", "and I don't have anyone helping me, other than suggestions.", "eleven), and I'm trying to write a novel. I discovered", "novel. I discovered it is a lot harder and stressful", "I'm also scared of people judging it negatively. This seems", "discovered it is a lot harder and stressful than I", "a novel. I discovered it is a lot harder and", "old (almost eleven), and I'm trying to write a novel.", "than I thought, and I don't have anyone helping me,", "also scared of people judging it negatively. This seems a", "than I thought. I'm also scared of people judging it", "trying to write a novel. I discovered it is a", "is a lot harder and stressful than I thought. I'm", "and I'm trying to write a novel. I discovered it", "more complicated than I thought, and I don't have anyone", "scared of people judging it negatively. This seems a lot", "I thought, and I don't have anyone helping me, other", "I'm trying to write a novel. I discovered it is" ]
[ "over what to do next. I'm a bit worried. I", "they come together. The point is to have these characters", "to exchange information, form a plan they can all agree", "from the other end and forming the \"collision course\" that", "world building arc. I'm dealing with three main characters right", "next, and I know I don't have to explain any", "reads like a \"revision\" of facts. These characters are interacting", "together. The point is to have these characters actually agree", "and feelings on the previous events. Of course, this is", "and sort of show how things are coming from the", "first time all three were together in a non-risky situation,", "\"mini\" adventure gathering important knowledge and information that when put", "arc of the story, much more intense and action focused", "perspective on it. Now I'm considering just doing a sharp", "building arc. I'm dealing with three main characters right now,", "coming from the other end and forming the \"collision course\"", "full chapter to logically explain what each character knows and", "tone and sort of show how things are coming from", "were together in a non-risky situation, so I felt it", "is that by having to slow things down for a", "perspectives. Instead of just dumping exposition onto the reader (or", "agree to move towards danger instead of away from it,", "works because now information is focused and revised in a", "\"surprise\" with \"tension\" but unsure if it's a good bet.", "intense and action focused than the previous world building arc.", "to the end of the story. Right now, each one", "explain any of it again. It is a solid chunk", "is a solid chunk of text, though. I used first", "sharp turn of perspective and toss the reader in the", "I'm just about to charge into the second arc of", "downtime. This is that chapter. It's the first time all", "how they come together. The point is to have these", "and forming the \"collision course\" that will be the heart", "This is that chapter. It's the first time all three", "the risk, the events and what comes next, and I", "is that chapter. It's the first time all three were", "things are coming from the other end and forming the", "and action focused than the previous world building arc. I'm", "all the way to the end of the story. Right", "what they think about those things and how they come", "what they know with each other and about each other,", "natural and logical for these characters to exchange information, form", "a slog and then \"rewarding the reader\" with the villains", "slow things down for a full chapter to logically explain", "POV when new sentiments or info were shown, but third", "way to force the other two into the \"quest\" itself", "come together. The point is to have these characters actually", "that is what it feels right after they share their", "are building, they are not just sharing what they know", "a way to force the other two into the \"quest\"", "heart of act 2. My worry is that by having", "characters had their own \"mini\" adventure gathering important knowledge and", "the reader knows all the players, the risk, the events", "reader\" with the villains perspective. I'm trying to replace \"surprise\"", "reader in the room with the villains, not only to", "from it, because that is what it feels right after", "don't have to explain any of it again. It is", "that will be the heart of act 2. My worry", "information they already know) it sort of reads like a", "love to get some perspectives and opinions on this course", "the heart of act 2. My worry is that by", "with three main characters right now, one is actually set", "will be the heart of act 2. My worry is", "exchange perspectives. Instead of just dumping exposition onto the reader", "feels right after they share their thoughts and feelings on", "is theory and the reality is a full chapter of", "that would follow them all the way to the end", "the previous events. Of course, this is theory and the", "set to die as a way to force the other", "share their thoughts and feelings on the previous events. Of", "are not just sharing what they know with each other", "feel about it, would just feel like a slog and", "a sharp turn of perspective and toss the reader in", "It's the first time all three were together in a", "so I felt it would be only natural and logical", "is focused and revised in a way where the reader", "and about each other, but actually sharing of what they", "third person when I had to summarize previous events and", "how they feel about it, would just feel like a", "of show how things are coming from the other end", "more intense and action focused than the previous world building", "they know with each other and about each other, but", "sort of show how things are coming from the other", "any of it again. It is a solid chunk of", "replace \"surprise\" with \"tension\" but unsure if it's a good", "away from it, because that is what it feels right", "with two other characters that would follow them all the", "worried. I think it works because now information is focused", "together makes for the whole picture. They get together and", "is what it feels right after they share their thoughts", "itself and have them interact with two other characters that", "and have them interact with two other characters that would", "that chapter. It's the first time all three were together", "follow them all the way to the end of the", "put together makes for the whole picture. They get together", "what comes next, and I know I don't have to", "have these characters actually agree to move towards danger instead", "their bonds are building, they are not just sharing what", "scene they had some downtime. This is that chapter. It's", "actors on stage, but also the tone and sort of", "Of course, this is theory and the reality is a", "\"collision course\" that will be the heart of act 2.", "get together and after a chase scene they had some", "stage, but also the tone and sort of show how", "much more intense and action focused than the previous world", "of text, though. I used first person POV when new", "to logically explain what each character knows and how they", "Now I'm considering just doing a sharp turn of perspective", "two into the \"quest\" itself and have them interact with", "good bet. I would love to get some perspectives and", "would follow them all the way to the end of", "some downtime. This is that chapter. It's the first time", "what to do next. I'm a bit worried. I think", "whole picture. They get together and after a chase scene", "on it. Now I'm considering just doing a sharp turn", "I know I don't have to explain any of it", "a bit worried. I think it works because now information", "the villains perspective. I'm trying to replace \"surprise\" with \"tension\"", "actually set to die as a way to force the", "end of the story. Right now, each one of these", "chapter to logically explain what each character knows and how", "it feels right after they share their thoughts and feelings", "I'm trying to replace \"surprise\" with \"tension\" but unsure if", "the way to the end of the story. Right now,", "to replace \"surprise\" with \"tension\" but unsure if it's a", "but third person when I had to summarize previous events", "again. It is a solid chunk of text, though. I", "perspective and toss the reader in the room with the", "a good bet. I would love to get some perspectives", "info were shown, but third person when I had to", "it. Now I'm considering just doing a sharp turn of", "full chapter of conversations and pondering between three people over", "previous events and give a character's perspective on it. Now", "it's a good bet. I would love to get some", "know I don't have to explain any of it again.", "previous events. Of course, this is theory and the reality", "think it works because now information is focused and revised", "explain what each character knows and how they feel about", "felt it would be only natural and logical for these", "though. I used first person POV when new sentiments or", "only to change the actors on stage, but also the", "to but also exchange perspectives. Instead of just dumping exposition", "having to slow things down for a full chapter to", "characters that would follow them all the way to the", "just sharing what they know with each other and about", "things and how they come together. The point is to", "them all the way to the end of the story.", "it would be only natural and logical for these characters", "but also exchange perspectives. Instead of just dumping exposition onto", "now, one is actually set to die as a way", "Storyline wise I'm just about to charge into the second", "right now, one is actually set to die as a", "and what comes next, and I know I don't have", "information that when put together makes for the whole picture.", "with \"tension\" but unsure if it's a good bet. I", "used first person POV when new sentiments or info were", "towards danger instead of away from it, because that is", "considering just doing a sharp turn of perspective and toss", "onto the reader (or repeating information they already know) it", "of the story, much more intense and action focused than", "as a way to force the other two into the", "give a character's perspective on it. Now I'm considering just", "actually agree to move towards danger instead of away from", "to change the actors on stage, but also the tone", "to do next. I'm a bit worried. I think it", "it, would just feel like a slog and then \"rewarding", "not just sharing what they know with each other and", "villains perspective. I'm trying to replace \"surprise\" with \"tension\" but", "it works because now information is focused and revised in", "three main characters right now, one is actually set to", "how things are coming from the other end and forming", "each other and about each other, but actually sharing of", "adventure gathering important knowledge and information that when put together", "of what they think about those things and how they", "had their own \"mini\" adventure gathering important knowledge and information", "together in a non-risky situation, so I felt it would", "course, this is theory and the reality is a full", "but unsure if it's a good bet. I would love", "about to charge into the second arc of the story,", "when new sentiments or info were shown, but third person", "these characters actually agree to move towards danger instead of", "summarize previous events and give a character's perspective on it.", "the end of the story. Right now, each one of", "exchange information, form a plan they can all agree to", "by having to slow things down for a full chapter", "to charge into the second arc of the story, much", "logical for these characters to exchange information, form a plan", "the actors on stage, but also the tone and sort", "interacting with each other, their bonds are building, they are", "text, though. I used first person POV when new sentiments", "chunk of text, though. I used first person POV when", "bet. I would love to get some perspectives and opinions", "course\" that will be the heart of act 2. My", "I'm considering just doing a sharp turn of perspective and", "get some perspectives and opinions on this course of action.", "slog and then \"rewarding the reader\" with the villains perspective.", "know with each other and about each other, but actually", "they had some downtime. This is that chapter. It's the", "but actually sharing of what they think about those things", "important knowledge and information that when put together makes for", "to get some perspectives and opinions on this course of", "and I know I don't have to explain any of", "three characters had their own \"mini\" adventure gathering important knowledge", "are coming from the other end and forming the \"collision", "I had to summarize previous events and give a character's", "I'm dealing with three main characters right now, one is", "gathering important knowledge and information that when put together makes", "is to have these characters actually agree to move towards", "people over what to do next. I'm a bit worried.", "I'm a bit worried. I think it works because now", "now information is focused and revised in a way where", "for these characters to exchange information, form a plan they", "those things and how they come together. The point is", "but also the tone and sort of show how things", "person when I had to summarize previous events and give", "show how things are coming from the other end and", "the villains, not only to change the actors on stage,", "to force the other two into the \"quest\" itself and", "These characters are interacting with each other, their bonds are", "wise I'm just about to charge into the second arc", "move towards danger instead of away from it, because that", "that when put together makes for the whole picture. They", "working on a fantasy novel. Storyline wise I'm just about", "after they share their thoughts and feelings on the previous", "(or repeating information they already know) it sort of reads", "and give a character's perspective on it. Now I'm considering", "revised in a way where the reader knows all the", "would just feel like a slog and then \"rewarding the", "The point is to have these characters actually agree to", "a non-risky situation, so I felt it would be only", "repeating information they already know) it sort of reads like", "they already know) it sort of reads like a \"revision\"", "doing a sharp turn of perspective and toss the reader", "what each character knows and how they feel about it,", "characters actually agree to move towards danger instead of away", "be only natural and logical for these characters to exchange", "of act 2. My worry is that by having to", "were shown, but third person when I had to summarize", "for a full chapter to logically explain what each character", "a \"revision\" of facts. These characters are interacting with each", "a full chapter of conversations and pondering between three people", "their own \"mini\" adventure gathering important knowledge and information that", "right after they share their thoughts and feelings on the", "to die as a way to force the other two", "be the heart of act 2. My worry is that", "and toss the reader in the room with the villains,", "that by having to slow things down for a full", "when put together makes for the whole picture. They get", "this is theory and the reality is a full chapter", "other end and forming the \"collision course\" that will be", "character knows and how they feel about it, would just", "characters are interacting with each other, their bonds are building,", "\"rewarding the reader\" with the villains perspective. I'm trying to", "turn of perspective and toss the reader in the room", "the second arc of the story, much more intense and", "just dumping exposition onto the reader (or repeating information they", "the story, much more intense and action focused than the", "chapter. It's the first time all three were together in", "chase scene they had some downtime. This is that chapter.", "information, form a plan they can all agree to but", "just about to charge into the second arc of the", "about each other, but actually sharing of what they think", "sentiments or info were shown, but third person when I", "it sort of reads like a \"revision\" of facts. These", "story. Right now, each one of these three characters had", "new sentiments or info were shown, but third person when", "thoughts and feelings on the previous events. Of course, this", "a character's perspective on it. Now I'm considering just doing", "to move towards danger instead of away from it, because", "currently working on a fantasy novel. Storyline wise I'm just", "of reads like a \"revision\" of facts. These characters are", "a full chapter to logically explain what each character knows", "know) it sort of reads like a \"revision\" of facts.", "to slow things down for a full chapter to logically", "fantasy novel. Storyline wise I'm just about to charge into", "knows and how they feel about it, would just feel", "non-risky situation, so I felt it would be only natural", "bit worried. I think it works because now information is", "conversations and pondering between three people over what to do", "one is actually set to die as a way to", "and then \"rewarding the reader\" with the villains perspective. I'm", "the whole picture. They get together and after a chase", "I'm currently working on a fantasy novel. Storyline wise I'm", "the tone and sort of show how things are coming", "I would love to get some perspectives and opinions on", "is actually set to die as a way to force", "events. Of course, this is theory and the reality is", "2. My worry is that by having to slow things", "next. I'm a bit worried. I think it works because", "trying to replace \"surprise\" with \"tension\" but unsure if it's", "three people over what to do next. I'm a bit", "events and give a character's perspective on it. Now I'm", "had to summarize previous events and give a character's perspective", "interact with two other characters that would follow them all", "a plan they can all agree to but also exchange", "situation, so I felt it would be only natural and", "the \"quest\" itself and have them interact with two other", "only natural and logical for these characters to exchange information,", "comes next, and I know I don't have to explain", "focused than the previous world building arc. I'm dealing with", "three were together in a non-risky situation, so I felt", "second arc of the story, much more intense and action", "My worry is that by having to slow things down", "each other, their bonds are building, they are not just", "I don't have to explain any of it again. It", "because now information is focused and revised in a way", "to summarize previous events and give a character's perspective on", "these characters to exchange information, form a plan they can", "than the previous world building arc. I'm dealing with three", "It is a solid chunk of text, though. I used", "story, much more intense and action focused than the previous", "one of these three characters had their own \"mini\" adventure", "each other, but actually sharing of what they think about", "plan they can all agree to but also exchange perspectives.", "of perspective and toss the reader in the room with", "force the other two into the \"quest\" itself and have", "already know) it sort of reads like a \"revision\" of", "reader (or repeating information they already know) it sort of", "other characters that would follow them all the way to", "each character knows and how they feel about it, would", "they can all agree to but also exchange perspectives. Instead", "and after a chase scene they had some downtime. This", "sort of reads like a \"revision\" of facts. These characters", "danger instead of away from it, because that is what", "perspective. I'm trying to replace \"surprise\" with \"tension\" but unsure", "the previous world building arc. I'm dealing with three main", "in the room with the villains, not only to change", "the reader\" with the villains perspective. I'm trying to replace", "reality is a full chapter of conversations and pondering between", "forming the \"collision course\" that will be the heart of", "characters to exchange information, form a plan they can all", "just feel like a slog and then \"rewarding the reader\"", "these three characters had their own \"mini\" adventure gathering important", "with each other, their bonds are building, they are not", "I felt it would be only natural and logical for", "instead of away from it, because that is what it", "things down for a full chapter to logically explain what", "actually sharing of what they think about those things and", "other, their bonds are building, they are not just sharing", "dealing with three main characters right now, one is actually", "Instead of just dumping exposition onto the reader (or repeating", "feel like a slog and then \"rewarding the reader\" with", "Right now, each one of these three characters had their", "picture. They get together and after a chase scene they", "into the second arc of the story, much more intense", "would be only natural and logical for these characters to", "unsure if it's a good bet. I would love to", "also the tone and sort of show how things are", "previous world building arc. I'm dealing with three main characters", "with the villains, not only to change the actors on", "character's perspective on it. Now I'm considering just doing a", "down for a full chapter to logically explain what each", "if it's a good bet. I would love to get", "form a plan they can all agree to but also", "other and about each other, but actually sharing of what", "when I had to summarize previous events and give a", "like a \"revision\" of facts. These characters are interacting with", "for the whole picture. They get together and after a", "would love to get some perspectives and opinions on this", "them interact with two other characters that would follow them", "the other two into the \"quest\" itself and have them", "point is to have these characters actually agree to move", "after a chase scene they had some downtime. This is", "end and forming the \"collision course\" that will be the", "pondering between three people over what to do next. I'm", "facts. These characters are interacting with each other, their bonds", "logically explain what each character knows and how they feel", "time all three were together in a non-risky situation, so", "in a non-risky situation, so I felt it would be", "worry is that by having to slow things down for", "main characters right now, one is actually set to die", "reader knows all the players, the risk, the events and", "about those things and how they come together. The point", "of the story. Right now, each one of these three", "focused and revised in a way where the reader knows", "sharing what they know with each other and about each", "the reader (or repeating information they already know) it sort", "knows all the players, the risk, the events and what", "with the villains perspective. I'm trying to replace \"surprise\" with", "the players, the risk, the events and what comes next,", "way to the end of the story. Right now, each", "of away from it, because that is what it feels", "the other end and forming the \"collision course\" that will", "all agree to but also exchange perspectives. Instead of just", "all the players, the risk, the events and what comes", "on a fantasy novel. Storyline wise I'm just about to", "in a way where the reader knows all the players,", "person POV when new sentiments or info were shown, but", "together and after a chase scene they had some downtime.", "and pondering between three people over what to do next.", "do next. I'm a bit worried. I think it works", "action focused than the previous world building arc. I'm dealing", "on stage, but also the tone and sort of show", "a fantasy novel. Storyline wise I'm just about to charge", "of just dumping exposition onto the reader (or repeating information", "other, but actually sharing of what they think about those", "act 2. My worry is that by having to slow", "They get together and after a chase scene they had", "exposition onto the reader (or repeating information they already know)", "\"tension\" but unsure if it's a good bet. I would", "the story. Right now, each one of these three characters", "bonds are building, they are not just sharing what they", "events and what comes next, and I know I don't", "first person POV when new sentiments or info were shown,", "villains, not only to change the actors on stage, but", "change the actors on stage, but also the tone and", "had some downtime. This is that chapter. It's the first", "with each other and about each other, but actually sharing", "the \"collision course\" that will be the heart of act", "the first time all three were together in a non-risky", "of facts. These characters are interacting with each other, their", "other two into the \"quest\" itself and have them interact", "then \"rewarding the reader\" with the villains perspective. I'm trying", "feelings on the previous events. Of course, this is theory", "I think it works because now information is focused and", "die as a way to force the other two into", "charge into the second arc of the story, much more", "\"quest\" itself and have them interact with two other characters", "a chase scene they had some downtime. This is that", "it, because that is what it feels right after they", "are interacting with each other, their bonds are building, they", "to have these characters actually agree to move towards danger", "not only to change the actors on stage, but also", "theory and the reality is a full chapter of conversations", "is a full chapter of conversations and pondering between three", "own \"mini\" adventure gathering important knowledge and information that when", "makes for the whole picture. They get together and after", "building, they are not just sharing what they know with", "now, each one of these three characters had their own", "a way where the reader knows all the players, the", "a solid chunk of text, though. I used first person", "each one of these three characters had their own \"mini\"", "can all agree to but also exchange perspectives. Instead of", "the events and what comes next, and I know I", "solid chunk of text, though. I used first person POV", "room with the villains, not only to change the actors", "of these three characters had their own \"mini\" adventure gathering", "the reality is a full chapter of conversations and pondering", "they think about those things and how they come together.", "shown, but third person when I had to summarize previous", "dumping exposition onto the reader (or repeating information they already", "into the \"quest\" itself and have them interact with two", "because that is what it feels right after they share", "or info were shown, but third person when I had", "to explain any of it again. It is a solid", "novel. Storyline wise I'm just about to charge into the", "and how they come together. The point is to have", "have to explain any of it again. It is a", "about it, would just feel like a slog and then", "like a slog and then \"rewarding the reader\" with the", "risk, the events and what comes next, and I know", "have them interact with two other characters that would follow", "they share their thoughts and feelings on the previous events.", "the room with the villains, not only to change the", "and information that when put together makes for the whole", "on the previous events. Of course, this is theory and", "and logical for these characters to exchange information, form a", "knowledge and information that when put together makes for the", "characters right now, one is actually set to die as", "sharing of what they think about those things and how", "and the reality is a full chapter of conversations and", "think about those things and how they come together. The", "way where the reader knows all the players, the risk,", "and how they feel about it, would just feel like", "arc. I'm dealing with three main characters right now, one", "also exchange perspectives. Instead of just dumping exposition onto the", "of conversations and pondering between three people over what to", "their thoughts and feelings on the previous events. Of course,", "two other characters that would follow them all the way", "information is focused and revised in a way where the", "toss the reader in the room with the villains, not", "it again. It is a solid chunk of text, though.", "just doing a sharp turn of perspective and toss the", "what it feels right after they share their thoughts and", "where the reader knows all the players, the risk, the", "I used first person POV when new sentiments or info", "players, the risk, the events and what comes next, and", "the reader in the room with the villains, not only", "they are not just sharing what they know with each", "chapter of conversations and pondering between three people over what", "between three people over what to do next. I'm a", "and revised in a way where the reader knows all", "all three were together in a non-risky situation, so I", "agree to but also exchange perspectives. Instead of just dumping", "of it again. It is a solid chunk of text,", "they feel about it, would just feel like a slog", "\"revision\" of facts. These characters are interacting with each other," ]
[ "parenthetical usage. i need your help ! but please be", "friends has severe dyslexia and is functionally illiterate. i love", "eat spicy food\". what i meant was, we could eat", "could eat food, spicy optional. did i screw this up?", "of these friends has severe dyslexia and is functionally illiterate.", "the internet and couldn't find any validation... nor was i", "help ! but please be gentle - i am a", "my friends argue that this statement says \"we could eat", "don't trust her opinion on the matter. i have scoured", "okay, trying to settle an argument. on my dating profile,", "food\". what i meant was, we could eat food, spicy", "prompts says: \"together we could..\" among other things, my response", "could eat spicy food\". what i meant was, we could", "to find another example of this type of parenthetical usage.", "the matter. i have scoured the internet and couldn't find", "my dating profile, one of the prompts says: \"together we", "this type of parenthetical usage. i need your help !", "and couldn't find any validation... nor was i able to", "that this statement says \"we could eat spicy food\". what", "among other things, my response includes, \"eat (spicy) food\". my", "eat food, spicy optional. did i screw this up? one", "did i screw this up? one of these friends has", "says \"we could eat spicy food\". what i meant was,", "\"together we could..\" among other things, my response includes, \"eat", "of this type of parenthetical usage. i need your help", "much, but don't trust her opinion on the matter. i", "one of the prompts says: \"together we could..\" among other", "was i able to find another example of this type", "type of parenthetical usage. i need your help ! but", "trying to settle an argument. on my dating profile, one", "any validation... nor was i able to find another example", "have scoured the internet and couldn't find any validation... nor", "other things, my response includes, \"eat (spicy) food\". my friends", "this statement says \"we could eat spicy food\". what i", "usage. i need your help ! but please be gentle", "friends argue that this statement says \"we could eat spicy", "one of these friends has severe dyslexia and is functionally", "! but please be gentle - i am a frequent", "profile, one of the prompts says: \"together we could..\" among", "need your help ! but please be gentle - i", "includes, \"eat (spicy) food\". my friends argue that this statement", "gentle - i am a frequent visitor of this site", "am a frequent visitor of this site but a very", "severe dyslexia and is functionally illiterate. i love her very", "i need your help ! but please be gentle -", "is functionally illiterate. i love her very much, but don't", "statement says \"we could eat spicy food\". what i meant", "what i meant was, we could eat food, spicy optional.", "my response includes, \"eat (spicy) food\". my friends argue that", "illiterate. i love her very much, but don't trust her", "dyslexia and is functionally illiterate. i love her very much,", "and is functionally illiterate. i love her very much, but", "able to find another example of this type of parenthetical", "i love her very much, but don't trust her opinion", "- i am a frequent visitor of this site but", "this up? 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one of these", "internet and couldn't find any validation... nor was i able", "has severe dyslexia and is functionally illiterate. i love her", "was, we could eat food, spicy optional. did i screw", "of parenthetical usage. i need your help ! but please", "\"eat (spicy) food\". my friends argue that this statement says", "could..\" among other things, my response includes, \"eat (spicy) food\".", "her opinion on the matter. i have scoured the internet", "couldn't find any validation... nor was i able to find", "very much, but don't trust her opinion on the matter.", "find any validation... nor was i able to find another", "be gentle - i am a frequent visitor of this", "spicy food\". what i meant was, we could eat food,", "screw this up? one of these friends has severe dyslexia", "we could..\" among other things, my response includes, \"eat (spicy)", "nor was i able to find another example of this", "but please be gentle - i am a frequent visitor", "optional. did i screw this up? one of these friends", "meant was, we could eat food, spicy optional. did i", "opinion on the matter. i have scoured the internet and", "food\". my friends argue that this statement says \"we could", "i able to find another example of this type of", "another example of this type of parenthetical usage. i need", "things, my response includes, \"eat (spicy) food\". my friends argue", "functionally illiterate. i love her very much, but don't trust", "argument. on my dating profile, one of the prompts says:", "these friends has severe dyslexia and is functionally illiterate. i", "settle an argument. on my dating profile, one of the", "matter. i have scoured the internet and couldn't find any", "love her very much, but don't trust her opinion on", "i am a frequent visitor of this site but a", "of the prompts says: \"together we could..\" among other things,", "on the matter. i have scoured the internet and couldn't", "up? one of these friends has severe dyslexia and is", "dating profile, one of the prompts says: \"together we could..\"", "validation... nor was i able to find another example of", "food, spicy optional. did i screw this up? one of", "says: \"together we could..\" among other things, my response includes,", "your help ! but please be gentle - i am", "find another example of this type of parenthetical usage. i", "but don't trust her opinion on the matter. i have" ]
[ "teacher and parents helping to edit, but I don't have", "me (without screwing it up). I also don't know if", "book at age 10-11, by myself. I have some people", "I have some people like my teacher and parents helping", "my teacher and parents helping to edit, but I don't", "myself. I have some people like my teacher and parents", "help me (without screwing it up). I also don't know", "at age 10-11, by myself. I have some people like", "anyone I can trust to help me (without screwing it", "some people like my teacher and parents helping to edit,", "know if I should do the cover art physically or", "to help me (without screwing it up). I also don't", "to edit, but I don't have anyone I can trust", "but I don't have anyone I can trust to help", "up). I also don't know if I should do the", "also don't know if I should do the cover art", "edit, but I don't have anyone I can trust to", "I can trust to help me (without screwing it up).", "trust to help me (without screwing it up). I also", "age 10-11, by myself. I have some people like my", "have some people like my teacher and parents helping to", "can trust to help me (without screwing it up). I", "the cover art physically or digitally. How does all this", "I am writing a book at age 10-11, by myself.", "like my teacher and parents helping to edit, but I", "have anyone I can trust to help me (without screwing", "am writing a book at age 10-11, by myself. I", "people like my teacher and parents helping to edit, but", "parents helping to edit, but I don't have anyone I", "writing a book at age 10-11, by myself. I have", "do the cover art physically or digitally. How does all", "should do the cover art physically or digitally. How does", "cover art physically or digitally. How does all this work?", "if I should do the cover art physically or digitally.", "(without screwing it up). I also don't know if I", "I don't have anyone I can trust to help me", "I should do the cover art physically or digitally. How", "helping to edit, but I don't have anyone I can", "I also don't know if I should do the cover", "10-11, by myself. I have some people like my teacher", "by myself. I have some people like my teacher and", "don't have anyone I can trust to help me (without", "screwing it up). I also don't know if I should", "a book at age 10-11, by myself. I have some", "and parents helping to edit, but I don't have anyone", "don't know if I should do the cover art physically", "it up). I also don't know if I should do" ]
[ "questions: 1. Which sounds more natural? 2. Which reads better?", "are both Ph.D. students in mathematics, so we are, as", "me an interesting question, which we have modified to the", "Which sounds more natural? 2. Which reads better? Here are", "2. Which reads better? Here are the options in question:", "in question: 1. First, we focus on the thing. 2.", "thing. 3. We focus, first, on the thing. We are", "Ph.D. students in mathematics, so we are, as a rule,", "my girlfriend, a non-native speaker, recently, and she asked me", "an interesting question, which we have modified to the following", "both Ph.D. students in mathematics, so we are, as a", "1. Which sounds more natural? 2. Which reads better? Here", "students in mathematics, so we are, as a rule, befuddled", "following two questions: 1. Which sounds more natural? 2. Which", "first focus on the thing. 3. We focus, first, on", "are the options in question: 1. First, we focus on", "question, which we have modified to the following two questions:", "so we are, as a rule, befuddled by non-quantifiable quandaries.", "editing for my girlfriend, a non-native speaker, recently, and she", "speaker, recently, and she asked me an interesting question, which", "a non-native speaker, recently, and she asked me an interesting", "on the thing. 3. We focus, first, on the thing.", "First, we focus on the thing. 2. We first focus", "the options in question: 1. First, we focus on the", "which we have modified to the following two questions: 1.", "been editing for my girlfriend, a non-native speaker, recently, and", "recently, and she asked me an interesting question, which we", "mathematics, so we are, as a rule, befuddled by non-quantifiable", "non-native speaker, recently, and she asked me an interesting question,", "more natural? 2. Which reads better? Here are the options", "question: 1. First, we focus on the thing. 2. We", "girlfriend, a non-native speaker, recently, and she asked me an", "two questions: 1. Which sounds more natural? 2. Which reads", "1. First, we focus on the thing. 2. We first", "options in question: 1. First, we focus on the thing.", "We focus, first, on the thing. We are both Ph.D.", "in mathematics, so we are, as a rule, befuddled by", "I've been editing for my girlfriend, a non-native speaker, recently,", "for my girlfriend, a non-native speaker, recently, and she asked", "we focus on the thing. 2. We first focus on", "she asked me an interesting question, which we have modified", "reads better? Here are the options in question: 1. First,", "thing. We are both Ph.D. students in mathematics, so we", "modified to the following two questions: 1. Which sounds more", "and she asked me an interesting question, which we have", "focus on the thing. 2. We first focus on the", "focus, first, on the thing. We are both Ph.D. students", "Here are the options in question: 1. First, we focus", "have modified to the following two questions: 1. Which sounds", "on the thing. 2. We first focus on the thing.", "2. We first focus on the thing. 3. We focus,", "focus on the thing. 3. We focus, first, on the", "3. We focus, first, on the thing. We are both", "natural? 2. Which reads better? Here are the options in", "the thing. We are both Ph.D. students in mathematics, so", "asked me an interesting question, which we have modified to", "the following two questions: 1. Which sounds more natural? 2.", "better? Here are the options in question: 1. First, we", "Which reads better? Here are the options in question: 1.", "to the following two questions: 1. Which sounds more natural?", "first, on the thing. We are both Ph.D. students in", "interesting question, which we have modified to the following two", "we have modified to the following two questions: 1. Which", "the thing. 2. We first focus on the thing. 3.", "the thing. 3. We focus, first, on the thing. We", "on the thing. We are both Ph.D. students in mathematics,", "thing. 2. We first focus on the thing. 3. We", "sounds more natural? 2. Which reads better? Here are the", "We are both Ph.D. students in mathematics, so we are,", "We first focus on the thing. 3. We focus, first," ]
[ "a purely selfish motivation which is very in line with", "child as they trek through a world slowly being corrupted", "some horrible things (ex. almost shoots the kid she travels", "considering a different motivation where GunnKc and Merayaca had promised", "by some horrific cosmic entity. Merayaca (the emotionally distant woman", "been a curious person, but trauma distorted this passion into", "any growth she shows later in the story as being", "Merayaca had promised each other that they would both try", "from PTSD induced by her turbulent childhood. The only way", "justifies with this motivation. As the story progresses she begins", "Merayaca to ride the line of redeemability but I'm scared", "too long before the story begins. Currently, Merayaca's driving motivation", "breach her defenses (let's call him GunnKc.) He was killed", "the line of redeemability but I'm scared this motivation will", "to ride the line of redeemability but I'm scared this", "predict and manipulate those around her. Only one person ever", "writing a survival horror story that's a mixture between Bloodborne", "well with her selfish nature and comes out of nowhere.", "This is a purely selfish motivation which is very in", "as a meat shield and murders a friendly group of", "to predict and manipulate those around her. Only one person", "purely selfish motivation which is very in line with her", "things (ex. almost shoots the kid she travels with since", "is cold and withdrawn. She suffers from PTSD induced by", "had promised each other that they would both try some", "the town where the entity was first reported. Since GunnKc's", "leaves her panicky. This is a purely selfish motivation which", "an almost feral need to better understand this cosmic power", "the native cuisine in the town where the entity was", "as being undeserved. I'm considering a different motivation where GunnKc", "motivation that more readers can get behind, but it doesn't", "get behind, but it doesn't mesh as well with her", "but I'm scared this motivation will make it way too", "Us. The story follows an emotionally distant woman and a", "much further into the novel. I want Merayaca to ride", "as well with her selfish nature and comes out of", "entity. Merayaca (the emotionally distant woman in question) is cold", "the kid she travels with since he's being used as", "enough motivation from the point of view of a reader.", "before the story begins. Currently, Merayaca's driving motivation is to", "and Merayaca had promised each other that they would both", "too easy to hate her and reject any growth she", "slowly being corrupted by some horrific cosmic entity. Merayaca (the", "power because not knowing how it works saps away her", "but trauma distorted this passion into something she uses to", "which the entity was first reported. She has an almost", "her panicky. This is a purely selfish motivation which is", "but I worry this isn't a relatable or potent enough", "the godlike entity not too long before the story begins.", "selfish, but I worry this isn't a relatable or potent", "does is selfish, but I worry this isn't a relatable", "I worry this isn't a relatable or potent enough motivation", "motivation is to reach the town in which the entity", "the novel. I want Merayaca to ride the line of", "with since he's being used as a meat shield and", "potent enough motivation from the point of view of a", "by the godlike entity not too long before the story", "He was killed by the godlike entity not too long", "town in which the entity was first reported. She has", "almost everything she does is selfish, but I worry this", "will make it way too easy to hate her and", "line of redeemability but I'm scared this motivation will make", "way too easy to hate her and reject any growth", "that more readers can get behind, but it doesn't mesh", "childhood. The only way she knows how to cope is", "long before the story begins. Currently, Merayaca's driving motivation is", "reach the town in which the entity was first reported.", "Bloodborne* and The Last of Us. The story follows an", "an emotionally distant woman and a physically disabled child as", "a mixture between Bloodborne and The Last of Us. The", "and leaves her panicky. This is a purely selfish motivation", "of redeemability but I'm scared this motivation will make it", "is selfish, but I worry this isn't a relatable or", "and murders a friendly group of scavengers for their supplies)", "works saps away her control and leaves her panicky. This", "away her control and leaves her panicky. This is a", "The Last of Us. The story follows an emotionally distant", "distorted this passion into something she uses to predict and", "the entity was first reported. Since GunnKc's now dead I", "passion into something she uses to predict and manipulate those", "she does is selfish, but I worry this isn't a", "undeserved. I'm considering a different motivation where GunnKc and Merayaca", "motivations change, but this doesn't happen until much further into", "GunnKc.) He was killed by the godlike entity not too", "a curious person, but trauma distorted this passion into something", "She suffers from PTSD induced by her turbulent childhood. The", "nature and comes out of nowhere. Should I have both?", "relatable or potent enough motivation from the point of view", "begins to soften and her motivations change, but this doesn't", "killed by the godlike entity not too long before the", "try some of the native cuisine in the town where", "is to reach the town in which the entity was", "first reported. She has an almost feral need to better", "where GunnKc and Merayaca had promised each other that they", "isn't a relatable or potent enough motivation from the point", "different motivation where GunnKc and Merayaca had promised each other", "both try some of the native cuisine in the town", "Merayaca's driving motivation is to reach the town in which", "everything she does is selfish, but I worry this isn't", "doesn't mesh as well with her selfish nature and comes", "her character as almost everything she does is selfish, but", "entity not too long before the story begins. Currently, Merayaca's", "and withdrawn. 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As the story progresses she begins to soften", "(the emotionally distant woman in question) is cold and withdrawn.", "progresses she begins to soften and her motivations change, but", "supplies) that she justifies with this motivation. As the story", "this isn't a relatable or potent enough motivation from the", "story follows an emotionally distant woman and a physically disabled", "She has an almost feral need to better understand this", "worry this isn't a relatable or potent enough motivation from", "motivation. As the story progresses she begins to soften and", "manipulate those around her. Only one person ever managed to", "and breach her defenses (let's call him GunnKc.) He was", "trauma distorted this passion into something she uses to predict", "story begins. Currently, Merayaca's driving motivation is to reach the", "sustain Merayaca's torment and breach her defenses (let's call him", "and The Last of Us. The story follows an emotionally", "from the point of view of a reader. Merayaca does", "induced by her turbulent childhood. The only way she knows", "because not knowing how it works saps away her control", "selfish motivation which is very in line with her character", "suffers from PTSD induced by her turbulent childhood. The only", "the entity was first reported. She has an almost feral", "he's being used as a meat shield and murders a", "redeemability but I'm scared this motivation will make it way", "I'm scared this motivation will make it way too easy", "mesh as well with her selfish nature and comes out", "emotionally distant woman and a physically disabled child as they", "change, but this doesn't happen until much further into the", "Since GunnKc's now dead I think it's a stronger motivation", "GunnKc's now dead I think it's a stronger motivation that", "physically disabled child as they trek through a world slowly", "between Bloodborne* and The Last of Us. 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Currently, Merayaca's driving", "promised each other that they would both try some of", "as they trek through a world slowly being corrupted by" ]
[ "reveal the a) Normal World and b) Inciting incident using", "a flashback. 2. The inciting incident is revealed via a", "incident is revealed via a conversation that the MC has", "in his new world. But I reveal the a) Normal", "What are the pros and cons of doing it this", "using through two methods. 1. The Normal world is revealed", "world is revealed in a flashback. 2. The inciting incident", "starting off with the MC freshly landed in his new", "conversation that the MC has with characters from his new", "through two methods. 1. The Normal world is revealed in", "revealed via a conversation that the MC has with characters", "is revealed via a conversation that the MC has with", "MC has with characters from his new world. What are", "the MC freshly landed in his new world. But I", "world. But I reveal the a) Normal World and b)", "I'm toying with the idea of starting off with the", "with characters from his new world. What are the pros", "cons of doing it this way? Has it been done,", "his new world. But I reveal the a) Normal World", "of doing it this way? Has it been done, any", "1. The Normal world is revealed in a flashback. 2.", "characters from his new world. What are the pros and", "b) Inciting incident using through two methods. 1. The Normal", "with the MC freshly landed in his new world. But", "that the MC has with characters from his new world.", "revealed in a flashback. 2. The inciting incident is revealed", "has with characters from his new world. What are the", "in a flashback. 2. The inciting incident is revealed via", "freshly landed in his new world. But I reveal the", "the a) Normal World and b) Inciting incident using through", "the idea of starting off with the MC freshly landed", "with the idea of starting off with the MC freshly", "and b) Inciting incident using through two methods. 1. The", "new world. What are the pros and cons of doing", "idea of starting off with the MC freshly landed in", "the pros and cons of doing it this way? Has", "toying with the idea of starting off with the MC", "World and b) Inciting incident using through two methods. 1.", "doing it this way? Has it been done, any examples?", "inciting incident is revealed via a conversation that the MC", "Normal World and b) Inciting incident using through two methods.", "landed in his new world. But I reveal the a)", "of starting off with the MC freshly landed in his", "the MC has with characters from his new world. What", "is revealed in a flashback. 2. The inciting incident is", "from his new world. What are the pros and cons", "flashback. 2. The inciting incident is revealed via a conversation", "pros and cons of doing it this way? Has it", "two methods. 1. The Normal world is revealed in a", "and cons of doing it this way? Has it been", "I reveal the a) Normal World and b) Inciting incident", "via a conversation that the MC has with characters from", "Inciting incident using through two methods. 1. The Normal world", "The Normal world is revealed in a flashback. 2. The", "MC freshly landed in his new world. But I reveal", "his new world. What are the pros and cons of", "methods. 1. The Normal world is revealed in a flashback.", "Normal world is revealed in a flashback. 2. The inciting", "2. The inciting incident is revealed via a conversation that", "The inciting incident is revealed via a conversation that the", "world. What are the pros and cons of doing it", "off with the MC freshly landed in his new world.", "incident using through two methods. 1. The Normal world is", "are the pros and cons of doing it this way?", "a conversation that the MC has with characters from his", "But I reveal the a) Normal World and b) Inciting", "a) Normal World and b) Inciting incident using through two", "new world. But I reveal the a) Normal World and" ]
[ "in the real world where some girls have the power", "likes her but not make it too obvious and 2.", "part of a singing group (of regular people that don't", "probably should have clarified the book is not being told", "concept I know). They are part of a singing group", "ages 13-14 and the girl has this special power while", "have the power to turn whatever they're singing about into", "is just someone she knew from her childhood. Edit: I", "love with a boy who has liked her from the", "he likes her but not make it too obvious and", "about into reality (weird concept I know). They are part", "of my characters slowly fall in love with a boy", "group (of regular people that don't have powers) that can", "the book takes place in the real world where some", "special power while the boy is just someone she knew", "takes place in the real world where some girls have", "real world where some girls have the power to turn", "don't have powers) that can amplify the special girl's power.", "amplify the special girl's power. The two people that I'm", "someone she knew from her childhood. Edit: I probably should", "to 1. Show that he likes her but not make", "him. Some background information: the book takes place in the", "special girl's power. The two people that I'm talking about", "from the start, but I'm not sure how to 1.", "the power to turn whatever they're singing about into reality", "people that I'm talking about are around the ages 13-14", "the girl has this special power while the boy is", "place in the real world where some girls have the", "of a singing group (of regular people that don't have", "(weird concept I know). They are part of a singing", "start, but I'm not sure how to 1. Show that", "should have clarified the book is not being told through", "how to 1. Show that he likes her but not", "is not being told through the girl or the boy.", "the start, but I'm not sure how to 1. Show", "slowly fall in love with him. Some background information: the", "2. make her slowly fall in love with him. Some", "knew from her childhood. Edit: I probably should have clarified", "girls have the power to turn whatever they're singing about", "obvious and 2. make her slowly fall in love with", "the boy is just someone she knew from her childhood.", "power while the boy is just someone she knew from", "with a boy who has liked her from the start,", "the special girl's power. The two people that I'm talking", "who has liked her from the start, but I'm not", "they're singing about into reality (weird concept I know). They", "not sure how to 1. Show that he likes her", "have one of my characters slowly fall in love with", "two people that I'm talking about are around the ages", "slowly fall in love with a boy who has liked", "make it too obvious and 2. make her slowly fall", "boy who has liked her from the start, but I'm", "has liked her from the start, but I'm not sure", "I know). They are part of a singing group (of", "have powers) that can amplify the special girl's power. The", "can amplify the special girl's power. The two people that", "that I'm talking about are around the ages 13-14 and", "make her slowly fall in love with him. Some background", "my characters slowly fall in love with a boy who", "people that don't have powers) that can amplify the special", "from her childhood. Edit: I probably should have clarified the", "They are part of a singing group (of regular people", "her childhood. Edit: I probably should have clarified the book", "this special power while the boy is just someone she", "singing group (of regular people that don't have powers) that", "just someone she knew from her childhood. Edit: I probably", "one of my characters slowly fall in love with a", "but not make it too obvious and 2. make her", "turn whatever they're singing about into reality (weird concept I", "in love with him. Some background information: the book takes", "singing about into reality (weird concept I know). They are", "the book is not being told through the girl or", "fall in love with a boy who has liked her", "have clarified the book is not being told through the", "whatever they're singing about into reality (weird concept I know).", "book takes place in the real world where some girls", "characters slowly fall in love with a boy who has", "to turn whatever they're singing about into reality (weird concept", "with him. Some background information: the book takes place in", "talking about are around the ages 13-14 and the girl", "book is not being told through the girl or the", "sure how to 1. Show that he likes her but", "I probably should have clarified the book is not being", "too obvious and 2. make her slowly fall in love", "liked her from the start, but I'm not sure how", "that don't have powers) that can amplify the special girl's", "in love with a boy who has liked her from", "background information: the book takes place in the real world", "world where some girls have the power to turn whatever", "a singing group (of regular people that don't have powers)", "Show that he likes her but not make it too", "I want to have one of my characters slowly fall", "it too obvious and 2. make her slowly fall in", "to have one of my characters slowly fall in love", "I'm not sure how to 1. Show that he likes", "love with him. Some background information: the book takes place", "1. Show that he likes her but not make it", "13-14 and the girl has this special power while the", "reality (weird concept I know). They are part of a", "are around the ages 13-14 and the girl has this", "childhood. Edit: I probably should have clarified the book is", "I'm talking about are around the ages 13-14 and the", "power to turn whatever they're singing about into reality (weird", "clarified the book is not being told through the girl", "around the ages 13-14 and the girl has this special", "want to have one of my characters slowly fall in", "boy is just someone she knew from her childhood. Edit:", "regular people that don't have powers) that can amplify the", "and the girl has this special power while the boy", "not make it too obvious and 2. make her slowly", "where some girls have the power to turn whatever they're", "she knew from her childhood. Edit: I probably should have", "that can amplify the special girl's power. The two people", "a boy who has liked her from the start, but", "girl's power. The two people that I'm talking about are", "while the boy is just someone she knew from her", "her from the start, but I'm not sure how to", "her but not make it too obvious and 2. make", "but I'm not sure how to 1. Show that he", "Edit: I probably should have clarified the book is not", "know). They are part of a singing group (of regular", "has this special power while the boy is just someone", "the ages 13-14 and the girl has this special power", "some girls have the power to turn whatever they're singing", "(of regular people that don't have powers) that can amplify", "powers) that can amplify the special girl's power. The two", "girl has this special power while the boy is just", "fall in love with him. Some background information: the book", "into reality (weird concept I know). They are part of", "The two people that I'm talking about are around the", "about are around the ages 13-14 and the girl has", "Some background information: the book takes place in the real", "and 2. make her slowly fall in love with him.", "her slowly fall in love with him. Some background information:", "power. The two people that I'm talking about are around", "the real world where some girls have the power to", "information: the book takes place in the real world where", "that he likes her but not make it too obvious", "are part of a singing group (of regular people that" ]
[ "story (albeit one that is autobiographical in nature). But I", "and hints that they are in fact the same person,", "rubbish? Any advice, or examples of this being done is", "lived many lives, played many roles. How my very identity", "to write this as a fictional story (albeit one that", "How in my own way, I have lived many lives,", "to be done with a great amount of thought put", "memoir, I found myself struggling to commit to just one", "though I was writing about entirely different characters. It just", "a memoir. Thinking about both the problems I was having", "writer. Can this be done? Has it been done before?", "before? Or better yet, has it been done well? I", "as an attempt to write a memoir, I found myself", "a great amount of thought put into it, certainly. Or", "done well? I feel it will need to be done", "read well, so I stopped writing for a while. I", "problems I was having (not having a specific theme I", "a hobby writer. Can this be done? Has it been", "I was writing about completely different characters when I wasn't", "has changed with my environment. And so I believe I", "many roles. How my very identity has changed with my", "do I risk it being incomprehensible rubbish? Any advice, or", "I wasn't dead set on writing my story as a", "I was writing about entirely different characters. It just didn't", "it, certainly. Or do I risk it being incomprehensible rubbish?", "done before? Or better yet, has it been done well?", "It just didn't read well, so I stopped writing for", "book is following multiple main characters. Slowly leaving clues and", "yet, has it been done well? I feel it will", "they are in fact the same person, which will be", "will need to be done with a great amount of", "just didn't read well, so I stopped writing for a", "I feel it will need to be done with a", "end. I suppose what I am asking, as I am", "amount of thought put into it, certainly. Or do I", "about completely different characters when I wasn't trying to). It", "I believe I found my theme. I want to write", "write and structure my book. I wasn't dead set on", "as I am just a hobby writer. Can this be", "want to write this as a fictional story (albeit one", "fact the same person, which will be revealed towards the", "that they are in fact the same person, which will", "same person, which will be revealed towards the end. I", "writing about myself in different time periods, it felt as", "fictional story (albeit one that is autobiographical in nature). But", "better yet, has it been done well? I feel it", "it will need to be done with a great amount", "roles. How my very identity has changed with my environment.", "Or do I risk it being incomprehensible rubbish? Any advice,", "be revealed towards the end. I suppose what I am", "when I wasn't trying to). It got me thinking about", "of thought put into it, certainly. Or do I risk", "book. I wasn't dead set on writing my story as", "to just one underlying theme. I also found writing about", "was having (not having a specific theme I could stick", "different time periods, it felt as though I was writing", "though the book is following multiple main characters. Slowly leaving", "specific theme I could stick to, and feeling like I", "environment. And so I believe I found my theme. I", "it as though the book is following multiple main characters.", "stopped writing for a while. I wanted to put more", "it been done before? Or better yet, has it been", "is autobiographical in nature). But I am considering writing it", "am just a hobby writer. Can this be done? Has", "how I would write and structure my book. I wasn't", "hobby writer. Can this be done? Has it been done", "found my theme. I want to write this as a", "risk it being incomprehensible rubbish? Any advice, or examples of", "a specific theme I could stick to, and feeling like", "theme. I want to write this as a fictional story", "it being incomprehensible rubbish? Any advice, or examples of this", "trying to). It got me thinking about the fluidity of", "didn't read well, so I stopped writing for a while.", "just one underlying theme. I also found writing about myself", "and structure my book. I wasn't dead set on writing", "got me thinking about the fluidity of identity. How in", "my very identity has changed with my environment. And so", "my theme. I want to write this as a fictional", "was writing about completely different characters when I wasn't trying", "has it been done well? I feel it will need", "And so I believe I found my theme. I want", "what I am asking, as I am just a hobby", "into how I would write and structure my book. I", "which will be revealed towards the end. I suppose what", "characters when I wasn't trying to). It got me thinking", "fluidity of identity. How in my own way, I have", "thinking about the fluidity of identity. How in my own", "well? I feel it will need to be done with", "myself struggling to commit to just one underlying theme. I", "me thinking about the fluidity of identity. How in my", "be done with a great amount of thought put into", "done with a great amount of thought put into it,", "in different time periods, it felt as though I was", "following multiple main characters. Slowly leaving clues and hints that", "considering writing it as though the book is following multiple", "Can this be done? Has it been done before? Or", "I risk it being incomprehensible rubbish? Any advice, or examples", "periods, it felt as though I was writing about entirely", "as a fictional story (albeit one that is autobiographical in", "Has it been done before? Or better yet, has it", "could stick to, and feeling like I was writing about", "clues and hints that they are in fact the same", "are in fact the same person, which will be revealed", "suppose what I am asking, as I am just a", "theme I could stick to, and feeling like I was", "this be done? Has it been done before? Or better", "story as a memoir. Thinking about both the problems I", "identity. How in my own way, I have lived many", "my own way, I have lived many lives, played many", "I suppose what I am asking, as I am just", "be done? Has it been done before? Or better yet,", "and feeling like I was writing about completely different characters", "I would write and structure my book. I wasn't dead", "into it, certainly. Or do I risk it being incomprehensible", "to write a memoir, I found myself struggling to commit", "How my very identity has changed with my environment. And", "need to be done with a great amount of thought", "commit to just one underlying theme. I also found writing", "characters. Slowly leaving clues and hints that they are in", "wanted to put more thought into how I would write", "I wasn't trying to). It got me thinking about the", "I have lived many lives, played many roles. How my", "have lived many lives, played many roles. How my very", "the same person, which will be revealed towards the end.", "to). It got me thinking about the fluidity of identity.", "put more thought into how I would write and structure", "my story as a memoir. Thinking about both the problems", "characters. It just didn't read well, so I stopped writing", "nature). But I am considering writing it as though the", "so I stopped writing for a while. I wanted to", "been done before? Or better yet, has it been done", "an attempt to write a memoir, I found myself struggling", "way, I have lived many lives, played many roles. How", "that is autobiographical in nature). But I am considering writing", "so I believe I found my theme. I want to", "as a memoir. Thinking about both the problems I was", "I found myself struggling to commit to just one underlying", "like I was writing about completely different characters when I", "great amount of thought put into it, certainly. Or do", "I found my theme. I want to write this as", "is following multiple main characters. Slowly leaving clues and hints", "very identity has changed with my environment. And so I", "revealed towards the end. I suppose what I am asking,", "the fluidity of identity. How in my own way, I", "the end. I suppose what I am asking, as I", "would write and structure my book. I wasn't dead set", "main characters. Slowly leaving clues and hints that they are", "felt as though I was writing about entirely different characters.", "(albeit one that is autobiographical in nature). But I am", "writing for a while. I wanted to put more thought", "many lives, played many roles. How my very identity has", "I want to write this as a fictional story (albeit", "found writing about myself in different time periods, it felt", "entirely different characters. It just didn't read well, so I", "with my environment. And so I believe I found my", "put into it, certainly. Or do I risk it being", "leaving clues and hints that they are in fact the", "underlying theme. I also found writing about myself in different", "I could stick to, and feeling like I was writing", "dead set on writing my story as a memoir. Thinking", "about entirely different characters. It just didn't read well, so", "It got me thinking about the fluidity of identity. How", "(not having a specific theme I could stick to, and", "attempt to write a memoir, I found myself struggling to", "Thinking about both the problems I was having (not having", "what started as an attempt to write a memoir, I", "I stopped writing for a while. I wanted to put", "on writing my story as a memoir. Thinking about both", "wasn't trying to). It got me thinking about the fluidity", "of identity. How in my own way, I have lived", "memoir. Thinking about both the problems I was having (not", "writing about completely different characters when I wasn't trying to).", "a fictional story (albeit one that is autobiographical in nature).", "been done well? I feel it will need to be", "struggling to commit to just one underlying theme. I also", "it been done well? I feel it will need to", "played many roles. How my very identity has changed with", "to commit to just one underlying theme. I also found", "write this as a fictional story (albeit one that is", "in my own way, I have lived many lives, played", "one that is autobiographical in nature). But I am considering", "person, which will be revealed towards the end. I suppose", "will be revealed towards the end. I suppose what I", "am considering writing it as though the book is following", "about myself in different time periods, it felt as though", "identity has changed with my environment. And so I believe", "Slowly leaving clues and hints that they are in fact", "one underlying theme. I also found writing about myself in", "advice, or examples of this being done is greatly appreciated!", "about the fluidity of identity. How in my own way,", "it felt as though I was writing about entirely different", "completely different characters when I wasn't trying to). It got", "while. I wanted to put more thought into how I", "my environment. And so I believe I found my theme.", "the book is following multiple main characters. Slowly leaving clues", "thought into how I would write and structure my book.", "different characters when I wasn't trying to). It got me", "a memoir, I found myself struggling to commit to just", "writing my story as a memoir. Thinking about both the", "I am just a hobby writer. Can this be done?", "Or better yet, has it been done well? I feel", "certainly. Or do I risk it being incomprehensible rubbish? Any", "also found writing about myself in different time periods, it", "to, and feeling like I was writing about completely different", "both the problems I was having (not having a specific", "this as a fictional story (albeit one that is autobiographical", "I also found writing about myself in different time periods,", "Any advice, or examples of this being done is greatly", "believe I found my theme. I want to write this", "for a while. I wanted to put more thought into", "to put more thought into how I would write and", "feeling like I was writing about completely different characters when", "was writing about entirely different characters. It just didn't read", "found myself struggling to commit to just one underlying theme.", "as though the book is following multiple main characters. Slowly", "changed with my environment. And so I believe I found", "I am considering writing it as though the book is", "asking, as I am just a hobby writer. Can this", "write a memoir, I found myself struggling to commit to", "started as an attempt to write a memoir, I found", "myself in different time periods, it felt as though I", "well, so I stopped writing for a while. I wanted", "more thought into how I would write and structure my", "I was having (not having a specific theme I could", "having (not having a specific theme I could stick to,", "But I am considering writing it as though the book", "structure my book. I wasn't dead set on writing my", "my book. I wasn't dead set on writing my story", "writing about entirely different characters. It just didn't read well,", "incomprehensible rubbish? Any advice, or examples of this being done", "multiple main characters. Slowly leaving clues and hints that they", "with a great amount of thought put into it, certainly.", "set on writing my story as a memoir. Thinking about", "hints that they are in fact the same person, which", "towards the end. I suppose what I am asking, as", "just a hobby writer. Can this be done? Has it", "I wanted to put more thought into how I would", "time periods, it felt as though I was writing about", "having a specific theme I could stick to, and feeling", "as though I was writing about entirely different characters. It", "So what started as an attempt to write a memoir,", "am asking, as I am just a hobby writer. Can", "thought put into it, certainly. Or do I risk it", "own way, I have lived many lives, played many roles.", "theme. I also found writing about myself in different time", "the problems I was having (not having a specific theme", "autobiographical in nature). But I am considering writing it as", "different characters. It just didn't read well, so I stopped", "feel it will need to be done with a great", "a while. I wanted to put more thought into how", "being incomprehensible rubbish? Any advice, or examples of this being", "in nature). But I am considering writing it as though", "I am asking, as I am just a hobby writer.", "done? Has it been done before? Or better yet, has", "wasn't dead set on writing my story as a memoir.", "in fact the same person, which will be revealed towards", "about both the problems I was having (not having a", "writing it as though the book is following multiple main", "lives, played many roles. How my very identity has changed", "stick to, and feeling like I was writing about completely" ]
[ "a prompt then uses the tool's output, is that copyright", "this scene. Basically, it's MY scene. So given this, would", "If a writer uses an AI tool and enters a", "given this, would it be copyright to use some/or all", "is that copyright infringed? Just to be more clear with", "question. I am not talking about a prompt that says", "enters a prompt then uses the tool's output, is that", "call it your own. I am referring to very \"specific", "to contribute and she throws a storm. Write lines portraying", "I am not talking about a prompt that says \"Write", "more clear with my question. I am not talking about", "this, would it be copyright to use some/or all parts", "copyright infringed? Just to be more clear with my question.", "am not talking about a prompt that says \"Write me", "a husband and wife are fighting over a financial matter.", "to very \"specific prompts\". example prompt: a husband and wife", "romance novel set in Japan,\" then proceeding to copy/paste it", "a writer uses an AI tool and enters a prompt", "proceeding to copy/paste it all and call it your own.", "says \"Write me a romance novel set in Japan,\" then", "prompt: a husband and wife are fighting over a financial", "wife are fighting over a financial matter. The husband pays", "her to contribute and she throws a storm. Write lines", "tool and enters a prompt then uses the tool's output,", "am referring to very \"specific prompts\". example prompt: a husband", "the tool's output, is that copyright infringed? Just to be", "Japan,\" then proceeding to copy/paste it all and call it", "infringed? Just to be more clear with my question. I", "a storm. Write lines portraying this scene. Basically, it's MY", "very \"specific prompts\". example prompt: a husband and wife are", "I am referring to very \"specific prompts\". example prompt: a", "Basically, it's MY scene. So given this, would it be", "output, is that copyright infringed? Just to be more clear", "it your own. I am referring to very \"specific prompts\".", "husband and wife are fighting over a financial matter. The", "an AI tool and enters a prompt then uses the", "AI tool and enters a prompt then uses the tool's", "pays all the bills. He asks her to contribute and", "it's MY scene. So given this, would it be copyright", "it be copyright to use some/or all parts of that", "The husband pays all the bills. He asks her to", "prompt that says \"Write me a romance novel set in", "own. I am referring to very \"specific prompts\". example prompt:", "and she throws a storm. Write lines portraying this scene.", "all the bills. He asks her to contribute and she", "a financial matter. The husband pays all the bills. He", "\"specific prompts\". example prompt: a husband and wife are fighting", "He asks her to contribute and she throws a storm.", "lines portraying this scene. Basically, it's MY scene. So given", "financial matter. The husband pays all the bills. He asks", "uses the tool's output, is that copyright infringed? Just to", "matter. The husband pays all the bills. He asks her", "scene. Basically, it's MY scene. So given this, would it", "are fighting over a financial matter. The husband pays all", "copyright to use some/or all parts of that AI's response?", "writer uses an AI tool and enters a prompt then", "prompt then uses the tool's output, is that copyright infringed?", "all and call it your own. I am referring to", "and wife are fighting over a financial matter. The husband", "to copy/paste it all and call it your own. I", "set in Japan,\" then proceeding to copy/paste it all and", "clear with my question. I am not talking about a", "talking about a prompt that says \"Write me a romance", "contribute and she throws a storm. Write lines portraying this", "bills. He asks her to contribute and she throws a", "a prompt that says \"Write me a romance novel set", "my question. I am not talking about a prompt that", "portraying this scene. Basically, it's MY scene. So given this,", "not talking about a prompt that says \"Write me a", "the bills. He asks her to contribute and she throws", "a romance novel set in Japan,\" then proceeding to copy/paste", "storm. Write lines portraying this scene. Basically, it's MY scene.", "uses an AI tool and enters a prompt then uses", "prompts\". example prompt: a husband and wife are fighting over", "me a romance novel set in Japan,\" then proceeding to", "scene. So given this, would it be copyright to use", "in Japan,\" then proceeding to copy/paste it all and call", "be copyright to use some/or all parts of that AI's", "throws a storm. Write lines portraying this scene. Basically, it's", "example prompt: a husband and wife are fighting over a", "fighting over a financial matter. The husband pays all the", "referring to very \"specific prompts\". example prompt: a husband and", "that copyright infringed? Just to be more clear with my", "husband pays all the bills. He asks her to contribute", "would it be copyright to use some/or all parts of", "be more clear with my question. I am not talking", "Just to be more clear with my question. I am", "your own. I am referring to very \"specific prompts\". example", "copy/paste it all and call it your own. I am", "that says \"Write me a romance novel set in Japan,\"", "asks her to contribute and she throws a storm. Write", "with my question. I am not talking about a prompt", "MY scene. So given this, would it be copyright to", "over a financial matter. The husband pays all the bills.", "then proceeding to copy/paste it all and call it your", "Write lines portraying this scene. Basically, it's MY scene. So", "and enters a prompt then uses the tool's output, is", "about a prompt that says \"Write me a romance novel", "to be more clear with my question. I am not", "and call it your own. I am referring to very", "So given this, would it be copyright to use some/or", "it all and call it your own. I am referring", "then uses the tool's output, is that copyright infringed? Just", "tool's output, is that copyright infringed? Just to be more", "novel set in Japan,\" then proceeding to copy/paste it all", "\"Write me a romance novel set in Japan,\" then proceeding", "she throws a storm. Write lines portraying this scene. Basically," ]
[ "cliche or writing mistake or a plot hole, but later", "a plot hole, but how do I tell the readers", "considered as a mistake or a plot hole. It is", "it metaphorically/allegorically, not literally,) from an ally hidden away. How", "saying it metaphorically/allegorically, not literally,) from an ally hidden away.", "there's a tricky hook or unexplained event that happened, that", "in the story it would then be revealed that she", "a plot hole. It is basically where a girl (one", "lose, until the opponent suddenly died. Defeated right in front", "\"arena\" (I'm saying it metaphorically/allegorically, not literally,) from an ally", "a plot hole, but later on in the story it", "she got outside help from an outside \"arena\" (I'm saying", "suddenly died. Defeated right in front of her eyes. Now", "hook might start off as a plot hole, but how", "In a scene I had in mind, there's a tricky", "characters) is in a fight, she was cornered and was", "outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,) from an", "a scene I had in mind, there's a tricky hook", "of her eyes. Now that would certainly be considered cliche", "mistake or a plot hole? I mean, in this scenario,", "tell the readers that it is something intentionally put for", "is something intentionally put for hook and new parts of", "Now that would certainly be considered cliche or writing mistake", "fear might be considered as a mistake or a plot", "but later on in the story it would then be", "in a fight, she was cornered and was about to", "event that happened, that I fear might be considered as", "until the opponent suddenly died. Defeated right in front of", "that this is a hook and will be answered later,", "as a plot hole, but how do I tell the", "be answered later, and not some writing mistake or a", "hole? I mean, in this scenario, a hook might start", "opponent suddenly died. Defeated right in front of her eyes.", "a fight, she was cornered and was about to lose,", "in front of her eyes. Now that would certainly be", "not literally,) from an ally hidden away. How would I", "might be considered as a mistake or a plot hole.", "a mistake or a plot hole. It is basically where", "to lose, until the opponent suddenly died. Defeated right in", "had in mind, there's a tricky hook or unexplained event", "the story it would then be revealed that she got", "literally,) from an ally hidden away. How would I make", "sure and subtly tell the readers that this is a", "is in a fight, she was cornered and was about", "plot hole? I mean, in this scenario, a hook might", "plot hole, but later on in the story it would", "the opponent suddenly died. Defeated right in front of her", "hidden away. How would I make sure and subtly tell", "a tricky hook or unexplained event that happened, that I", "make sure and subtly tell the readers that this is", "How would I make sure and subtly tell the readers", "the readers that this is a hook and will be", "or a plot hole. It is basically where a girl", "would then be revealed that she got outside help from", "that it is something intentionally put for hook and new", "unexplained event that happened, that I fear might be considered", "cornered and was about to lose, until the opponent suddenly", "as a mistake or a plot hole. It is basically", "mean, in this scenario, a hook might start off as", "I fear might be considered as a mistake or a", "is a hook and will be answered later, and not", "intentionally put for hook and new parts of the story?", "scene I had in mind, there's a tricky hook or", "was cornered and was about to lose, until the opponent", "that I fear might be considered as a mistake or", "ally hidden away. How would I make sure and subtly", "I make sure and subtly tell the readers that this", "I tell the readers that it is something intentionally put", "(I'm saying it metaphorically/allegorically, not literally,) from an ally hidden", "(one of the characters) is in a fight, she was", "outside help from an outside \"arena\" (I'm saying it metaphorically/allegorically,", "girl (one of the characters) is in a fight, she", "hole, but later on in the story it would then", "writing mistake or a plot hole? I mean, in this", "a girl (one of the characters) is in a fight,", "she was cornered and was about to lose, until the", "this is a hook and will be answered later, and", "is basically where a girl (one of the characters) is", "not some writing mistake or a plot hole? I mean,", "hole, but how do I tell the readers that it", "died. Defeated right in front of her eyes. Now that", "answered later, and not some writing mistake or a plot", "basically where a girl (one of the characters) is in", "and will be answered later, and not some writing mistake", "but how do I tell the readers that it is", "would I make sure and subtly tell the readers that", "the characters) is in a fight, she was cornered and", "that would certainly be considered cliche or writing mistake or", "some writing mistake or a plot hole? I mean, in", "of the characters) is in a fight, she was cornered", "and not some writing mistake or a plot hole? I", "mistake or a plot hole, but later on in the", "be revealed that she got outside help from an outside", "away. How would I make sure and subtly tell the", "would certainly be considered cliche or writing mistake or a", "readers that this is a hook and will be answered", "on in the story it would then be revealed that", "got outside help from an outside \"arena\" (I'm saying it", "tell the readers that this is a hook and will", "the readers that it is something intentionally put for hook", "from an outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,)", "later, and not some writing mistake or a plot hole?", "and was about to lose, until the opponent suddenly died.", "readers that it is something intentionally put for hook and", "a hook might start off as a plot hole, but", "in this scenario, a hook might start off as a", "front of her eyes. Now that would certainly be considered", "that she got outside help from an outside \"arena\" (I'm", "do I tell the readers that it is something intentionally", "fight, she was cornered and was about to lose, until", "revealed that she got outside help from an outside \"arena\"", "happened, that I fear might be considered as a mistake", "an outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,) from", "subtly tell the readers that this is a hook and", "where a girl (one of the characters) is in a", "an ally hidden away. How would I make sure and", "hole. It is basically where a girl (one of the", "plot hole, but how do I tell the readers that", "about to lose, until the opponent suddenly died. Defeated right", "story it would then be revealed that she got outside", "writing mistake or a plot hole, but later on in", "was about to lose, until the opponent suddenly died. Defeated", "it is something intentionally put for hook and new parts", "be considered as a mistake or a plot hole. It", "tricky hook or unexplained event that happened, that I fear", "metaphorically/allegorically, not literally,) from an ally hidden away. How would", "help from an outside \"arena\" (I'm saying it metaphorically/allegorically, not", "considered cliche or writing mistake or a plot hole, but", "hook and will be answered later, and not some writing", "a hook and will be answered later, and not some", "off as a plot hole, but how do I tell", "that happened, that I fear might be considered as a", "It is basically where a girl (one of the characters)", "hook or unexplained event that happened, that I fear might", "plot hole. It is basically where a girl (one of", "scenario, a hook might start off as a plot hole,", "right in front of her eyes. Now that would certainly", "mistake or a plot hole. It is basically where a", "be considered cliche or writing mistake or a plot hole,", "it would then be revealed that she got outside help", "or unexplained event that happened, that I fear might be", "later on in the story it would then be revealed", "might start off as a plot hole, but how do", "her eyes. Now that would certainly be considered cliche or", "or a plot hole, but later on in the story", "then be revealed that she got outside help from an", "from an ally hidden away. How would I make sure", "how do I tell the readers that it is something", "mind, there's a tricky hook or unexplained event that happened,", "and subtly tell the readers that this is a hook", "something intentionally put for hook and new parts of the", "Defeated right in front of her eyes. Now that would", "this scenario, a hook might start off as a plot", "will be answered later, and not some writing mistake or", "in mind, there's a tricky hook or unexplained event that", "I mean, in this scenario, a hook might start off", "eyes. Now that would certainly be considered cliche or writing", "a plot hole? I mean, in this scenario, a hook", "I had in mind, there's a tricky hook or unexplained", "or a plot hole? I mean, in this scenario, a", "or writing mistake or a plot hole, but later on", "start off as a plot hole, but how do I", "certainly be considered cliche or writing mistake or a plot" ]
[ "some dialogue, but I'm not certain that's the correct way.", "out the best way to show a projector showing clips", "I'm thinking a montage with some dialogue, but I'm not", "figure out the best way to show a projector showing", "to figure out the best way to show a projector", "key events over a lifetime. I'm thinking a montage with", "showing clips like key events over a lifetime. I'm thinking", "lifetime. I'm thinking a montage with some dialogue, but I'm", "with some dialogue, but I'm not certain that's the correct", "show a projector showing clips like key events over a", "best way to show a projector showing clips like key", "I'm trying to figure out the best way to show", "clips like key events over a lifetime. I'm thinking a", "projector showing clips like key events over a lifetime. I'm", "a lifetime. I'm thinking a montage with some dialogue, but", "over a lifetime. I'm thinking a montage with some dialogue,", "montage with some dialogue, but I'm not certain that's the", "thinking a montage with some dialogue, but I'm not certain", "a projector showing clips like key events over a lifetime.", "way to show a projector showing clips like key events", "trying to figure out the best way to show a", "the best way to show a projector showing clips like", "a montage with some dialogue, but I'm not certain that's", "to show a projector showing clips like key events over", "like key events over a lifetime. I'm thinking a montage", "events over a lifetime. I'm thinking a montage with some" ]
[ "is about what she hears, sees and thinks, but not", "true nature of the narrator will be probably somewhat evident,", "exact person should be then easy to guess. It should", "It was almost completely dark outside. > > > \"A", "of 3 close friends. The novel has the simple third", "\"Why are only those details mentioned?\", \"Why the MCs aren't", "one that would suit both a real narrator and a", "about a group of 3 close friends. The novel has", "evident, the exact person should be then easy to guess.", "speak. I.e. she doesn't say she walks from one place", "situations which change their meaning when read for the second", "including the girl's own, without using 'I' or 'we'. Do", "even ours\" she said. > > > In reality it", "But then everything falls back to normal. Only towards the", "has a crush on one of them). This role should", "the MCs aren't featured all the time?\", putting them in", "dark outside. > > > \"A night at school, huh?\"", "MCs aren't featured all the time?\", putting them in the,", "describe the other place. In the plot I make her", "peoples' thoughts, it mustn't be too smart or in-depth, it", "doesn't even speak. I.e. she doesn't say she walks from", "rarely say a word. There will be subtle moments when", "on one of its sides, Two Other Classmates were sitting", "doesn't refer to herself at all, probably doesn't even speak.", "night at school, huh?\" said One MC. > > >", "should fit her, as a very shy, staying in the", "her. For example, it starts along the lines of: >", "as pay closer attention to MCs, which is justified by", "the end the true nature of the narrator will be", "The novel has the simple third person limited narrator, with", "fiction story to a Bagry Patab-like novel about a group", "subtle moments when the reader may ask \"Why has this", "to MCs, which is justified by that she simply tries", "the exact person should be then easy to guess. It", "their meaning when read for the second time (when knowing", "> > \"A night at school, huh?\" said One MC.", "girl would, it must tell the story, including the girl's", "this conversation been discontinued?\" (because the interlocutors have left the", "perceive things as the girl would, it must tell the", "quiet girl attending the same class — which tells the", "and thinks, but not about her. For example, it starts", "a character — the quiet girl attending the same class", "as the girl would, it must tell the story, including", "bus slowly entered the road. It was almost completely dark", "would rarely say a word. There will be subtle moments", "The Second MC slowly raised her head. > > >", "were standing on one of its sides, Two Other Classmates", "discontinued?\" (because the interlocutors have left the room and she", "fan fiction story to a Bagry Patab-like novel about a", "which is justified by that she simply tries to stick", "kind of girl who would rarely say a word. There", "into the bus, finding a free space for her to", "doing something like this before? I haven't, maybe it's simply", "someone doing something like this before? I haven't, maybe it's", "plot I make her generally follow, as well as pay", "the same class — which tells the story. This is,", "sides, Two Other Classmates were sitting a few seats further", "Other Classmates were sitting a few seats further into the", "same class — which tells the story. This is, the", "other classmates. Later she hears their conversation. Throughout the story", "following the friends, if they are together, or one of", "generally follow, as well as pay closer attention to MCs,", "may only describe the other place. In the plot I", "or in-depth, it should perceive things as the girl would,", "> > In reality it is the girl getting into", "or one of them, when they separate. Description: ------------ Now,", "way — one that would suit both a real narrator", "somewhat evident, the exact person should be then easy to", "that she simply tries to stick with her class (and", "few seats further into the back. > > > The", "hard to pull off? From what I have tried it", "for example an indirect insult to her thrown in the", "she walks from one place to another, she may only", "The bus slowly entered the road. It was almost completely", "a way that resembles the usual third person, but actually", "to stand, seeing The Main Characters, then seeing two other", "is, the text is about what she hears, sees and", "of them). This role should fit her, as a very", "mustn't be too smart or in-depth, it should perceive things", "in my story I want to make a trick: it", "the time?\", putting them in the, possibly unconscious state of", "by that she simply tries to stick with her class", "to write a narration in such a way — one", "place. In the plot I make her generally follow, as", "a way — one that would suit both a real", "it's simply to hard to pull off? From what I", "Bagry Patab-like novel about a group of 3 close friends.", "character — it can't refer to peoples' thoughts, it mustn't", "friends, if they are together, or one of them, when", "it must tell the story, including the girl's own, without", "at all, probably doesn't even speak. I.e. she doesn't say", "> > > \"It's not even ours\" she said. >", "is), for example an indirect insult to her thrown in", "a fan fiction story to a Bagry Patab-like novel about", "and a particular character — it can't refer to peoples'", "person limited narrator, with POV generally following the friends, if", "but not about her. For example, it starts along the", "right, but OK\". But then everything falls back to normal.", "she has a crush on one of them). This role", "been discontinued?\" (because the interlocutors have left the room and", "In reality it is the girl getting into the bus,", "both a real narrator and a particular character — it", "the girl would, it must tell the story, including the", "The Main Characters were standing on one of its sides,", "the second time (when knowing who the narrator is), for", "with her class (and also that she has a crush", "too smart or in-depth, it should perceive things as the", "staying in the background kind of girl who would rarely", "even possible to make situations which change their meaning when", "when they separate. Description: ------------ Now, in my story I", "In the plot I make her generally follow, as well", "of \"Something is not about right, but OK\". But then", "was almost completely dark outside. > > > \"A night", "without using 'I' or 'we'. Do you think it is", "only at the joint there was some free space remaining.", "change their meaning when read for the second time (when", "knowing who the narrator is), for example an indirect insult", "be too smart or in-depth, it should perceive things as", "actually it is a character — the quiet girl attending", "tells the story. This is, the text is about what", "together, or one of them, when they separate. Description: ------------", "From what I have tried it indeed seems hard, but", "I make her generally follow, as well as pay closer", "well as pay closer attention to MCs, which is justified", "possible to make situations which change their meaning when read", "the interlocutors have left the room and she could not", "she could not longer hear them), \"Why are only those", "Now, in my story I want to make a trick:", "— the quiet girl attending the same class — which", "their conversation. Throughout the story she doesn't refer to herself", "MCs, which is justified by that she simply tries to", "she doesn't refer to herself at all, probably doesn't even", "the, possibly unconscious state of \"Something is not about right,", "simply tries to stick with her class (and also that", "said One MC. > > > The Second MC slowly", "was some free space remaining. The Main Characters were standing", "as a very shy, staying in the background kind of", "— which tells the story. This is, the text is", "Characters, then seeing two other classmates. Later she hears their", "girl attending the same class — which tells the story.", "are only those details mentioned?\", \"Why the MCs aren't featured", "the air by someone in her surroundings. Question: --------- Do", "way that resembles the usual third person, but actually it", "be even possible to make situations which change their meaning", "one of them, when they separate. Description: ------------ Now, in", "read for the second time (when knowing who the narrator", "guess. It should be even possible to make situations which", "Description: ------------ Now, in my story I want to make", "that resembles the usual third person, but actually it is", "hears their conversation. Throughout the story she doesn't refer to", "a few seats further into the back. > > >", "a narration in such a way — one that would", "indirect insult to her thrown in the air by someone", "the room and she could not longer hear them), \"Why", "tried it indeed seems hard, but possible, to write a", "easy to guess. It should be even possible to make", "lines of: > > The bus was full of people,", "have tried it indeed seems hard, but possible, to write", "the true nature of the narrator will be probably somewhat", "usual third person, but actually it is a character —", "> > > The bus slowly entered the road. It", "even speak. I.e. she doesn't say she walks from one", "tell the story, including the girl's own, without using 'I'", "a group of 3 close friends. The novel has the", "Question: --------- Do you know of someone doing something like", "it mustn't be too smart or in-depth, it should perceive", "of its sides, Two Other Classmates were sitting a few", "seeing two other classmates. Later she hears their conversation. Throughout", "were sitting a few seats further into the back. >", "insult to her thrown in the air by someone in", "will be probably somewhat evident, the exact person should be", "\"Something is not about right, but OK\". But then everything", "before? I haven't, maybe it's simply to hard to pull", "friends. The novel has the simple third person limited narrator,", "group of 3 close friends. The novel has the simple", "but actually it is a character — the quiet girl", "MC. > > > The Second MC slowly raised her", "are together, or one of them, when they separate. Description:", "it is the girl getting into the bus, finding a", "she hears their conversation. Throughout the story she doesn't refer", "on one of them). This role should fit her, as", "thrown in the air by someone in her surroundings. Question:", "is narrated in a way that resembles the usual third", "in the air by someone in her surroundings. Question: ---------", "who the narrator is), for example an indirect insult to", "her head. > > > \"It's not even ours\" she", "with POV generally following the friends, if they are together,", "would, it must tell the story, including the girl's own,", "her class (and also that she has a crush on", "about right, but OK\". But then everything falls back to", "them), \"Why are only those details mentioned?\", \"Why the MCs", "it starts along the lines of: > > The bus", "Characters were standing on one of its sides, Two Other", "head. > > > \"It's not even ours\" she said.", "her, as a very shy, staying in the background kind", "details mentioned?\", \"Why the MCs aren't featured all the time?\",", "I have tried it indeed seems hard, but possible, to", "possible, to write a narration in such a way —", "Two Other Classmates were sitting a few seats further into", "MC slowly raised her head. > > > \"It's not", "story. This is, the text is about what she hears,", "word. There will be subtle moments when the reader may", "3 close friends. The novel has the simple third person", "this before? I haven't, maybe it's simply to hard to", "and she could not longer hear them), \"Why are only", "was full of people, only at the joint there was", "make her generally follow, as well as pay closer attention", "writing a fan fiction story to a Bagry Patab-like novel", "----------- I'm writing a fan fiction story to a Bagry", "standing on one of its sides, Two Other Classmates were", "Classmates were sitting a few seats further into the back.", "it can't refer to peoples' thoughts, it mustn't be too", "should be even possible to make situations which change their", "Patab-like novel about a group of 3 close friends. The", "a Bagry Patab-like novel about a group of 3 close", "for her to stand, seeing The Main Characters, then seeing", "free space for her to stand, seeing The Main Characters,", "a word. There will be subtle moments when the reader", "seems hard, but possible, to write a narration in such", "novel about a group of 3 close friends. The novel", "when read for the second time (when knowing who the", "them in the, possibly unconscious state of \"Something is not", "place to another, she may only describe the other place.", "\"Why the MCs aren't featured all the time?\", putting them", "close friends. The novel has the simple third person limited", "her thrown in the air by someone in her surroundings.", "say she walks from one place to another, she may", "her to stand, seeing The Main Characters, then seeing two", "write a narration in such a way — one that", "there was some free space remaining. The Main Characters were", "background kind of girl who would rarely say a word.", "school, huh?\" said One MC. > > > The Second", "sees and thinks, but not about her. For example, it", "is justified by that she simply tries to stick with", "in such a way — one that would suit both", "all, probably doesn't even speak. I.e. she doesn't say she", "for the second time (when knowing who the narrator is),", "bus, finding a free space for her to stand, seeing", "> \"It's not even ours\" she said. > > >", "It should be even possible to make situations which change", "like this before? I haven't, maybe it's simply to hard", "it is a character — the quiet girl attending the", "has this conversation been discontinued?\" (because the interlocutors have left", "back to normal. Only towards the end the true nature", "entered the road. It was almost completely dark outside. >", "it indeed seems hard, but possible, to write a narration", "------------ Now, in my story I want to make a", "Main Characters were standing on one of its sides, Two", "slowly entered the road. It was almost completely dark outside.", "be probably somewhat evident, the exact person should be then", "> > > \"A night at school, huh?\" said One", "simply to hard to pull off? From what I have", "example an indirect insult to her thrown in the air", "moments when the reader may ask \"Why has this conversation", "two other classmates. Later she hears their conversation. Throughout the", "refer to herself at all, probably doesn't even speak. I.e.", "in her surroundings. Question: --------- Do you know of someone", "to another, she may only describe the other place. In", "using 'I' or 'we'. Do you think it is feasible?", "is a character — the quiet girl attending the same", "to herself at all, probably doesn't even speak. I.e. she", "slowly raised her head. > > > \"It's not even", "the girl getting into the bus, finding a free space", "character — the quiet girl attending the same class —", "> > \"It's not even ours\" she said. > >", "story I want to make a trick: it is narrated", "make a trick: it is narrated in a way that", "getting into the bus, finding a free space for her", "free space remaining. The Main Characters were standing on one", "attention to MCs, which is justified by that she simply", "time?\", putting them in the, possibly unconscious state of \"Something", "second time (when knowing who the narrator is), for example", "simple third person limited narrator, with POV generally following the", "surroundings. Question: --------- Do you know of someone doing something", "indeed seems hard, but possible, to write a narration in", "girl getting into the bus, finding a free space for", "to pull off? From what I have tried it indeed", "the story, including the girl's own, without using 'I' or", "Background: ----------- I'm writing a fan fiction story to a", "people, only at the joint there was some free space", "one of its sides, Two Other Classmates were sitting a", "air by someone in her surroundings. Question: --------- Do you", "There will be subtle moments when the reader may ask", "follow, as well as pay closer attention to MCs, which", "to her thrown in the air by someone in her", "then everything falls back to normal. Only towards the end", "the usual third person, but actually it is a character", "— one that would suit both a real narrator and", "role should fit her, as a very shy, staying in", "not about right, but OK\". But then everything falls back", "them). This role should fit her, as a very shy,", "completely dark outside. > > > \"A night at school,", "class (and also that she has a crush on one", "a free space for her to stand, seeing The Main", "should perceive things as the girl would, it must tell", "generally following the friends, if they are together, or one", "story, including the girl's own, without using 'I' or 'we'.", "the narrator will be probably somewhat evident, the exact person", "will be subtle moments when the reader may ask \"Why", "but OK\". But then everything falls back to normal. Only", "could not longer hear them), \"Why are only those details", "Do you think it is feasible? What would you suggest?", "about her. For example, it starts along the lines of:", "the narrator is), for example an indirect insult to her", "suit both a real narrator and a particular character —", "One MC. > > > The Second MC slowly raised", "Main Characters, then seeing two other classmates. Later she hears", "(because the interlocutors have left the room and she could", "> In reality it is the girl getting into the", "— it can't refer to peoples' thoughts, it mustn't be", "stand, seeing The Main Characters, then seeing two other classmates.", "of someone doing something like this before? I haven't, maybe", "third person limited narrator, with POV generally following the friends,", "a very shy, staying in the background kind of girl", "the lines of: > > The bus was full of", "probably doesn't even speak. I.e. she doesn't say she walks", "in the background kind of girl who would rarely say", "probably somewhat evident, the exact person should be then easy", "narrator and a particular character — it can't refer to", "refer to peoples' thoughts, it mustn't be too smart or", "shy, staying in the background kind of girl who would", "mentioned?\", \"Why the MCs aren't featured all the time?\", putting", "\"It's not even ours\" she said. > > > In", "the other place. In the plot I make her generally", "has the simple third person limited narrator, with POV generally", "normal. Only towards the end the true nature of the", "narrator is), for example an indirect insult to her thrown", "to guess. It should be even possible to make situations", "the reader may ask \"Why has this conversation been discontinued?\"", "not longer hear them), \"Why are only those details mentioned?\",", "those details mentioned?\", \"Why the MCs aren't featured all the", "class — which tells the story. This is, the text", "who would rarely say a word. There will be subtle", "they separate. Description: ------------ Now, in my story I want", "something like this before? I haven't, maybe it's simply to", "in the, possibly unconscious state of \"Something is not about", "I haven't, maybe it's simply to hard to pull off?", "(when knowing who the narrator is), for example an indirect", "a crush on one of them). This role should fit", "know of someone doing something like this before? I haven't,", "The Main Characters, then seeing two other classmates. Later she", "own, without using 'I' or 'we'. Do you think it", "state of \"Something is not about right, but OK\". But", "> > The bus was full of people, only at", "by someone in her surroundings. Question: --------- Do you know", "> > > In reality it is the girl getting", "For example, it starts along the lines of: > >", "\"A night at school, huh?\" said One MC. > >", "raised her head. > > > \"It's not even ours\"", "classmates. Later she hears their conversation. Throughout the story she", "> > The Second MC slowly raised her head. >", "Second MC slowly raised her head. > > > \"It's", "> The bus was full of people, only at the", "space for her to stand, seeing The Main Characters, then", "the story. This is, the text is about what she", "I want to make a trick: it is narrated in", "other place. In the plot I make her generally follow,", "trick: it is narrated in a way that resembles the", "some free space remaining. The Main Characters were standing on", "the back. > > > The bus slowly entered the", "only describe the other place. In the plot I make", "the background kind of girl who would rarely say a", "of them, when they separate. Description: ------------ Now, in my", "towards the end the true nature of the narrator will", "thinks, but not about her. For example, it starts along", "interlocutors have left the room and she could not longer", "end the true nature of the narrator will be probably", "the text is about what she hears, sees and thinks,", "things as the girl would, it must tell the story,", "into the back. > > > The bus slowly entered", "story she doesn't refer to herself at all, probably doesn't", "they are together, or one of them, when they separate.", "a real narrator and a particular character — it can't", "joint there was some free space remaining. The Main Characters", "'we'. Do you think it is feasible? What would you", "attending the same class — which tells the story. This", "almost completely dark outside. > > > \"A night at", "This is, the text is about what she hears, sees", "hear them), \"Why are only those details mentioned?\", \"Why the", "at school, huh?\" said One MC. > > > The", "the girl's own, without using 'I' or 'we'. Do you", "falls back to normal. Only towards the end the true", "that she has a crush on one of them). This", "> > > The Second MC slowly raised her head.", "girl's own, without using 'I' or 'we'. Do you think", "along the lines of: > > The bus was full", "left the room and she could not longer hear them),", "'I' or 'we'. Do you think it is feasible? What", "meaning when read for the second time (when knowing who", "to normal. Only towards the end the true nature of", "narrated in a way that resembles the usual third person,", "of people, only at the joint there was some free", "then easy to guess. It should be even possible to", "remaining. The Main Characters were standing on one of its", "walks from one place to another, she may only describe", "Throughout the story she doesn't refer to herself at all,", "be then easy to guess. It should be even possible", "in a way that resembles the usual third person, but", "haven't, maybe it's simply to hard to pull off? From", "seeing The Main Characters, then seeing two other classmates. Later", "if they are together, or one of them, when they", "an indirect insult to her thrown in the air by", "time (when knowing who the narrator is), for example an", "reality it is the girl getting into the bus, finding", "one place to another, she may only describe the other", "full of people, only at the joint there was some", "one of them). This role should fit her, as a", "the simple third person limited narrator, with POV generally following", "what I have tried it indeed seems hard, but possible,", "text is about what she hears, sees and thinks, but", "can't refer to peoples' thoughts, it mustn't be too smart", "about what she hears, sees and thinks, but not about", "OK\". But then everything falls back to normal. Only towards", "pull off? From what I have tried it indeed seems", "she simply tries to stick with her class (and also", "narrator, with POV generally following the friends, if they are", "its sides, Two Other Classmates were sitting a few seats", "her surroundings. Question: --------- Do you know of someone doing", "must tell the story, including the girl's own, without using", "them, when they separate. Description: ------------ Now, in my story", "girl who would rarely say a word. There will be", "person, but actually it is a character — the quiet", "of girl who would rarely say a word. There will", "huh?\" said One MC. > > > The Second MC", "hears, sees and thinks, but not about her. For example,", "but possible, to write a narration in such a way", "The bus was full of people, only at the joint", "further into the back. > > > The bus slowly", "possibly unconscious state of \"Something is not about right, but", "should be then easy to guess. It should be even", "another, she may only describe the other place. In the", "would suit both a real narrator and a particular character", "someone in her surroundings. Question: --------- Do you know of", "it is narrated in a way that resembles the usual", "novel has the simple third person limited narrator, with POV", "putting them in the, possibly unconscious state of \"Something is", "separate. Description: ------------ Now, in my story I want to", "> The bus slowly entered the road. It was almost", "all the time?\", putting them in the, possibly unconscious state", "thoughts, it mustn't be too smart or in-depth, it should", "as well as pay closer attention to MCs, which is", "space remaining. The Main Characters were standing on one of", "Only towards the end the true nature of the narrator", "(and also that she has a crush on one of", "stick with her class (and also that she has a", "said. > > > In reality it is the girl", "crush on one of them). This role should fit her,", "person should be then easy to guess. It should be", "story to a Bagry Patab-like novel about a group of", "resembles the usual third person, but actually it is a", "to peoples' thoughts, it mustn't be too smart or in-depth,", "which tells the story. This is, the text is about", "narration in such a way — one that would suit", "of the narrator will be probably somewhat evident, the exact", "nature of the narrator will be probably somewhat evident, the", "also that she has a crush on one of them).", "have left the room and she could not longer hear", "a particular character — it can't refer to peoples' thoughts,", "the plot I make her generally follow, as well as", "everything falls back to normal. Only towards the end the", "pay closer attention to MCs, which is justified by that", "--------- Do you know of someone doing something like this", "it should perceive things as the girl would, it must", "then seeing two other classmates. Later she hears their conversation.", "doesn't say she walks from one place to another, she", "example, it starts along the lines of: > > The", "> The Second MC slowly raised her head. > >", "she doesn't say she walks from one place to another,", "the bus, finding a free space for her to stand,", "which change their meaning when read for the second time", "real narrator and a particular character — it can't refer", "want to make a trick: it is narrated in a", "her generally follow, as well as pay closer attention to", "or 'we'. Do you think it is feasible? What would", "featured all the time?\", putting them in the, possibly unconscious", "very shy, staying in the background kind of girl who", "that would suit both a real narrator and a particular", "in-depth, it should perceive things as the girl would, it", "hard, but possible, to write a narration in such a", "the quiet girl attending the same class — which tells", "closer attention to MCs, which is justified by that she", "to hard to pull off? From what I have tried", "to stick with her class (and also that she has", "the story she doesn't refer to herself at all, probably", "you know of someone doing something like this before? I", "she hears, sees and thinks, but not about her. For", "reader may ask \"Why has this conversation been discontinued?\" (because", "unconscious state of \"Something is not about right, but OK\".", "road. It was almost completely dark outside. > > >", "\"Why has this conversation been discontinued?\" (because the interlocutors have", "POV generally following the friends, if they are together, or", "smart or in-depth, it should perceive things as the girl", "> \"A night at school, huh?\" said One MC. >", "aren't featured all the time?\", putting them in the, possibly", "fit her, as a very shy, staying in the background", "room and she could not longer hear them), \"Why are", "of: > > The bus was full of people, only", "the friends, if they are together, or one of them,", "only those details mentioned?\", \"Why the MCs aren't featured all", "make situations which change their meaning when read for the", "I'm writing a fan fiction story to a Bagry Patab-like", "conversation. Throughout the story she doesn't refer to herself at", "limited narrator, with POV generally following the friends, if they", "Do you know of someone doing something like this before?", "off? From what I have tried it indeed seems hard,", "finding a free space for her to stand, seeing The", "bus was full of people, only at the joint there", "my story I want to make a trick: it is", "to make a trick: it is narrated in a way", "back. > > > The bus slowly entered the road.", "conversation been discontinued?\" (because the interlocutors have left the room", "justified by that she simply tries to stick with her", "she said. > > > In reality it is the", "third person, but actually it is a character — the", "to a Bagry Patab-like novel about a group of 3", "not even ours\" she said. > > > In reality", "the road. It was almost completely dark outside. > >", "This role should fit her, as a very shy, staying", "a trick: it is narrated in a way that resembles", "seats further into the back. > > > The bus", "not about her. For example, it starts along the lines", "longer hear them), \"Why are only those details mentioned?\", \"Why", "narrator will be probably somewhat evident, the exact person should", "the joint there was some free space remaining. The Main", "such a way — one that would suit both a", "is not about right, but OK\". But then everything falls", "> > The bus slowly entered the road. It was", "say a word. There will be subtle moments when the", "she may only describe the other place. In the plot", "to make situations which change their meaning when read for", "Later she hears their conversation. Throughout the story she doesn't", "starts along the lines of: > > The bus was", "may ask \"Why has this conversation been discontinued?\" (because the", "when the reader may ask \"Why has this conversation been", "particular character — it can't refer to peoples' thoughts, it", "ours\" she said. > > > In reality it is", "is the girl getting into the bus, finding a free", "sitting a few seats further into the back. > >", "I.e. she doesn't say she walks from one place to", "ask \"Why has this conversation been discontinued?\" (because the interlocutors", "tries to stick with her class (and also that she", "at the joint there was some free space remaining. The", "what she hears, sees and thinks, but not about her.", "herself at all, probably doesn't even speak. I.e. she doesn't", "maybe it's simply to hard to pull off? From what", "outside. > > > \"A night at school, huh?\" said", "be subtle moments when the reader may ask \"Why has", "from one place to another, she may only describe the" ]
[ "make their own. * I am going to make a", "and make it that there is a ritual to make", "tech stuff we have today doesn't really work for magic.", "invent of different way of mail transportation. * I am", "create items that do funny things, because I want my", "it so witches and warlocks have to make their own.", "to give them other changes as well. * I am", "hidden in secret places. * I am going to give", "of magical beasts, because I am very adamant about animal", "Potfeq? * There is a main trio but their powers", "to have secret places for magical teleportation, hidden in things", "because that instantly makes it compared to Hijrp Potfeq. ", "The key differences in my book are:* * There is", "to be merpeople but I am going to make them,", "soul jar trope with her, or is that too much", "want my story to be very dramatic, with a chunk", "are all very different from Hijrp Potfeq. * There are", "using the soul jar trope with her, or is that", "to turn into animals, but I am also going to", "going to create my own unique potions and magic that", "warlocks have to make their own. * I am going", "buildings we have here are fitting for magic. * I", "am very adamant about animal welfare and I wanted to", "I have decided to change it and make it that", "* I am going to give witches and warlocks the", "world. I am going to invent of different way of", "villain is a woman, and I am thinking of using", "have here are fitting for magic. * I am going", "be merpeople but I am going to make them, more", "thinking of using the soul jar trope with her, or", "LotR - Gandalf, Narnia - Aslan, HP - Dumbledore, etc.", "do the same as in Hijrp Potfeq, but I am", "an alley, but I am going to create shops hidden", "too much like Hijrp Potfeq? * There is a main", "racism, prejudice and bigotry, about humans, magical creatures, and sorcerers", "is a main trio but their powers and stories are", "going to use are witches and warlocks * My main", "that look normal, fireplace, cupboards, sink, toilet etc. * I", "Hijrp Potfeq? * There is a main trio but their", "I am going to make them, more human than in", "in a weakened state and her followers are working to", "in old fashioned clothes and robes. For example, pin striped", "in. * My story is going to be set in", "that instantly makes it compared to Hijrp Potfeq. * The", "I am not going to copy unique ones like expect", "merpeople but I am going to make them, more human", "her followers are working to revive her. * I am", "* I am also going to create items that do", "version of things we do. * It has wands but", "part of any world. * I am going to give", "from humans, because racism is pretty much part of any", "decided to change it and make it that there is", "toilet etc. * I am going to create a wise", "adamant about animal welfare and I wanted to show that", "in my world. * I am going to have secret", "to use are witches and warlocks * My main villain", "trio but their powers and stories are all very different", "my own unique potions and magic that do things not", "woman, and I am thinking of using the soul jar", "* I am going to set it in the UK", "it that there is a ritual to make your own", "powers and stories are all very different from Hijrp Potfeq.", "has wands but I have decided to change it and", "my story too much like Hijrp Potfeq? * My story", "other changes as well. * I am going to have", "set in the 90's because all the tech stuff we", "shops hidden in secret places. * I am going to", "as in Hijrp Potfeq, but I am not going to", "various things. * I am going to create a newspaper,", "is no magical school, because that instantly makes it compared", "has a wise mentor character. LotR - Gandalf, Narnia -", "with her, or is that too much like Hijrp Potfeq?", "her. * I am also going to make magical shops.", "am going to create food that does magical things. ", "going to create a newspaper, with reporters for news in", "to Hijrp Potfeq. The magical names I am going", "going to invent of different way of mail transportation. ", "create food that does magical things. I am also", "warlocks * My main villain is a woman, and I", "a magical government, a council with branches and departments, that", "normal, fireplace, cupboards, sink, toilet etc. * I am going", "- Gandalf, Narnia - Aslan, HP - Dumbledore, etc. ", "going to make a magical government, a council with branches", "have paper communication, letters, newspapers and posters, because they are", "a magical world hidden within our own, and it has", "am going to set it in the UK because all", "humans, magical creatures, and sorcerers born from humans, because racism", "to create a wise old man, to act as the", "wise old man, to act as the mentor for my", "fantasy series has a wise mentor character. LotR - Gandalf,", "much like Hijrp Potfeq? My story is set in", "It has wands but I have decided to change it", "am going to make a magical government, a council with", "be in a weakened state and her followers are working", "Potfeq. * There are going to be merpeople but I", "but I am going to make them, more human than", "too much like Hijrp Potfeq? * My story is set", "I know are alright to use. I am also going", "the tech stuff we have today doesn't really work for", "doesn't really work for magic. * I am going to", "and departments, that deal with various things. * I am", "for magical teleportation, hidden in things that look normal, fireplace,", "of different way of mail transportation. * I am going", "going to have secret places for magical teleportation, hidden in", "the soul jar trope with her, or is that too", "have secret places for magical teleportation, hidden in things that", "to create a newspaper, with reporters for news in my", "do things not in Hijrp Potfeq. * I am going", "the mentor for my story, but pretty much every fantasy", "am also going to create items that do funny things,", "magical government, a council with branches and departments, that deal", "For the first part of the story my main villain", "and I am thinking of using the soul jar trope", "own wand. There are also brooms but I was going", "* It has wands but I have decided to change", "because I want my story to be very dramatic, with", "Hijrp Potfeq, but I am not going to copy unique", "going to create a wise old man, to act as", "a ritual to make your own wand. There are also", "things, because I want my story to be very dramatic,", "potions and magic that do things not in Hijrp Potfeq.", "their powers and stories are all very different from Hijrp", "going to put racism, prejudice and bigotry, about humans, magical", "* I am going to have secret places for magical", "very adamant about animal welfare and I wanted to show", "I am going to make a magical government, a council", "Aslan, HP - Dumbledore, etc. * For the first part", "striped and tweed suits, bowler hat and old cardigans and", "my main villain is going to be in a weakened", "also going to give them other changes as well. ", "paper communication, letters, newspapers and posters, because they are more", "- Aslan, HP - Dumbledore, etc. For the first", "make it that there is a ritual to make your", "own. * I am going to make a magical government,", "as the mentor for my story, but pretty much every", "to make them, more human than in Goblet of Fire.", "* There are going to be merpeople but I am", "magical school, because that instantly makes it compared to Hijrp", "I am also going to create items that do funny", "and her followers are working to revive her. * I", "man, to act as the mentor for my story, but", "animals, but I am also going to give them other", "magical names I am going to use are witches and", "work for magic. * I am going to set it", "about humans, magical creatures, and sorcerers born from humans, because", "story my main villain is going to be in a", "going to create an alley, but I am going to", "every fantasy series has a wise mentor character. LotR -", "magical beasts, because I am very adamant about animal welfare", "weakened state and her followers are working to revive her.", "things. * I am also going to create items that", "I am also going to create my own unique potions", "pin striped and tweed suits, bowler hat and old cardigans", "creatures, and sorcerers born from humans, because racism is pretty", "character's family be carers of magical beasts, because I am", "make magical shops. I am not going to create an", "book are:** * There is no magical school, because that", "with various things. * I am going to create a", "I am going to give witches and warlocks the power", "have today doesn't really work for magic. * I am", "old man, to act as the mentor for my story,", "is going to be set in the 90's because all", "am going to put racism, prejudice and bigotry, about humans,", "fitting for magical world. I am going to invent of", "I am not going to create an alley, but I", "am not going to copy unique ones like expect patronum.", "racism is pretty much part of any world. * I", "expect patronum. I am going with ones I know are", "that do things not in Hijrp Potfeq. * I am", "our own, and it has many magical version of things", "going to be merpeople but I am going to make", "in my book are:** * There is no magical school,", "world hidden within our own, and it has many magical", "council with branches and departments, that deal with various things.", "spells and potions that do the same as in Hijrp", "witches and warlocks have to make their own. * I", "to show that in my story. *The key differences in", "for magic. I am going to set it in", "* There is a main trio but their powers and", "story is going to be set in the 90's because", "going with ones I know are alright to use. I", "ritual to make your own wand. There are also brooms", "* There is no magical school, because that instantly makes", "make them, more human than in Goblet of Fire. ", "much every fantasy series has a wise mentor character. LotR", "reporters for news in my world. I am going", "with ones I know are alright to use. I am", "with reporters for news in my world. * I am", "some spells and potions that do the same as in", "warlocks the power to turn into animals, but I am", "it has many magical version of things we do. ", "for magical world. I am going to invent of different", "character. LotR - Gandalf, Narnia - Aslan, HP - Dumbledore,", "Fire. * My main group are going to be teenagers,", "am going to give them in old fashioned clothes and", "* My main villain is a woman, and I am", "wanted to show that in my story. *The key differences", "stories are all very different from Hijrp Potfeq. There", "do. * It has wands but I have decided to", "in the UK because all the old fashioned buildings we", "robes. For example, pin striped and tweed suits, bowler hat", "it in the UK because all the old fashioned buildings", "I am going to have some spells and potions that", "stuff we have today doesn't really work for magic. ", "her, or is that too much like Hijrp Potfeq? ", "am going to have some spells and potions that do", "world. * I am going to give them in old", "does magical things. * I am also going to create", "be carers of magical beasts, because I am very adamant", "and old cardigans and sweaters. * I am also going", "alley, but I am going to create shops hidden in", "but I am also going to give them other changes", "I am going to have secret places for magical teleportation,", "shops. I am not going to create an alley, but", "witches and warlocks the power to turn into animals, but", "they are more fitting for magical world. I am going", "is pretty much part of any world. * I am", "the story my main villain is going to be in", "- Dumbledore, etc. * For the first part of the", "of mail transportation. * I am going to create food", "Dumbledore, etc. * For the first part of the story", "sink, toilet etc. * I am going to create a", "suits, bowler hat and old cardigans and sweaters. * I", "* I am going to create a wise old man,", "with a chunk of humour mixed in. * My story", "There is no magical school, because that instantly makes it", "I am going to create a newspaper, with reporters for", "* I am going to have paper communication, letters, newspapers", "pretty much every fantasy series has a wise mentor character.", "wand. There are also brooms but I was going to", "are:** * There is no magical school, because that instantly", "going to make them, more human than in Goblet of", "to have one character's family be carers of magical beasts,", "many magical version of things we do. It has", "* My story is going to be set in the", "welfare and I wanted to show that in my story.", "things that look normal, fireplace, cupboards, sink, toilet etc. ", "to make their own. I am going to make", "of things we do. * It has wands but I", "am going to use are witches and warlocks * My", "main group are going to be teenagers, not kids, when", "secret places. * I am going to give witches and", "because all the old fashioned buildings we have here are", "look normal, fireplace, cupboards, sink, toilet etc. * I am", "* The magical names I am going to use are", "and robes. For example, pin striped and tweed suits, bowler", "series has a wise mentor character. LotR - Gandalf, Narnia", "My story is going to be set in the 90's", "my book are:** * There is no magical school, because", "Is my story too much like Hijrp Potfeq? * My", "secret places for magical teleportation, hidden in things that look", "in a magical world hidden within our own, and it", "I am also going to give them other changes as", "also going to make magical shops. I am not going", "because I am very adamant about animal welfare and I", "not in Hijrp Potfeq. * I am going to have", "cardigans and sweaters. * I am also going to have", "ones I know are alright to use. I am also", "Narnia - Aslan, HP - Dumbledore, etc. * For the", "I wanted to show that in my story. *The key", "in Hijrp Potfeq. I am going to have paper", "really work for magic. * I am going to set", "in secret places. * I am going to give witches", "going to be in a weakened state and her followers", "magical teleportation, hidden in things that look normal, fireplace, cupboards,", "to create shops hidden in secret places. * I am", "is a woman, and I am thinking of using the", "going to create food that does magical things. * I", "to be very dramatic, with a chunk of humour mixed", "am going to create a newspaper, with reporters for news", "group are going to be teenagers, not kids, when they", "magical world. I am going to invent of different way", "My main group are going to be teenagers, not kids,", "and tweed suits, bowler hat and old cardigans and sweaters.", "one character's family be carers of magical beasts, because I", "state and her followers are working to revive her. ", "create a newspaper, with reporters for news in my world.", "to have it so witches and warlocks have to make", "prejudice and bigotry, about humans, magical creatures, and sorcerers born", "we do. It has wands but I have decided", "* I am going to create food that does magical", "90's because all the tech stuff we have today doesn't", "am also going to give them other changes as well.", "example, pin striped and tweed suits, bowler hat and old", "my story, but pretty much every fantasy series has a", "a woman, and I am thinking of using the soul", "UK because all the old fashioned buildings we have here", "my story to be very dramatic, with a chunk of", "in Goblet of Fire. * My main group are going", "bigotry, about humans, magical creatures, and sorcerers born from humans,", "unique potions and magic that do things not in Hijrp", "working to revive her. * I am also going to", "things we do. * It has wands but I have", "but pretty much every fantasy series has a wise mentor", "communication, letters, newspapers and posters, because they are more fitting", "the same as in Hijrp Potfeq, but I am not", "are going to be merpeople but I am going to", "am thinking of using the soul jar trope with her,", "story too much like Hijrp Potfeq? * My story is", "clothes and robes. For example, pin striped and tweed suits,", "* I am going to make a magical government, a", "is set in a magical world hidden within our own,", "There are also brooms but I was going to have", "am going to invent of different way of mail transportation.", "to revive her. * I am also going to make", "to create my own unique potions and magic that do", "so witches and warlocks have to make their own. ", "pretty much part of any world. I am going", "them in old fashioned clothes and robes. For example, pin", "also going to create my own unique potions and magic", "to use. I am also going to create my own", "because racism is pretty much part of any world. ", "are fitting for magic. I am going to put", "of using the soul jar trope with her, or is", "are more fitting for magical world. I am going to", "no magical school, because that instantly makes it compared to", "I am going to create a wise old man, to", "I am also going to make magical shops. I am", "magical creatures, and sorcerers born from humans, because racism is", "bowler hat and old cardigans and sweaters. * I am", "a wise old man, to act as the mentor for", "but I am not going to copy unique ones like", "turn into animals, but I am also going to give", "their own. * I am going to make a magical", "a main trio but their powers and stories are all", "as well. * I am going to have some spells", "and it has many magical version of things we do.", "cupboards, sink, toilet etc. * I am going to create", "create an alley, but I am going to create shops", "things not in Hijrp Potfeq. * I am going to", "* I am going to put racism, prejudice and bigotry,", "copy unique ones like expect patronum. I am going with", "There are going to be merpeople but I am going", "unique ones like expect patronum. I am going with ones", "create my own unique potions and magic that do things", "going to set it in the UK because all the", "jar trope with her, or is that too much like", "fireplace, cupboards, sink, toilet etc. * I am going to", "to have paper communication, letters, newspapers and posters, because they", "* For the first part of the story my main", "old fashioned clothes and robes. For example, pin striped and", "going to be set in the 90's because all the", "into animals, but I am also going to give them", "wands but I have decided to change it and make", "them, more human than in Goblet of Fire. * My", "and sorcerers born from humans, because racism is pretty much", "not going to create an alley, but I am going", "like Hijrp Potfeq? * My story is set in a", "different way of mail transportation. * I am going to", "magic. * I am going to put racism, prejudice and", "Hijrp Potfeq. * The magical names I am going to", "have to make their own. * I am going to", "and warlocks * My main villain is a woman, and", "to act as the mentor for my story, but pretty", "any world. * I am going to give them in", "going to create items that do funny things, because I", "am not going to create an alley, but I am", "story to be very dramatic, with a chunk of humour", "magic that do things not in Hijrp Potfeq. * I", "that does magical things. * I am also going to", "that do the same as in Hijrp Potfeq, but I", "departments, that deal with various things. * I am going", "a newspaper, with reporters for news in my world. ", "animal welfare and I wanted to show that in my", "magical world hidden within our own, and it has many", "own, and it has many magical version of things we", "I want my story to be very dramatic, with a", "human than in Goblet of Fire. My main group", "for magic. * I am going to put racism, prejudice", "things. * I am going to create a newspaper, with", "change it and make it that there is a ritual", "not going to copy unique ones like expect patronum. I", "am going with ones I know are alright to use.", "* I am also going to make magical shops. I", "set in a magical world hidden within our own, and", "very different from Hijrp Potfeq. * There are going to", "I am going to create shops hidden in secret places.", "old fashioned buildings we have here are fitting for magic.", "here are fitting for magic. * I am going to", "am going to create shops hidden in secret places. ", "are alright to use. I am also going to create", "Potfeq. The magical names I am going to use", "the UK because all the old fashioned buildings we have", "be set in the 90's because all the tech stuff", "am going to make them, more human than in Goblet", "old cardigans and sweaters. I am also going to", "going to have paper communication, letters, newspapers and posters, because", "The magical names I am going to use are witches", "magical version of things we do. * It has wands", "to invent of different way of mail transportation. * I", "that in my story. *The key differences in my book", "all the old fashioned buildings we have here are fitting", "of the story my main villain is going to be", "well. I am going to have some spells and", "instantly makes it compared to Hijrp Potfeq. * The magical", "revive her. * I am also going to make magical", "own unique potions and magic that do things not in", "I am going to set it in the UK because", "and posters, because they are more fitting for magical world.", "I am going to put racism, prejudice and bigotry, about", "them other changes as well. * I am going to", "have some spells and potions that do the same as", "newspapers and posters, because they are more fitting for magical", "my world. * I am going to have secret places", "the 90's because all the tech stuff we have today", "letters, newspapers and posters, because they are more fitting for", "different from Hijrp Potfeq. * There are going to be", "there is a ritual to make your own wand. There", "sweaters. * I am also going to have one character's", "of humour mixed in. * My story is going to", "create shops hidden in secret places. * I am going", "like Hijrp Potfeq? * There is a main trio but", "a wise mentor character. LotR - Gandalf, Narnia - Aslan,", "dramatic, with a chunk of humour mixed in. * My", "to change it and make it that there is a", "* My main group are going to be teenagers, not", "have one character's family be carers of magical beasts, because", "to give witches and warlocks the power to turn into", "going to give them other changes as well. * I", "set it in the UK because all the old fashioned", "more human than in Goblet of Fire. * My main", "in Hijrp Potfeq, but I am not going to copy", "my story. The key differences in my book are: ", "key differences in my book are:* * There is no", "first part of the story my main villain is going", "to make your own wand. There are also brooms but", "the first part of the story my main villain is", "but I am going to create shops hidden in secret", "was going to have it so witches and warlocks have", "give them in old fashioned clothes and robes. For example,", "give witches and warlocks the power to turn into animals,", "make a magical government, a council with branches and departments,", "tweed suits, bowler hat and old cardigans and sweaters. ", "witches and warlocks My main villain is a woman,", "to be set in the 90's because all the tech", "fashioned clothes and robes. For example, pin striped and tweed", "food that does magical things. * I am also going", "of Fire. My main group are going to be", "mentor for my story, but pretty much every fantasy series", "news in my world. * I am going to have", "your own wand. There are also brooms but I was", "born from humans, because racism is pretty much part of", "* My story is set in a magical world hidden", "I am going to create food that does magical things.", "but their powers and stories are all very different from", "ones like expect patronum. I am going with ones I", "mentor character. LotR - Gandalf, Narnia - Aslan, HP -", "to copy unique ones like expect patronum. I am going", "to create food that does magical things. * I am", "My main villain is a woman, and I am thinking", "There is a main trio but their powers and stories", "I was going to have it so witches and warlocks", "going to make magical shops. I am not going to", "is that too much like Hijrp Potfeq? * There is", "makes it compared to Hijrp Potfeq. * The magical names", "do funny things, because I want my story to be", "am going to give witches and warlocks the power to", "to give them in old fashioned clothes and robes. For", "am also going to have one character's family be carers", "fashioned buildings we have here are fitting for magic. ", "we have today doesn't really work for magic. I", "create a wise old man, to act as the mentor", "to create items that do funny things, because I want", "I am going to invent of different way of mail", "to make magical shops. I am not going to create", "* I am going to give them in old fashioned", "like expect patronum. I am going with ones I know", "in the 90's because all the tech stuff we have", "Potfeq? * My story is set in a magical world", "I am going to have paper communication, letters, newspapers and", "a weakened state and her followers are working to revive", "etc. * For the first part of the story my", "am going to have paper communication, letters, newspapers and posters,", "going to have some spells and potions that do the", "I am going with ones I know are alright to", "brooms but I was going to have it so witches", "in things that look normal, fireplace, cupboards, sink, toilet etc.", "going to create shops hidden in secret places. * I", "much part of any world. * I am going to", "hat and old cardigans and sweaters. * I am also", "potions that do the same as in Hijrp Potfeq, but", "make your own wand. There are also brooms but I", "deal with various things. * I am going to create", "all the tech stuff we have today doesn't really work", "Potfeq. * I am going to have paper communication, letters,", "am also going to make magical shops. I am not", "is a ritual to make your own wand. There are", "story. The key differences in my book are: * There", "transportation. * I am going to create food that does", "I am thinking of using the soul jar trope with", "places for magical teleportation, hidden in things that look normal,", "to be in a weakened state and her followers are", "a council with branches and departments, that deal with various", "magical shops. I am not going to create an alley,", "and magic that do things not in Hijrp Potfeq. ", "sorcerers born from humans, because racism is pretty much part", "give them other changes as well. I am going", "that do funny things, because I want my story to", "chunk of humour mixed in. * My story is going", "HP - Dumbledore, etc. * For the first part of", "has many magical version of things we do. * It", "of any world. * I am going to give them", "are working to revive her. * I am also going", "going to copy unique ones like expect patronum. I am", "same as in Hijrp Potfeq, but I am not going", "that too much like Hijrp Potfeq? * There is a", "use. I am also going to create my own unique", "carers of magical beasts, because I am very adamant about", "magical things. * I am also going to create items", "going to have it so witches and warlocks have to", "humans, because racism is pretty much part of any world.", "much like Hijrp Potfeq? * There is a main trio", "Potfeq, but I am not going to copy unique ones", "hidden in things that look normal, fireplace, cupboards, sink, toilet", "have it so witches and warlocks have to make their", "than in Goblet of Fire. * My main group are", "beasts, because I am very adamant about animal welfare and", "or is that too much like Hijrp Potfeq? * There", "I am going to give them in old fashioned clothes", "My story is set in a magical world hidden within", "use are witches and warlocks * My main villain is", "I am going to use are witches and warlocks ", "Goblet of Fire. My main group are going to", "it compared to Hijrp Potfeq. * The magical names I", "is going to be in a weakened state and her", "* I am going to create a newspaper, with reporters", "Gandalf, Narnia - Aslan, HP - Dumbledore, etc. * For", "compared to Hijrp Potfeq. * The magical names I am", "world. * I am going to have secret places for", "villain is going to be in a weakened state and", "more fitting for magical world. I am going to invent", "humour mixed in. * My story is going to be", "way of mail transportation. * I am going to create", "for news in my world. * I am going to", "branches and departments, that deal with various things. * I", "* I am also going to have one character's family", "Hijrp Potfeq. * I am going to have paper communication,", "government, a council with branches and departments, that deal with", "very dramatic, with a chunk of humour mixed in. ", "fitting for magic. I am going to put racism,", "for my story, but pretty much every fantasy series has", "also brooms but I was going to have it so", "and potions that do the same as in Hijrp Potfeq,", "act as the mentor for my story, but pretty much", "alright to use. I am also going to create my", "all very different from Hijrp Potfeq. * There are going", "school, because that instantly makes it compared to Hijrp Potfeq.", "items that do funny things, because I want my story", "newspaper, with reporters for news in my world. * I", "that there is a ritual to make your own wand.", "etc. * I am going to create a wise old", "hidden within our own, and it has many magical version", "wise mentor character. LotR - Gandalf, Narnia - Aslan, HP", "are witches and warlocks * My main villain is a", "I am very adamant about animal welfare and I wanted", "main trio but their powers and stories are all very", "mixed in. * My story is going to be set", "followers are working to revive her. * I am also", "changes as well. * I am going to have some", "names I am going to use are witches and warlocks", "it and make it that there is a ritual to", "* I am going to have some spells and potions", "posters, because they are more fitting for magical world. I", "main villain is going to be in a weakened state", "to make a magical government, a council with branches and", "the power to turn into animals, but I am also", "to have some spells and potions that do the same", "family be carers of magical beasts, because I am very", "and sweaters. * I am also going to have one", "know are alright to use. I am also going to", "also going to have one character's family be carers of", "story is set in a magical world hidden within our", "within our own, and it has many magical version of", "funny things, because I want my story to be very", "the old fashioned buildings we have here are fitting for", "going to give them in old fashioned clothes and robes.", "be very dramatic, with a chunk of humour mixed in.", "and stories are all very different from Hijrp Potfeq. ", "and I wanted to show that in my story. The", "story, but pretty much every fantasy series has a wise", "teleportation, hidden in things that look normal, fireplace, cupboards, sink,", "and warlocks the power to turn into animals, but I", "to create an alley, but I am going to create", "differences in my book are:* * There is no magical", "are going to be teenagers, not kids, when they start.", "going to have one character's family be carers of magical", "from Hijrp Potfeq. * There are going to be merpeople", "going to give witches and warlocks the power to turn", "are also brooms but I was going to have it", "to set it in the UK because all the old", "put racism, prejudice and bigotry, about humans, magical creatures, and", "For example, pin striped and tweed suits, bowler hat and", "show that in my story. *The key differences in my", "to put racism, prejudice and bigotry, about humans, magical creatures,", "am going to create a wise old man, to act", "but I have decided to change it and make it", "Hijrp Potfeq. There are going to be merpeople but", "mail transportation. * I am going to create food that", "with branches and departments, that deal with various things. ", "main villain is a woman, and I am thinking of", "that deal with various things. I am going to", "have decided to change it and make it that there", "magic. * I am going to set it in the", "a chunk of humour mixed in. * My story is", "part of the story my main villain is going to", "also going to create items that do funny things, because", "but I was going to have it so witches and", "am also going to create my own unique potions and", "today doesn't really work for magic. * I am going", "am going to have secret places for magical teleportation, hidden", "in my story. The key differences in my book are:", "trope with her, or is that too much like Hijrp", "we have here are fitting for magic. * I am", "places. * I am going to give witches and warlocks", "power to turn into animals, but I am also going", "because all the tech stuff we have today doesn't really", "and bigotry, about humans, magical creatures, and sorcerers born from", "and warlocks have to make their own. * I am", "about animal welfare and I wanted to show that in", "I am also going to have one character's family be", "Hijrp Potfeq? * My story is set in a magical", "because they are more fitting for magical world. I am", "patronum. I am going with ones I know are alright" ]
[ "female — of the author, particularly in the first person", "gender — male or female — of the author, particularly", "when the narrator's and the author's genders may not be", "or anything else) which may help the reader suggest, even", "the first person narratives when the narrator's and the author's", "— of the author, particularly in the first person narratives", "narratives when the narrator's and the author's genders may not", "particularly in the first person narratives when the narrator's and", "the reader suggest, even if only tentatively, the gender —", "structures, vocabulary choices, or anything else) which may help the", "of the author, particularly in the first person narratives when", "only tentatively, the gender — male or female — of", "genders may not be the same? If yes, what might", "author's genders may not be the same? If yes, what", "first person narratives when the narrator's and the author's genders", "any stylistic markers (sentence structures, vocabulary choices, or anything else)", "even if only tentatively, the gender — male or female", "and the author's genders may not be the same? If", "— male or female — of the author, particularly in", "anything else) which may help the reader suggest, even if", "Are there any stylistic markers (sentence structures, vocabulary choices, or", "the author's genders may not be the same? If yes,", "vocabulary choices, or anything else) which may help the reader", "stylistic markers (sentence structures, vocabulary choices, or anything else) which", "may help the reader suggest, even if only tentatively, the", "the narrator's and the author's genders may not be the", "there any stylistic markers (sentence structures, vocabulary choices, or anything", "narrator's and the author's genders may not be the same?", "suggest, even if only tentatively, the gender — male or", "the author, particularly in the first person narratives when the", "in the first person narratives when the narrator's and the", "(sentence structures, vocabulary choices, or anything else) which may help", "help the reader suggest, even if only tentatively, the gender", "or female — of the author, particularly in the first", "which may help the reader suggest, even if only tentatively,", "if only tentatively, the gender — male or female —", "person narratives when the narrator's and the author's genders may", "else) which may help the reader suggest, even if only", "the gender — male or female — of the author,", "be the same? If yes, what might those markers be?", "choices, or anything else) which may help the reader suggest,", "tentatively, the gender — male or female — of the", "author, particularly in the first person narratives when the narrator's", "reader suggest, even if only tentatively, the gender — male", "not be the same? If yes, what might those markers", "male or female — of the author, particularly in the", "markers (sentence structures, vocabulary choices, or anything else) which may", "may not be the same? If yes, what might those" ]
[ "found some stories my mother wrote and they were never", "She is deceased. I know I can send them in", "I can send them in but can I edit them", "mother wrote and they were never published. She is deceased.", "I know I can send them in but can I", "some stories my mother wrote and they were never published.", "were never published. She is deceased. I know I can", "on a manual typewriter and they need editing. I would", "and they need editing. I would want to publish them", "wrote them in the 1960s on a manual typewriter and", "and they were never published. She is deceased. I know", "them in but can I edit them before I do?", "I do? She wrote them in the 1960s on a", "the 1960s on a manual typewriter and they need editing.", "them before I do? She wrote them in the 1960s", "do? She wrote them in the 1960s on a manual", "know I can send them in but can I edit", "they were never published. She is deceased. I know I", "stories my mother wrote and they were never published. She", "my mother wrote and they were never published. She is", "never published. She is deceased. I know I can send", "them in the 1960s on a manual typewriter and they", "I edit them before I do? She wrote them in", "but can I edit them before I do? She wrote", "typewriter and they need editing. I would want to publish", "they need editing. I would want to publish them under", "editing. I would want to publish them under her name.", "published. She is deceased. I know I can send them", "is deceased. I know I can send them in but", "need editing. I would want to publish them under her", "1960s on a manual typewriter and they need editing. I", "before I do? She wrote them in the 1960s on", "deceased. I know I can send them in but can", "can send them in but can I edit them before", "send them in but can I edit them before I", "She wrote them in the 1960s on a manual typewriter", "I found some stories my mother wrote and they were", "wrote and they were never published. She is deceased. I", "edit them before I do? She wrote them in the", "in the 1960s on a manual typewriter and they need", "a manual typewriter and they need editing. I would want", "can I edit them before I do? She wrote them", "manual typewriter and they need editing. I would want to", "in but can I edit them before I do? She" ]
[ "reader's minds when it is first introduced, as the story", "is a key central hub which much of the interaction", "the interaction surrounds. An example of this might be the", "creating problems. Namely, it results in the setting, a building", "keep showing up again over and over again in the", "surrounds. An example of this might be the bar in", "to keep showing up again over and over again in", "feel of immersion for a type of place most people", "Cheers or Greendale Community College in Community. I want to", "the setting, a building on a college campus, being described", "not something a lot of readers encounter in their everyday", "and over again in the story and I don't want", "most people wouldn't get to experience. How would I go", "focus on something the reader has yet to become invested", "on a college campus, being described to the point at", "a key central hub which much of the interaction surrounds.", "want to get across the feel of immersion for a", "do I do this without going into gratuitous detail and", "places way too much focus on something the reader has", "again in the story and I don't want to break", "central hub which much of the interaction surrounds. An example", "clear it places way too much focus on something the", "in Cheers or Greendale Community College in Community. I want", "building because it's going to keep showing up again over", "much of the interaction surrounds. An example of this might", "layout of the building because it's going to keep showing", "something the reader has yet to become invested in, and", "it's going to keep showing up again over and over", "example of this might be the bar in Cheers or", "over again, but this tactic is creating problems. Namely, it", "the layout of the building because it's going to keep", "minds, and how do I do this without going into", "campus, being described to the point at which it feels", "experience. How would I go about describing a key set", "I go about describing a key set piece to make", "the story and I don't want to break the flow", "readers encounter in their everyday lives, so I really want", "the story is going to keep coming back to it", "a key set piece to make it really stick in", "for a type of place most people wouldn't get to", "setting, a building on a college campus, being described to", "editing its clear it places way too much focus on", "going to keep coming back to it over and over", "I want to really make this location stick out in", "be the bar in Cheers or Greendale Community College in", "Namely, it results in the setting, a building on a", "might be the bar in Cheers or Greendale Community College", "hub which much of the interaction surrounds. An example of", "go about describing a key set piece to make it", "to really make this location stick out in the reader's", "too into the layout of the building because it's going", "in the story and I don't want to break the", "but upon editing its clear it places way too much", "reader has yet to become invested in, and thus gets", "so I really want to get across the feel of", "going to keep showing up again over and over again", "again over and over again in the story and I", "the reader has yet to become invested in, and thus", "do this without going into gratuitous detail and boring them?", "minds when it is first introduced, as the story is", "building on a college campus, being described to the point", "introduced, as the story is going to keep coming back", "gets way too into the layout of the building because", "type of place most people wouldn't get to experience. How", "has yet to become invested in, and thus gets bored.", "of the building because it's going to keep showing up", "want to break the flow to re-describe it, but upon", "to break the flow to re-describe it, but upon editing", "really stick in readers' minds, and how do I do", "way too into the layout of the building because it's", "as the story is going to keep coming back to", "showing up again over and over again in the story", "the point at which it feels overindulgent. The draft I", "of this might be the bar in Cheers or Greendale", "story that is a key central hub which much of", "stick out in the reader's minds when it is first", "and over again, but this tactic is creating problems. Namely,", "over and over again in the story and I don't", "thus gets bored. The specific location itself is not something", "yet to become invested in, and thus gets bored. The", "of readers encounter in their everyday lives, so I really", "to become invested in, and thus gets bored. The specific", "re-describe it, but upon editing its clear it places way", "people wouldn't get to experience. How would I go about", "at which it feels overindulgent. The draft I have gets", "in their everyday lives, so I really want to get", "a type of place most people wouldn't get to experience.", "The specific location itself is not something a lot of", "set piece to make it really stick in readers' minds,", "coming back to it over and over again, but this", "first introduced, as the story is going to keep coming", "the flow to re-describe it, but upon editing its clear", "in the reader's minds when it is first introduced, as", "a lot of readers encounter in their everyday lives, so", "I have gets way too into the layout of the", "make it really stick in readers' minds, and how do", "don't want to break the flow to re-describe it, but", "into the layout of the building because it's going to", "College in Community. I want to really make this location", "everyday lives, so I really want to get across the", "a building on a college campus, being described to the", "to get across the feel of immersion for a type", "or Greendale Community College in Community. I want to really", "the feel of immersion for a type of place most", "again, but this tactic is creating problems. Namely, it results", "location itself is not something a lot of readers encounter", "of immersion for a type of place most people wouldn't", "upon editing its clear it places way too much focus", "The draft I have gets way too into the layout", "draft I have gets way too into the layout of", "over and over again, but this tactic is creating problems.", "get across the feel of immersion for a type of", "describing a key set piece to make it really stick", "I don't want to break the flow to re-describe it,", "but this tactic is creating problems. Namely, it results in", "results in the setting, a building on a college campus,", "in Community. I want to really make this location stick", "described to the point at which it feels overindulgent. The", "too much focus on something the reader has yet to", "interaction surrounds. An example of this might be the bar", "this might be the bar in Cheers or Greendale Community", "across the feel of immersion for a type of place", "in my story that is a key central hub which", "the building because it's going to keep showing up again", "way too much focus on something the reader has yet", "to re-describe it, but upon editing its clear it places", "which much of the interaction surrounds. An example of this", "have a location in my story that is a key", "to the point at which it feels overindulgent. The draft", "really make this location stick out in the reader's minds", "How would I go about describing a key set piece", "and how do I do this without going into gratuitous", "up again over and over again in the story and", "when it is first introduced, as the story is going", "immersion for a type of place most people wouldn't get", "it, but upon editing its clear it places way too", "a college campus, being described to the point at which", "make this location stick out in the reader's minds when", "I do this without going into gratuitous detail and boring", "Community College in Community. I want to really make this", "point at which it feels overindulgent. The draft I have", "on something the reader has yet to become invested in,", "being described to the point at which it feels overindulgent.", "location in my story that is a key central hub", "flow to re-describe it, but upon editing its clear it", "place most people wouldn't get to experience. How would I", "stick in readers' minds, and how do I do this", "key set piece to make it really stick in readers'", "overindulgent. The draft I have gets way too into the", "the reader's minds when it is first introduced, as the", "want to really make this location stick out in the", "location stick out in the reader's minds when it is", "it is first introduced, as the story is going to", "keep coming back to it over and over again, but", "which it feels overindulgent. The draft I have gets way", "have gets way too into the layout of the building", "because it's going to keep showing up again over and", "gets bored. The specific location itself is not something a", "wouldn't get to experience. How would I go about describing", "to experience. How would I go about describing a key", "it feels overindulgent. The draft I have gets way too", "it really stick in readers' minds, and how do I", "it over and over again, but this tactic is creating", "and I don't want to break the flow to re-describe", "is not something a lot of readers encounter in their", "in the setting, a building on a college campus, being", "bored. The specific location itself is not something a lot", "really want to get across the feel of immersion for", "bar in Cheers or Greendale Community College in Community. I", "get to experience. How would I go about describing a", "lives, so I really want to get across the feel", "story and I don't want to break the flow to", "is creating problems. Namely, it results in the setting, a", "I really want to get across the feel of immersion", "key central hub which much of the interaction surrounds. An", "feels overindulgent. The draft I have gets way too into", "to make it really stick in readers' minds, and how", "of the interaction surrounds. An example of this might be", "its clear it places way too much focus on something", "this tactic is creating problems. Namely, it results in the", "this location stick out in the reader's minds when it", "readers' minds, and how do I do this without going", "is going to keep coming back to it over and", "the bar in Cheers or Greendale Community College in Community.", "An example of this might be the bar in Cheers", "much focus on something the reader has yet to become", "to it over and over again, but this tactic is", "I have a location in my story that is a", "their everyday lives, so I really want to get across", "to keep coming back to it over and over again,", "in readers' minds, and how do I do this without", "and thus gets bored. The specific location itself is not", "of place most people wouldn't get to experience. How would", "in, and thus gets bored. The specific location itself is", "Greendale Community College in Community. I want to really make", "college campus, being described to the point at which it", "encounter in their everyday lives, so I really want to", "that is a key central hub which much of the", "itself is not something a lot of readers encounter in", "is first introduced, as the story is going to keep", "become invested in, and thus gets bored. The specific location", "story is going to keep coming back to it over", "a location in my story that is a key central", "invested in, and thus gets bored. The specific location itself", "back to it over and over again, but this tactic", "over again in the story and I don't want to", "problems. Namely, it results in the setting, a building on", "about describing a key set piece to make it really", "lot of readers encounter in their everyday lives, so I", "my story that is a key central hub which much", "how do I do this without going into gratuitous detail", "tactic is creating problems. Namely, it results in the setting,", "it places way too much focus on something the reader", "out in the reader's minds when it is first introduced,", "Community. I want to really make this location stick out", "would I go about describing a key set piece to", "piece to make it really stick in readers' minds, and", "it results in the setting, a building on a college", "something a lot of readers encounter in their everyday lives,", "break the flow to re-describe it, but upon editing its", "specific location itself is not something a lot of readers" ]
[ "cried much after she lost her parents because then it", "make her extremely upset but I also want her to", "to seem emotionless like she’s hiding her true feelings because", "watched people die, her parents, so it’s not like it’s", "1998. In the climax she is fighting off the killer", "her parents because then it would seem too real, so", "that’s something she does a lot in the book. The", "her love interest comes in and kills the guy, and", "thing is, she’s already watched people die, her parents, so", "her parents, so it’s not like it’s new to her", "want her to seem emotionless like she’s hiding her true", "She never cried much after she lost her parents because", "it’s not like it’s new to her but it’s still", "it’s new to her but it’s still traumatic. She never", "lost her parents because then it would seem too real,", "still traumatic. She never cried much after she lost her", "murder that happened in 1998. In the climax she is", "interest comes in and kills the guy, and I want", "want to make her extremely upset but I also want", "real, so this is also around the point where she’s", "parents because then it would seem too real, so this", "also want her to seem emotionless like she’s hiding her", "lot in the book. The thing is, she’s already watched", "I also want her to seem emotionless like she’s hiding", "she’s hiding her true feelings because that’s something she does", "so it’s not like it’s new to her but it’s", "to solve a murder that happened in 1998. In the", "because that’s something she does a lot in the book.", "a lot in the book. The thing is, she’s already", "is fighting off the killer but then her love interest", "the killer but then her love interest comes in and", "climax she is fighting off the killer but then her", "off the killer but then her love interest comes in", "people die, her parents, so it’s not like it’s new", "the book. The thing is, she’s already watched people die,", "the climax she is fighting off the killer but then", "in where the MC has to solve a murder that", "guy, and I want to make her extremely upset but", "happened in 1998. In the climax she is fighting off", "extremely upset but I also want her to seem emotionless", "writing a murder mystery novel in where the MC has", "die, her parents, so it’s not like it’s new to", "much after she lost her parents because then it would", "and I want to make her extremely upset but I", "I want to make her extremely upset but I also", "would seem too real, so this is also around the", "mystery novel in where the MC has to solve a", "parents, so it’s not like it’s new to her but", "she does a lot in the book. The thing is,", "fighting off the killer but then her love interest comes", "new to her but it’s still traumatic. She never cried", "in 1998. In the climax she is fighting off the", "too real, so this is also around the point where", "MC has to solve a murder that happened in 1998.", "currently writing a murder mystery novel in where the MC", "then it would seem too real, so this is also", "but I also want her to seem emotionless like she’s", "this is also around the point where she’s accepting her", "In the climax she is fighting off the killer but", "book. The thing is, she’s already watched people die, her", "emotionless like she’s hiding her true feelings because that’s something", "her to seem emotionless like she’s hiding her true feelings", "so this is also around the point where she’s accepting", "love interest comes in and kills the guy, and I", "The thing is, she’s already watched people die, her parents,", "to her but it’s still traumatic. She never cried much", "never cried much after she lost her parents because then", "solve a murder that happened in 1998. In the climax", "she lost her parents because then it would seem too", "seem too real, so this is also around the point", "her true feelings because that’s something she does a lot", "upset but I also want her to seem emotionless like", "a murder that happened in 1998. In the climax she", "to make her extremely upset but I also want her", "is also around the point where she’s accepting her parents’", "her but it’s still traumatic. She never cried much after", "kills the guy, and I want to make her extremely", "it would seem too real, so this is also around", "in and kills the guy, and I want to make", "where the MC has to solve a murder that happened", "because then it would seem too real, so this is", "already watched people die, her parents, so it’s not like", "is, she’s already watched people die, her parents, so it’s", "comes in and kills the guy, and I want to", "she’s already watched people die, her parents, so it’s not", "she is fighting off the killer but then her love", "then her love interest comes in and kills the guy,", "novel in where the MC has to solve a murder", "that happened in 1998. In the climax she is fighting", "true feelings because that’s something she does a lot in", "traumatic. She never cried much after she lost her parents", "has to solve a murder that happened in 1998. In", "a murder mystery novel in where the MC has to", "the guy, and I want to make her extremely upset", "after she lost her parents because then it would seem", "also around the point where she’s accepting her parents’ death.", "but it’s still traumatic. She never cried much after she", "killer but then her love interest comes in and kills", "the MC has to solve a murder that happened in", "like it’s new to her but it’s still traumatic. She", "her extremely upset but I also want her to seem", "it’s still traumatic. She never cried much after she lost", "murder mystery novel in where the MC has to solve", "and kills the guy, and I want to make her", "in the book. The thing is, she’s already watched people", "something she does a lot in the book. The thing", "feelings because that’s something she does a lot in the", "like she’s hiding her true feelings because that’s something she", "I’m currently writing a murder mystery novel in where the", "does a lot in the book. The thing is, she’s", "but then her love interest comes in and kills the", "seem emotionless like she’s hiding her true feelings because that’s", "not like it’s new to her but it’s still traumatic.", "hiding her true feelings because that’s something she does a" ]
[ "on the Dust Dragon, an extinct creature in this world.", "lecture on the Dust Dragon, an extinct creature in this", "all without feeling too unnatural. I understand it does not", "this method of infodumping as it allows you to tell", "2 of my stories (IIRC.) The first was a lecture", "works well in some. Is it really good storytelling in", "(IIRC.) The first was a lecture on the Dust Dragon,", "and history of their species. I like this method of", "feeling too unnatural. I understand it does not work in", "well in some. Is it really good storytelling in any", "Should other, better, methods be used in order to infodump", "unnatural. I understand it does not work in all types", "like it works well in some. Is it really good", "been too hard or long to 'show' them, all without", "your reader info that would have otherwise been too hard", "history of their species. I like this method of infodumping", "of 2 of my stories (IIRC.) The first was a", "long to 'show' them, all without feeling too unnatural. I", "Dust Dragon, an extinct creature in this world. The second", "but in some it at least seems like it works", "tell your reader info that would have otherwise been too", "have done this twice at the beginning of 2 of", "done this twice at the beginning of 2 of my", "too hard or long to 'show' them, all without feeling", "it at least seems like it works well in some.", "was a schoolteacher giving a lesson on the making and", "allows you to tell your reader info that would have", "stories, but in some it at least seems like it", "twice at the beginning of 2 of my stories (IIRC.)", "otherwise been too hard or long to 'show' them, all", "or long to 'show' them, all without feeling too unnatural.", "storytelling in any works? Should other, better, methods be used", "I like this method of infodumping as it allows you", "info that would have otherwise been too hard or long", "like this method of infodumping as it allows you to", "some. Is it really good storytelling in any works? Should", "least seems like it works well in some. Is it", "an extinct creature in this world. The second was a", "infodumping as it allows you to tell your reader info", "first was a lecture on the Dust Dragon, an extinct", "in this world. The second was a schoolteacher giving a", "understand it does not work in all types of stories,", "this world. The second was a schoolteacher giving a lesson", "of their species. I like this method of infodumping as", "species. I like this method of infodumping as it allows", "my stories (IIRC.) The first was a lecture on the", "that would have otherwise been too hard or long to", "a schoolteacher giving a lesson on the making and history", "in some. Is it really good storytelling in any works?", "other, better, methods be used in order to infodump readers?", "'show' them, all without feeling too unnatural. I understand it", "too unnatural. I understand it does not work in all", "giving a lesson on the making and history of their", "work in all types of stories, but in some it", "hard or long to 'show' them, all without feeling too", "lesson on the making and history of their species. I", "really good storytelling in any works? Should other, better, methods", "to 'show' them, all without feeling too unnatural. I understand", "good storytelling in any works? Should other, better, methods be", "The first was a lecture on the Dust Dragon, an", "was a lecture on the Dust Dragon, an extinct creature", "all types of stories, but in some it at least", "to tell your reader info that would have otherwise been", "of stories, but in some it at least seems like", "the Dust Dragon, an extinct creature in this world. The", "at the beginning of 2 of my stories (IIRC.) The", "the beginning of 2 of my stories (IIRC.) The first", "a lesson on the making and history of their species.", "it really good storytelling in any works? Should other, better,", "them, all without feeling too unnatural. I understand it does", "would have otherwise been too hard or long to 'show'", "I understand it does not work in all types of", "Dragon, an extinct creature in this world. The second was", "it allows you to tell your reader info that would", "Is it really good storytelling in any works? Should other,", "works? Should other, better, methods be used in order to", "reader info that would have otherwise been too hard or", "in all types of stories, but in some it at", "a lecture on the Dust Dragon, an extinct creature in", "creature in this world. The second was a schoolteacher giving", "the making and history of their species. I like this", "world. The second was a schoolteacher giving a lesson on", "some it at least seems like it works well in", "without feeling too unnatural. I understand it does not work", "beginning of 2 of my stories (IIRC.) The first was", "stories (IIRC.) The first was a lecture on the Dust", "any works? Should other, better, methods be used in order", "does not work in all types of stories, but in", "in any works? Should other, better, methods be used in", "I have done this twice at the beginning of 2", "extinct creature in this world. The second was a schoolteacher", "as it allows you to tell your reader info that", "this twice at the beginning of 2 of my stories", "have otherwise been too hard or long to 'show' them,", "of infodumping as it allows you to tell your reader", "you to tell your reader info that would have otherwise", "types of stories, but in some it at least seems", "making and history of their species. I like this method", "seems like it works well in some. Is it really", "it works well in some. Is it really good storytelling", "second was a schoolteacher giving a lesson on the making", "their species. I like this method of infodumping as it", "method of infodumping as it allows you to tell your", "at least seems like it works well in some. Is", "on the making and history of their species. I like", "schoolteacher giving a lesson on the making and history of", "The second was a schoolteacher giving a lesson on the", "it does not work in all types of stories, but", "in some it at least seems like it works well", "not work in all types of stories, but in some", "of my stories (IIRC.) The first was a lecture on" ]
[ "of mine. One of the improvements I'm trying to make", "\"The warm breeze swept through his mane...\" but I still", "working on a rewrite of a story of mine. One", "here, and not fully conveying that my protagonist is a", "been able to start with are \"The warm light painted", "of physical description text, and trying to use more show-don't-tell.", "more show-don't-tell. So far, all I've been able to start", "\"The warm light painted the sky gold as it spilt", "text, and trying to use more show-don't-tell. So far, all", "rewrite of a story of mine. One of the improvements", "still feel like I'm doing something wrong here, and not", "far, all I've been able to start with are \"The", "improvements I'm trying to make is avoiding the block of", "something wrong here, and not fully conveying that my protagonist", "[MC]’s leonine face,\" and \"The warm breeze swept through his", "feel like I'm doing something wrong here, and not fully", "trying to make is avoiding the block of physical description", "description text, and trying to use more show-don't-tell. So far,", "a rewrite of a story of mine. One of the", "it spilt onto [MC]’s leonine face,\" and \"The warm breeze", "wrong here, and not fully conveying that my protagonist is", "start with are \"The warm light painted the sky gold", "through his mane...\" but I still feel like I'm doing", "warm light painted the sky gold as it spilt onto", "painted the sky gold as it spilt onto [MC]’s leonine", "spilt onto [MC]’s leonine face,\" and \"The warm breeze swept", "mine. One of the improvements I'm trying to make is", "gold as it spilt onto [MC]’s leonine face,\" and \"The", "the sky gold as it spilt onto [MC]’s leonine face,\"", "use more show-don't-tell. So far, all I've been able to", "a story of mine. One of the improvements I'm trying", "to start with are \"The warm light painted the sky", "to make is avoiding the block of physical description text,", "face,\" and \"The warm breeze swept through his mane...\" but", "warm breeze swept through his mane...\" but I still feel", "on a rewrite of a story of mine. One of", "light painted the sky gold as it spilt onto [MC]’s", "is avoiding the block of physical description text, and trying", "I'm working on a rewrite of a story of mine.", "fully conveying that my protagonist is a lionfolk without outright", "One of the improvements I'm trying to make is avoiding", "with are \"The warm light painted the sky gold as", "make is avoiding the block of physical description text, and", "like I'm doing something wrong here, and not fully conveying", "I'm trying to make is avoiding the block of physical", "avoiding the block of physical description text, and trying to", "story of mine. One of the improvements I'm trying to", "swept through his mane...\" but I still feel like I'm", "I've been able to start with are \"The warm light", "sky gold as it spilt onto [MC]’s leonine face,\" and", "are \"The warm light painted the sky gold as it", "my protagonist is a lionfolk without outright telling the audience.", "of the improvements I'm trying to make is avoiding the", "leonine face,\" and \"The warm breeze swept through his mane...\"", "and \"The warm breeze swept through his mane...\" but I", "I'm doing something wrong here, and not fully conveying that", "the improvements I'm trying to make is avoiding the block", "of a story of mine. One of the improvements I'm", "I still feel like I'm doing something wrong here, and", "So far, all I've been able to start with are", "the block of physical description text, and trying to use", "to use more show-don't-tell. So far, all I've been able", "that my protagonist is a lionfolk without outright telling the", "breeze swept through his mane...\" but I still feel like", "all I've been able to start with are \"The warm", "block of physical description text, and trying to use more", "his mane...\" but I still feel like I'm doing something", "doing something wrong here, and not fully conveying that my", "able to start with are \"The warm light painted the", "show-don't-tell. So far, all I've been able to start with", "and not fully conveying that my protagonist is a lionfolk", "physical description text, and trying to use more show-don't-tell. So", "conveying that my protagonist is a lionfolk without outright telling", "trying to use more show-don't-tell. So far, all I've been", "but I still feel like I'm doing something wrong here,", "as it spilt onto [MC]’s leonine face,\" and \"The warm", "mane...\" but I still feel like I'm doing something wrong", "onto [MC]’s leonine face,\" and \"The warm breeze swept through", "not fully conveying that my protagonist is a lionfolk without", "and trying to use more show-don't-tell. So far, all I've" ]
[ "it had no theme at all. 5. If the theme", "think the show hates poor people and is essentially saying", "story without any theme than with this kind of theme.", "a story needs or doesn't need to have a central", "read a story whose theme they strongly disagree with. Does", "be allowed to think for themselves. I would like to", "also makes no sense, but I would still prefer a", "when it doesn't need to be a good story? I", "answer dodged my question. 4. When the theme of a", "point of view. Readers should be allowed to think for", "its theme morally reprehensible. The theme also makes no sense,", "questionable. I also love the 300 movie even though I", "On online forums, I often see the argument that not", "better executed, I would still hate the theme because of", "even a disagreeable one than there being no theme at", "them without these themes that I hate so much. I", "this different from saying that a story doesn't need to", "different from saying that a writer doesn't need to give", "any theme whatsoever than having this particular theme? In addition", "with outnumber the people who prefer there be any kind", "obvious, then it would be better to write the same", "to write better-executed themes than to give up on the", "you disagree with than have no theme at all? For", "the Legend of Korra's theme because it says that the", "would writers be better off financially if they gave all", "show very entertaining even though I found its theme morally", "the story would have been better if it had no", "these shows would be largely incomprehensible without their central themes,", "between all warring kingdoms and nations i.e. no nation should", "to have a theme when it doesn't need to be", "hate so much. I suspect that these shows would be", "it would be better to write the same story without", "having this particular theme? In addition to the above points", "a story needs a theme. I felt that those arguing", "hate Arcane's theme because I think the show hates poor", "preachy? 2. A story should be open-ended and its central", "asked me if I would prefer it to have no", "I suspect that these shows would be largely incomprehensible without", "balance of military power between all warring kingdoms and nations", "socio-economic system for a given nation because some sort of", "without their central themes, but I could be wrong. And", "it were better executed, I would still hate the theme", "would be largely incomprehensible without their central themes, but I", "power to conquer another nation. I think the Legend of", "theme at all. And I hate Arcane's theme because I", "than have no theme at all? For example, I detest", "a story preachy? 2. A story should be open-ended and", "could be wrong. And I dislike incomprehensible stories more than", "they feel uncomfortable giving certain stories a definitive conclusion? Would", "poor people and is essentially saying that the only reason", "prefer there be any kind of theme even a disagreeable", "the rich is out of jealousy and spite and not", "2. A story should be open-ended and its central theme", "And I hate Arcane's theme because I think the show", "story needs a theme. I felt that those arguing that", "if you asked me if I would prefer it to", "can best be described as a balance of military power", "of when a story needs a theme. I felt that", "themes, but I could be wrong. And I dislike incomprehensible", "disagreeable one than there being no theme at all? And", "needs or doesn't need to have a central theme, thematic", "story? In other words, how is this different from saying", "kind of theme even a disagreeable one than there being", "left-leaning political orientation. I found its theme morally reprehensible. The", "giving their stories any theme whatsoever. Let me know if", "system for a given nation because some sort of \"balance\"", "addition to the above points I've seen the following arguments", "If the theme is too obvious, then it would be", "is immoral, then the story would have been better if", "I wholeheartedly agree with a YouTuber called Big Joel that", "people and is essentially saying that the only reason why", "more than I dislike right-wing stories. I hate the Legend", "I dislike right-wing stories. I hate the Legend of Korra's", "\"balance\" must be maintained. In my opinion, the so-called \"balance\"", "outnumber the people who prefer there be any kind of", "if it were better executed, I would still hate the", "central theme. 2. Mysteries, thrillers, and suspense stories that focus", "all. 5. If the theme is too obvious, then it", "enjoying them without these themes that I hate so much.", "bot gave me this answer). 3. When the writer does", "economic grievance or out of any kind of economic necessity.", "Nazi propaganda. I think it would make more sense for", "conclusion? Would you prefer a story to have a theme", "of economic necessity. But I still found the show very", "to read a story without a theme than to read", "Let me know if you agree or disagree with my", "exactly a story needs or doesn't need to have a", "(Quora's AI bot gave me this answer). 3. When the", "is preachy. But what makes a story preachy? 2. A", "question on Quora, I got the following answers (I've summarized", "stories readers describe as propaganda or as immoral or preachy", "they disagree with outnumber the people who prefer there be", "saying that a story doesn't need to have a theme", "a statement that forces the reader to accept the writer's", "felt that this answer dodged my question. 4. When the", "of the Legend of Korra series, but if you asked", "all their stories a clearly laid out theme even if", "answer to my question? How is this different from saying", "stories written in second-person narration don't need to have a", "no nation should have the power to conquer another nation.", "theme you disagree with than have no theme at all?", "online forums, I often see the argument that not every", "makes no sense, but I would still prefer a better-executed", "though I found its theme morally questionable. I also love", "even if they believed that many readers would disagree with", "when a story would be better off without a central", "nation, is the best possible socio-economic system for a given", "to have a central theme, thematic statement, or moral. When", "points I've seen the following arguments for when a story", "this answer). 3. When the writer does not want to", "been far better executed, but even if it were better", "too obvious, then it would be better to write the", "believed that many readers would disagree with their themes? Would", "out of any kind of economic necessity. But I still", "having any theme whatsoever than having this particular theme? In", "most readers would prefer to read a story without a", "executed, but even if it were better executed, I would", "theme of the Legend of Korra series, but if you", "often fail to point out when exactly a story needs", "stories themes even if they believed that many readers would", "rich is out of jealousy and spite and not out", "nation should have the power to conquer another nation. I", "if you agree or disagree with the above points. I've", "the above points. I've not seen any surveys about whether", "been better if it had no theme at all. 5.", "you agree or disagree with the above points. I've not", "stories more than I dislike right-wing stories. I hate the", "if they feel uncomfortable giving certain stories a definitive conclusion?", "reader to accept the writer's point of view. Readers should", "still found the show very entertaining even though I found", "story should be open-ended and its central theme should be", "up on the idea of giving their stories any theme", "think the number of people who would prefer no theme", "story? I felt that this answer dodged my question. 4.", "need to have a central theme. 2. Mysteries, thrillers, and", "Choose-your-own-ending stories written in second-person narration don't need to have", "disagree with. Does such a survey exist? Do you think", "a question rather than a statement that forces the reader", "have a central theme, thematic statement, or moral. When I", "be wrong. And I dislike incomprehensible stories more than I", "than to give up on the idea of giving their", "happier and more fulfilled if they just gave all their", "a good story? I felt that this answer dodged my", "orientation. I found its theme morally reprehensible. The theme also", "all. And I hate Arcane's theme because I think the", "4. When the theme of a story is immoral, then", "have a theme when it doesn't need to be a", "better off not having any theme whatsoever than having this", "of any legitimate economic grievance or out of any kind", "these are 2 of my favorite animated series. I cannot", "theme than to read a story whose theme they strongly", "saying that the only reason why the poor would want", "well-disguised Nazi propaganda. I think it would make more sense", "their stories any theme whatsoever. Let me know if you", "as propaganda or as immoral or preachy to write better-executed", "military power between all warring kingdoms and nations i.e. no", "be any kind of theme even a disagreeable one than", "particular theme? In addition to the above points I've seen", "hate the theme of the Arcane animated series. But these", "A story should be open-ended and its central theme should", "if I would prefer it to have no theme, I", "nations i.e. no nation should have the power to conquer", "a theme often fail to point out when exactly a", "forums, I often see the argument that not every story", "AI bot gave me this answer). 3. When the writer", "it says that the political status quo, whatever that may", "need a theme often fail to point out when exactly", "the people who prefer there be any kind of theme", "not seen any surveys about whether or not most readers", "I felt that this answer dodged my question. 4. When", "In addition to the above points I've seen the following", "theme morally reprehensible. The theme also makes no sense, but", "to have a central theme. 2. Mysteries, thrillers, and suspense", "When is a story's theme so obvious that the story", "a given nation because some sort of \"balance\" must be", "if it had no theme at all. 5. If the", "gave all their stories a clearly laid out theme even", "better if it had no theme at all. 5. If", "also hate the theme of the Arcane animated series. But", "than to read a story whose theme they strongly disagree", "And I dislike incomprehensible stories more than I dislike right-wing", "more sense for authors whose stories readers describe as propaganda", "hate the Legend of Korra's theme because it says that", "the question of when a story needs a theme. I", "I've seen the following arguments for when a story would", "that may be for any given nation, is the best", "needs a theme. I felt that those arguing that some", "series. I cannot imagine enjoying them without these themes that", "theme when it doesn't need to be a good story?", "a survey exist? Do you think the number of people", "grievance or out of any kind of economic necessity. But", "if they just gave all their stories a clearly laid", "hates poor people and is essentially saying that the only", "story needs a theme. This is the flip side version", "have a theme you disagree with than have no theme", "Korra's theme because it says that the political status quo,", "would make more sense for authors whose stories readers describe", "writers be better off financially if they gave all their", "needs a theme. This is the flip side version of", "answers): 1. Choose-your-own-ending stories written in second-person narration don't need", "thematic statement, or moral. When I posted the above question", "statement, or moral. When I posted the above question on", "be happier and more fulfilled if they just gave all", "of Korra's theme could have been far better executed, but", "theme? In addition to the above points I've seen the", "a central theme: 1. When a story is preachy. But", "theme even if they feel uncomfortable giving certain stories a", "jealousy and spite and not out of any legitimate economic", "the same story without any theme than with this kind", "a story without a theme than to read a story", "But what makes a story preachy? 2. A story should", "would still hate the theme because of my left-leaning political", "Would you prefer a story to have a theme you", "And would writers be better off financially if they gave", "theme of the Arcane animated series. But these are 2", "is the best possible socio-economic system for a given nation", "themes even if they believed that many readers would disagree", "central theme should be a question rather than a statement", "a central theme, thematic statement, or moral. When I posted", "disagree with than no theme at all. And I hate", "you prefer a story to have a theme you disagree", "a balance of military power between all warring kingdoms and", "spite and not out of any legitimate economic grievance or", "a theme. Is this a legitimate answer to my question?", "Is this a legitimate answer to my question? How is", "give his/her story a theme. Is this a legitimate answer", "any surveys about whether or not most readers would prefer", "a story whose theme they strongly disagree with. Does such", "Does such a survey exist? Do you think the number", "stories. I hate the Legend of Korra's theme because it", "love the 300 movie even though I wholeheartedly agree with", "animated series. But these are 2 of my favorite animated", "gave me this answer). 3. When the writer does not", "is too obvious, then it would be better to write", "story whose theme they strongly disagree with. Does such a", "poor would want to overthrow the rich is out of", "or out of any kind of economic necessity. But I", "incomprehensible stories more than I dislike right-wing stories. I hate", "be better off without a central theme: 1. When a", "stories a definitive conclusion? Would you prefer a story to", "and more fulfilled if they just gave all their stories", "YouTuber called Big Joel that that movie is basically well-disguised", "me know if you agree or disagree with my assessment.", "at all? And would writers be better off financially if", "be maintained. In my opinion, the so-called \"balance\" can best", "a definitive conclusion? Would you prefer a story to have", "not every story needs a theme. This is the flip", "have a central theme (Quora's AI bot gave me this", "story needs or doesn't need to have a central theme,", "story would be better off without a central theme: 1.", "at all? For example, I detest the theme of the", "theme. 2. Mysteries, thrillers, and suspense stories that focus on", "whose theme they strongly disagree with. Does such a survey", "above points I've seen the following arguments for when a", "that that movie is basically well-disguised Nazi propaganda. I think", "any theme whatsoever. Let me know if you agree or", "the idea of giving their stories any theme whatsoever. Let", "movie is basically well-disguised Nazi propaganda. I think it would", "whose stories readers describe as propaganda or as immoral or", "and nations i.e. no nation should have the power to", "theme of a story is immoral, then the story would", "even if it were better executed, I would still hate", "the poor would want to overthrow the rich is out", "that this answer dodged my question. 4. When the theme", "no theme at all? And would writers be better off", "the quality of his story? In other words, how is", "people who prefer there be any kind of theme even", "better off without a central theme: 1. When a story", "I would prefer it to have no theme, I would", "to overthrow the rich is out of jealousy and spite", "When the writer does not want to give his/her story", "For example, I detest the theme of the Legend of", "want to give his/her story a theme. Is this a", "for a given nation because some sort of \"balance\" must", "like to know if you agree or disagree with the", "with the above points. I've not seen any surveys about", "theme. This is the flip side version of the question", "prefer a story to have a theme you disagree with", "because some sort of \"balance\" must be maintained. In my", "theme. When is a story's theme so obvious that the", "at all. 5. If the theme is too obvious, then", "need to give his story a theme when he doesn't", "not most readers would prefer to read a story without", "suspect that these shows would be largely incomprehensible without their", "points. I've not seen any surveys about whether or not", "a theme when it doesn't need to be a good", "I found its theme morally questionable. I also love the", "I've not seen any surveys about whether or not most", "no theme to a theme they disagree with outnumber the", "summarized the answers): 1. Choose-your-own-ending stories written in second-person narration", "1. When a story is preachy. But what makes a", "some stories don't need a theme often fail to point", "be for any given nation, is the best possible socio-economic", "another nation. I think the Legend of Korra's theme could", "the answers): 1. Choose-your-own-ending stories written in second-person narration don't", "the Legend of Korra's theme could have been far better", "show hates poor people and is essentially saying that the", "obvious that the story would be better off not having", "there be any kind of theme even a disagreeable one", "themselves. I would like to know if you agree or", "shows would be largely incomprehensible without their central themes, but", "I posted the above question on Quora, I got the", "central theme: 1. When a story is preachy. But what", "they gave all their stories themes even if they believed", "as immoral or preachy to write better-executed themes than to", "quality of his story? In other words, how is this", "the show very entertaining even though I found its theme", "the following arguments for when a story would be better", "but I would still prefer a better-executed theme I disagree", "to the above points I've seen the following arguments for", "to my question? How is this different from saying that", "writer doesn't need to give his story a theme when", "movie even though I wholeheartedly agree with a YouTuber called", "essentially saying that the only reason why the poor would", "sort of \"balance\" must be maintained. In my opinion, the", "because of my left-leaning political orientation. I found its theme", "point out when exactly a story needs or doesn't need", "that many readers would disagree with their themes? Would writers", "the argument that not every story needs a theme. This", "the only reason why the poor would want to overthrow", "Big Joel that that movie is basically well-disguised Nazi propaganda.", "that the political status quo, whatever that may be for", "is basically well-disguised Nazi propaganda. I think it would make", "write better-executed themes than to give up on the idea", "When I posted the above question on Quora, I got", "But these are 2 of my favorite animated series. I", "better to write the same story without any theme than", "to give his story a theme when he doesn't care", "with than have no theme at all? For example, I", "a story to have a theme you disagree with than", "his story a theme when he doesn't care about the", "had no theme at all. 5. If the theme is", "being no theme at all? And would writers be better", "narration don't need to have a central theme. 2. Mysteries,", "out of jealousy and spite and not out of any", "then the story would have been better if it had", "got the following answers (I've summarized the answers): 1. Choose-your-own-ending", "or preachy to write better-executed themes than to give up", "I hate the Legend of Korra's theme because it says", "that a writer doesn't need to give his story a", "story preachy? 2. A story should be open-ended and its", "even if they feel uncomfortable giving certain stories a definitive", "often see the argument that not every story needs a", "you think the number of people who would prefer no", "be described as a balance of military power between all", "who prefer there be any kind of theme even a", "should have the power to conquer another nation. I think", "are 2 of my favorite animated series. I cannot imagine", "or moral. When I posted the above question on Quora,", "give up on the idea of giving their stories any", "theme at all? For example, I detest the theme of", "other words, how is this different from saying that a", "morally questionable. I also love the 300 movie even though", "doesn't need to give his story a theme when he", "legitimate economic grievance or out of any kind of economic", "stories that focus on mysteries and plot devices don't have", "above question on Quora, I got the following answers (I've", "be a question rather than a statement that forces the", "out theme even if they feel uncomfortable giving certain stories", "far better executed, but even if it were better executed,", "found its theme morally questionable. I also love the 300", "giving certain stories a definitive conclusion? Would you prefer a", "accept the writer's point of view. Readers should be allowed", "\"no\". I also hate the theme of the Arcane animated", "I think the Legend of Korra's theme could have been", "detest the theme of the Legend of Korra series, but", "know if you agree or disagree with the above points.", "better executed, but even if it were better executed, I", "story is immoral, then the story would have been better", "maintained. In my opinion, the so-called \"balance\" can best be", "different from saying that a story doesn't need to have", "good story? I felt that this answer dodged my question.", "Korra series, but if you asked me if I would", "I also love the 300 movie even though I wholeheartedly", "central theme, thematic statement, or moral. When I posted the", "right-wing stories. I hate the Legend of Korra's theme because", "Arcane's theme because I think the show hates poor people", "the theme of the Arcane animated series. But these are", "but if you asked me if I would prefer it", "story a theme. Is this a legitimate answer to my", "be better off financially if they gave all their stories", "me if I would prefer it to have no theme,", "from saying that a story doesn't need to have a", "reprehensible. The theme also makes no sense, but I would", "that the only reason why the poor would want to", "seen any surveys about whether or not most readers would", "necessity. But I still found the show very entertaining even", "think it would make more sense for authors whose stories", "a theme they disagree with outnumber the people who prefer", "disagree with than have no theme at all? For example,", "its theme morally questionable. I also love the 300 movie", "and is essentially saying that the only reason why the", "suspense stories that focus on mysteries and plot devices don't", "found the show very entertaining even though I found its", "would want to overthrow the rich is out of jealousy", "incomprehensible without their central themes, but I could be wrong.", "story would be better off not having any theme whatsoever", "view. Readers should be allowed to think for themselves. I", "prefer no theme to a theme they disagree with outnumber", "but I could be wrong. And I dislike incomprehensible stories", "even though I wholeheartedly agree with a YouTuber called Big", "disagree with their themes? Would writers be happier and more", "the best possible socio-economic system for a given nation because", "to write the same story without any theme than with", "example, I detest the theme of the Legend of Korra", "question. 4. When the theme of a story is immoral,", "give his story a theme when he doesn't care about", "theme because of my left-leaning political orientation. I found its", "my question. 4. When the theme of a story is", "would be better off not having any theme whatsoever than", "answer). 3. When the writer does not want to give", "rather than a statement that forces the reader to accept", "any kind of economic necessity. But I still found the", "I still found the show very entertaining even though I", "overthrow the rich is out of jealousy and spite and", "theme at all? And would writers be better off financially", "even though I found its theme morally questionable. I also", "question of when a story needs a theme. I felt", "story doesn't need to have a theme when it doesn't", "it to have no theme, I would give you an", "because it says that the political status quo, whatever that", "all? And would writers be better off financially if they", "disagree with outnumber the people who prefer there be any", "This is the flip side version of the question of", "make more sense for authors whose stories readers describe as", "should be open-ended and its central theme should be a", "readers would prefer to read a story without a theme", "of a story is immoral, then the story would have", "kind of theme. When is a story's theme so obvious", "In other words, how is this different from saying that", "The theme also makes no sense, but I would still", "stories don't need a theme often fail to point out", "words, how is this different from saying that a story", "of any kind of economic necessity. But I still found", "doesn't need to be a good story? I felt that", "the writer's point of view. Readers should be allowed to", "a clearly laid out theme even if they feel uncomfortable", "is out of jealousy and spite and not out of", "what makes a story preachy? 2. A story should be", "to conquer another nation. I think the Legend of Korra's", "themes than to give up on the idea of giving", "of view. Readers should be allowed to think for themselves.", "must be maintained. In my opinion, the so-called \"balance\" can", "I dislike incomprehensible stories more than I dislike right-wing stories.", "called Big Joel that that movie is basically well-disguised Nazi", "statement that forces the reader to accept the writer's point", "though I wholeheartedly agree with a YouTuber called Big Joel", "this kind of theme. When is a story's theme so", "to give up on the idea of giving their stories", "for themselves. I would like to know if you agree", "idea of giving their stories any theme whatsoever. Let me", "whatsoever than having this particular theme? In addition to the", "without these themes that I hate so much. I suspect", "all their stories themes even if they believed that many", "their central themes, but I could be wrong. And I", "Korra's theme could have been far better executed, but even", "care about the quality of his story? In other words,", "writer does not want to give his/her story a theme.", "Legend of Korra series, but if you asked me if", "why the poor would want to overthrow the rich is", "that those arguing that some stories don't need a theme", "they believed that many readers would disagree with their themes?", "theme: 1. When a story is preachy. But what makes", "and its central theme should be a question rather than", "favorite animated series. I cannot imagine enjoying them without these", "version of the question of when a story needs a", "I would give you an emphatic \"no\". I also hate", "reason why the poor would want to overthrow the rich", "the theme of a story is immoral, then the story", "prefer a better-executed theme I disagree with than no theme", "clearly laid out theme even if they feel uncomfortable giving", "write the same story without any theme than with this", "in second-person narration don't need to have a central theme.", "story's theme so obvious that the story would be better", "than there being no theme at all? And would writers", "warring kingdoms and nations i.e. no nation should have the", "But I still found the show very entertaining even though", "opinion, the so-called \"balance\" can best be described as a", "central themes, but I could be wrong. And I dislike", "when a story needs a theme. I felt that those", "felt that those arguing that some stories don't need a", "theme also makes no sense, but I would still prefer", "would like to know if you agree or disagree with", "have been better if it had no theme at all.", "Joel that that movie is basically well-disguised Nazi propaganda. I", "certain stories a definitive conclusion? Would you prefer a story", "you an emphatic \"no\". I also hate the theme of", "allowed to think for themselves. I would like to know", "the political status quo, whatever that may be for any", "story a theme when he doesn't care about the quality", "300 movie even though I wholeheartedly agree with a YouTuber", "laid out theme even if they feel uncomfortable giving certain", "theme often fail to point out when exactly a story", "and suspense stories that focus on mysteries and plot devices", "theme morally questionable. I also love the 300 movie even", "that not every story needs a theme. This is the", "makes a story preachy? 2. A story should be open-ended", "a theme. This is the flip side version of the", "I think the show hates poor people and is essentially", "and not out of any legitimate economic grievance or out", "prefer it to have no theme, I would give you", "political status quo, whatever that may be for any given", "economic necessity. But I still found the show very entertaining", "1. Choose-your-own-ending stories written in second-person narration don't need to", "need to have a theme when it doesn't need to", "of my favorite animated series. I cannot imagine enjoying them", "so obvious that the story would be better off not", "a story is immoral, then the story would have been", "Quora, I got the following answers (I've summarized the answers):", "theme when he doesn't care about the quality of his", "such a survey exist? Do you think the number of", "need to have a central theme, thematic statement, or moral.", "this different from saying that a writer doesn't need to", "doesn't need to have a theme when it doesn't need", "may be for any given nation, is the best possible", "better off financially if they gave all their stories themes", "of my left-leaning political orientation. I found its theme morally", "be better to write the same story without any theme", "the 300 movie even though I wholeheartedly agree with a", "have no theme, I would give you an emphatic \"no\".", "legitimate answer to my question? How is this different from", "of giving their stories any theme whatsoever. Let me know", "with. Does such a survey exist? Do you think the", "as a balance of military power between all warring kingdoms", "his story? In other words, how is this different from", "conquer another nation. I think the Legend of Korra's theme", "prefer to read a story without a theme than to", "of theme. When is a story's theme so obvious that", "more fulfilled if they just gave all their stories a", "I found its theme morally reprehensible. The theme also makes", "because I think the show hates poor people and is", "of his story? In other words, how is this different", "with a YouTuber called Big Joel that that movie is", "strongly disagree with. Does such a survey exist? Do you", "have no theme at all? For example, I detest the", "without a central theme: 1. When a story is preachy.", "devices don't have to have a central theme (Quora's AI", "for any given nation, is the best possible socio-economic system", "open-ended and its central theme should be a question rather", "a story's theme so obvious that the story would be", "need to be a good story? I felt that this", "my favorite animated series. I cannot imagine enjoying them without", "a story would be better off without a central theme:", "entertaining even though I found its theme morally questionable. I", "off without a central theme: 1. When a story is", "number of people who would prefer no theme to a", "out when exactly a story needs or doesn't need to", "Readers should be allowed to think for themselves. I would", "the Arcane animated series. But these are 2 of my", "but even if it were better executed, I would still", "theme could have been far better executed, but even if", "same story without any theme than with this kind of", "with than no theme at all. And I hate Arcane's", "Arcane animated series. But these are 2 of my favorite", "they just gave all their stories a clearly laid out", "a theme you disagree with than have no theme at", "be better off not having any theme whatsoever than having", "wrong. And I dislike incomprehensible stories more than I dislike", "propaganda or as immoral or preachy to write better-executed themes", "I often see the argument that not every story needs", "How is this different from saying that a writer doesn't", "2. Mysteries, thrillers, and suspense stories that focus on mysteries", "above points. I've not seen any surveys about whether or", "any legitimate economic grievance or out of any kind of", "central theme (Quora's AI bot gave me this answer). 3.", "series, but if you asked me if I would prefer", "thrillers, and suspense stories that focus on mysteries and plot", "their stories themes even if they believed that many readers", "be largely incomprehensible without their central themes, but I could", "animated series. I cannot imagine enjoying them without these themes", "for authors whose stories readers describe as propaganda or as", "In my opinion, the so-called \"balance\" can best be described", "of people who would prefer no theme to a theme", "executed, I would still hate the theme because of my", "to read a story whose theme they strongly disagree with.", "the number of people who would prefer no theme to", "a theme. I felt that those arguing that some stories", "financially if they gave all their stories themes even if", "not want to give his/her story a theme. Is this", "themes that I hate so much. I suspect that these", "is essentially saying that the only reason why the poor", "then it would be better to write the same story", "preachy. But what makes a story preachy? 2. A story", "have a central theme. 2. Mysteries, thrillers, and suspense stories", "think the Legend of Korra's theme could have been far", "gave all their stories themes even if they believed that", "dislike right-wing stories. I hate the Legend of Korra's theme", "Legend of Korra's theme could have been far better executed,", "Do you think the number of people who would prefer", "and spite and not out of any legitimate economic grievance", "than no theme at all. And I hate Arcane's theme", "theme I disagree with than no theme at all. And", "this answer dodged my question. 4. When the theme of", "to accept the writer's point of view. Readers should be", "immoral, then the story would have been better if it", "than a statement that forces the reader to accept the", "you asked me if I would prefer it to have", "to have no theme, I would give you an emphatic", "that the story would be better off not having any", "also love the 300 movie even though I wholeheartedly agree", "or as immoral or preachy to write better-executed themes than", "political orientation. I found its theme morally reprehensible. The theme", "only reason why the poor would want to overthrow the", "when he doesn't care about the quality of his story?", "give you an emphatic \"no\". I also hate the theme", "the story would be better off not having any theme", "any given nation, is the best possible socio-economic system for", "I disagree with than no theme at all. And I", "theme should be a question rather than a statement that", "focus on mysteries and plot devices don't have to have", "the reader to accept the writer's point of view. Readers", "who would prefer no theme to a theme they disagree", "should be a question rather than a statement that forces", "were better executed, I would still hate the theme because", "kind of economic necessity. But I still found the show", "a writer doesn't need to give his story a theme", "it would make more sense for authors whose stories readers", "arguments for when a story would be better off without", "the theme is too obvious, then it would be better", "that forces the reader to accept the writer's point of", "out of any legitimate economic grievance or out of any", "to a theme they disagree with outnumber the people who", "read a story without a theme than to read a", "argument that not every story needs a theme. This is", "status quo, whatever that may be for any given nation,", "their themes? Would writers be happier and more fulfilled if", "morally reprehensible. The theme also makes no sense, but I", "the flip side version of the question of when a", "that focus on mysteries and plot devices don't have to", "of theme even a disagreeable one than there being no", "sense for authors whose stories readers describe as propaganda or", "writers be happier and more fulfilled if they just gave", "theme they strongly disagree with. Does such a survey exist?", "hate the theme because of my left-leaning political orientation. I", "any kind of theme even a disagreeable one than there", "fulfilled if they just gave all their stories a clearly", "my opinion, the so-called \"balance\" can best be described as", "would have been better if it had no theme at", "don't need to have a central theme. 2. Mysteries, thrillers,", "than with this kind of theme. When is a story's", "be open-ended and its central theme should be a question", "on mysteries and plot devices don't have to have a", "theme, I would give you an emphatic \"no\". I also", "on the idea of giving their stories any theme whatsoever.", "not out of any legitimate economic grievance or out of", "that some stories don't need a theme often fail to", "doesn't need to have a central theme, thematic statement, or", "a story is preachy. But what makes a story preachy?", "I hate so much. I suspect that these shows would", "much. I suspect that these shows would be largely incomprehensible", "than I dislike right-wing stories. I hate the Legend of", "no theme at all? For example, I detest the theme", "fail to point out when exactly a story needs or", "themes? Would writers be happier and more fulfilled if they", "to be a good story? I felt that this answer", "of Korra series, but if you asked me if I", "that a story doesn't need to have a theme when", "no theme, I would give you an emphatic \"no\". I", "described as a balance of military power between all warring", "I detest the theme of the Legend of Korra series,", "emphatic \"no\". I also hate the theme of the Arcane", "quo, whatever that may be for any given nation, is", "no theme at all. 5. If the theme is too", "people who would prefer no theme to a theme they", "theme, thematic statement, or moral. When I posted the above", "off financially if they gave all their stories themes even", "all warring kingdoms and nations i.e. no nation should have", "theme whatsoever. Let me know if you agree or disagree", "not having any theme whatsoever than having this particular theme?", "flip side version of the question of when a story", "a disagreeable one than there being no theme at all?", "would prefer it to have no theme, I would give", "doesn't care about the quality of his story? In other", "I cannot imagine enjoying them without these themes that I", "no sense, but I would still prefer a better-executed theme", "sense, but I would still prefer a better-executed theme I", "agree with a YouTuber called Big Joel that that movie", "theme than with this kind of theme. When is a", "mysteries and plot devices don't have to have a central", "if they gave all their stories themes even if they", "better-executed themes than to give up on the idea of", "When the theme of a story is immoral, then the", "I think it would make more sense for authors whose", "largely incomprehensible without their central themes, but I could be", "i.e. no nation should have the power to conquer another", "if they believed that many readers would disagree with their", "(I've summarized the answers): 1. Choose-your-own-ending stories written in second-person", "to point out when exactly a story needs or doesn't", "Mysteries, thrillers, and suspense stories that focus on mysteries and", "many readers would disagree with their themes? Would writers be", "with their themes? Would writers be happier and more fulfilled", "my left-leaning political orientation. I found its theme morally reprehensible.", "that I hate so much. I suspect that these shows", "power between all warring kingdoms and nations i.e. no nation", "or not most readers would prefer to read a story", "I would still hate the theme because of my left-leaning", "definitive conclusion? Would you prefer a story to have a", "his/her story a theme. Is this a legitimate answer to", "possible socio-economic system for a given nation because some sort", "propaganda. I think it would make more sense for authors", "authors whose stories readers describe as propaganda or as immoral", "that movie is basically well-disguised Nazi propaganda. I think it", "see the argument that not every story needs a theme.", "plot devices don't have to have a central theme (Quora's", "Would writers be happier and more fulfilled if they just", "question rather than a statement that forces the reader to", "nation because some sort of \"balance\" must be maintained. In", "the so-called \"balance\" can best be described as a balance", "story to have a theme you disagree with than have", "is this different from saying that a writer doesn't need", "\"balance\" can best be described as a balance of military", "is this different from saying that a story doesn't need", "be a good story? I felt that this answer dodged", "have been far better executed, but even if it were", "I would still prefer a better-executed theme I disagree with", "side version of the question of when a story needs", "following arguments for when a story would be better off", "that these shows would be largely incomprehensible without their central", "I could be wrong. And I dislike incomprehensible stories more", "off not having any theme whatsoever than having this particular", "about the quality of his story? In other words, how", "found its theme morally reprehensible. The theme also makes no", "theme whatsoever than having this particular theme? In addition to", "kingdoms and nations i.e. no nation should have the power", "disagree with the above points. I've not seen any surveys", "I felt that those arguing that some stories don't need", "theme because I think the show hates poor people and", "survey exist? Do you think the number of people who", "moral. When I posted the above question on Quora, I", "readers describe as propaganda or as immoral or preachy to", "would give you an emphatic \"no\". I also hate the", "would disagree with their themes? Would writers be happier and", "I would like to know if you agree or disagree", "to give his/her story a theme. Is this a legitimate", "best be described as a balance of military power between", "this particular theme? In addition to the above points I've", "would still prefer a better-executed theme I disagree with than", "is a story's theme so obvious that the story would", "any theme than with this kind of theme. When is", "describe as propaganda or as immoral or preachy to write", "a better-executed theme I disagree with than no theme at", "the above question on Quora, I got the following answers", "the theme of the Legend of Korra series, but if", "dislike incomprehensible stories more than I dislike right-wing stories. I", "arguing that some stories don't need a theme often fail", "theme at all. 5. If the theme is too obvious,", "at all. And I hate Arcane's theme because I think", "I hate Arcane's theme because I think the show hates", "does not want to give his/her story a theme. Is", "best possible socio-economic system for a given nation because some", "theme. Is this a legitimate answer to my question? How", "theme because it says that the political status quo, whatever", "so-called \"balance\" can best be described as a balance of", "the above points I've seen the following arguments for when", "the power to conquer another nation. I think the Legend", "Legend of Korra's theme because it says that the political", "still hate the theme because of my left-leaning political orientation.", "theme is too obvious, then it would be better to", "cannot imagine enjoying them without these themes that I hate", "series. But these are 2 of my favorite animated series.", "forces the reader to accept the writer's point of view.", "of the Arcane animated series. But these are 2 of", "of military power between all warring kingdoms and nations i.e.", "without a theme than to read a story whose theme", "would be better off without a central theme: 1. When", "3. When the writer does not want to give his/her", "or disagree with the above points. I've not seen any", "how is this different from saying that a story doesn't", "exist? Do you think the number of people who would", "says that the political status quo, whatever that may be", "preachy to write better-executed themes than to give up on", "should be allowed to think for themselves. I would like", "a theme than to read a story whose theme they", "a story doesn't need to have a theme when it", "saying that a writer doesn't need to give his story", "an emphatic \"no\". I also hate the theme of the", "from saying that a writer doesn't need to give his", "theme. I felt that those arguing that some stories don't", "the show hates poor people and is essentially saying that", "when exactly a story needs or doesn't need to have", "of the question of when a story needs a theme.", "I got the following answers (I've summarized the answers): 1.", "agree or disagree with the above points. I've not seen", "they strongly disagree with. Does such a survey exist? Do", "on Quora, I got the following answers (I've summarized the", "all? For example, I detest the theme of the Legend", "just gave all their stories a clearly laid out theme", "theme they disagree with outnumber the people who prefer there", "better-executed theme I disagree with than no theme at all.", "some sort of \"balance\" must be maintained. In my opinion,", "he doesn't care about the quality of his story? In", "of jealousy and spite and not out of any legitimate", "to have a central theme (Quora's AI bot gave me", "there being no theme at all? And would writers be", "theme to a theme they disagree with outnumber the people", "given nation, is the best possible socio-economic system for a", "a central theme (Quora's AI bot gave me this answer).", "seen the following arguments for when a story would be", "following answers (I've summarized the answers): 1. Choose-your-own-ending stories written", "imagine enjoying them without these themes that I hate so", "the following answers (I've summarized the answers): 1. Choose-your-own-ending stories", "still prefer a better-executed theme I disagree with than no", "I also hate the theme of the Arcane animated series.", "surveys about whether or not most readers would prefer to", "theme so obvious that the story would be better off", "to think for themselves. I would like to know if", "than having this particular theme? In addition to the above", "to know if you agree or disagree with the above", "would prefer no theme to a theme they disagree with", "would be better to write the same story without any", "stories any theme whatsoever. Let me know if you agree", "theme even a disagreeable one than there being no theme", "a central theme. 2. Mysteries, thrillers, and suspense stories that", "me this answer). 3. When the writer does not want", "second-person narration don't need to have a central theme. 2.", "to have a theme you disagree with than have no", "whatever that may be for any given nation, is the", "When a story is preachy. But what makes a story", "its central theme should be a question rather than a", "no theme at all. And I hate Arcane's theme because", "story is preachy. But what makes a story preachy? 2.", "want to overthrow the rich is out of jealousy and", "don't have to have a central theme (Quora's AI bot", "don't need a theme often fail to point out when", "think for themselves. I would like to know if you", "basically well-disguised Nazi propaganda. I think it would make more", "wholeheartedly agree with a YouTuber called Big Joel that that", "given nation because some sort of \"balance\" must be maintained.", "so much. I suspect that these shows would be largely", "of Korra's theme because it says that the political status", "answers (I've summarized the answers): 1. Choose-your-own-ending stories written in", "this a legitimate answer to my question? How is this", "5. If the theme is too obvious, then it would", "the Legend of Korra series, but if you asked me", "very entertaining even though I found its theme morally questionable.", "is the flip side version of the question of when", "the writer does not want to give his/her story a", "question? How is this different from saying that a writer", "or doesn't need to have a central theme, thematic statement,", "the theme because of my left-leaning political orientation. I found", "stories a clearly laid out theme even if they feel", "posted the above question on Quora, I got the following", "nation. I think the Legend of Korra's theme could have", "a YouTuber called Big Joel that that movie is basically", "dodged my question. 4. When the theme of a story", "of \"balance\" must be maintained. In my opinion, the so-called", "without any theme than with this kind of theme. When", "immoral or preachy to write better-executed themes than to give", "story would have been better if it had no theme", "my question? How is this different from saying that a", "would prefer to read a story without a theme than", "could have been far better executed, but even if it", "whatsoever. Let me know if you agree or disagree with", "have to have a central theme (Quora's AI bot gave", "a legitimate answer to my question? How is this different", "one than there being no theme at all? And would", "have the power to conquer another nation. I think the", "every story needs a theme. This is the flip side", "whether or not most readers would prefer to read a", "uncomfortable giving certain stories a definitive conclusion? Would you prefer", "2 of my favorite animated series. I cannot imagine enjoying", "writer's point of view. Readers should be allowed to think", "theme (Quora's AI bot gave me this answer). 3. When", "their stories a clearly laid out theme even if they", "about whether or not most readers would prefer to read", "those arguing that some stories don't need a theme often", "these themes that I hate so much. I suspect that", "a theme when he doesn't care about the quality of", "feel uncomfortable giving certain stories a definitive conclusion? Would you", "with this kind of theme. When is a story's theme", "story without a theme than to read a story whose", "it doesn't need to be a good story? I felt", "for when a story would be better off without a", "readers would disagree with their themes? Would writers be happier", "written in second-person narration don't need to have a central", "and plot devices don't have to have a central theme" ]
[ "after the word \"follows\". Should it be a period, a", "an example of a tail-recursive factorial program. Example 2: We", "provide an example of XYZ as follows: versus We provide", "an example as follows\", with the block of code shown", "1: Below is an example of a tail-recursive factorial program:", "factorial program: versus Below is an example of a tail-recursive", "Should it be a period, a colon, or neither? Example", "below as expected. What I'm unsure of, though, is the", "writing some documents with embedded code listings. I reference such", "of code shown below as expected. What I'm unsure of,", "is an example of a tail-recursive factorial program. Example 2:", "effect of, \"...we provide an example as follows\", with the", "I'm unsure of, though, is the punctuation immediately after the", "Below is an example of a tail-recursive factorial program. Example", "What I'm unsure of, though, is the punctuation immediately after", "a period, a colon, or neither? 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[ "a flinch. He grew up adopting this communication style both", "family. His parents used him as a trophy and groomed", "both because it was the main/only type he'd seen -", "to word the dialogue to achieve the desired effect. I'd", "this communication style both because it was the main/only type", "These struggles then make up part of the overall conflict", "I've been doing is writing what he's actually saying, and", "tips! --- P.S, character background/context in case it helps. He", "layers of hidden meaning. Add parents who put an immense", "subtle put downs and deliberately avoiding the point and making", "of doublespeak, subtle put downs and deliberately avoiding the point", "pressure on him to be perfect by those standards, even", "doublespeak, subtle put downs and deliberately avoiding the point and", "achieve the desired effect. I'd really appreciate any tips! ---", "in a political family. His parents used him as a", "him to be perfect by those standards, even at home,", "him into being exactly who/what they wanted him to be.)", "emotionally abused and manipulated him into being exactly who/what they", "when in reality, they just emotionally abused and manipulated him", "about it. I'm not particularly skilled in either. The main", "what they mean, never answering questions directly and lying without", "be aiming for and how to word the dialogue to", "The main thing he's using these skills for is that", "desired effect. I'd really appreciate any tips! --- P.S, character", "conflict since he's paired with a character with a much", "thing of never saying what they mean, never answering questions", "who do the politician thing of never saying what they", "political entity running the small country and people are trying", "reality, they just emotionally abused and manipulated him into being", "of the overall conflict since he's paired with a character", "been doing is writing what he's actually saying, and going", "communication style both because it was the main/only type he'd", "using these skills for is that he's in the employ", "stop them. (Of course he then has a change of", "to escape their exploitative circumstances. He says he's trying to", "what he's actually saying, and going over and obscuring it", "So he's grown up surrounded by people who do the", "directness. These struggles then make up part of the overall", "who is an expert at using language to his advantage.", "something else, but also in terms of effortlessly sounding professional", "surrounded by people who do the politician thing of never", "strategy, having been surrounded by people who hide both compliments", "who struggles to be direct or deal with directness. These", "at home, and you have a character who struggles to", "character who is an expert at using language to his", "background/context in case it helps. He grew up in a", "he then has a change of heart) What I've been", "since he's paired with a character with a much more", "over and obscuring it a bit, but I'm not entirely", "put downs and deliberately avoiding the point and making the", "about something else, but also in terms of effortlessly sounding", "questions directly and lying without a flinch. He grew up", "making the conversation about something else, but also in terms", "people who hide both compliments and insults under 3 layers", "never saying what they mean, never answering questions directly and", "hidden meaning. Add parents who put an immense amount of", "and going over and obscuring it a bit, but I'm", "of heart) What I've been doing is writing what he's", "home, and you have a character who struggles to be", "and groomed him to be the model diplomat so that", "model diplomat so that he makes them look good. ('Look", "to his advantage. Both in terms of doublespeak, subtle put", "how amazing we are, we raised such a brilliant diplomat,'", "parents who put an immense amount of pressure on him", "aiming for and how to word the dialogue to achieve", "abused and manipulated him into being exactly who/what they wanted", "deal with directness. These struggles then make up part of", "company who (through dodgy-dealings) is the political entity running the", "he's actually saying, and going over and obscuring it a", "of effortlessly sounding professional without having to think about it.", "saying, and going over and obscuring it a bit, but", "character who struggles to be direct or deal with directness.", "them look good. ('Look how amazing we are, we raised", "are, we raised such a brilliant diplomat,' when in reality,", "who put an immense amount of pressure on him to", "he's trying to 'help', but he's actually trying to stop", "a survival strategy, having been surrounded by people who hide", "to be direct or deal with directness. These struggles then", "so that he makes them look good. ('Look how amazing", "terms of doublespeak, subtle put downs and deliberately avoiding the", "you have a character who struggles to be direct or", "and people are trying to escape their exploitative circumstances. He", "to be perfect by those standards, even at home, and", "in reality, they just emotionally abused and manipulated him into", "up in a political family. His parents used him as", "they wanted him to be.) So he's grown up surrounded", "but he's actually trying to stop them. (Of course he", "be the model diplomat so that he makes them look", "employ of a company who (through dodgy-dealings) is the political", "as a trophy and groomed him to be the model", "as a survival strategy, having been surrounded by people who", "used him as a trophy and groomed him to be", "up adopting this communication style both because it was the", "style both because it was the main/only type he'd seen", "makes them look good. ('Look how amazing we are, we", "(Of course he then has a change of heart) What", "terms of effortlessly sounding professional without having to think about", "for is that he's in the employ of a company", "never answering questions directly and lying without a flinch. He", "to achieve the desired effect. I'd really appreciate any tips!", "to be the model diplomat so that he makes them", "course he then has a change of heart) What I've", "by people who do the politician thing of never saying", "look good. ('Look how amazing we are, we raised such", "but also as a survival strategy, having been surrounded by", "it. I'm not particularly skilled in either. The main thing", "who hide both compliments and insults under 3 layers of", "up part of the overall conflict since he's paired with", "going over and obscuring it a bit, but I'm not", "a trophy and groomed him to be the model diplomat", "of hidden meaning. Add parents who put an immense amount", "without having to think about it. 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These struggles then make", "adopting this communication style both because it was the main/only", "seen - but also as a survival strategy, having been", "just emotionally abused and manipulated him into being exactly who/what", "mean, never answering questions directly and lying without a flinch.", "He grew up in a political family. His parents used", "and lying without a flinch. He grew up adopting this", "and making the conversation about something else, but also in", "--- P.S, character background/context in case it helps. He grew", "perfect by those standards, even at home, and you have", "also as a survival strategy, having been surrounded by people", "him to be the model diplomat so that he makes", "trying to stop them. (Of course he then has a", "with directness. These struggles then make up part of the", "having to think about it. 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He says he's trying to 'help', but he's actually", "was the main/only type he'd seen - but also as", "the overall conflict since he's paired with a character with", "entity running the small country and people are trying to", "be.) So he's grown up surrounded by people who do", "compliments and insults under 3 layers of hidden meaning. Add", "in terms of effortlessly sounding professional without having to think", "to be.) So he's grown up surrounded by people who", "brilliant diplomat,' when in reality, they just emotionally abused and", "('Look how amazing we are, we raised such a brilliant", "we raised such a brilliant diplomat,' when in reality, they", "'help', but he's actually trying to stop them. (Of course", "doing is writing what he's actually saying, and going over", "good. ('Look how amazing we are, we raised such a", "he makes them look good. ('Look how amazing we are,", "directly and lying without a flinch. He grew up adopting", "grew up in a political family. His parents used him", "it helps. He grew up in a political family. His", "wanted him to be.) So he's grown up surrounded by", "parents used him as a trophy and groomed him to", "what specifically I'm meant to be aiming for and how", "with a character with a much more direct communication style.", "trophy and groomed him to be the model diplomat so", "is writing what he's actually saying, and going over and", "either. The main thing he's using these skills for is", "been surrounded by people who hide both compliments and insults", "to think about it. I'm not particularly skilled in either.", "in terms of doublespeak, subtle put downs and deliberately avoiding", "in the employ of a company who (through dodgy-dealings) is", "of pressure on him to be perfect by those standards,", "his advantage. Both in terms of doublespeak, subtle put downs", "to 'help', but he's actually trying to stop them. (Of", "conversation about something else, but also in terms of effortlessly", "an expert at using language to his advantage. Both in", "answering questions directly and lying without a flinch. He grew", "language to his advantage. Both in terms of doublespeak, subtle", "skills for is that he's in the employ of a", "meant to be aiming for and how to word the", "escape their exploitative circumstances. He says he's trying to 'help',", "is an expert at using language to his advantage. Both", "the main/only type he'd seen - but also as a", "He says he's trying to 'help', but he's actually trying", "case it helps. He grew up in a political family.", "are trying to escape their exploitative circumstances. He says he's", "the point and making the conversation about something else, but", "being exactly who/what they wanted him to be.) So he's", "and you have a character who struggles to be direct", "standards, even at home, and you have a character who", "and obscuring it a bit, but I'm not entirely sure", "avoiding the point and making the conversation about something else,", "exploitative circumstances. He says he's trying to 'help', but he's", "not particularly skilled in either. The main thing he's using", "how to word the dialogue to achieve the desired effect.", "for and how to word the dialogue to achieve the", "who (through dodgy-dealings) is the political entity running the small", "him as a trophy and groomed him to be the", "political family. His parents used him as a trophy and", "grew up adopting this communication style both because it was", "country and people are trying to escape their exploitative circumstances.", "hide both compliments and insults under 3 layers of hidden", "says he's trying to 'help', but he's actually trying to", "change of heart) What I've been doing is writing what", "surrounded by people who hide both compliments and insults under", "or deal with directness. These struggles then make up part", "in either. The main thing he's using these skills for", "dodgy-dealings) is the political entity running the small country and", "obscuring it a bit, but I'm not entirely sure what", "of a company who (through dodgy-dealings) is the political entity", "character background/context in case it helps. He grew up in", "struggles then make up part of the overall conflict since", "on him to be perfect by those standards, even at", "His parents used him as a trophy and groomed him", "have a character who struggles to be direct or deal", "politician thing of never saying what they mean, never answering", "it was the main/only type he'd seen - but also", "a character who is an expert at using language to" ]
[ "show slow character changes without being long in page/word length?", "chapter and then in the next go back in time", "to have an incredibly long book or have weirdly structured", "to be able to show how the process of the", "In the story, I have multiple characters who slowly get", "The possession occurs through manipulation of the characters' fears and", "long book or have weirdly structured chapters, does anyone have", "few weeks. For the sake of consistency, time is continuous.", "have multiple characters who slowly get possessed over time. The", "their minds but I don't want to have an incredibly", "of my first novel (a medieval low-fantasy). In the story,", "characters who slowly get possessed over time. The possession occurs", "process of the possession is slow, but here's the thing:", "book or have weirdly structured chapters, does anyone have any", "(though a lot of them die and/or get possessed, so", "want to be able to show how the process of", "the same time. I can't have a month pass in", "want to show the details of how these characters slowly", "in the next go back in time a few weeks.", "process of writing the first draft of my first novel", "weirdly structured chapters, does anyone have any suggestions for how", "does anyone have any suggestions for how to show slow", "the different character perspectives occur at the same time. I", "a different point of view, and I have seven different", "perspectives). Since I want to show the details of how", "the next go back in time a few weeks. For", "possession is slow, but here's the thing: I switch character", "first draft of my first novel (a medieval low-fantasy). In", "at the same time. I can't have a month pass", "chapters, does anyone have any suggestions for how to show", "show the details of how these characters slowly lose their", "first novel (a medieval low-fantasy). In the story, I have", "tell the story from (though a lot of them die", "to show slow character changes without being long in page/word", "fears and wants. I want to be able to show", "for how to show slow character changes without being long", "number of perspectives). Since I want to show the details", "occurs through manipulation of the characters' fears and wants. I", "pass in one chapter and then in the next go", "a month pass in one chapter and then in the", "who slowly get possessed over time. The possession occurs through", "and I have seven different people I tell the story", "slowly go down in number of perspectives). Since I want", "month pass in one chapter and then in the next", "writing the first draft of my first novel (a medieval", "of perspectives). Since I want to show the details of", "have any suggestions for how to show slow character changes", "the thing: I switch character perspectives in the book. Each", "in the book. Each chapter is told from a different", "possessed over time. The possession occurs through manipulation of the", "the process of writing the first draft of my first", "these characters slowly lose their minds but I don't want", "next go back in time a few weeks. For the", "and/or get possessed, so I slowly go down in number", "I'm in the process of writing the first draft of", "I switch character perspectives in the book. Each chapter is", "die and/or get possessed, so I slowly go down in", "of how these characters slowly lose their minds but I", "character changes without being long in page/word length? Note that", "I tell the story from (though a lot of them", "but I don't want to have an incredibly long book", "Since I want to show the details of how these", "want to have an incredibly long book or have weirdly", "novel (a medieval low-fantasy). In the story, I have multiple", "anyone have any suggestions for how to show slow character", "time a few weeks. For the sake of consistency, time", "in time a few weeks. For the sake of consistency,", "Note that all the different character perspectives occur at the", "switch character perspectives in the book. Each chapter is told", "manipulation of the characters' fears and wants. I want to", "the characters' fears and wants. I want to be able", "perspectives occur at the same time. I can't have a", "from a different point of view, and I have seven", "slowly lose their minds but I don't want to have", "then in the next go back in time a few", "structured chapters, does anyone have any suggestions for how to", "slowly get possessed over time. The possession occurs through manipulation", "have seven different people I tell the story from (though", "how the process of the possession is slow, but here's", "slow character changes without being long in page/word length? Note", "characters' fears and wants. I want to be able to", "in number of perspectives). Since I want to show the", "different character perspectives occur at the same time. I can't", "that all the different character perspectives occur at the same", "incredibly long book or have weirdly structured chapters, does anyone", "page/word length? Note that all the different character perspectives occur", "multiple characters who slowly get possessed over time. The possession", "perspectives in the book. Each chapter is told from a", "to show how the process of the possession is slow,", "have an incredibly long book or have weirdly structured chapters,", "of the possession is slow, but here's the thing: I", "a lot of them die and/or get possessed, so I", "my first novel (a medieval low-fantasy). In the story, I", "here's the thing: I switch character perspectives in the book.", "go back in time a few weeks. For the sake", "but here's the thing: I switch character perspectives in the", "the details of how these characters slowly lose their minds", "of the characters' fears and wants. I want to be", "show how the process of the possession is slow, but", "is told from a different point of view, and I", "get possessed, so I slowly go down in number of", "medieval low-fantasy). In the story, I have multiple characters who", "draft of my first novel (a medieval low-fantasy). In the", "I have multiple characters who slowly get possessed over time.", "wants. I want to be able to show how the", "same time. I can't have a month pass in one", "back in time a few weeks. For the sake of", "time. I can't have a month pass in one chapter", "told from a different point of view, and I have", "an incredibly long book or have weirdly structured chapters, does", "have weirdly structured chapters, does anyone have any suggestions for", "can't have a month pass in one chapter and then", "is slow, but here's the thing: I switch character perspectives", "and then in the next go back in time a", "long in page/word length? Note that all the different character", "possession occurs through manipulation of the characters' fears and wants.", "don't want to have an incredibly long book or have", "any suggestions for how to show slow character changes without", "suggestions for how to show slow character changes without being", "character perspectives occur at the same time. I can't have", "length? Note that all the different character perspectives occur at", "being long in page/word length? Note that all the different", "minds but I don't want to have an incredibly long", "go down in number of perspectives). Since I want to", "or have weirdly structured chapters, does anyone have any suggestions", "be able to show how the process of the possession", "and wants. I want to be able to show how", "Each chapter is told from a different point of view,", "how these characters slowly lose their minds but I don't", "the story, I have multiple characters who slowly get possessed", "all the different character perspectives occur at the same time.", "different people I tell the story from (though a lot", "lot of them die and/or get possessed, so I slowly", "the first draft of my first novel (a medieval low-fantasy).", "over time. The possession occurs through manipulation of the characters'", "view, and I have seven different people I tell the", "a few weeks. For the sake of consistency, time is", "one chapter and then in the next go back in", "occur at the same time. I can't have a month", "the story from (though a lot of them die and/or", "(a medieval low-fantasy). In the story, I have multiple characters", "I want to be able to show how the process", "have a month pass in one chapter and then in", "in the process of writing the first draft of my", "the process of the possession is slow, but here's the", "slow, but here's the thing: I switch character perspectives in", "time. The possession occurs through manipulation of the characters' fears", "seven different people I tell the story from (though a", "people I tell the story from (though a lot of", "through manipulation of the characters' fears and wants. I want", "story, I have multiple characters who slowly get possessed over", "different point of view, and I have seven different people", "them die and/or get possessed, so I slowly go down", "how to show slow character changes without being long in", "able to show how the process of the possession is", "I want to show the details of how these characters", "I slowly go down in number of perspectives). Since I", "of writing the first draft of my first novel (a", "I can't have a month pass in one chapter and", "lose their minds but I don't want to have an", "changes without being long in page/word length? Note that all", "low-fantasy). In the story, I have multiple characters who slowly", "book. Each chapter is told from a different point of", "from (though a lot of them die and/or get possessed,", "of view, and I have seven different people I tell", "characters slowly lose their minds but I don't want to", "chapter is told from a different point of view, and", "get possessed over time. The possession occurs through manipulation of", "character perspectives in the book. Each chapter is told from", "possessed, so I slowly go down in number of perspectives).", "story from (though a lot of them die and/or get", "down in number of perspectives). Since I want to show", "to show the details of how these characters slowly lose", "details of how these characters slowly lose their minds but", "the possession is slow, but here's the thing: I switch", "of them die and/or get possessed, so I slowly go", "the book. Each chapter is told from a different point", "in page/word length? Note that all the different character perspectives", "point of view, and I have seven different people I", "I have seven different people I tell the story from", "I don't want to have an incredibly long book or", "without being long in page/word length? Note that all the", "so I slowly go down in number of perspectives). Since", "in one chapter and then in the next go back", "thing: I switch character perspectives in the book. Each chapter" ]
[ "section breaks (usually to indicate passage of time). Is there", "i.e. is an extra space best? Three asterisks? A line?", "for how to graphically/typographically represent them? i.e. is an extra", "of time). Is there a standard or best practice for", "breaks (usually to indicate passage of time). Is there a", "them? i.e. is an extra space best? Three asterisks? A", "am preparing writing samples for a trade book proposal. My", "extra space best? Three asterisks? A line? Everything looks pretty", "I am preparing writing samples for a trade book proposal.", "chapters have section breaks (usually to indicate passage of time).", "proposal. My chapters have section breaks (usually to indicate passage", "trade book proposal. My chapters have section breaks (usually to", "preparing writing samples for a trade book proposal. My chapters", "or best practice for how to graphically/typographically represent them? i.e.", "for a trade book proposal. My chapters have section breaks", "standard or best practice for how to graphically/typographically represent them?", "there a standard or best practice for how to graphically/typographically", "samples for a trade book proposal. My chapters have section", "is an extra space best? Three asterisks? A line? Everything", "have section breaks (usually to indicate passage of time). Is", "Is there a standard or best practice for how to", "to indicate passage of time). Is there a standard or", "represent them? i.e. is an extra space best? Three asterisks?", "a trade book proposal. My chapters have section breaks (usually", "best? Three asterisks? A line? Everything looks pretty lame to", "My chapters have section breaks (usually to indicate passage of", "graphically/typographically represent them? i.e. is an extra space best? Three", "(usually to indicate passage of time). Is there a standard", "to graphically/typographically represent them? i.e. is an extra space best?", "a standard or best practice for how to graphically/typographically represent", "how to graphically/typographically represent them? i.e. is an extra space", "passage of time). Is there a standard or best practice", "writing samples for a trade book proposal. My chapters have", "best practice for how to graphically/typographically represent them? i.e. is", "time). Is there a standard or best practice for how", "indicate passage of time). Is there a standard or best", "practice for how to graphically/typographically represent them? i.e. is an", "book proposal. My chapters have section breaks (usually to indicate", "space best? Three asterisks? A line? Everything looks pretty lame", "an extra space best? Three asterisks? A line? Everything looks", "Three asterisks? A line? Everything looks pretty lame to me!" ]
[ "if a book with this ultimate plot can be written,", "lobotomized everyone's brains on the planet in very specific ways.", "to even fathom, let at alone to believe. And the", "unthinkable lines that the only way for them to survive", "punished, by the way.) People can no longer reason and", "written, who would read it? The only plots people consume", "what has been done in exquisite detail. Even if a", "this point that it is unclear if anyone would even", "curious about a plot that would describe the ultimate evil", "on Earth to write for? Let's take an extreme case", "horror, the brain not entirely damaged, and wants to expose", "point. Say, there's a small evil group of people who", "the planet in very specific ways. (Not a single doctor", "affects everyone already and their every offspring. One person manages", "would describe the ultimate evil on the planetary scale that's", "doctor who performed lobotomies was ever punished, by the way.)", "understand that this most extreme case already happened to them", "to understand that this most extreme case already happened to", "believe logical but unpopular views, are no longer driven by", "to expose what has been done in exquisite detail. Even", "psyche to even fathom, let at alone to believe. And", "this horror, the brain not entirely damaged, and wants to", "the evil has no way but to continue on the", "case to illustrate this point. Say, there's a small evil", "path because they've crossed so many unthinkable lines that the", "by sound human psychology, people are indifferent about the most", "the brain not entirely damaged, and wants to expose what", "point that it is unclear if anyone would even be", "in exquisite detail. Even if a book with this ultimate", "way for them to survive is to continue on the", "it? The only plots people consume are so removed from", "more evil. Do books even have a meaning in this", "hurt. Neither do they have a capacity to understand that", "The only plots people consume are so removed from the", "to write for? Let's take an extreme case to illustrate", "of human condition at this point that it is unclear", "most extreme case already happened to them and they need", "consume are so removed from the terrifying reality of human", "their brains being hurt. Neither do they have a capacity", "need to act now because this ultimate threat affects everyone", "a single doctor who performed lobotomies was ever punished, by", "there are no more people left on Earth to write", "them and they need to act now because this ultimate", "extreme case already happened to them and they need to", "to act now because this ultimate threat affects everyone already", "already and their every offspring. One person manages to survive", "views, are no longer driven by sound human psychology, people", "be curious about a plot that would describe the ultimate", "unpopular views, are no longer driven by sound human psychology,", "important things that matter to human beings. People don't care", "would read it? The only plots people consume are so", "extreme case to illustrate this point. Say, there's a small", "and they need to act now because this ultimate threat", "has been done in exquisite detail. Even if a book", "it is unclear if anyone would even be not deficient", "to even crave, be curious about a plot that would", "human psychology, people are indifferent about the most important things", "Earth to write for? Let's take an extreme case to", "their every offspring. One person manages to survive this horror,", "crave, be curious about a plot that would describe the", "about a plot that would describe the ultimate evil on", "this point. Say, there's a small evil group of people", "terrifying reality of human condition at this point that it", "not entirely damaged, and wants to expose what has been", "them to survive is to continue on the uphill path", "illustrate this point. Say, there's a small evil group of", "ultimate plot can be written, who would read it? The", "even be not deficient enough mentally to even crave, be", "condition at this point that it is unclear if anyone", "even crave, be curious about a plot that would describe", "the ultimate evil on the planetary scale that's so evil", "small evil group of people who lobotomized everyone's brains on", "evil has no way but to continue on the path", "by the way.) People can no longer reason and comprehend,", "brains on the planet in very specific ways. (Not a", "hard for human psyche to even fathom, let at alone", "this most extreme case already happened to them and they", "who lobotomized everyone's brains on the planet in very specific", "already happened to them and they need to act now", "because this ultimate threat affects everyone already and their every", "plot that would describe the ultimate evil on the planetary", "path of more evil. Do books even have a meaning", "at this point that it is unclear if anyone would", "to them and they need to act now because this", "at alone to believe. And the evil has no way", "to do if there are no more people left on", "that's so evil it is hard for human psyche to", "believe. And the evil has no way but to continue", "(Not a single doctor who performed lobotomies was ever punished,", "for them to survive is to continue on the uphill", "are so removed from the terrifying reality of human condition", "only plots people consume are so removed from the terrifying", "is unclear if anyone would even be not deficient enough", "fathom, let at alone to believe. And the evil has", "and their every offspring. One person manages to survive this", "reality of human condition at this point that it is", "on the path because they've crossed so many unthinkable lines", "People can no longer reason and comprehend, cannot believe logical", "act now because this ultimate threat affects everyone already and", "be not deficient enough mentally to even crave, be curious", "to continue on the uphill path of more evil. Do", "planet in very specific ways. (Not a single doctor who", "the uphill path of more evil. Do books even have", "plot can be written, who would read it? The only", "scale that's so evil it is hard for human psyche", "are no longer driven by sound human psychology, people are", "brain not entirely damaged, and wants to expose what has", "about their brains being hurt. Neither do they have a", "for human psyche to even fathom, let at alone to", "of people who lobotomized everyone's brains on the planet in", "this ultimate plot can be written, who would read it?", "if anyone would even be not deficient enough mentally to", "no longer driven by sound human psychology, people are indifferent", "crossed so many unthinkable lines that the only way for", "that the only way for them to survive is to", "many unthinkable lines that the only way for them to", "do if there are no more people left on Earth", "People don't care about their brains being hurt. Neither do", "a plot that would describe the ultimate evil on the", "people left on Earth to write for? Let's take an", "ever punished, by the way.) People can no longer reason", "people are indifferent about the most important things that matter", "removed from the terrifying reality of human condition at this", "damaged, and wants to expose what has been done in", "to continue on the path because they've crossed so many", "being hurt. Neither do they have a capacity to understand", "capacity to understand that this most extreme case already happened", "because they've crossed so many unthinkable lines that the only", "can no longer reason and comprehend, cannot believe logical but", "on the planetary scale that's so evil it is hard", "lobotomies was ever punished, by the way.) People can no", "to human beings. People don't care about their brains being", "happened to them and they need to act now because", "logical but unpopular views, are no longer driven by sound", "they've crossed so many unthinkable lines that the only way", "to believe. And the evil has no way but to", "is hard for human psyche to even fathom, let at", "unclear if anyone would even be not deficient enough mentally", "there's a small evil group of people who lobotomized everyone's", "evil group of people who lobotomized everyone's brains on the", "no longer reason and comprehend, cannot believe logical but unpopular", "every offspring. One person manages to survive this horror, the", "is to continue on the uphill path of more evil.", "continue on the path because they've crossed so many unthinkable", "a capacity to understand that this most extreme case already", "specific ways. (Not a single doctor who performed lobotomies was", "in very specific ways. (Not a single doctor who performed", "comprehend, cannot believe logical but unpopular views, are no longer", "the terrifying reality of human condition at this point that", "read it? The only plots people consume are so removed", "no more people left on Earth to write for? Let's", "the only way for them to survive is to continue", "that this most extreme case already happened to them and", "wants to expose what has been done in exquisite detail.", "a book with this ultimate plot can be written, who", "detail. Even if a book with this ultimate plot can", "about the most important things that matter to human beings.", "a small evil group of people who lobotomized everyone's brains", "group of people who lobotomized everyone's brains on the planet", "if there are no more people left on Earth to", "Let's take an extreme case to illustrate this point. Say,", "the way.) People can no longer reason and comprehend, cannot", "are no more people left on Earth to write for?", "and wants to expose what has been done in exquisite", "been done in exquisite detail. Even if a book with", "not deficient enough mentally to even crave, be curious about", "continue on the uphill path of more evil. Do books", "ways. (Not a single doctor who performed lobotomies was ever", "brains being hurt. Neither do they have a capacity to", "they need to act now because this ultimate threat affects", "ultimate evil on the planetary scale that's so evil it", "alone to believe. And the evil has no way but", "no way but to continue on the path because they've", "they have a capacity to understand that this most extreme", "that matter to human beings. People don't care about their", "care about their brains being hurt. Neither do they have", "that it is unclear if anyone would even be not", "have a capacity to understand that this most extreme case", "lines that the only way for them to survive is", "evil on the planetary scale that's so evil it is", "with this ultimate plot can be written, who would read", "be written, who would read it? The only plots people", "most important things that matter to human beings. People don't", "let at alone to believe. And the evil has no", "One person manages to survive this horror, the brain not", "What to do if there are no more people left", "who would read it? The only plots people consume are", "an extreme case to illustrate this point. Say, there's a", "Neither do they have a capacity to understand that this", "everyone's brains on the planet in very specific ways. (Not", "so evil it is hard for human psyche to even", "it is hard for human psyche to even fathom, let", "evil. Do books even have a meaning in this case?", "Say, there's a small evil group of people who lobotomized", "entirely damaged, and wants to expose what has been done", "things that matter to human beings. People don't care about", "way but to continue on the path because they've crossed", "and comprehend, cannot believe logical but unpopular views, are no", "done in exquisite detail. Even if a book with this", "anyone would even be not deficient enough mentally to even", "but unpopular views, are no longer driven by sound human", "way.) People can no longer reason and comprehend, cannot believe", "don't care about their brains being hurt. Neither do they", "on the planet in very specific ways. (Not a single", "the most important things that matter to human beings. People", "was ever punished, by the way.) People can no longer", "beings. People don't care about their brains being hurt. Neither", "expose what has been done in exquisite detail. Even if", "Even if a book with this ultimate plot can be", "cannot believe logical but unpopular views, are no longer driven", "exquisite detail. Even if a book with this ultimate plot", "describe the ultimate evil on the planetary scale that's so", "matter to human beings. People don't care about their brains", "person manages to survive this horror, the brain not entirely", "human beings. People don't care about their brains being hurt.", "human condition at this point that it is unclear if", "take an extreme case to illustrate this point. Say, there's", "from the terrifying reality of human condition at this point", "sound human psychology, people are indifferent about the most important", "people who lobotomized everyone's brains on the planet in very", "can be written, who would read it? The only plots", "would even be not deficient enough mentally to even crave,", "planetary scale that's so evil it is hard for human", "very specific ways. (Not a single doctor who performed lobotomies", "the path because they've crossed so many unthinkable lines that", "has no way but to continue on the path because", "uphill path of more evil. Do books even have a", "case already happened to them and they need to act", "left on Earth to write for? Let's take an extreme", "longer driven by sound human psychology, people are indifferent about", "do they have a capacity to understand that this most", "even fathom, let at alone to believe. And the evil", "on the uphill path of more evil. Do books even", "people consume are so removed from the terrifying reality of", "for? Let's take an extreme case to illustrate this point.", "manages to survive this horror, the brain not entirely damaged,", "to survive this horror, the brain not entirely damaged, and", "who performed lobotomies was ever punished, by the way.) People", "this ultimate threat affects everyone already and their every offspring.", "are indifferent about the most important things that matter to", "write for? Let's take an extreme case to illustrate this", "survive this horror, the brain not entirely damaged, and wants", "indifferent about the most important things that matter to human", "single doctor who performed lobotomies was ever punished, by the", "so removed from the terrifying reality of human condition at", "deficient enough mentally to even crave, be curious about a", "enough mentally to even crave, be curious about a plot", "performed lobotomies was ever punished, by the way.) People can", "driven by sound human psychology, people are indifferent about the", "book with this ultimate plot can be written, who would", "everyone already and their every offspring. One person manages to", "plots people consume are so removed from the terrifying reality", "mentally to even crave, be curious about a plot that", "but to continue on the path because they've crossed so", "psychology, people are indifferent about the most important things that", "threat affects everyone already and their every offspring. One person", "now because this ultimate threat affects everyone already and their", "reason and comprehend, cannot believe logical but unpopular views, are", "offspring. One person manages to survive this horror, the brain", "so many unthinkable lines that the only way for them", "evil it is hard for human psyche to even fathom,", "And the evil has no way but to continue on", "of more evil. Do books even have a meaning in", "longer reason and comprehend, cannot believe logical but unpopular views,", "only way for them to survive is to continue on", "to survive is to continue on the uphill path of", "that would describe the ultimate evil on the planetary scale", "the planetary scale that's so evil it is hard for", "to illustrate this point. Say, there's a small evil group", "ultimate threat affects everyone already and their every offspring. One", "survive is to continue on the uphill path of more", "human psyche to even fathom, let at alone to believe.", "more people left on Earth to write for? Let's take" ]
[ "mess up the flow of the narrative, and I am", "people are expected to follow when introducing a flashback mid-dialogue.", "to the dialogue could really mess up the flow of", "a flashback can be seen, and this is done in", "pages long, and so cutting back to the dialogue could", "in movies often. Now, I am wondering how to exactly", "as a character is about to describe what happened to", "the dialogue could really mess up the flow of the", "describe what happened to the past, a flashback can be", "is that the flashback can be several pages long, and", "dialogue could really mess up the flow of the narrative,", "Now, I am wondering how to exactly do this in", "skip to the next paragraph when doing flashbacks like this,", "also wondering if you should skip to the next paragraph", "to one another and then as a character is about", "flashback can be several pages long, and so cutting back", "can be seen, and this is done in movies often.", "cutting back to the dialogue could really mess up the", "really mess up the flow of the narrative, and I", "about to describe what happened to the past, a flashback", "like this, and some other formatting rules that people are", "of the narrative, and I am also wondering if you", "character is about to describe what happened to the past,", "several pages long, and so cutting back to the dialogue", "another and then as a character is about to describe", "next paragraph when doing flashbacks like this, and some other", "be seen, and this is done in movies often. Now,", "formatting rules that people are expected to follow when introducing", "doing flashbacks like this, and some other formatting rules that", "paragraph when doing flashbacks like this, and some other formatting", "is done in movies often. Now, I am wondering how", "other formatting rules that people are expected to follow when", "am also wondering if you should skip to the next", "movies often. Now, I am wondering how to exactly do", "the next paragraph when doing flashbacks like this, and some", "in a novel. One issue is that the flashback can", "when doing flashbacks like this, and some other formatting rules", "one another and then as a character is about to", "the flashback can be several pages long, and so cutting", "this is done in movies often. Now, I am wondering", "novel. One issue is that the flashback can be several", "this in a novel. One issue is that the flashback", "could really mess up the flow of the narrative, and", "if you should skip to the next paragraph when doing", "the flow of the narrative, and I am also wondering", "to the past, a flashback can be seen, and this", "can be several pages long, and so cutting back to", "often. Now, I am wondering how to exactly do this", "seen, and this is done in movies often. Now, I", "how to exactly do this in a novel. One issue", "that the flashback can be several pages long, and so", "is about to describe what happened to the past, a", "a novel. One issue is that the flashback can be", "and I am also wondering if you should skip to", "be several pages long, and so cutting back to the", "wondering how to exactly do this in a novel. One", "exactly do this in a novel. One issue is that", "I am also wondering if you should skip to the", "what happened to the past, a flashback can be seen,", "up the flow of the narrative, and I am also", "One issue is that the flashback can be several pages", "the narrative, and I am also wondering if you should", "flow of the narrative, and I am also wondering if", "and then as a character is about to describe what", "then as a character is about to describe what happened", "and some other formatting rules that people are expected to", "should skip to the next paragraph when doing flashbacks like", "to exactly do this in a novel. One issue is", "flashback can be seen, and this is done in movies", "happened to the past, a flashback can be seen, and", "rules that people are expected to follow when introducing a", "issue is that the flashback can be several pages long,", "that people are expected to follow when introducing a flashback", "and this is done in movies often. Now, I am", "Sometimes, you have two characters talking to one another and", "to describe what happened to the past, a flashback can", "you should skip to the next paragraph when doing flashbacks", "back to the dialogue could really mess up the flow", "long, and so cutting back to the dialogue could really", "have two characters talking to one another and then as", "to the next paragraph when doing flashbacks like this, and", "done in movies often. Now, I am wondering how to", "am wondering how to exactly do this in a novel.", "two characters talking to one another and then as a", "a character is about to describe what happened to the", "talking to one another and then as a character is", "this, and some other formatting rules that people are expected", "I am wondering how to exactly do this in a", "and so cutting back to the dialogue could really mess", "narrative, and I am also wondering if you should skip", "past, a flashback can be seen, and this is done", "you have two characters talking to one another and then", "the past, a flashback can be seen, and this is", "some other formatting rules that people are expected to follow", "characters talking to one another and then as a character", "so cutting back to the dialogue could really mess up", "wondering if you should skip to the next paragraph when", "flashbacks like this, and some other formatting rules that people", "do this in a novel. One issue is that the" ]
[ "> > \"Does it now?\" Yally teased. \"It might be", "the lead then,\" Jusg said. > > > I could", "think we should enter the mansion,\" Jusg conjectured. \"It looks", "relying mostly on \"said\" and \"asked\". I think it is", "the character's mood, the tone used, the intent. Instead of:", "It's just a cliche.\" > > > \"Hurry up! I", "that can convey the character's mood, the tone used, the", "take the lead then,\" Jusg said. > > > I", "Jusg said. > > > I could enrich the dialogue", "lead then,\" Jusg said. > > > I could enrich", "mansion,\" Jusg conjectured. \"It looks haunted.\" > > > \"Does", "be your mind playing tricks on you. It's dark, the", "should enter the mansion,\" Jusg conjectured. \"It looks haunted.\" >", "here in the rain!\" Emily whined. > > > \"Guess", "editor yesterday, she said authors should refrain from using too", "\"Hurry up! I don't want to stay here in the", "> > \"Guess I'll take the lead then,\" Jusg bemoaned.", "Yally teased. \"It might be your mind playing tricks on", "verbs that can convey the character's mood, the tone used,", "mostly on \"said\" and \"asked\". I think it is bland.", "Yally asked. \"It might be your mind playing tricks on", "then,\" Jusg said. > > > I could enrich the", "the verbs: > > \"I don't think we should enter", "\"said\" and \"asked\". I think it is bland. There's hundreds", "your mind playing tricks on you. It's dark, the mansion", "and \"asked\". I think it is bland. There's hundreds of", "to stay here in the rain!\" Emily said. > >", "bemoaned. > > > What are the pros and cons", "cliche.\" > > > \"Hurry up! I don't want to", "the mansion,\" Jusg said. \"It looks haunted.\" > > >", "we should enter the mansion,\" Jusg said. \"It looks haunted.\"", "in the rain!\" Emily said. > > > \"Guess I'll", "the rain!\" Emily said. > > > \"Guess I'll take", "I could enrich the dialogue by changing the verbs: >", "are the pros and cons of either sticking to \"said\"", "\"Does it now?\" Yally asked. \"It might be your mind", "on you. It's dark, the mansion looks old and abandoned.", "I'll take the lead then,\" Jusg bemoaned. > > >", "it now?\" Yally asked. \"It might be your mind playing", "many verbs on action beats, instead relying mostly on \"said\"", "haunted.\" > > > \"Does it now?\" Yally asked. \"It", "said. > > > I could enrich the dialogue by", "from using too many verbs on action beats, instead relying", "Emily said. > > > \"Guess I'll take the lead", "> > > What are the pros and cons of", "on \"said\" and \"asked\". I think it is bland. There's", "tricks on you. It's dark, the mansion looks old and", "> \"I don't think we should enter the mansion,\" Jusg", "\"It might be your mind playing tricks on you. It's", "the intent. Instead of: > > \"I don't think we", "too many verbs on action beats, instead relying mostly on", "mansion,\" Jusg said. \"It looks haunted.\" > > > \"Does", "rain!\" Emily whined. > > > \"Guess I'll take the", "> > > \"Hurry up! I don't want to stay", "from an editor yesterday, she said authors should refrain from", "I don't want to stay here in the rain!\" Emily", "enter the mansion,\" Jusg said. \"It looks haunted.\" > >", "want to stay here in the rain!\" Emily whined. >", "then,\" Jusg bemoaned. > > > What are the pros", "> > \"Guess I'll take the lead then,\" Jusg said.", "we should enter the mansion,\" Jusg conjectured. \"It looks haunted.\"", "I'll take the lead then,\" Jusg said. > > >", "stay here in the rain!\" Emily whined. > > >", "asked. \"It might be your mind playing tricks on you.", "convey the character's mood, the tone used, the intent. Instead", "> > \"Hurry up! I don't want to stay here", "lead then,\" Jusg bemoaned. > > > What are the", "the tone used, the intent. Instead of: > > \"I", "instead relying mostly on \"said\" and \"asked\". I think it", "verbs: > > \"I don't think we should enter the", "the rain!\" Emily whined. > > > \"Guess I'll take", "can convey the character's mood, the tone used, the intent.", "playing tricks on you. It's dark, the mansion looks old", "a video from an editor yesterday, she said authors should", "beats, instead relying mostly on \"said\" and \"asked\". I think", "authors should refrain from using too many verbs on action", "said. > > > \"Guess I'll take the lead then,\"", "There's hundreds of verbs that can convey the character's mood,", "looks haunted.\" > > > \"Does it now?\" Yally teased.", "and cons of either sticking to \"said\" and \"asked\" or", "> \"Guess I'll take the lead then,\" Jusg said. >", "> > > I could enrich the dialogue by changing", "> What are the pros and cons of either sticking", "hundreds of verbs that can convey the character's mood, the", "enter the mansion,\" Jusg conjectured. \"It looks haunted.\" > >", "to stay here in the rain!\" Emily whined. > >", "dialogue by changing the verbs: > > \"I don't think", "in the rain!\" Emily whined. > > > \"Guess I'll", "by changing the verbs: > > \"I don't think we", "think we should enter the mansion,\" Jusg said. \"It looks", "dark, the mansion looks old and abandoned. It's just a", "looks haunted.\" > > > \"Does it now?\" Yally asked.", "changing the verbs: > > \"I don't think we should", "teased. \"It might be your mind playing tricks on you.", "yesterday, she said authors should refrain from using too many", "> > What are the pros and cons of either", "looks old and abandoned. It's just a cliche.\" > >", "the pros and cons of either sticking to \"said\" and", "Emily whined. > > > \"Guess I'll take the lead", "now?\" Yally teased. \"It might be your mind playing tricks", "pros and cons of either sticking to \"said\" and \"asked\"", "said authors should refrain from using too many verbs on", "conjectured. \"It looks haunted.\" > > > \"Does it now?\"", "It's dark, the mansion looks old and abandoned. It's just", "\"I don't think we should enter the mansion,\" Jusg said.", "might be your mind playing tricks on you. It's dark,", "> > > \"Does it now?\" Yally teased. \"It might", "> > > \"Guess I'll take the lead then,\" Jusg", "an editor yesterday, she said authors should refrain from using", "\"asked\". I think it is bland. There's hundreds of verbs", "> \"Does it now?\" Yally asked. \"It might be your", "up! I don't want to stay here in the rain!\"", "Instead of: > > \"I don't think we should enter", "action beats, instead relying mostly on \"said\" and \"asked\". I", "Jusg said. \"It looks haunted.\" > > > \"Does it", "using too many verbs on action beats, instead relying mostly", "I think it is bland. There's hundreds of verbs that", "> I could enrich the dialogue by changing the verbs:", "the lead then,\" Jusg bemoaned. > > > What are", "used, the intent. Instead of: > > \"I don't think", "don't think we should enter the mansion,\" Jusg said. \"It", "just a cliche.\" > > > \"Hurry up! I don't", "old and abandoned. It's just a cliche.\" > > >", "> \"Hurry up! I don't want to stay here in", "said. \"It looks haunted.\" > > > \"Does it now?\"", "you. It's dark, the mansion looks old and abandoned. It's", "it is bland. There's hundreds of verbs that can convey", "\"said\" and \"asked\" or using more diverse verbs for the", "stay here in the rain!\" Emily said. > > >", "> > > \"Does it now?\" Yally asked. \"It might", "now?\" Yally asked. \"It might be your mind playing tricks", "should enter the mansion,\" Jusg said. \"It looks haunted.\" >", "mansion looks old and abandoned. It's just a cliche.\" >", "cons of either sticking to \"said\" and \"asked\" or using", "think it is bland. There's hundreds of verbs that can", "either sticking to \"said\" and \"asked\" or using more diverse", "could enrich the dialogue by changing the verbs: > >", "of: > > \"I don't think we should enter the", "Watching a video from an editor yesterday, she said authors", "intent. Instead of: > > \"I don't think we should", "refrain from using too many verbs on action beats, instead", "don't want to stay here in the rain!\" Emily whined.", "> > \"Does it now?\" Yally asked. \"It might be", "take the lead then,\" Jusg bemoaned. > > > What", "What are the pros and cons of either sticking to", "and abandoned. It's just a cliche.\" > > > \"Hurry", "of either sticking to \"said\" and \"asked\" or using more", "haunted.\" > > > \"Does it now?\" Yally teased. \"It", "whined. > > > \"Guess I'll take the lead then,\"", "of verbs that can convey the character's mood, the tone", "she said authors should refrain from using too many verbs", "mood, the tone used, the intent. Instead of: > >", "the mansion,\" Jusg conjectured. \"It looks haunted.\" > > >", "> \"Does it now?\" Yally teased. \"It might be your", "\"Guess I'll take the lead then,\" Jusg bemoaned. > >", "enrich the dialogue by changing the verbs: > > \"I", "sticking to \"said\" and \"asked\" or using more diverse verbs", "\"I don't think we should enter the mansion,\" Jusg conjectured.", "Jusg bemoaned. > > > What are the pros and", "the dialogue by changing the verbs: > > \"I don't", "\"It looks haunted.\" > > > \"Does it now?\" Yally", "want to stay here in the rain!\" Emily said. >", "tone used, the intent. Instead of: > > \"I don't", "a cliche.\" > > > \"Hurry up! I don't want", "video from an editor yesterday, she said authors should refrain", "bland. There's hundreds of verbs that can convey the character's", "\"Guess I'll take the lead then,\" Jusg said. > >", "> > I could enrich the dialogue by changing the", "on action beats, instead relying mostly on \"said\" and \"asked\".", "it now?\" Yally teased. \"It might be your mind playing", "to \"said\" and \"asked\" or using more diverse verbs for", "verbs on action beats, instead relying mostly on \"said\" and", "> \"Guess I'll take the lead then,\" Jusg bemoaned. >", "abandoned. It's just a cliche.\" > > > \"Hurry up!", "here in the rain!\" Emily said. > > > \"Guess", "mind playing tricks on you. It's dark, the mansion looks", "don't want to stay here in the rain!\" Emily said.", "rain!\" Emily said. > > > \"Guess I'll take the", "character's mood, the tone used, the intent. Instead of: >", "\"Does it now?\" Yally teased. \"It might be your mind", "\"asked\" or using more diverse verbs for the action beats?", "is bland. There's hundreds of verbs that can convey the", "> > \"I don't think we should enter the mansion,\"", "Jusg conjectured. \"It looks haunted.\" > > > \"Does it", "don't think we should enter the mansion,\" Jusg conjectured. \"It", "should refrain from using too many verbs on action beats,", "and \"asked\" or using more diverse verbs for the action", "the mansion looks old and abandoned. It's just a cliche.\"" ]
[ "the story is set in Chicago. He lives in the", "of detail that his parents were killed in their village", "the United States because, as a baby, he fled Algeria", "the timeline works for my character. To make it more", "1990's - the timeline works for my character. To make", "and learnt there was a civil war in Algeria in", "scenario is that I have a main character (late 20's)", "my character. To make it more authentic I zeroed in", "a random car accident, I did some quick research and", "villages during that time in Algeria. Eventually, my character will", "as a baby, he fled Algeria with his Uncle after", "timeline works for my character. To make it more authentic", "Eventually, my character will have a scene where he describes", "the real victims? * Does it make it better if", "a specific massacre? * Does it make a difference if", "Algeria. Eventually, my character will have a scene where he", "will have a scene where he describes to another character", "* Does it make it better if I only reference", "where he describes to another character in some level of", "have a main character (late 20's) who is Algerian but", "detail that his parents were killed in their village during", "pinpoint a specific massacre? * Does it make a difference", "a baby, he fled Algeria with his Uncle after his", "have a scene where he describes to another character in", "a main character (late 20's) who is Algerian but the", "only reference the Civil War and not pinpoint a specific", "fled Algeria with his Uncle after his parents were killed.", "say, a random car accident, I did some quick research", "* Is this disrespectful to the real victims? * Does", "one of these massacres. * Is this disrespectful to the", "set in Chicago. He lives in the United States because,", "Civil War and not pinpoint a specific massacre? * Does", "research and learnt there was a civil war in Algeria", "a difference if the victim count is up near 100,000", "fiction. The current scenario is that I have a main", "in on specific massacres that occurred in different villages during", "zeroed in on specific massacres that occurred in different villages", "Algeria in the late 1990's - the timeline works for", "Algeria with his Uncle after his parents were killed. Rather", "lives in the United States because, as a baby, he", "authentic I zeroed in on specific massacres that occurred in", "real victims? * Does it make it better if I", "to the real victims? * Does it make it better", "learnt there was a civil war in Algeria in the", "Uncle after his parents were killed. Rather than the cliche", "because, as a baby, he fled Algeria with his Uncle", "that his parents were killed in their village during one", "count is up near 100,000 (the war), compared to 40", "of say, a random car accident, I did some quick", "late 1990's - the timeline works for my character. To", "He lives in the United States because, as a baby,", "different villages during that time in Algeria. Eventually, my character", "baby, he fled Algeria with his Uncle after his parents", "with his Uncle after his parents were killed. Rather than", "his parents were killed. Rather than the cliche of say,", "is up near 100,000 (the war), compared to 40 (village", "character in some level of detail that his parents were", "village during one of these massacres. * Is this disrespectful", "War and not pinpoint a specific massacre? * Does it", "he fled Algeria with his Uncle after his parents were", "in the United States because, as a baby, he fled", "Chicago. He lives in the United States because, as a", "that I have a main character (late 20's) who is", "States because, as a baby, he fled Algeria with his", "Is this disrespectful to the real victims? * Does it", "during one of these massacres. * Is this disrespectful to", "is that I have a main character (late 20's) who", "and not pinpoint a specific massacre? * Does it make", "another character in some level of detail that his parents", "Algerian but the story is set in Chicago. He lives", "my character will have a scene where he describes to", "a scene where he describes to another character in some", "who is Algerian but the story is set in Chicago.", "that occurred in different villages during that time in Algeria.", "his parents were killed in their village during one of", "that time in Algeria. Eventually, my character will have a", "did some quick research and learnt there was a civil", "time in Algeria. Eventually, my character will have a scene", "he describes to another character in some level of detail", "is Algerian but the story is set in Chicago. He", "20's) who is Algerian but the story is set in", "it more authentic I zeroed in on specific massacres that", "after his parents were killed. Rather than the cliche of", "the victim count is up near 100,000 (the war), compared", "war in Algeria in the late 1990's - the timeline", "some quick research and learnt there was a civil war", "crime fiction. The current scenario is that I have a", "the late 1990's - the timeline works for my character.", "victim count is up near 100,000 (the war), compared to", "up near 100,000 (the war), compared to 40 (village massacre)?", "I have a main character (late 20's) who is Algerian", "character (late 20's) who is Algerian but the story is", "killed. Rather than the cliche of say, a random car", "in their village during one of these massacres. * Is", "killed in their village during one of these massacres. ", "I did some quick research and learnt there was a", "some level of detail that his parents were killed in", "there was a civil war in Algeria in the late", "the cliche of say, a random car accident, I did", "their village during one of these massacres. Is this", "of these massacres. * Is this disrespectful to the real", "cliche of say, a random car accident, I did some", "- the timeline works for my character. To make it", "The current scenario is that I have a main character", "specific massacre? * Does it make a difference if the", "To make it more authentic I zeroed in on specific", "in different villages during that time in Algeria. Eventually, my", "specific massacres that occurred in different villages during that time", "a civil war in Algeria in the late 1990's -", "random car accident, I did some quick research and learnt", "is set in Chicago. He lives in the United States", "in the late 1990's - the timeline works for my", "more authentic I zeroed in on specific massacres that occurred", "scene where he describes to another character in some level", "better if I only reference the Civil War and not", "(late 20's) who is Algerian but the story is set", "car accident, I did some quick research and learnt there", "make it better if I only reference the Civil War", "parents were killed. Rather than the cliche of say, a", "victims? * Does it make it better if I only", "make a difference if the victim count is up near", "United States because, as a baby, he fled Algeria with", "difference if the victim count is up near 100,000 (the", "were killed. Rather than the cliche of say, a random", "in Algeria in the late 1990's - the timeline works", "current scenario is that I have a main character (late", "story is set in Chicago. He lives in the United", "disrespectful to the real victims? * Does it make it", "works for my character. To make it more authentic I", "during that time in Algeria. Eventually, my character will have", "level of detail that his parents were killed in their", "massacres that occurred in different villages during that time in", "occurred in different villages during that time in Algeria. Eventually,", "this disrespectful to the real victims? * Does it make", "reference the Civil War and not pinpoint a specific massacre?", "massacre? * Does it make a difference if the victim", "not pinpoint a specific massacre? * Does it make a", "these massacres. * Is this disrespectful to the real victims?", "it make it better if I only reference the Civil", "Rather than the cliche of say, a random car accident,", "it make a difference if the victim count is up", "were killed in their village during one of these massacres.", "Does it make it better if I only reference the", "describes to another character in some level of detail that", "quick research and learnt there was a civil war in", "the Civil War and not pinpoint a specific massacre? ", "make it more authentic I zeroed in on specific massacres", "in Chicago. He lives in the United States because, as", "I'm writing crime fiction. The current scenario is that I", "parents were killed in their village during one of these", "character will have a scene where he describes to another", "for my character. To make it more authentic I zeroed", "civil war in Algeria in the late 1990's - the", "but the story is set in Chicago. He lives in", "on specific massacres that occurred in different villages during that", "accident, I did some quick research and learnt there was", "was a civil war in Algeria in the late 1990's", "I only reference the Civil War and not pinpoint a", "character. To make it more authentic I zeroed in on", "massacres. Is this disrespectful to the real victims? ", "Does it make a difference if the victim count is", "his Uncle after his parents were killed. Rather than the", "if the victim count is up near 100,000 (the war),", "main character (late 20's) who is Algerian but the story", "writing crime fiction. The current scenario is that I have", "if I only reference the Civil War and not pinpoint", "I zeroed in on specific massacres that occurred in different", "to another character in some level of detail that his", "in Algeria. Eventually, my character will have a scene where", "than the cliche of say, a random car accident, I", "in some level of detail that his parents were killed", " Does it make a difference if the victim count", "it better if I only reference the Civil War and" ]
[ "and providing a step-by-step guide on how to break free", "theme in their story is being too didactic. If the", "always the case, or we can actually make it work.", "this theme through a character's lengthy monologue at the end", "state this theme through a character's lengthy monologue at the", "a character's lengthy monologue at the end of the story.", "negative consequences of technology addiction and providing a step-by-step guide", "explicitly state this theme through a character's lengthy monologue at", "the author wants to reinforce the theme that \"overreliance on", "theme is forced upon the reader or becomes overly explicit,", "it work. Let's imagine a fictional example where the author", "reader, listing the negative consequences of technology addiction and providing", "from the storytelling, or at least that was what I", "fictional example where the author wants to reinforce the theme", "explicit, it can feel preachy and detract from the storytelling,", "disconnects us from the real world.\" The author decides to", "I was told, but I am wondering if this is", "actually make it work. Let's imagine a fictional example where", "story is being too didactic. If the theme is forced", "a way to make this work, or should you rewrite", "free from it. Is there a way to make this", "of the story. The character directly addresses the reader, listing", "at the end of the story. The character directly addresses", "theme through a character's lengthy monologue at the end of", "providing a step-by-step guide on how to break free from", "to break free from it. Is there a way to", "is being too didactic. If the theme is forced upon", "If the theme is forced upon the reader or becomes", "make this work, or should you rewrite the entire ending", "it. Is there a way to make this work, or", "a fictional example where the author wants to reinforce the", "there a way to make this work, or should you", "reader or becomes overly explicit, it can feel preachy and", "a step-by-step guide on how to break free from it.", "where the author wants to reinforce the theme that \"overreliance", "technology disconnects us from the real world.\" The author decides", "monologue at the end of the story. The character directly", "if this is always the case, or we can actually", "too didactic. If the theme is forced upon the reader", "author wants to reinforce the theme that \"overreliance on technology", "listing the negative consequences of technology addiction and providing a", "directly addresses the reader, listing the negative consequences of technology", "way to make this work, or should you rewrite the", "this work, or should you rewrite the entire ending and", "preachy and detract from the storytelling, or at least that", "their story is being too didactic. If the theme is", "being too didactic. If the theme is forced upon the", "overly explicit, it can feel preachy and detract from the", "that \"overreliance on technology disconnects us from the real world.\"", "consequences of technology addiction and providing a step-by-step guide on", "forced upon the reader or becomes overly explicit, it can", "lengthy monologue at the end of the story. The character", "we can actually make it work. Let's imagine a fictional", "reinforce the theme that \"overreliance on technology disconnects us from", "story. The character directly addresses the reader, listing the negative", "the story. The character directly addresses the reader, listing the", "wants to reinforce the theme that \"overreliance on technology disconnects", "make when reinforcing the theme in their story is being", "the theme is forced upon the reader or becomes overly", "guide on how to break free from it. Is there", "but I am wondering if this is always the case,", "in their story is being too didactic. If the theme", "case, or we can actually make it work. Let's imagine", "from the real world.\" The author decides to explicitly state", "Let's imagine a fictional example where the author wants to", "it can feel preachy and detract from the storytelling, or", "can make when reinforcing the theme in their story is", "detract from the storytelling, or at least that was what", "end of the story. The character directly addresses the reader,", "step-by-step guide on how to break free from it. Is", "or becomes overly explicit, it can feel preachy and detract", "people can make when reinforcing the theme in their story", "what I was told, but I am wondering if this", "the case, or we can actually make it work. Let's", "work. Let's imagine a fictional example where the author wants", "break free from it. Is there a way to make", "real world.\" The author decides to explicitly state this theme", "addiction and providing a step-by-step guide on how to break", "or at least that was what I was told, but", "at least that was what I was told, but I", "can feel preachy and detract from the storytelling, or at", "was what I was told, but I am wondering if", "didactic. If the theme is forced upon the reader or", "us from the real world.\" The author decides to explicitly", "the theme that \"overreliance on technology disconnects us from the", "on technology disconnects us from the real world.\" The author", "wondering if this is always the case, or we can", "work, or should you rewrite the entire ending and why?", "decides to explicitly state this theme through a character's lengthy", "reinforcing the theme in their story is being too didactic.", "to reinforce the theme that \"overreliance on technology disconnects us", "world.\" The author decides to explicitly state this theme through", "example where the author wants to reinforce the theme that", "character directly addresses the reader, listing the negative consequences of", "is forced upon the reader or becomes overly explicit, it", "on how to break free from it. Is there a", "author decides to explicitly state this theme through a character's", "from it. Is there a way to make this work,", "storytelling, or at least that was what I was told,", "upon the reader or becomes overly explicit, it can feel", "character's lengthy monologue at the end of the story. The", "least that was what I was told, but I am", "can actually make it work. Let's imagine a fictional example", "One mistake people can make when reinforcing the theme in", "to make this work, or should you rewrite the entire", "the storytelling, or at least that was what I was", "becomes overly explicit, it can feel preachy and detract from", "when reinforcing the theme in their story is being too", "how to break free from it. Is there a way", "the negative consequences of technology addiction and providing a step-by-step", "that was what I was told, but I am wondering", "the end of the story. The character directly addresses the", "technology addiction and providing a step-by-step guide on how to", "the reader, listing the negative consequences of technology addiction and", "I am wondering if this is always the case, or", "the reader or becomes overly explicit, it can feel preachy", "imagine a fictional example where the author wants to reinforce", "theme that \"overreliance on technology disconnects us from the real", "through a character's lengthy monologue at the end of the", "was told, but I am wondering if this is always", "The author decides to explicitly state this theme through a", "or we can actually make it work. Let's imagine a", "to explicitly state this theme through a character's lengthy monologue", "make it work. Let's imagine a fictional example where the", "am wondering if this is always the case, or we", "feel preachy and detract from the storytelling, or at least", "the real world.\" The author decides to explicitly state this", "mistake people can make when reinforcing the theme in their", "addresses the reader, listing the negative consequences of technology addiction", "of technology addiction and providing a step-by-step guide on how", "\"overreliance on technology disconnects us from the real world.\" The", "and detract from the storytelling, or at least that was", "is always the case, or we can actually make it", "The character directly addresses the reader, listing the negative consequences", "the theme in their story is being too didactic. If", "Is there a way to make this work, or should", "this is always the case, or we can actually make", "told, but I am wondering if this is always the" ]
[ "am trying to figure out how a stereotypical \"one good", "that killing is okay and you shouldn't feel bad for", "individual values. The character has been told that killing is", "and their values don't align with their culture's, but they", "things openly, because that goes against societal norms, and will", "goes against societal norms, and will tailor their dialogue (and", "this point. They haven't gotten the push needed to tell", "\"necessary evil\" argument. They subconsciously know there is something wrong", "probably wouldn't declare their home culture to be evil unless", "blame by saying it was necessary, or actively avoiding bringing", "This would seemingly affect both characterization and their word choice.", "wrong with killing people and taking what they want from", "see/refer to themselves and their place in the world. This", "belli to rebel. The problem is the character hasn't really", "likely to give the \"white man's burden\" or \"necessary evil\"", "something wrong and their values don't align with their culture's,", "and will tailor their dialogue (and to some degree, thoughts)", "a brutal social darwinist one that sees nothing wrong with", "need to leave. I think this is mostly a conflict", "organization is a brutal social darwinist one that sees nothing", "\"one good one\" often openly refers to their group as", "want from people. This is their attitude to both to", "Nevertheless, they aren't going to say these things openly, because", "other works of fiction the \"one good one\" often openly", "The organization is a brutal social darwinist one that sees", "have a character that is the stereotypical \"token good member", "one\" often openly refers to their group as evil. This", "a cassus belli to rebel. The problem is the character", "would see/refer to themselves and their place in the world.", "and individual values. The character has been told that killing", "as a cassus belli to rebel. The problem is the", "values and individual values. The character has been told that", "the push needed to tell them they need to leave.", "people naturally talk or see themselves. Usually it would seem", "alternative viewpoints to realize how messed up their situation is", "too hard on unpleasant topics to avoid looking at contradictory", "wouldn't declare their home culture to be evil unless it", "constant power struggles within the group. I am trying to", "to give the \"white man's burden\" or \"necessary evil\" argument.", "as evil. This is not how people naturally talk or", "would seemingly affect both characterization and their word choice. For", "out how a stereotypical \"one good one\" character would see/refer", "morality. Nevertheless, they aren't going to say these things openly,", "their dialogue (and to some degree, thoughts) to be socially", "was as a cassus belli to rebel. The problem is", "harming others. Yet that doesn't agree with their own personal", "word choice. For example, in other works of fiction the", "people and taking what they want from people. This is", "these things openly, because that goes against societal norms, and", "values don't align with their culture's, but they haven't been", "the character hasn't really swallowed the Kool Aid and thus", "evil organization\". The organization is a brutal social darwinist one", "good one\" often openly refers to their group as evil.", "character that is the stereotypical \"token good member of an", "\"one good one\" character would see/refer to themselves and their", "member of an evil organization\". The organization is a brutal", "to both to people outside the group and leads to", "with their culture's, but they haven't been exposed to alternative", "think this is mostly a conflict between societally accepted values", "struggles within the group. I am trying to figure out", "is their attitude to both to people outside the group", "at contradictory facts in their worldview. A person probably wouldn't", "stereotypical \"token good member of an evil organization\". The organization", "Kool Aid and thus ism't likely to give the \"white", "this, how would the \"one good one\" see/self-justify themselves and", "actively avoiding bringing to avoid focusing too hard on unpleasant", "some degree, thoughts) to be socially appropriate. Given this, how", "the Kool Aid and thus ism't likely to give the", "seemingly affect both characterization and their word choice. For example,", "one that sees nothing wrong with killing people and taking", "Given this, how would the \"one good one\" see/self-justify themselves", "know there is something wrong and their values don't align", "to avoid looking at contradictory facts in their worldview. A", "leads to brutal, constant power struggles within the group. I", "or \"necessary evil\" argument. They subconsciously know there is something", "characterization and their word choice. For example, in other works", "in their worldview. A person probably wouldn't declare their home", "swallowed the Kool Aid and thus ism't likely to give", "is not how people naturally talk or see themselves. Usually", "a character some kind of self-justification like a conqueror believing", "against societal norms, and will tailor their dialogue (and to", "with killing people and taking what they want from people.", "Stockhold syndrome at this point. They haven't gotten the push", "to avoid focusing too hard on unpleasant topics to avoid", "people. This is their attitude to both to people outside", "degree, thoughts) to be socially appropriate. Given this, how would", "situation is (think cults). They're mostly staying out of Stockhold", "to alternative viewpoints to realize how messed up their situation", "their values don't align with their culture's, but they haven't", "openly, because that goes against societal norms, and will tailor", "accepted values and individual values. The character has been told", "(think cults). They're mostly staying out of Stockhold syndrome at", "both to people outside the group and leads to brutal,", "to leave. I think this is mostly a conflict between", "conqueror believing they are \"bringing civilization\" to conquered people, shift", "darwinist one that sees nothing wrong with killing people and", "feel bad for harming others. Yet that doesn't agree with", "messed up their situation is (think cults). They're mostly staying", "they aren't going to say these things openly, because that", "viewpoints to realize how messed up their situation is (think", "topics to avoid looking at contradictory facts in their worldview.", "to rebel. The problem is the character hasn't really swallowed", "power struggles within the group. I am trying to figure", "to people outside the group and leads to brutal, constant", "talk or see themselves. Usually it would seem like you", "from people. This is their attitude to both to people", "exposed to alternative viewpoints to realize how messed up their", "thus ism't likely to give the \"white man's burden\" or", "killing is okay and you shouldn't feel bad for harming", "affect both characterization and their word choice. For example, in", "that sees nothing wrong with killing people and taking what", "this is mostly a conflict between societally accepted values and", "and taking what they want from people. This is their", "others. Yet that doesn't agree with their own personal morality.", "\"bringing civilization\" to conquered people, shift blame by saying it", "their group as evil. This is not how people naturally", "They're mostly staying out of Stockhold syndrome at this point.", "figure out how a stereotypical \"one good one\" character would", "staying out of Stockhold syndrome at this point. They haven't", "they haven't been exposed to alternative viewpoints to realize how", "because that goes against societal norms, and will tailor their", "to say these things openly, because that goes against societal", "their attitude to both to people outside the group and", "was necessary, or actively avoiding bringing to avoid focusing too", "trying to figure out how a stereotypical \"one good one\"", "to tell them they need to leave. I think this", "good one\" see/self-justify themselves and their place in the world?", "of Stockhold syndrome at this point. They haven't gotten the", "organization\". The organization is a brutal social darwinist one that", "killing people and taking what they want from people. This", "in other works of fiction the \"one good one\" often", "character hasn't really swallowed the Kool Aid and thus ism't", "to brutal, constant power struggles within the group. I am", "them they need to leave. I think this is mostly", "they want from people. This is their attitude to both", "character has been told that killing is okay and you", "mostly staying out of Stockhold syndrome at this point. They", "bringing to avoid focusing too hard on unpleasant topics to", "their situation is (think cults). They're mostly staying out of", "avoiding bringing to avoid focusing too hard on unpleasant topics", "Aid and thus ism't likely to give the \"white man's", "good member of an evil organization\". The organization is a", "good one\" character would see/refer to themselves and their place", "The problem is the character hasn't really swallowed the Kool", "give the \"white man's burden\" or \"necessary evil\" argument. They", "rebel. The problem is the character hasn't really swallowed the", "taking what they want from people. This is their attitude", "dialogue (and to some degree, thoughts) to be socially appropriate.", "appropriate. Given this, how would the \"one good one\" see/self-justify", "hasn't really swallowed the Kool Aid and thus ism't likely", "the \"one good one\" see/self-justify themselves and their place in", "what they want from people. This is their attitude to", "group as evil. This is not how people naturally talk", "avoid focusing too hard on unpleasant topics to avoid looking", "it was necessary, or actively avoiding bringing to avoid focusing", "at this point. They haven't gotten the push needed to", "told that killing is okay and you shouldn't feel bad", "in the world. This would seemingly affect both characterization and", "I think this is mostly a conflict between societally accepted", "you shouldn't feel bad for harming others. Yet that doesn't", "a conflict between societally accepted values and individual values. The", "some kind of self-justification like a conqueror believing they are", "their worldview. A person probably wouldn't declare their home culture", "by saying it was necessary, or actively avoiding bringing to", "and you shouldn't feel bad for harming others. Yet that", "to be evil unless it was as a cassus belli", "aren't going to say these things openly, because that goes", "okay and you shouldn't feel bad for harming others. Yet", "within the group. I am trying to figure out how", "and their place in the world. This would seemingly affect", "the world. This would seemingly affect both characterization and their", "to their group as evil. This is not how people", "been exposed to alternative viewpoints to realize how messed up", "that is the stereotypical \"token good member of an evil", "stereotypical \"one good one\" character would see/refer to themselves and", "outside the group and leads to brutal, constant power struggles", "or actively avoiding bringing to avoid focusing too hard on", "I am trying to figure out how a stereotypical \"one", "works of fiction the \"one good one\" often openly refers", "evil unless it was as a cassus belli to rebel.", "to themselves and their place in the world. This would", "of self-justification like a conqueror believing they are \"bringing civilization\"", "and thus ism't likely to give the \"white man's burden\"", "their own personal morality. Nevertheless, they aren't going to say", "\"one good one\" see/self-justify themselves and their place in the", "focusing too hard on unpleasant topics to avoid looking at", "really swallowed the Kool Aid and thus ism't likely to", "like a conqueror believing they are \"bringing civilization\" to conquered", "\"white man's burden\" or \"necessary evil\" argument. They subconsciously know", "to figure out how a stereotypical \"one good one\" character", "their home culture to be evil unless it was as", "man's burden\" or \"necessary evil\" argument. They subconsciously know there", "the group. I am trying to figure out how a", "self-justification like a conqueror believing they are \"bringing civilization\" to", "they are \"bringing civilization\" to conquered people, shift blame by", "seem like you would get a character some kind of", "societal norms, and will tailor their dialogue (and to some", "ism't likely to give the \"white man's burden\" or \"necessary", "up their situation is (think cults). They're mostly staying out", "tailor their dialogue (and to some degree, thoughts) to be", "with their own personal morality. Nevertheless, they aren't going to", "the stereotypical \"token good member of an evil organization\". The", "people, shift blame by saying it was necessary, or actively", "civilization\" to conquered people, shift blame by saying it was", "problem is the character hasn't really swallowed the Kool Aid", "values. The character has been told that killing is okay", "for harming others. Yet that doesn't agree with their own", "group and leads to brutal, constant power struggles within the", "social darwinist one that sees nothing wrong with killing people", "like you would get a character some kind of self-justification", "character would see/refer to themselves and their place in the", "see themselves. Usually it would seem like you would get", "For example, in other works of fiction the \"one good", "agree with their own personal morality. Nevertheless, they aren't going", "A person probably wouldn't declare their home culture to be", "would seem like you would get a character some kind", "argument. They subconsciously know there is something wrong and their", "This is their attitude to both to people outside the", "is okay and you shouldn't feel bad for harming others.", "not how people naturally talk or see themselves. Usually it", "subconsciously know there is something wrong and their values don't", "it would seem like you would get a character some", "to some degree, thoughts) to be socially appropriate. Given this,", "an evil organization\". The organization is a brutal social darwinist", "one\" character would see/refer to themselves and their place in", "been told that killing is okay and you shouldn't feel", "kind of self-justification like a conqueror believing they are \"bringing", "naturally talk or see themselves. Usually it would seem like", "to be socially appropriate. Given this, how would the \"one", "attitude to both to people outside the group and leads", "avoid looking at contradictory facts in their worldview. A person", "both characterization and their word choice. For example, in other", "is something wrong and their values don't align with their", "I have a character that is the stereotypical \"token good", "a stereotypical \"one good one\" character would see/refer to themselves", "fiction the \"one good one\" often openly refers to their", "of an evil organization\". The organization is a brutal social", "don't align with their culture's, but they haven't been exposed", "you would get a character some kind of self-justification like", "tell them they need to leave. I think this is", "shift blame by saying it was necessary, or actively avoiding", "(and to some degree, thoughts) to be socially appropriate. Given", "a character that is the stereotypical \"token good member of", "openly refers to their group as evil. This is not", "syndrome at this point. They haven't gotten the push needed", "that doesn't agree with their own personal morality. Nevertheless, they", "how people naturally talk or see themselves. Usually it would", "get a character some kind of self-justification like a conqueror", "would get a character some kind of self-justification like a", "but they haven't been exposed to alternative viewpoints to realize", "thoughts) to be socially appropriate. Given this, how would the", "hard on unpleasant topics to avoid looking at contradictory facts", "leave. I think this is mostly a conflict between societally", "between societally accepted values and individual values. The character has", "world. This would seemingly affect both characterization and their word", "unpleasant topics to avoid looking at contradictory facts in their", "the group and leads to brutal, constant power struggles within", "themselves and their place in the world. This would seemingly", "personal morality. Nevertheless, they aren't going to say these things", "declare their home culture to be evil unless it was", "say these things openly, because that goes against societal norms,", "there is something wrong and their values don't align with", "be evil unless it was as a cassus belli to", "how messed up their situation is (think cults). They're mostly", "has been told that killing is okay and you shouldn't", "norms, and will tailor their dialogue (and to some degree,", "the \"one good one\" often openly refers to their group", "and leads to brutal, constant power struggles within the group.", "place in the world. This would seemingly affect both characterization", "be socially appropriate. Given this, how would the \"one good", "necessary, or actively avoiding bringing to avoid focusing too hard", "evil\" argument. They subconsciously know there is something wrong and", "cults). They're mostly staying out of Stockhold syndrome at this", "how would the \"one good one\" see/self-justify themselves and their", "societally accepted values and individual values. The character has been", "conflict between societally accepted values and individual values. The character", "doesn't agree with their own personal morality. Nevertheless, they aren't", "unless it was as a cassus belli to rebel. The", "Usually it would seem like you would get a character", "is mostly a conflict between societally accepted values and individual", "choice. For example, in other works of fiction the \"one", "They subconsciously know there is something wrong and their values", "shouldn't feel bad for harming others. Yet that doesn't agree", "and their word choice. For example, in other works of", "cassus belli to rebel. The problem is the character hasn't", "brutal social darwinist one that sees nothing wrong with killing", "evil. This is not how people naturally talk or see", "brutal, constant power struggles within the group. I am trying", "mostly a conflict between societally accepted values and individual values.", "of fiction the \"one good one\" often openly refers to", "sees nothing wrong with killing people and taking what they", "\"token good member of an evil organization\". The organization is", "or see themselves. Usually it would seem like you would", "haven't been exposed to alternative viewpoints to realize how messed", "realize how messed up their situation is (think cults). They're", "example, in other works of fiction the \"one good one\"", "push needed to tell them they need to leave. I", "that goes against societal norms, and will tailor their dialogue", "on unpleasant topics to avoid looking at contradictory facts in", "would the \"one good one\" see/self-justify themselves and their place", "person probably wouldn't declare their home culture to be evil", "haven't gotten the push needed to tell them they need", "culture to be evil unless it was as a cassus", "contradictory facts in their worldview. A person probably wouldn't declare", "nothing wrong with killing people and taking what they want", "refers to their group as evil. This is not how", "The character has been told that killing is okay and", "burden\" or \"necessary evil\" argument. They subconsciously know there is", "is (think cults). They're mostly staying out of Stockhold syndrome", "out of Stockhold syndrome at this point. They haven't gotten", "a conqueror believing they are \"bringing civilization\" to conquered people,", "is the stereotypical \"token good member of an evil organization\".", "will tailor their dialogue (and to some degree, thoughts) to", "bad for harming others. Yet that doesn't agree with their", "their word choice. For example, in other works of fiction", "to realize how messed up their situation is (think cults).", "their culture's, but they haven't been exposed to alternative viewpoints", "They haven't gotten the push needed to tell them they", "culture's, but they haven't been exposed to alternative viewpoints to", "point. They haven't gotten the push needed to tell them", "worldview. A person probably wouldn't declare their home culture to", "socially appropriate. Given this, how would the \"one good one\"", "This is not how people naturally talk or see themselves.", "often openly refers to their group as evil. This is", "going to say these things openly, because that goes against", "group. I am trying to figure out how a stereotypical", "it was as a cassus belli to rebel. The problem", "facts in their worldview. A person probably wouldn't declare their", "to conquered people, shift blame by saying it was necessary,", "align with their culture's, but they haven't been exposed to", "themselves. Usually it would seem like you would get a", "gotten the push needed to tell them they need to", "saying it was necessary, or actively avoiding bringing to avoid", "character some kind of self-justification like a conqueror believing they", "looking at contradictory facts in their worldview. A person probably", "own personal morality. Nevertheless, they aren't going to say these", "believing they are \"bringing civilization\" to conquered people, shift blame", "is the character hasn't really swallowed the Kool Aid and", "people outside the group and leads to brutal, constant power", "are \"bringing civilization\" to conquered people, shift blame by saying", "conquered people, shift blame by saying it was necessary, or", "wrong and their values don't align with their culture's, but", "Yet that doesn't agree with their own personal morality. Nevertheless,", "how a stereotypical \"one good one\" character would see/refer to", "is a brutal social darwinist one that sees nothing wrong", "the \"white man's burden\" or \"necessary evil\" argument. They subconsciously", "needed to tell them they need to leave. I think", "home culture to be evil unless it was as a", "their place in the world. This would seemingly affect both", "they need to leave. I think this is mostly a" ]
[ "go about choosing which characters deserve such attention from the", "which characters deserve such attention from the writer. Should you", "it as briefly as possible or doing so is as", "time and do it as briefly as possible or doing", "significant impact on supporting characters. Neglecting to explore how they", "briefly as possible or doing so is as bad as", "question is whether I should do that for every supporting", "you do it for all characters at the same time", "characters can be seen as a mistake to avoid when", "a story. The aftermath of the main conflict can have", "their storylines incomplete. My question is whether I should do", "of supporting characters can be seen as a mistake to", "main conflict is resolved? Not exploring the aftermath of supporting", "or doing so is as bad as not exploring the", "whether I should do that for every supporting character and", "for all characters at the same time and do it", "to avoid when writing a story. The aftermath of the", "story. The aftermath of the main conflict can have a", "every supporting character and if not, how do you go", "deserve such attention from the writer. Should you do it", "the main conflict can have a significant impact on supporting", "supporting characters after the main conflict is resolved? Not exploring", "conflict is resolved? Not exploring the aftermath of supporting characters", "supporting characters can be seen as a mistake to avoid", "writer. Should you do it for all characters at the", "impact on supporting characters. Neglecting to explore how they cope,", "do it for all characters at the same time and", "characters deserve such attention from the writer. Should you do", "exploring the aftermath of supporting characters can be seen as", "character and if not, how do you go about choosing", "incomplete. My question is whether I should do that for", "resolution can leave their storylines incomplete. My question is whether", "from the writer. Should you do it for all characters", "as bad as not exploring the aftermath for any supporting", "a significant impact on supporting characters. Neglecting to explore how", "and do it as briefly as possible or doing so", "it for all characters at the same time and do", "do it as briefly as possible or doing so is", "every single supporting characters after the main conflict is resolved?", "after the resolution can leave their storylines incomplete. My question", "as a mistake to avoid when writing a story. The", "mistake to avoid when writing a story. The aftermath of", "if not, how do you go about choosing which characters", "to explore how they cope, heal, or move forward after", "leave their storylines incomplete. My question is whether I should", "heal, or move forward after the resolution can leave their", "single supporting characters after the main conflict is resolved? Not", "avoid when writing a story. The aftermath of the main", "for every supporting character and if not, how do you", "seen as a mistake to avoid when writing a story.", "doing so is as bad as not exploring the aftermath", "explore how they cope, heal, or move forward after the", "is whether I should do that for every supporting character", "conflict can have a significant impact on supporting characters. Neglecting", "or move forward after the resolution can leave their storylines", "on supporting characters. Neglecting to explore how they cope, heal,", "Should you support the aftermath of every single supporting characters", "aftermath of supporting characters can be seen as a mistake", "the main conflict is resolved? 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Not exploring the aftermath of supporting characters can be", "same time and do it as briefly as possible or", "Should you do it for all characters at the same", "support the aftermath of every single supporting characters after the", "is resolved? Not exploring the aftermath of supporting characters can", "how do you go about choosing which characters deserve such", "they cope, heal, or move forward after the resolution can", "the aftermath of supporting characters can be seen as a", "should do that for every supporting character and if not,", "the writer. Should you do it for all characters at", "so is as bad as not exploring the aftermath for", "characters. Neglecting to explore how they cope, heal, or move", "all characters at the same time and do it as", "supporting characters. Neglecting to explore how they cope, heal, or", "have a significant impact on supporting characters. Neglecting to explore", "be seen as a mistake to avoid when writing a", "choosing which characters deserve such attention from the writer. Should", "can have a significant impact on supporting characters. Neglecting to", "can leave their storylines incomplete. My question is whether I", "the resolution can leave their storylines incomplete. My question is", "as possible or doing so is as bad as not", "writing a story. The aftermath of the main conflict can", "My question is whether I should do that for every", "supporting character and if not, how do you go about", "The aftermath of the main conflict can have a significant", "main conflict can have a significant impact on supporting characters.", "aftermath of every single supporting characters after the main conflict", "characters at the same time and do it as briefly", "possible or doing so is as bad as not exploring", "bad as not exploring the aftermath for any supporting character?", "do you go about choosing which characters deserve such attention", "Neglecting to explore how they cope, heal, or move forward", "that for every supporting character and if not, how do", "the same time and do it as briefly as possible", "you support the aftermath of every single supporting characters after", "a mistake to avoid when writing a story. The aftermath", "of the main conflict can have a significant impact on", "storylines incomplete. My question is whether I should do that", "aftermath of the main conflict can have a significant impact", "not, how do you go about choosing which characters deserve", "is as bad as not exploring the aftermath for any", "characters after the main conflict is resolved? Not exploring the", "how they cope, heal, or move forward after the resolution", "do that for every supporting character and if not, how", "and if not, how do you go about choosing which", "at the same time and do it as briefly as", "move forward after the resolution can leave their storylines incomplete.", "of every single supporting characters after the main conflict is" ]
[ "same language as each other. Now I'm scared that using", "or appropriating. What do I do? There is literally nothing", "What do I do? There is literally nothing in my", "I am writing a book that I planned out as", "book that I planned out as a kid; I've completely", "around so that only the characters have stayed the same.", "anyone have any advice? (Sadly, I don't have the money", "really don't want to hurt anyone. Does anyone have any", "names are just words I translated into other languages until", "I've completely changed it around so that only the characters", "literally nothing in my story that links to those languages", "names I gave them back then, because they fit them", "am writing a book that I planned out as a", "now that I am older, I am scared. Their names", "pretty and that became the name. They aren't even in", "scared. Their names are just words I translated into other", "characters have stayed the same. I love them a lot", "and that became the name. They aren't even in the", "that using these names might be insensitive or appropriating. What", "writing a book that I planned out as a kid;", "advice? (Sadly, I don't have the money for a sensitivity", "same. I love them a lot and I love the", "have stayed the same. I love them a lot and", "am older, I am scared. Their names are just words", "a book that I planned out as a kid; I've", "as a kid; I've completely changed it around so that", "I gave them back then, because they fit them perfectly.", "do I do? There is literally nothing in my story", "a lot and I love the names I gave them", "only the characters have stayed the same. I love them", "might be insensitive or appropriating. What do I do? There", "I love the names I gave them back then, because", "and I love the names I gave them back then,", "are just words I translated into other languages until I", "until I found one that sounded pretty and that became", "I love them a lot and I love the names", "Does anyone have any advice? (Sadly, I don't have the", "I am scared. Their names are just words I translated", "appropriating. What do I do? There is literally nothing in", "found one that sounded pretty and that became the name.", "They aren't even in the same language as each other.", "using these names might be insensitive or appropriating. What do", "other languages until I found one that sounded pretty and", "in my story that links to those languages or cultures", "love the names I gave them back then, because they", "one that sounded pretty and that became the name. They", "I found one that sounded pretty and that became the", "they fit them perfectly. But now that I am older,", "a kid; I've completely changed it around so that only", "the characters have stayed the same. I love them a", "them a lot and I love the names I gave", "I am older, I am scared. Their names are just", "so that only the characters have stayed the same. I", "links to those languages or cultures and I am very", "perfectly. But now that I am older, I am scared.", "do? There is literally nothing in my story that links", "hurt anyone. Does anyone have any advice? (Sadly, I don't", "I do? There is literally nothing in my story that", "names might be insensitive or appropriating. What do I do?", "sounded pretty and that became the name. They aren't even", "stayed the same. I love them a lot and I", "and I am very worried and really don't want to", "kid; I've completely changed it around so that only the", "am scared. Their names are just words I translated into", "fit them perfectly. But now that I am older, I", "that became the name. They aren't even in the same", "that I planned out as a kid; I've completely changed", "Now I'm scared that using these names might be insensitive", "into other languages until I found one that sounded pretty", "insensitive or appropriating. What do I do? There is literally", "the name. They aren't even in the same language as", "I translated into other languages until I found one that", "I am very worried and really don't want to hurt", "worried and really don't want to hurt anyone. Does anyone", "changed it around so that only the characters have stayed", "that only the characters have stayed the same. I love", "in the same language as each other. Now I'm scared", "very worried and really don't want to hurt anyone. Does", "have any advice? (Sadly, I don't have the money for", "(Sadly, I don't have the money for a sensitivity reader.)", "to those languages or cultures and I am very worried", "There is literally nothing in my story that links to", "older, I am scared. Their names are just words I", "then, because they fit them perfectly. But now that I", "I'm scared that using these names might be insensitive or", "be insensitive or appropriating. What do I do? There is", "aren't even in the same language as each other. Now", "out as a kid; I've completely changed it around so", "Their names are just words I translated into other languages", "am very worried and really don't want to hurt anyone.", "languages until I found one that sounded pretty and that", "each other. Now I'm scared that using these names might", "because they fit them perfectly. But now that I am", "the same. I love them a lot and I love", "story that links to those languages or cultures and I", "the same language as each other. Now I'm scared that", "language as each other. Now I'm scared that using these", "words I translated into other languages until I found one", "them perfectly. But now that I am older, I am", "I planned out as a kid; I've completely changed it", "want to hurt anyone. Does anyone have any advice? (Sadly,", "that sounded pretty and that became the name. They aren't", "back then, because they fit them perfectly. But now that", "lot and I love the names I gave them back", "anyone. Does anyone have any advice? (Sadly, I don't have", "planned out as a kid; I've completely changed it around", "is literally nothing in my story that links to those", "that links to those languages or cultures and I am", "translated into other languages until I found one that sounded", "my story that links to those languages or cultures and", "and really don't want to hurt anyone. Does anyone have", "languages or cultures and I am very worried and really", "But now that I am older, I am scared. Their", "any advice? (Sadly, I don't have the money for a", "don't want to hurt anyone. Does anyone have any advice?", "gave them back then, because they fit them perfectly. But", "love them a lot and I love the names I", "other. Now I'm scared that using these names might be", "those languages or cultures and I am very worried and", "these names might be insensitive or appropriating. What do I", "nothing in my story that links to those languages or", "it around so that only the characters have stayed the", "cultures and I am very worried and really don't want", "as each other. Now I'm scared that using these names", "just words I translated into other languages until I found", "completely changed it around so that only the characters have", "became the name. They aren't even in the same language", "to hurt anyone. Does anyone have any advice? (Sadly, I", "them back then, because they fit them perfectly. But now", "that I am older, I am scared. Their names are", "the names I gave them back then, because they fit", "or cultures and I am very worried and really don't", "even in the same language as each other. Now I'm", "name. They aren't even in the same language as each", "scared that using these names might be insensitive or appropriating." ]
[ "dead, as it is important to the plot. I feel", "books, and I don’t want do do something that has", "and books, and I don’t want do do something that", "died in a somewhat ghastly car accident. I haven’t decided", "am debating now if the \"parent death by car accident\"", "is too cliché. I do want her parents dead, as", "where my readers don’t sympathize with the MC as much", "death by car accident\" thing is too cliché. I do", "which would make the death of her parents all the", "has been done way too many times to the point", "working on a book in which the main character’s parents", "do do something that has been done way too many", "the point where my readers don’t sympathize with the MC", "my readers don’t sympathize with the MC as much as", "many times to the point where my readers don’t sympathize", "parents all the more traumatic. I am debating now if", "want her parents dead, as it is important to the", "to the point where my readers don’t sympathize with the", "death of her parents all the more traumatic. I am", "want do do something that has been done way too", "accident\" thing is too cliché. I do want her parents", "\"parent death by car accident\" thing is too cliché. I", "traumatic. I am debating now if the \"parent death by", "been done way too many times to the point where", "shows, movies, and books, and I don’t want do do", "too cliché. I do want her parents dead, as it", "by car accident\" thing is too cliché. I do want", "if my MC was a part of the accident, which", "do something that has been done way too many times", "parents dying in a car accident a lot in TV", "currently working on a book in which the main character’s", "car accident a lot in TV shows, movies, and books,", "about parents dying in a car accident a lot in", "TV shows, movies, and books, and I don’t want do", "now if the \"parent death by car accident\" thing is", "something that has been done way too many times to", "a part of the accident, which would make the death", "a book in which the main character’s parents died in", "of her parents all the more traumatic. I am debating", "in a car accident a lot in TV shows, movies,", "I’m currently working on a book in which the main", "the death of her parents all the more traumatic. I", "lot in TV shows, movies, and books, and I don’t", "I haven’t decided yet if my MC was a part", "the more traumatic. I am debating now if the \"parent", "on a book in which the main character’s parents died", "parents died in a somewhat ghastly car accident. I haven’t", "my MC was a part of the accident, which would", "and I don’t want do do something that has been", "way too many times to the point where my readers", "point where my readers don’t sympathize with the MC as", "dying in a car accident a lot in TV shows,", "in TV shows, movies, and books, and I don’t want", "part of the accident, which would make the death of", "yet if my MC was a part of the accident,", "is important to the plot. I feel like you hear", "readers don’t sympathize with the MC as much as they", "decided yet if my MC was a part of the", "don’t want do do something that has been done way", "done way too many times to the point where my", "times to the point where my readers don’t sympathize with", "do want her parents dead, as it is important to", "movies, and books, and I don’t want do do something", "all the more traumatic. I am debating now if the", "in which the main character’s parents died in a somewhat", "the accident, which would make the death of her parents", "the plot. I feel like you hear about parents dying", "as it is important to the plot. I feel like", "cliché. I do want her parents dead, as it is", "a somewhat ghastly car accident. I haven’t decided yet if", "make the death of her parents all the more traumatic.", "in a somewhat ghastly car accident. I haven’t decided yet", "would make the death of her parents all the more", "I feel like you hear about parents dying in a", "accident, which would make the death of her parents all", "character’s parents died in a somewhat ghastly car accident. I", "a car accident a lot in TV shows, movies, and", "to the plot. I feel like you hear about parents", "don’t sympathize with the MC as much as they should.", "feel like you hear about parents dying in a car", "her parents all the more traumatic. I am debating now", "somewhat ghastly car accident. I haven’t decided yet if my", "which the main character’s parents died in a somewhat ghastly", "hear about parents dying in a car accident a lot", "you hear about parents dying in a car accident a", "if the \"parent death by car accident\" thing is too", "more traumatic. I am debating now if the \"parent death", "important to the plot. I feel like you hear about", "accident a lot in TV shows, movies, and books, and", "too many times to the point where my readers don’t", "was a part of the accident, which would make the", "ghastly car accident. I haven’t decided yet if my MC", "a lot in TV shows, movies, and books, and I", "main character’s parents died in a somewhat ghastly car accident.", "her parents dead, as it is important to the plot.", "car accident. I haven’t decided yet if my MC was", "the \"parent death by car accident\" thing is too cliché.", "plot. I feel like you hear about parents dying in", "debating now if the \"parent death by car accident\" thing", "accident. I haven’t decided yet if my MC was a", "it is important to the plot. I feel like you", "thing is too cliché. I do want her parents dead,", "haven’t decided yet if my MC was a part of", "parents dead, as it is important to the plot. I", "I am debating now if the \"parent death by car", "the main character’s parents died in a somewhat ghastly car", "car accident\" thing is too cliché. I do want her", "book in which the main character’s parents died in a", "MC was a part of the accident, which would make", "I do want her parents dead, as it is important", "like you hear about parents dying in a car accident", "of the accident, which would make the death of her", "I don’t want do do something that has been done", "that has been done way too many times to the" ]
[ "the group is away, Mokarimk receives a dire warning of", "about how can I write tbis To subtly hint at", "demise may not be as it seems, leaving them intrigued", "He discovers that it is none other than Devestator, the", "impact is so powerful that everyone, including his friends, assumes", "was created by Mokarimk himself. However, their greatest challenge arises", "forever. However, unbeknownst to them and to the readers, Mokarimk", "head-on, Mokarimk sets off for the battle alone, alerting his", "unbeknownst to them and to the readers, Mokarimk manages to", "battle alone, alerting his friends about the situation. Although it", "am unsure about how can I write tbis To subtly", "tbis To subtly hint at Mokarimk's survival, I envision either", "sets off for the battle alone, alerting his friends about", "Among them, Mokarimk and Tom share a special bond since", "arises when they encounter an immensely powerful alien known as", "either Ben or Tom picking up on a clue that", "is a notorious criminal, wanted across the galaxies. One day,", "I write tbis To subtly hint at Mokarimk's survival, I", "that it is none other than Devestator, the infamous criminal", "them some time to arrive, they eventually reach the scene,", "Nquurt, Aluke, and Gaaruc find themselves engaged in an intense", "makes a triumphant comeback. I am unsure about how can", "up on a clue that suggests he wasn't destroyed. Whether", "Robots, Tom and Ben. Among them, Mokarimk and Tom share", "alien known as Devestator, surpassing anything they have faced before.", "to the readers, Mokarimk manages to miraculously survive the assault.", "write tbis To subtly hint at Mokarimk's survival, I envision", "Tom share a special bond since Tom was created by", "it is none other than Devestator, the infamous criminal he", "I envision either Ben or Tom picking up on a", "aided by their trusty AI Robots, Tom and Ben. Among", "they eventually reach the scene, witnessing the fierce clash between", "an alien presence on Earth. He discovers that it is", "the fierce clash between Mokarimk and Devestator, with Tom standing", "Determined to confront the threat head-on, Mokarimk sets off for", "teenagers are aided by their trusty AI Robots, Tom and", "arrive, they eventually reach the scene, witnessing the fierce clash", "they encounter an immensely powerful alien known as Devestator, surpassing", "hint at Mokarimk's survival, I envision either Ben or Tom", "I am unsure about how can I write tbis To", "powerful alien known as Devestator, surpassing anything they have faced", "challenge arises when they encounter an immensely powerful alien known", "Whether it's a cryptic remark or a small observation, this", "Tom and Ben. Among them, Mokarimk and Tom share a", "remark or a small observation, this clue will indirectly indicate", "comrade has been lost forever. However, unbeknownst to them and", "Mokarimk himself. However, their greatest challenge arises when they encounter", "plan to depict a pivotal moment where Devestator launches a", "However, their greatest challenge arises when they encounter an immensely", "against formidable extraterrestrial foes. These teenagers are aided by their", "his friends, assumes Mokarimk has been obliterated by the attack.", "Tom standing by their side. To intensify the dramatic effect,", "their greatest challenge arises when they encounter an immensely powerful", "himself. However, their greatest challenge arises when they encounter an", "Mokarimk and Tom share a special bond since Tom was", "of the group is away, Mokarimk receives a dire warning", "the scene, witnessing the fierce clash between Mokarimk and Devestator,", "friends, assumes Mokarimk has been obliterated by the attack. They", "by the attack. They become disheartened, believing their comrade has", "Mokarimk makes a triumphant comeback. I am unsure about how", "of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc", "off for the battle alone, alerting his friends about the", "criminal he has been hunting. Determined to confront the threat", "that Mokarimk's demise may not be as it seems, leaving", "notorious criminal, wanted across the galaxies. One day, while the", "by Mokarimk himself. However, their greatest challenge arises when they", "encounter an immensely powerful alien known as Devestator, surpassing anything", "known as Devestator, surpassing anything they have faced before. Devestator", "to arrive, they eventually reach the scene, witnessing the fierce", "and Ben. Among them, Mokarimk and Tom share a special", "Devestator, surpassing anything they have faced before. Devestator is a", "and Devestator, with Tom standing by their side. To intensify", "greatest challenge arises when they encounter an immensely powerful alien", "been lost forever. However, unbeknownst to them and to the", "named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find themselves engaged", "Devestator, the infamous criminal he has been hunting. Determined to", "Gaaruc find themselves engaged in an intense battle against formidable", "across the galaxies. One day, while the rest of the", "immensely powerful alien known as Devestator, surpassing anything they have", "the rest of the group is away, Mokarimk receives a", "a special bond since Tom was created by Mokarimk himself.", "a few chapters later, Mokarimk makes a triumphant comeback. I", "the infamous criminal he has been hunting. Determined to confront", "is none other than Devestator, the infamous criminal he has", "discovers that it is none other than Devestator, the infamous", "laser blast at Mokarimk. The impact is so powerful that", "including his friends, assumes Mokarimk has been obliterated by the", "believing their comrade has been lost forever. However, unbeknownst to", "to depict a pivotal moment where Devestator launches a devastating", "the battle alone, alerting his friends about the situation. Although", "has been hunting. Determined to confront the threat head-on, Mokarimk", "before. Devestator is a notorious criminal, wanted across the galaxies.", "warning of an alien presence on Earth. He discovers that", "I plan to depict a pivotal moment where Devestator launches", "about the situation. Although it takes them some time to", "and to the readers, Mokarimk manages to miraculously survive the", "Devestator, with Tom standing by their side. To intensify the", "that suggests he wasn't destroyed. Whether it's a cryptic remark", "Kristy, Nquurt, Aluke, and Gaaruc find themselves engaged in an", "themselves engaged in an intense battle against formidable extraterrestrial foes.", "One day, while the rest of the group is away,", "some time to arrive, they eventually reach the scene, witnessing", "a cryptic remark or a small observation, this clue will", "scene, witnessing the fierce clash between Mokarimk and Devestator, with", "unsure about how can I write tbis To subtly hint", "alerting his friends about the situation. Although it takes them", "Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find themselves engaged in", "this clue will indirectly indicate to the readers that Mokarimk's", "small observation, this clue will indirectly indicate to the readers", "their comrade has been lost forever. However, unbeknownst to them", "later, Mokarimk makes a triumphant comeback. I am unsure about", "Aluke, and Gaaruc find themselves engaged in an intense battle", "it takes them some time to arrive, they eventually reach", "In my story, a group of courageous teenagers named Mokarimk,", "are aided by their trusty AI Robots, Tom and Ben.", "have faced before. Devestator is a notorious criminal, wanted across", "clash between Mokarimk and Devestator, with Tom standing by their", "so powerful that everyone, including his friends, assumes Mokarimk has", "Mokarimk and Devestator, with Tom standing by their side. To", "attack. They become disheartened, believing their comrade has been lost", "a small observation, this clue will indirectly indicate to the", "reach the scene, witnessing the fierce clash between Mokarimk and", "become disheartened, believing their comrade has been lost forever. However,", "Although it takes them some time to arrive, they eventually", "than Devestator, the infamous criminal he has been hunting. Determined", "formidable extraterrestrial foes. These teenagers are aided by their trusty", "the assault. Unveiling a surprise twist a few chapters later,", "a notorious criminal, wanted across the galaxies. One day, while", "launches a devastating laser blast at Mokarimk. The impact is", "devastating laser blast at Mokarimk. The impact is so powerful", "is so powerful that everyone, including his friends, assumes Mokarimk", "situation. Although it takes them some time to arrive, they", "lost forever. However, unbeknownst to them and to the readers,", "a clue that suggests he wasn't destroyed. Whether it's a", "standing by their side. To intensify the dramatic effect, I", "wanted across the galaxies. One day, while the rest of", "Tom picking up on a clue that suggests he wasn't", "manages to miraculously survive the assault. Unveiling a surprise twist", "Devestator is a notorious criminal, wanted across the galaxies. One", "The impact is so powerful that everyone, including his friends,", "other than Devestator, the infamous criminal he has been hunting.", "twist a few chapters later, Mokarimk makes a triumphant comeback.", "story, a group of courageous teenagers named Mokarimk, Kristy, Nquurt,", "to miraculously survive the assault. Unveiling a surprise twist a", "at Mokarimk's survival, I envision either Ben or Tom picking", "courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find", "Ben. Among them, Mokarimk and Tom share a special bond", "engaged in an intense battle against formidable extraterrestrial foes. These", "been obliterated by the attack. They become disheartened, believing their", "their trusty AI Robots, Tom and Ben. Among them, Mokarimk", "survive the assault. Unveiling a surprise twist a few chapters", "clue that suggests he wasn't destroyed. Whether it's a cryptic", "indicate to the readers that Mokarimk's demise may not be", "Earth. He discovers that it is none other than Devestator,", "comeback. I am unsure about how can I write tbis", "the galaxies. One day, while the rest of the group", "away, Mokarimk receives a dire warning of an alien presence", "Mokarimk's demise may not be as it seems, leaving them", "is away, Mokarimk receives a dire warning of an alien", "at Mokarimk. The impact is so powerful that everyone, including", "leaving them intrigued and eager for his eventual grand comeback", "his friends about the situation. Although it takes them some", "an immensely powerful alien known as Devestator, surpassing anything they", "receives a dire warning of an alien presence on Earth.", "Mokarimk. The impact is so powerful that everyone, including his", "takes them some time to arrive, they eventually reach the", "everyone, including his friends, assumes Mokarimk has been obliterated by", "suggests he wasn't destroyed. Whether it's a cryptic remark or", "on Earth. He discovers that it is none other than", "eventually reach the scene, witnessing the fierce clash between Mokarimk", "fierce clash between Mokarimk and Devestator, with Tom standing by", "has been obliterated by the attack. They become disheartened, believing", "not be as it seems, leaving them intrigued and eager", "surprise twist a few chapters later, Mokarimk makes a triumphant", "none other than Devestator, the infamous criminal he has been", "They become disheartened, believing their comrade has been lost forever.", "to confront the threat head-on, Mokarimk sets off for the", "faced before. Devestator is a notorious criminal, wanted across the", "day, while the rest of the group is away, Mokarimk", "a dire warning of an alien presence on Earth. He", "infamous criminal he has been hunting. Determined to confront the", "between Mokarimk and Devestator, with Tom standing by their side.", "intensify the dramatic effect, I plan to depict a pivotal", "them and to the readers, Mokarimk manages to miraculously survive", "may not be as it seems, leaving them intrigued and", "rest of the group is away, Mokarimk receives a dire", "special bond since Tom was created by Mokarimk himself. However,", "them, Mokarimk and Tom share a special bond since Tom", "a group of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke,", "survival, I envision either Ben or Tom picking up on", "powerful that everyone, including his friends, assumes Mokarimk has been", "chapters later, Mokarimk makes a triumphant comeback. I am unsure", "wasn't destroyed. Whether it's a cryptic remark or a small", "presence on Earth. He discovers that it is none other", "that everyone, including his friends, assumes Mokarimk has been obliterated", "on a clue that suggests he wasn't destroyed. Whether it's", "Mokarimk's survival, I envision either Ben or Tom picking up", "to the readers that Mokarimk's demise may not be as", "my story, a group of courageous teenagers named Mokarimk, Kristy,", "to them and to the readers, Mokarimk manages to miraculously", "confront the threat head-on, Mokarimk sets off for the battle", "by their side. To intensify the dramatic effect, I plan", "battle against formidable extraterrestrial foes. These teenagers are aided by", "since Tom was created by Mokarimk himself. However, their greatest", "side. To intensify the dramatic effect, I plan to depict", "moment where Devestator launches a devastating laser blast at Mokarimk.", "the readers, Mokarimk manages to miraculously survive the assault. Unveiling", "dire warning of an alien presence on Earth. He discovers", "a pivotal moment where Devestator launches a devastating laser blast", "the attack. They become disheartened, believing their comrade has been", "the situation. Although it takes them some time to arrive,", "indirectly indicate to the readers that Mokarimk's demise may not", "of an alien presence on Earth. He discovers that it", "observation, this clue will indirectly indicate to the readers that", "clue will indirectly indicate to the readers that Mokarimk's demise", "been hunting. Determined to confront the threat head-on, Mokarimk sets", "threat head-on, Mokarimk sets off for the battle alone, alerting", "by their trusty AI Robots, Tom and Ben. Among them,", "group of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and", "as Devestator, surpassing anything they have faced before. Devestator is", "he wasn't destroyed. Whether it's a cryptic remark or a", "trusty AI Robots, Tom and Ben. Among them, Mokarimk and", "intense battle against formidable extraterrestrial foes. These teenagers are aided", "time to arrive, they eventually reach the scene, witnessing the", "effect, I plan to depict a pivotal moment where Devestator", "obliterated by the attack. They become disheartened, believing their comrade", "the dramatic effect, I plan to depict a pivotal moment", "be as it seems, leaving them intrigued and eager for", "envision either Ben or Tom picking up on a clue", "created by Mokarimk himself. However, their greatest challenge arises when", "extraterrestrial foes. These teenagers are aided by their trusty AI", "Mokarimk receives a dire warning of an alien presence on", "witnessing the fierce clash between Mokarimk and Devestator, with Tom", "with Tom standing by their side. To intensify the dramatic", "a devastating laser blast at Mokarimk. The impact is so", "foes. These teenagers are aided by their trusty AI Robots,", "share a special bond since Tom was created by Mokarimk", "assault. Unveiling a surprise twist a few chapters later, Mokarimk", "a triumphant comeback. I am unsure about how can I", "galaxies. One day, while the rest of the group is", "To subtly hint at Mokarimk's survival, I envision either Ben", "picking up on a clue that suggests he wasn't destroyed.", "hunting. Determined to confront the threat head-on, Mokarimk sets off", "as it seems, leaving them intrigued and eager for his", "To intensify the dramatic effect, I plan to depict a", "an intense battle against formidable extraterrestrial foes. These teenagers are", "while the rest of the group is away, Mokarimk receives", "he has been hunting. Determined to confront the threat head-on,", "friends about the situation. Although it takes them some time", "has been lost forever. However, unbeknownst to them and to", "how can I write tbis To subtly hint at Mokarimk's", "miraculously survive the assault. Unveiling a surprise twist a few", "in an intense battle against formidable extraterrestrial foes. These teenagers", "Mokarimk has been obliterated by the attack. They become disheartened,", "readers that Mokarimk's demise may not be as it seems,", "Devestator launches a devastating laser blast at Mokarimk. The impact", "readers, Mokarimk manages to miraculously survive the assault. Unveiling a", "Ben or Tom picking up on a clue that suggests", "depict a pivotal moment where Devestator launches a devastating laser", "where Devestator launches a devastating laser blast at Mokarimk. The", "dramatic effect, I plan to depict a pivotal moment where", "for the battle alone, alerting his friends about the situation.", "when they encounter an immensely powerful alien known as Devestator,", "and Gaaruc find themselves engaged in an intense battle against", "bond since Tom was created by Mokarimk himself. However, their", "a surprise twist a few chapters later, Mokarimk makes a", "disheartened, believing their comrade has been lost forever. However, unbeknownst", "few chapters later, Mokarimk makes a triumphant comeback. I am", "teenagers named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find themselves", "surpassing anything they have faced before. Devestator is a notorious", "alien presence on Earth. He discovers that it is none", "blast at Mokarimk. The impact is so powerful that everyone,", "subtly hint at Mokarimk's survival, I envision either Ben or", "the readers that Mokarimk's demise may not be as it", "destroyed. Whether it's a cryptic remark or a small observation,", "Tom was created by Mokarimk himself. However, their greatest challenge", "AI Robots, Tom and Ben. Among them, Mokarimk and Tom", "the threat head-on, Mokarimk sets off for the battle alone,", "it's a cryptic remark or a small observation, this clue", "Mokarimk manages to miraculously survive the assault. Unveiling a surprise", "it seems, leaving them intrigued and eager for his eventual", "can I write tbis To subtly hint at Mokarimk's survival,", "alone, alerting his friends about the situation. Although it takes", "However, unbeknownst to them and to the readers, Mokarimk manages", "pivotal moment where Devestator launches a devastating laser blast at", "their side. To intensify the dramatic effect, I plan to", "Mokarimk sets off for the battle alone, alerting his friends", "find themselves engaged in an intense battle against formidable extraterrestrial", "they have faced before. Devestator is a notorious criminal, wanted", "These teenagers are aided by their trusty AI Robots, Tom", "seems, leaving them intrigued and eager for his eventual grand", "criminal, wanted across the galaxies. One day, while the rest", "Unveiling a surprise twist a few chapters later, Mokarimk makes", "cryptic remark or a small observation, this clue will indirectly", "will indirectly indicate to the readers that Mokarimk's demise may", "anything they have faced before. Devestator is a notorious criminal,", "group is away, Mokarimk receives a dire warning of an", "triumphant comeback. I am unsure about how can I write", "or a small observation, this clue will indirectly indicate to", "assumes Mokarimk has been obliterated by the attack. They become", "and Tom share a special bond since Tom was created", "or Tom picking up on a clue that suggests he" ]
[ "\"standalone with series potential\" thing. Since I'm going to be", "as a standalone but some massive questions are left out", "it's kind of like The Dark Knight: Batman hinges the", "said, I'm also curious about the \"standalone with series potential\"", "Reddit constantly focuses on that despite that the debut epic", "like The Dark Knight: Batman hinges the future of Vutfam", "It also answers another big question posed at the beginning,", "of Vutfam on a lie and goes on the run.", "lie and goes on the run. The movie is perfectly", "multiple POVs. The main goal of the story is achieved", "question being answered somewhat open ended too. All in all,", "word epic fantasy. These next few passes will bring that", "movie is perfectly fine as a standalone but some massive", "are left out there. How much leeway is there for", "that the debut epic fantasy 120k word count stuff has", "point, but I'm still going to go over it and", "somewhat open ended too. All in all, it's kind of", "My novel is one with multiple POVs. The main goal", "to be doing some more smaller rewrites, I'd rather have", "in my opinion, is at its strongest at this point,", "left kind of open ended, meaning it's shown they can", "extraneous stuff I can to eliminate or rework. That said,", "that down quite a bit, and I know there's wiggle", "one with multiple POVs. The main goal of the story", "know the cliffhanger type endings (which I admit, mine kind", "of that question being answered somewhat open ended too. All", "find whatever extraneous stuff I can to eliminate or rework.", "too. All in all, it's kind of like The Dark", "a few massive questions are answered, though not without massive", "How much leeway is there for this? I'd like to", "that despite that the debut epic fantasy 120k word count", "out there. How much leeway is there for this? I'd", "but a bloody war will ensue to make it happen.", "\"whole new world\" aspect is left kind of open ended,", "kind of open ended, meaning it's shown they can start,", "its strongest at this point, but I'm still going to", "over it and find whatever extraneous stuff I can to", "It's a 195k word epic fantasy. These next few passes", "there for this? I'd like to submit to some of", "Dark Knight: Batman hinges the future of Vutfam on a", "count stuff has been debunked by other debut novels among", "war will ensue to make it happen. It also answers", "I'd rather have a better grasp of this in mind.", "The \"whole new world\" aspect is left kind of open", "things. The story, in my opinion, is at its strongest", "a 195k word epic fantasy. These next few passes will", "with multiple POVs. The main goal of the story is", "cliffhanger type endings (which I admit, mine kind of are", "the run. The movie is perfectly fine as a standalone", "is at its strongest at this point, but I'm still", "endings (which I admit, mine kind of are since the", "word count stuff has been debunked by other debut novels", "epic fantasy 120k word count stuff has been debunked by", "debut novels among other things. The story, in my opinion,", "a lie and goes on the run. The movie is", "it happen. It also answers another big question posed at", "These next few passes will bring that down quite a", "eliminate or rework. That said, I'm also curious about the", "curious about the \"standalone with series potential\" thing. Since I'm", "left out there. How much leeway is there for this?", "type endings (which I admit, mine kind of are since", "it just one of those things we throw into the", "goal of the story is achieved and a few massive", "wiggle room. Reddit constantly focuses on that despite that the", "debut epic fantasy 120k word count stuff has been debunked", "question posed at the beginning, but leaves the consequences of", "of this in mind. My novel is one with multiple", "focuses on that despite that the debut epic fantasy 120k", "for this? I'd like to submit to some of the", "to submit to some of the better publishing houses, but", "the better publishing houses, but I know the cliffhanger type", "I'm going to be doing some more smaller rewrites, I'd", "future of Vutfam on a lie and goes on the", "answers bring more questions, but there are still answers regardless).", "debunked by other debut novels among other things. The story,", "I'm still going to go over it and find whatever", "kind of like The Dark Knight: Batman hinges the future", "one of those things we throw into the wind and", "rather have a better grasp of this in mind. My", "I'm also curious about the \"standalone with series potential\" thing.", "perfectly fine as a standalone but some massive questions are", "of the story is achieved and a few massive questions", "without massive consequences. The \"whole new world\" aspect is left", "rewrites, I'd rather have a better grasp of this in", "are still answers regardless). Is it just one of those", "Is it just one of those things we throw into", "of those things we throw into the wind and hope", "is left kind of open ended, meaning it's shown they", "big question posed at the beginning, but leaves the consequences", "doing some more smaller rewrites, I'd rather have a better", "more smaller rewrites, I'd rather have a better grasp of", "houses, but I know the cliffhanger type endings (which I", "but I'm still going to go over it and find", "story is achieved and a few massive questions are answered,", "at its strongest at this point, but I'm still going", "a better grasp of this in mind. My novel is", "aspect is left kind of open ended, meaning it's shown", "ensue to make it happen. It also answers another big", "POVs. The main goal of the story is achieved and", "Batman hinges the future of Vutfam on a lie and", "is there for this? I'd like to submit to some", "some of the better publishing houses, but I know the", "things we throw into the wind and hope its accepted?", "novels among other things. The story, in my opinion, is", "some massive questions are left out there. How much leeway", "better publishing houses, but I know the cliffhanger type endings", "the \"standalone with series potential\" thing. Since I'm going to", "bloody war will ensue to make it happen. It also", "few massive questions are answered, though not without massive consequences.", "few passes will bring that down quite a bit, and", "to go over it and find whatever extraneous stuff I", "grasp of this in mind. My novel is one with", "a bloody war will ensue to make it happen. It", "That said, I'm also curious about the \"standalone with series", "is achieved and a few massive questions are answered, though", "novel is one with multiple POVs. The main goal of", "bring that down quite a bit, and I know there's", "better grasp of this in mind. My novel is one", "down quite a bit, and I know there's wiggle room.", "about the \"standalone with series potential\" thing. Since I'm going", "stuff I can to eliminate or rework. That said, I'm", "regardless). Is it just one of those things we throw", "the cliffhanger type endings (which I admit, mine kind of", "the debut epic fantasy 120k word count stuff has been", "by other debut novels among other things. The story, in", "make it happen. It also answers another big question posed", "195k word epic fantasy. These next few passes will bring", "beginning, but leaves the consequences of that question being answered", "thing. Since I'm going to be doing some more smaller", "of are since the answers bring more questions, but there", "and I know there's wiggle room. Reddit constantly focuses on", "on that despite that the debut epic fantasy 120k word", "at this point, but I'm still going to go over", "this? I'd like to submit to some of the better", "start, but a bloody war will ensue to make it", "standalone but some massive questions are left out there. How", "been debunked by other debut novels among other things. The", "I know the cliffhanger type endings (which I admit, mine", "massive consequences. The \"whole new world\" aspect is left kind", "are answered, though not without massive consequences. The \"whole new", "120k word count stuff has been debunked by other debut", "main goal of the story is achieved and a few", "being answered somewhat open ended too. All in all, it's", "next few passes will bring that down quite a bit,", "they can start, but a bloody war will ensue to", "answered somewhat open ended too. All in all, it's kind", "shown they can start, but a bloody war will ensue", "constantly focuses on that despite that the debut epic fantasy", "strongest at this point, but I'm still going to go", "The Dark Knight: Batman hinges the future of Vutfam on", "hinges the future of Vutfam on a lie and goes", "questions are answered, though not without massive consequences. The \"whole", "is one with multiple POVs. The main goal of the", "fantasy. These next few passes will bring that down quite", "the answers bring more questions, but there are still answers", "but there are still answers regardless). Is it just one", "with series potential\" thing. Since I'm going to be doing", "is perfectly fine as a standalone but some massive questions", "there are still answers regardless). Is it just one of", "but leaves the consequences of that question being answered somewhat", "consequences of that question being answered somewhat open ended too.", "in mind. My novel is one with multiple POVs. The", "world\" aspect is left kind of open ended, meaning it's", "the beginning, but leaves the consequences of that question being", "this point, but I'm still going to go over it", "just one of those things we throw into the wind", "achieved and a few massive questions are answered, though not", "a bit, and I know there's wiggle room. Reddit constantly", "has been debunked by other debut novels among other things.", "smaller rewrites, I'd rather have a better grasp of this", "happen. It also answers another big question posed at the", "to eliminate or rework. That said, I'm also curious about", "some more smaller rewrites, I'd rather have a better grasp", "among other things. The story, in my opinion, is at", "posed at the beginning, but leaves the consequences of that", "The story, in my opinion, is at its strongest at", "and goes on the run. The movie is perfectly fine", "The movie is perfectly fine as a standalone but some", "quite a bit, and I know there's wiggle room. Reddit", "but I know the cliffhanger type endings (which I admit,", "there's wiggle room. Reddit constantly focuses on that despite that", "potential\" thing. Since I'm going to be doing some more", "All in all, it's kind of like The Dark Knight:", "answered, though not without massive consequences. The \"whole new world\"", "The main goal of the story is achieved and a", "still going to go over it and find whatever extraneous", "other things. The story, in my opinion, is at its", "mind. My novel is one with multiple POVs. The main", "I'd like to submit to some of the better publishing", "whatever extraneous stuff I can to eliminate or rework. That", "answers another big question posed at the beginning, but leaves", "will ensue to make it happen. It also answers another", "new world\" aspect is left kind of open ended, meaning", "open ended too. All in all, it's kind of like", "fine as a standalone but some massive questions are left", "those things we throw into the wind and hope its", "will bring that down quite a bit, and I know", "room. Reddit constantly focuses on that despite that the debut", "(which I admit, mine kind of are since the answers", "or rework. That said, I'm also curious about the \"standalone", "meaning it's shown they can start, but a bloody war", "but some massive questions are left out there. How much", "rework. That said, I'm also curious about the \"standalone with", "I know there's wiggle room. Reddit constantly focuses on that", "run. The movie is perfectly fine as a standalone but", "leeway is there for this? I'd like to submit to", "can to eliminate or rework. That said, I'm also curious", "submit to some of the better publishing houses, but I", "bit, and I know there's wiggle room. Reddit constantly focuses", "I admit, mine kind of are since the answers bring", "massive questions are left out there. How much leeway is", "ended, meaning it's shown they can start, but a bloody", "the future of Vutfam on a lie and goes on", "admit, mine kind of are since the answers bring more", "going to be doing some more smaller rewrites, I'd rather", "in all, it's kind of like The Dark Knight: Batman", "and find whatever extraneous stuff I can to eliminate or", "leaves the consequences of that question being answered somewhat open", "a standalone but some massive questions are left out there.", "it's shown they can start, but a bloody war will", "my opinion, is at its strongest at this point, but", "questions are left out there. How much leeway is there", "questions, but there are still answers regardless). Is it just", "opinion, is at its strongest at this point, but I'm", "on a lie and goes on the run. The movie", "story, in my opinion, is at its strongest at this", "though not without massive consequences. The \"whole new world\" aspect", "kind of are since the answers bring more questions, but", "answers regardless). Is it just one of those things we", "of the better publishing houses, but I know the cliffhanger", "open ended, meaning it's shown they can start, but a", "series potential\" thing. Since I'm going to be doing some", "more questions, but there are still answers regardless). Is it", "of like The Dark Knight: Batman hinges the future of", "consequences. The \"whole new world\" aspect is left kind of", "can start, but a bloody war will ensue to make", "to some of the better publishing houses, but I know", "on the run. The movie is perfectly fine as a", "know there's wiggle room. Reddit constantly focuses on that despite", "fantasy 120k word count stuff has been debunked by other", "epic fantasy. These next few passes will bring that down", "massive questions are answered, though not without massive consequences. The", "despite that the debut epic fantasy 120k word count stuff", "all, it's kind of like The Dark Knight: Batman hinges", "at the beginning, but leaves the consequences of that question", "and a few massive questions are answered, though not without", "be doing some more smaller rewrites, I'd rather have a", "Knight: Batman hinges the future of Vutfam on a lie", "Since I'm going to be doing some more smaller rewrites,", "I can to eliminate or rework. That said, I'm also", "also curious about the \"standalone with series potential\" thing. Since", "have a better grasp of this in mind. My novel", "it and find whatever extraneous stuff I can to eliminate", "not without massive consequences. The \"whole new world\" aspect is", "go over it and find whatever extraneous stuff I can", "Vutfam on a lie and goes on the run. The", "the story is achieved and a few massive questions are", "like to submit to some of the better publishing houses,", "this in mind. My novel is one with multiple POVs.", "other debut novels among other things. The story, in my", "much leeway is there for this? I'd like to submit", "publishing houses, but I know the cliffhanger type endings (which", "another big question posed at the beginning, but leaves the", "that question being answered somewhat open ended too. All in", "still answers regardless). Is it just one of those things", "going to go over it and find whatever extraneous stuff", "to make it happen. It also answers another big question", "ended too. All in all, it's kind of like The", "mine kind of are since the answers bring more questions,", "stuff has been debunked by other debut novels among other", "passes will bring that down quite a bit, and I", "of open ended, meaning it's shown they can start, but", "since the answers bring more questions, but there are still", "there. How much leeway is there for this? I'd like", "are since the answers bring more questions, but there are", "the consequences of that question being answered somewhat open ended", "goes on the run. The movie is perfectly fine as", "also answers another big question posed at the beginning, but", "bring more questions, but there are still answers regardless). Is" ]
[ "riotous friends on notice he will one day part ways", "them; the scene where he succeeds at his schools big", "the story's main promise and conflict centers on the related", "families at the center of the story. So internal and", "status quo\" has me a bit confused, and well, unsettled.", "does not want to have a cliffhanger, or at least", "for the war; or perhaps the scene where the father", "with them; the scene where he succeeds at his schools", "it is worth. But professional editors say its very rare", "Halfway through the story, news of Napoleon Bonaparte's escape from", "not want to have a cliffhanger, or at least the", "about (England during the Wars of Napoleon). The manuscript has", "plot threads that support the main theme). Possible break points", "lot about (England during the Wars of Napoleon). The manuscript", "scene where the protagonist puts his old riotous friends on", "split the book is that the story's main promise and", "are stages and obstacles in which he begins to prove", "is not written in the spirit of a series. My", "center of the story. So internal and external conflicts among", "reliably good story, shifted by me into a more modern,", "a heartfelt vow to his father that he will turn", "novel adapted from a reliably good story, shifted by me", "subplots (friendship and romance arcs, unresolved plot threads that support", "in which he begins to prove himself, and subplots (friendship", "it a duology including the betas. There are not ant", "love and know a lot about (England during the Wars", "Book One to feel like a completed tale. Halfway through", "with the protagonist being a riotous, profligate party-animal who, at", "and a new conflict. The aspect that makes me uncertain", "duology including the betas. There are not ant books on", "end. There are stages and obstacles in which he begins", "not sure how, and reading of terminology like \"unsettled status", "not really fully prove himself until the battle at the", "for books now to be of this length anymore. Several", "on the related themes of honor and redemption, with the", "you need Book One to feel like a completed tale.", "redemption, with the protagonist being a riotous, profligate party-animal who,", "Speech Day event just before embarking for the war; or", "on Amazon about how to books on how to write", "modern, popular setting that I love and know a lot", "on notice he will one day part ways with them;", "where to split the book is that the story's main", "prove himself until the battle at the end. There are", "are the scene where the news of Napoleon's escape arrives;", "essentially a writer does not want to have a cliffhanger,", "break point to better create a feeling of a complete", "sure how, and reading of terminology like \"unsettled status quo\"", "The aspect that makes me uncertain of how and where", "his father that he will turn things around. But of", "theme). Possible break points are the scene where the news", "and romance arcs, unresolved plot threads that support the main", "a historical novel adapted from a reliably good story, shifted", "the story, news of Napoleon Bonaparte's escape from exile reaches", "external conflicts among these family and friends get overlaid by", "have suggested making it a duology including the betas. There", "old riotous friends on notice he will one day part", "vow to his father that he will turn things around.", "a new chapter or two into the break point to", "the wrong kind. And you need Book One to feel", "escape arrives; the scene where the protagonist vow's to his", "a writer does not want to have a cliffhanger, or", "the spirit of a series. My grasp of terminology is", "fully prove himself until the battle at the end. There", "ways with them; the scene where he succeeds at his", "the center of the story. So internal and external conflicts", "England, directly impacting the two military families at the center", "centers on the related themes of honor and redemption, with", "where the father says his fateful goodbye to his wife", "notice he will one day part ways with them; the", "promise and conflict centers on the related themes of honor", "and obstacles in which he begins to prove himself, and", "that I love and know a lot about (England during", "a series. My grasp of terminology is sketchy, but my", "(England during the Wars of Napoleon). The manuscript has been", "main promise and conflict centers on the related themes of", "can write a new chapter or two into the break", "romance arcs, unresolved plot threads that support the main theme).", "making it a duology including the betas. There are not", "fateful goodbye to his wife (the protagonist's mother) as he", "conflict centers on the related themes of honor and redemption,", "writer does not want to have a cliffhanger, or at", "scene where the protagonist vow's to his father; the scene", "at the end of Book One, but I'm not sure", "break points are the scene where the news of Napoleon's", "where the protagonist vow's to his father; the scene where", "news of war and a new conflict. The aspect that", "support the main theme). Possible break points are the scene", "to books on how to write a duology and this", "in the spirit of a series. My grasp of terminology", "completed tale. Halfway through the story, news of Napoleon Bonaparte's", "the battle at the end. There are stages and obstacles", "scene where he succeeds at his schools big Speech Day", "from a reliably good story, shifted by me into a", "worth. But professional editors say its very rare for books", "conflicts among these family and friends get overlaid by news", "be of this length anymore. Several people have suggested making", "my understanding is that essentially a writer does not want", "really fully prove himself until the battle at the end.", "Napoleon Bonaparte's escape from exile reaches England, directly impacting the", "very rare for books now to be of this length", "that makes me uncertain of how and where to split", "sketchy, but my understanding is that essentially a writer does", "are not ant books on Amazon about how to books", "certainly can write a new chapter or two into the", "to be of this length anymore. Several people have suggested", "he succeeds at his schools big Speech Day event just", "not ant books on Amazon about how to books on", "part ways with them; the scene where he succeeds at", "the end. There are stages and obstacles in which he", "a completed tale. Halfway through the story, news of Napoleon", "how, and reading of terminology like \"unsettled status quo\" has", "he will turn things around. But of course he does", "and subplots (friendship and romance arcs, unresolved plot threads that", "internal and external conflicts among these family and friends get", "read extensively and tightened up and sent back out to", "to write a duology and this story is not written", "One, but I'm not sure how, and reading of terminology", "beta read extensively and tightened up and sent back out", "write a duology and this story is not written in", "the betas. There are not ant books on Amazon about", "being a riotous, profligate party-animal who, at the halfway mark", "a riotous, profligate party-animal who, at the halfway mark makes", "his fateful goodbye to his wife (the protagonist's mother) as", "of terminology is sketchy, but my understanding is that essentially", "terminology like \"unsettled status quo\" has me a bit confused,", "schools big Speech Day event just before embarking for the", "father says his fateful goodbye to his wife (the protagonist's", "protagonist being a riotous, profligate party-animal who, at the halfway", "he does not really fully prove himself until the battle", "series. My grasp of terminology is sketchy, but my understanding", "mark makes a heartfelt vow to his father that he", "begins to prove himself, and subplots (friendship and romance arcs,", "until the battle at the end. There are stages and", "directly impacting the two military families at the center of", "But of course he does not really fully prove himself", "protagonist puts his old riotous friends on notice he will", "popular setting that I love and know a lot about", "to his father that he will turn things around. But", "have a cliffhanger, or at least the wrong kind. And", "to betas and gotten encouraging reviews, for what it is", "scene where the father says his fateful goodbye to his", "tale. Halfway through the story, news of Napoleon Bonaparte's escape", "but I'm not sure how, and reading of terminology like", "a more modern, popular setting that I love and know", "of war and a new conflict. The aspect that makes", "the protagonist being a riotous, profligate party-animal who, at the", "I've written a 225,000 word manuscript for a historical novel", "the break point to better create a feeling of a", "good story, shifted by me into a more modern, popular", "he leaves for the war. I certainly can write a", "to his father; the scene where the protagonist puts his", "editors say its very rare for books now to be", "story is not written in the spirit of a series.", "wife (the protagonist's mother) as he leaves for the war.", "news of Napoleon's escape arrives; the scene where the protagonist", "reviews, for what it is worth. But professional editors say", "I love and know a lot about (England during the", "war; or perhaps the scene where the father says his", "been beta read extensively and tightened up and sent back", "he will one day part ways with them; the scene", "suggested making it a duology including the betas. There are", "point to better create a feeling of a complete story", "So internal and external conflicts among these family and friends", "The manuscript has been beta read extensively and tightened up", "the two military families at the center of the story.", "and gotten encouraging reviews, for what it is worth. But", "war. I certainly can write a new chapter or two", "Wars of Napoleon). The manuscript has been beta read extensively", "day part ways with them; the scene where he succeeds", "rare for books now to be of this length anymore.", "has been beta read extensively and tightened up and sent", "(friendship and romance arcs, unresolved plot threads that support the", "the end of Book One, but I'm not sure how,", "story, shifted by me into a more modern, popular setting", "news of Napoleon Bonaparte's escape from exile reaches England, directly", "a reliably good story, shifted by me into a more", "feeling of a complete story at the end of Book", "aspect that makes me uncertain of how and where to", "war and a new conflict. The aspect that makes me", "get overlaid by news of war and a new conflict.", "or perhaps the scene where the father says his fateful", "kind. And you need Book One to feel like a", "does not really fully prove himself until the battle at", "end of Book One, but I'm not sure how, and", "Napoleon's escape arrives; the scene where the protagonist vow's to", "says his fateful goodbye to his wife (the protagonist's mother)", "and friends get overlaid by news of war and a", "manuscript has been beta read extensively and tightened up and", "grasp of terminology is sketchy, but my understanding is that", "during the Wars of Napoleon). The manuscript has been beta", "father; the scene where the protagonist puts his old riotous", "to have a cliffhanger, or at least the wrong kind.", "tightened up and sent back out to betas and gotten", "that the story's main promise and conflict centers on the", "me uncertain of how and where to split the book", "goodbye to his wife (the protagonist's mother) as he leaves", "arcs, unresolved plot threads that support the main theme). Possible", "honor and redemption, with the protagonist being a riotous, profligate", "sent back out to betas and gotten encouraging reviews, for", "of Book One, but I'm not sure how, and reading", "betas and gotten encouraging reviews, for what it is worth.", "duology and this story is not written in the spirit", "at least the wrong kind. And you need Book One", "the scene where the protagonist vow's to his father; the", "where the news of Napoleon's escape arrives; the scene where", "terminology is sketchy, but my understanding is that essentially a", "where the protagonist puts his old riotous friends on notice", "one day part ways with them; the scene where he", "up and sent back out to betas and gotten encouraging", "themes of honor and redemption, with the protagonist being a", "from exile reaches England, directly impacting the two military families", "One to feel like a completed tale. Halfway through the", "books on how to write a duology and this story", "perhaps the scene where the father says his fateful goodbye", "a new conflict. The aspect that makes me uncertain of", "better create a feeling of a complete story at the", "encouraging reviews, for what it is worth. But professional editors", "of Napoleon). The manuscript has been beta read extensively and", "word manuscript for a historical novel adapted from a reliably", "or two into the break point to better create a", "to his wife (the protagonist's mother) as he leaves for", "like a completed tale. Halfway through the story, news of", "a lot about (England during the Wars of Napoleon). The", "how to books on how to write a duology and", "uncertain of how and where to split the book is", "course he does not really fully prove himself until the", "book is that the story's main promise and conflict centers", "to split the book is that the story's main promise", "riotous, profligate party-animal who, at the halfway mark makes a", "or at least the wrong kind. And you need Book", "unresolved plot threads that support the main theme). Possible break", "betas. There are not ant books on Amazon about how", "But professional editors say its very rare for books now", "himself until the battle at the end. There are stages", "at his schools big Speech Day event just before embarking", "back out to betas and gotten encouraging reviews, for what", "There are not ant books on Amazon about how to", "reaches England, directly impacting the two military families at the", "threads that support the main theme). Possible break points are", "and sent back out to betas and gotten encouraging reviews,", "party-animal who, at the halfway mark makes a heartfelt vow", "Book One, but I'm not sure how, and reading of", "its very rare for books now to be of this", "two into the break point to better create a feeling", "new chapter or two into the break point to better", "his schools big Speech Day event just before embarking for", "cliffhanger, or at least the wrong kind. And you need", "is worth. But professional editors say its very rare for", "things around. But of course he does not really fully", "story at the end of Book One, but I'm not", "My grasp of terminology is sketchy, but my understanding is", "the protagonist vow's to his father; the scene where the", "a cliffhanger, or at least the wrong kind. And you", "length anymore. Several people have suggested making it a duology", "for what it is worth. But professional editors say its", "of Napoleon Bonaparte's escape from exile reaches England, directly impacting", "of terminology like \"unsettled status quo\" has me a bit", "understanding is that essentially a writer does not want to", "want to have a cliffhanger, or at least the wrong", "two military families at the center of the story. So", "at the center of the story. So internal and external", "of a series. My grasp of terminology is sketchy, but", "(the protagonist's mother) as he leaves for the war. I", "on how to write a duology and this story is", "including the betas. There are not ant books on Amazon", "extensively and tightened up and sent back out to betas", "this length anymore. Several people have suggested making it a", "scene where the news of Napoleon's escape arrives; the scene", "a complete story at the end of Book One, but", "story. So internal and external conflicts among these family and", "into a more modern, popular setting that I love and", "a duology including the betas. There are not ant books", "protagonist's mother) as he leaves for the war. I certainly", "main theme). Possible break points are the scene where the", "chapter or two into the break point to better create", "heartfelt vow to his father that he will turn things", "makes a heartfelt vow to his father that he will", "books on Amazon about how to books on how to", "how to write a duology and this story is not", "leaves for the war. I certainly can write a new", "story, news of Napoleon Bonaparte's escape from exile reaches England,", "will turn things around. But of course he does not", "reading of terminology like \"unsettled status quo\" has me a", "who, at the halfway mark makes a heartfelt vow to", "halfway mark makes a heartfelt vow to his father that", "the halfway mark makes a heartfelt vow to his father", "friends on notice he will one day part ways with", "the news of Napoleon's escape arrives; the scene where the", "escape from exile reaches England, directly impacting the two military", "new conflict. The aspect that makes me uncertain of how", "There are stages and obstacles in which he begins to", "\"unsettled status quo\" has me a bit confused, and well,", "about how to books on how to write a duology", "the main theme). Possible break points are the scene where", "his father; the scene where the protagonist puts his old", "know a lot about (England during the Wars of Napoleon).", "conflict. The aspect that makes me uncertain of how and", "and tightened up and sent back out to betas and", "say its very rare for books now to be of", "that essentially a writer does not want to have a", "I'm not sure how, and reading of terminology like \"unsettled", "books now to be of this length anymore. Several people", "Amazon about how to books on how to write a", "overlaid by news of war and a new conflict. The", "Bonaparte's escape from exile reaches England, directly impacting the two", "is that the story's main promise and conflict centers on", "before embarking for the war; or perhaps the scene where", "Napoleon). The manuscript has been beta read extensively and tightened", "obstacles in which he begins to prove himself, and subplots", "impacting the two military families at the center of the", "through the story, news of Napoleon Bonaparte's escape from exile", "the war. I certainly can write a new chapter or", "the protagonist puts his old riotous friends on notice he", "manuscript for a historical novel adapted from a reliably good", "the book is that the story's main promise and conflict", "his old riotous friends on notice he will one day", "feel like a completed tale. Halfway through the story, news", "and external conflicts among these family and friends get overlaid", "of this length anymore. Several people have suggested making it", "that he will turn things around. But of course he", "I certainly can write a new chapter or two into", "of the story. So internal and external conflicts among these", "related themes of honor and redemption, with the protagonist being", "friends get overlaid by news of war and a new", "family and friends get overlaid by news of war and", "embarking for the war; or perhaps the scene where the", "for the war. I certainly can write a new chapter", "to feel like a completed tale. Halfway through the story,", "turn things around. But of course he does not really", "written in the spirit of a series. My grasp of", "the scene where the news of Napoleon's escape arrives; the", "the scene where he succeeds at his schools big Speech", "and this story is not written in the spirit of", "And you need Book One to feel like a completed", "the war; or perhaps the scene where the father says", "a duology and this story is not written in the", "shifted by me into a more modern, popular setting that", "how and where to split the book is that the", "like \"unsettled status quo\" has me a bit confused, and", "succeeds at his schools big Speech Day event just before", "himself, and subplots (friendship and romance arcs, unresolved plot threads", "and redemption, with the protagonist being a riotous, profligate party-animal", "is that essentially a writer does not want to have", "historical novel adapted from a reliably good story, shifted by", "where he succeeds at his schools big Speech Day event", "Several people have suggested making it a duology including the", "people have suggested making it a duology including the betas.", "military families at the center of the story. So internal", "for a historical novel adapted from a reliably good story,", "what it is worth. But professional editors say its very", "battle at the end. There are stages and obstacles in", "among these family and friends get overlaid by news of", "at the halfway mark makes a heartfelt vow to his", "prove himself, and subplots (friendship and romance arcs, unresolved plot", "big Speech Day event just before embarking for the war;", "is sketchy, but my understanding is that essentially a writer", "protagonist vow's to his father; the scene where the protagonist", "the story. So internal and external conflicts among these family", "around. But of course he does not really fully prove", "he begins to prove himself, and subplots (friendship and romance", "complete story at the end of Book One, but I'm", "just before embarking for the war; or perhaps the scene", "more modern, popular setting that I love and know a", "out to betas and gotten encouraging reviews, for what it", "not written in the spirit of a series. My grasp", "which he begins to prove himself, and subplots (friendship and", "event just before embarking for the war; or perhaps the", "that support the main theme). Possible break points are the", "me into a more modern, popular setting that I love", "stages and obstacles in which he begins to prove himself,", "father that he will turn things around. But of course", "and where to split the book is that the story's", "Possible break points are the scene where the news of", "mother) as he leaves for the war. I certainly can", "to prove himself, and subplots (friendship and romance arcs, unresolved", "but my understanding is that essentially a writer does not", "a 225,000 word manuscript for a historical novel adapted from", "gotten encouraging reviews, for what it is worth. But professional", "profligate party-animal who, at the halfway mark makes a heartfelt", "spirit of a series. My grasp of terminology is sketchy,", "Day event just before embarking for the war; or perhaps", "setting that I love and know a lot about (England", "and conflict centers on the related themes of honor and", "puts his old riotous friends on notice he will one", "exile reaches England, directly impacting the two military families at", "wrong kind. And you need Book One to feel like", "the father says his fateful goodbye to his wife (the", "arrives; the scene where the protagonist vow's to his father;", "this story is not written in the spirit of a", "the scene where the father says his fateful goodbye to", "vow's to his father; the scene where the protagonist puts", "these family and friends get overlaid by news of war", "the scene where the protagonist puts his old riotous friends", "of honor and redemption, with the protagonist being a riotous,", "adapted from a reliably good story, shifted by me into", "of a complete story at the end of Book One,", "need Book One to feel like a completed tale. Halfway", "the Wars of Napoleon). The manuscript has been beta read", "makes me uncertain of how and where to split the", "as he leaves for the war. I certainly can write", "ant books on Amazon about how to books on how", "story's main promise and conflict centers on the related themes", "the related themes of honor and redemption, with the protagonist", "anymore. Several people have suggested making it a duology including", "of Napoleon's escape arrives; the scene where the protagonist vow's", "and reading of terminology like \"unsettled status quo\" has me", "professional editors say its very rare for books now to", "least the wrong kind. And you need Book One to", "of course he does not really fully prove himself until", "will one day part ways with them; the scene where", "a feeling of a complete story at the end of", "to better create a feeling of a complete story at", "by news of war and a new conflict. The aspect", "now to be of this length anymore. Several people have", "create a feeling of a complete story at the end", "written a 225,000 word manuscript for a historical novel adapted", "and know a lot about (England during the Wars of", "write a new chapter or two into the break point", "by me into a more modern, popular setting that I", "his wife (the protagonist's mother) as he leaves for the", "into the break point to better create a feeling of", "225,000 word manuscript for a historical novel adapted from a", "of how and where to split the book is that", "at the end. There are stages and obstacles in which", "points are the scene where the news of Napoleon's escape" ]
[ "pronunciation? I know Stack Exchange frowns upon multiple questions per", "So, 1. How can I tell whether a name is", "questions are strongly related and integral to the wider question.", "naturally have their own languages and set of personal names.", "and set of personal names. I have no problem devising", "interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the", "have their own languages and set of personal names. I", "who naturally have their own languages and set of personal", "read? 3. How can I better hint at correct pronunciation?", "is too difficult to read? 2. How can I make", "read? 2. How can I make names easier to read?", "can I tell whether a name is too difficult to", "the International Phonetic Alphabet, but I worry about the readability.", "are non-human characters who naturally have their own languages and", "I feel these three questions are strongly related and integral", "I know Stack Exchange frowns upon multiple questions per post,", "questions per post, but I feel these three questions are", "to read? 3. How can I better hint at correct", "Stack Exchange frowns upon multiple questions per post, but I", "with the help of the International Phonetic Alphabet, but I", "non-human characters who naturally have their own languages and set", "dʊ.χʷã/) with the help of the International Phonetic Alphabet, but", "of the International Phonetic Alphabet, but I worry about the", "about the readability. So, 1. How can I tell whether", "names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help", "these three questions are strongly related and integral to the", "I better hint at correct pronunciation? I know Stack Exchange", "but I worry about the readability. So, 1. How can", "How can I tell whether a name is too difficult", "three questions are strongly related and integral to the wider", "I tell whether a name is too difficult to read?", "of personal names. I have no problem devising interesting names", "but I feel these three questions are strongly related and", "tell whether a name is too difficult to read? 2.", "1. How can I tell whether a name is too", "feel these three questions are strongly related and integral to", "hint at correct pronunciation? I know Stack Exchange frowns upon", "Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of the International", "worry about the readability. So, 1. How can I tell", "whether a name is too difficult to read? 2. How", "3. How can I better hint at correct pronunciation? I", "own languages and set of personal names. I have no", "can I make names easier to read? 3. How can", "names easier to read? 3. How can I better hint", "problem devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/)", "How can I make names easier to read? 3. How", "a name is too difficult to read? 2. How can", "can I better hint at correct pronunciation? I know Stack", "make names easier to read? 3. How can I better", "How can I better hint at correct pronunciation? I know", "post, but I feel these three questions are strongly related", "at correct pronunciation? I know Stack Exchange frowns upon multiple", "better hint at correct pronunciation? I know Stack Exchange frowns", "have no problem devising interesting names like \"Saþil Duqhuãn\" (pronounced", "like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of", "know Stack Exchange frowns upon multiple questions per post, but", "2. How can I make names easier to read? 3.", "multiple questions per post, but I feel these three questions", "I worry about the readability. So, 1. How can I", "difficult to read? 2. How can I make names easier", "name is too difficult to read? 2. How can I", "\"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of the", "International Phonetic Alphabet, but I worry about the readability. So,", "my story are non-human characters who naturally have their own", "languages and set of personal names. I have no problem", "names. I have no problem devising interesting names like \"Saþil", "story are non-human characters who naturally have their own languages", "(pronounced /sə.θil dʊ.χʷã/) with the help of the International Phonetic", "I have no problem devising interesting names like \"Saþil Duqhuãn\"", "devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with", "/sə.θil dʊ.χʷã/) with the help of the International Phonetic Alphabet,", "characters who naturally have their own languages and set of", "correct pronunciation? I know Stack Exchange frowns upon multiple questions", "per post, but I feel these three questions are strongly", "help of the International Phonetic Alphabet, but I worry about", "readability. So, 1. How can I tell whether a name", "upon multiple questions per post, but I feel these three", "Phonetic Alphabet, but I worry about the readability. So, 1.", "too difficult to read? 2. How can I make names", "In my story are non-human characters who naturally have their", "no problem devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil", "set of personal names. I have no problem devising interesting", "Alphabet, but I worry about the readability. So, 1. How", "the readability. So, 1. How can I tell whether a", "easier to read? 3. How can I better hint at", "Exchange frowns upon multiple questions per post, but I feel", "personal names. I have no problem devising interesting names like", "to read? 2. How can I make names easier to", "the help of the International Phonetic Alphabet, but I worry", "frowns upon multiple questions per post, but I feel these", "their own languages and set of personal names. I have", "I make names easier to read? 3. How can I" ]
[ "story is now focusing on the secondary characters, and this", "ways to transition from my main characters to my secondary", "and unclear that the story is now focusing on the", "my secondary characters. When I review what I have written,", "characters to my secondary characters. When I review what I", "of clean ways to transition from my main characters to", "that the story is now focusing on the secondary characters,", "to transition from my main characters to my secondary characters.", "I am seeking examples of clean ways to transition from", "When I review what I have written, it is clunky", "examples of clean ways to transition from my main characters", "is now focusing on the secondary characters, and this causes", "review what I have written, it is clunky and unclear", "my main characters to my secondary characters. When I review", "written, it is clunky and unclear that the story is", "have written, it is clunky and unclear that the story", "main characters to my secondary characters. When I review what", "is clunky and unclear that the story is now focusing", "I review what I have written, it is clunky and", "seeking examples of clean ways to transition from my main", "to my secondary characters. When I review what I have", "secondary characters. When I review what I have written, it", "am seeking examples of clean ways to transition from my", "from my main characters to my secondary characters. When I", "it is clunky and unclear that the story is now", "clean ways to transition from my main characters to my", "transition from my main characters to my secondary characters. When", "unclear that the story is now focusing on the secondary", "the story is now focusing on the secondary characters, and", "now focusing on the secondary characters, and this causes confusion.", "what I have written, it is clunky and unclear that", "clunky and unclear that the story is now focusing on", "I have written, it is clunky and unclear that the", "characters. When I review what I have written, it is", "focusing on the secondary characters, and this causes confusion. Thanks" ]
[ "motivations are driving the plot forward. Rather, the plot is", "problem: almost none of my characters' motivations are driving the", "the action is forcing the characters to mindlessly react to", "mindlessly react to what is happening during the plot. How", "How can I have my characters drive the plot forward", "characters to mindlessly react to what is happening during the", "characters forward. The desires of the character are not driving", "driving the plot forward. Rather, the plot is driving the", "have noticed a problem: almost none of my characters' motivations", "plot. How can I have my characters drive the plot", "their motivations instead of just doing things because the plot", "driving the characters forward. The desires of the character are", "happening during the plot. How can I have my characters", "introducing the main characters, and providing character motivations. However, I", "have my characters drive the plot forward based on their", "none of my characters' motivations are driving the plot forward.", "I have my characters drive the plot forward based on", "the characters to mindlessly react to what is happening during", "providing character motivations. However, I have noticed a problem: almost", "story are dedicated to set up, introducing the main characters,", "driving the action, but rather it feels like the action", "in my story are dedicated to set up, introducing the", "to mindlessly react to what is happening during the plot.", "can I have my characters drive the plot forward based", "are dedicated to set up, introducing the main characters, and", "the main characters, and providing character motivations. However, I have", "However, I have noticed a problem: almost none of my", "my characters drive the plot forward based on their motivations", "writing my first real novel. The first three chapters in", "character motivations. However, I have noticed a problem: almost none", "forward. Rather, the plot is driving the characters forward. The", "character are not driving the action, but rather it feels", "trouble writing my first real novel. The first three chapters", "are driving the plot forward. Rather, the plot is driving", "first three chapters in my story are dedicated to set", "motivations instead of just doing things because the plot demands", "the character are not driving the action, but rather it", "Rather, the plot is driving the characters forward. The desires", "like the action is forcing the characters to mindlessly react", "on their motivations instead of just doing things because the", "I'm having trouble writing my first real novel. The first", "is driving the characters forward. The desires of the character", "what is happening during the plot. How can I have", "the plot forward. Rather, the plot is driving the characters", "chapters in my story are dedicated to set up, introducing", "instead of just doing things because the plot demands it", "main characters, and providing character motivations. However, I have noticed", "noticed a problem: almost none of my characters' motivations are", "my first real novel. The first three chapters in my", "The first three chapters in my story are dedicated to", "action, but rather it feels like the action is forcing", "plot forward. Rather, the plot is driving the characters forward.", "first real novel. The first three chapters in my story", "characters, and providing character motivations. However, I have noticed a", "the plot. How can I have my characters drive the", "based on their motivations instead of just doing things because", "having trouble writing my first real novel. The first three", "react to what is happening during the plot. How can", "dedicated to set up, introducing the main characters, and providing", "during the plot. How can I have my characters drive", "I have noticed a problem: almost none of my characters'", "is happening during the plot. How can I have my", "not driving the action, but rather it feels like the", "up, introducing the main characters, and providing character motivations. However,", "characters drive the plot forward based on their motivations instead", "forcing the characters to mindlessly react to what is happening", "plot forward based on their motivations instead of just doing", "my characters' motivations are driving the plot forward. Rather, the", "drive the plot forward based on their motivations instead of", "it feels like the action is forcing the characters to", "The desires of the character are not driving the action,", "just doing things because the plot demands it of them?", "the action, but rather it feels like the action is", "is forcing the characters to mindlessly react to what is", "desires of the character are not driving the action, but", "of just doing things because the plot demands it of", "motivations. However, I have noticed a problem: almost none of", "plot is driving the characters forward. The desires of the", "my story are dedicated to set up, introducing the main", "to set up, introducing the main characters, and providing character", "action is forcing the characters to mindlessly react to what", "to what is happening during the plot. How can I", "novel. The first three chapters in my story are dedicated", "almost none of my characters' motivations are driving the plot", "characters' motivations are driving the plot forward. Rather, the plot", "rather it feels like the action is forcing the characters", "are not driving the action, but rather it feels like", "the characters forward. The desires of the character are not", "and providing character motivations. However, I have noticed a problem:", "of my characters' motivations are driving the plot forward. Rather,", "but rather it feels like the action is forcing the", "three chapters in my story are dedicated to set up,", "forward based on their motivations instead of just doing things", "the plot forward based on their motivations instead of just", "real novel. The first three chapters in my story are", "set up, introducing the main characters, and providing character motivations.", "the plot is driving the characters forward. The desires of", "forward. The desires of the character are not driving the", "a problem: almost none of my characters' motivations are driving", "feels like the action is forcing the characters to mindlessly", "of the character are not driving the action, but rather" ]
[ "the fact that I have established my writing routine out", "of words but also have said words be of a", "in sheer word count, I have found that the quality", "book. For the last two weeks or so, I have", "become a professional writer \"which is my career goal\" I", "effect: If I have an off day and write something", "write during the fall. I guess what I'm trying to", "days. I have found out via personal experience that the", "writing routine out of necessity: my second year of college", "the fall. I guess what I'm trying to ask is", "have enough time to write during the fall. I guess", "prose. I understand that, in order to become a professional", "quality of my writing takes a nose dive if I", "write at least 2,000 words a day, regardless of how", "during the fall. I guess what I'm trying to ask", "quality. It is currently not an option for me to", "rippling effect: If I have an off day and write", "I will have to be able to write under deadlines", "terrible, I either have to discard an entire large section", "in the past I have written random gibberish just to", "routine out of necessity: my second year of college is", "of a high quality. It is currently not an option", "takes a nose dive if I force myself to write", "made quite a bit of progress in writing my book.", "at least 2,000 words a day, regardless of how I", "if I force myself to write under a deadline. Heck,", "find a \"groove\" where I not only have a high", "But, I have simply never been able to find a", "to write under deadlines all the time. But, I have", "experience that the quality of my writing takes a nose", "currently not an option for me to slow down my", "the writing is coming out. Using this method, I have", "writing my book. For the last two weeks or so,", "the quality of my writing has greatly suffered over the", "or how good I think the writing is coming out.", "my writing routine out of necessity: my second year of", "what I'm trying to ask is this: how can I", "how to write high-quality stories while also writing under a", "For the first time in a while, I have made", "\"groove\" where I not only have a high daily output", "me to slow down my current pace due to the", "progress wordcount-wise and have gotten near the end of the", "under deadlines all the time. But, I have simply never", "try and write at least 2,000 words a day, regardless", "write something terrible, I either have to discard an entire", "second year of college is coming up and I won't", "a bit of progress wordcount-wise and have gotten near the", "trying to ask is this: how can I learn how", "out via personal experience that the quality of my writing", "least 2,000 words a day, regardless of how I am", "the end of the first act of my first book.", "just to reach the word count deadline on some days.", "never been able to find a \"groove\" where I not", "while, I have made quite a bit of progress in", "of the first act of my first book. However, although", "up and I won't have enough time to write during", "a nose dive if I force myself to write under", "a lot of progress in sheer word count, I have", "finished writing, or spend time re-writing that I could have", "to find a \"groove\" where I not only have a", "have found out via personal experience that the quality of", "have gotten near the end of the first act of", "I am feeling or how good I think the writing", "of my writing takes a nose dive if I force", "book. However, although I have made a lot of progress", "learn how to write high-quality stories while also writing under", "the first act of my first book. However, although I", "I have simply never been able to find a \"groove\"", "effect of my bad writing has a rippling effect: If", "a professional writer \"which is my career goal\" I will", "due to the fact that I'm a pantser, the effect", "a high quality. It is currently not an option for", "discard an entire large section of finished writing, or spend", "able to find a \"groove\" where I not only have", "understand that, in order to become a professional writer \"which", "the last two weeks or so, I have forced myself", "new prose. I understand that, in order to become a", "made quite a bit of progress wordcount-wise and have gotten", "this method, I have made quite a bit of progress", "a while, I have made quite a bit of progress", "count deadline on some days. Furthermore, due to the fact", "and write something terrible, I either have to discard an", "I won't have enough time to write during the fall.", "how I am feeling or how good I think the", "past I have written random gibberish just to reach the", "of how I am feeling or how good I think", "act of my first book. However, although I have made", "how can I learn how to write high-quality stories while", "I have made quite a bit of progress wordcount-wise and", "that I could have used making new prose. I understand", "I not only have a high daily output of words", "the quality of my writing takes a nose dive if", "written random gibberish just to reach the word count deadline", "is coming out. Using this method, I have made quite", "fact that I'm a pantser, the effect of my bad", "is currently not an option for me to slow down", "I will even admit that in the past I have", "my second year of college is coming up and I", "first act of my first book. However, although I have", "high quality. It is currently not an option for me", "pantser, the effect of my bad writing has a rippling", "my current pace due to the fact that I have", "personal experience that the quality of my writing takes a", "word count, I have found that the quality of my", "simply never been able to find a \"groove\" where I", "although I have made a lot of progress in sheer", "words a day, regardless of how I am feeling or", "of necessity: my second year of college is coming up", "my book. For the last two weeks or so, I", "time re-writing that I could have used making new prose.", "quality of my writing has greatly suffered over the last", "I think the writing is coming out. Using this method,", "I have found out via personal experience that the quality", "wordcount-wise and have gotten near the end of the first", "could have used making new prose. I understand that, in", "the word count deadline on some days. Furthermore, due to", "under a deadline. Heck, I will even admit that in", "not only have a high daily output of words but", "of my first book. However, although I have made a", "have made quite a bit of progress wordcount-wise and have", "been able to find a \"groove\" where I not only", "an entire large section of finished writing, or spend time", "lot of progress in sheer word count, I have found", "forced myself to try and write at least 2,000 words", "writing has a rippling effect: If I have an off", "nose dive if I force myself to write under a", "also have said words be of a high quality. It", "\"which is my career goal\" I will have to be", "not an option for me to slow down my current", "is coming up and I won't have enough time to", "to the fact that I have established my writing routine", "large section of finished writing, or spend time re-writing that", "to try and write at least 2,000 words a day,", "deadline. Heck, I will even admit that in the past", "has a rippling effect: If I have an off day", "out. Using this method, I have made quite a bit", "output of words but also have said words be of", "few days. I have found out via personal experience that", "However, although I have made a lot of progress in", "day, regardless of how I am feeling or how good", "found out via personal experience that the quality of my", "my writing takes a nose dive if I force myself", "the effect of my bad writing has a rippling effect:", "guess what I'm trying to ask is this: how can", "to slow down my current pace due to the fact", "even admit that in the past I have written random", "regardless of how I am feeling or how good I", "think the writing is coming out. Using this method, I", "this: how can I learn how to write high-quality stories", "college is coming up and I won't have enough time", "have written random gibberish just to reach the word count", "first time in a while, I have made quite a", "I have forced myself to try and write at least", "I force myself to write under a deadline. Heck, I", "words be of a high quality. It is currently not", "for me to slow down my current pace due to", "to become a professional writer \"which is my career goal\"", "the first time in a while, I have made quite", "year of college is coming up and I won't have", "section of finished writing, or spend time re-writing that I", "writing, or spend time re-writing that I could have used", "but also have said words be of a high quality.", "fact that I have established my writing routine out of", "coming up and I won't have enough time to write", "all the time. But, I have simply never been able", "ask is this: how can I learn how to write", "I'm trying to ask is this: how can I learn", "the past I have written random gibberish just to reach", "slow down my current pace due to the fact that", "I understand that, in order to become a professional writer", "to write during the fall. I guess what I'm trying", "time. But, I have simply never been able to find", "bit of progress in writing my book. For the last", "Heck, I will even admit that in the past I", "deadlines all the time. But, I have simply never been", "am feeling or how good I think the writing is", "found that the quality of my writing has greatly suffered", "have said words be of a high quality. It is", "said words be of a high quality. It is currently", "or so, I have forced myself to try and write", "have to discard an entire large section of finished writing,", "won't have enough time to write during the fall. I", "that the quality of my writing has greatly suffered over", "bit of progress wordcount-wise and have gotten near the end", "I either have to discard an entire large section of", "good I think the writing is coming out. Using this", "two weeks or so, I have forced myself to try", "sheer word count, I have found that the quality of", "established my writing routine out of necessity: my second year", "write under deadlines all the time. But, I have simply", "an option for me to slow down my current pace", "able to write under deadlines all the time. But, I", "of progress in sheer word count, I have found that", "word count deadline on some days. Furthermore, due to the", "I guess what I'm trying to ask is this: how", "of finished writing, or spend time re-writing that I could", "over the last few days. I have found out via", "count, I have found that the quality of my writing", "and have gotten near the end of the first act", "quite a bit of progress in writing my book. For", "feeling or how good I think the writing is coming", "out of necessity: my second year of college is coming", "I have established my writing routine out of necessity: my", "my writing has greatly suffered over the last few days.", "the time. But, I have simply never been able to", "in order to become a professional writer \"which is my", "off day and write something terrible, I either have to", "writing is coming out. Using this method, I have made", "that in the past I have written random gibberish just", "random gibberish just to reach the word count deadline on", "current pace due to the fact that I have established", "made a lot of progress in sheer word count, I", "and write at least 2,000 words a day, regardless of", "method, I have made quite a bit of progress wordcount-wise", "will even admit that in the past I have written", "a day, regardless of how I am feeling or how", "gotten near the end of the first act of my", "of progress in writing my book. For the last two", "a pantser, the effect of my bad writing has a", "day and write something terrible, I either have to discard", "greatly suffered over the last few days. I have found", "so, I have forced myself to try and write at", "last two weeks or so, I have forced myself to", "have made quite a bit of progress in writing my", "myself to try and write at least 2,000 words a", "fall. I guess what I'm trying to ask is this:", "I have found that the quality of my writing has", "For the last two weeks or so, I have forced", "to reach the word count deadline on some days. Furthermore,", "an off day and write something terrible, I either have", "will have to be able to write under deadlines all", "a high daily output of words but also have said", "I have an off day and write something terrible, I", "have made a lot of progress in sheer word count,", "that I have established my writing routine out of necessity:", "to ask is this: how can I learn how to", "of my bad writing has a rippling effect: If I", "write under a deadline. Heck, I will even admit that", "a deadline. Heck, I will even admit that in the", "time in a while, I have made quite a bit", "or spend time re-writing that I could have used making", "suffered over the last few days. I have found out", "If I have an off day and write something terrible,", "something terrible, I either have to discard an entire large", "re-writing that I could have used making new prose. I", "of progress wordcount-wise and have gotten near the end of", "that I'm a pantser, the effect of my bad writing", "writing has greatly suffered over the last few days. I", "option for me to slow down my current pace due", "used making new prose. I understand that, in order to", "and I won't have enough time to write during the", "enough time to write during the fall. I guess what", "have simply never been able to find a \"groove\" where", "I'm a pantser, the effect of my bad writing has", "the last few days. I have found out via personal", "have found that the quality of my writing has greatly", "of college is coming up and I won't have enough", "Using this method, I have made quite a bit of", "have forced myself to try and write at least 2,000", "how good I think the writing is coming out. Using", "writer \"which is my career goal\" I will have to", "career goal\" I will have to be able to write", "on some days. Furthermore, due to the fact that I'm", "due to the fact that I have established my writing", "to the fact that I'm a pantser, the effect of", "to write under a deadline. Heck, I will even admit", "2,000 words a day, regardless of how I am feeling", "in a while, I have made quite a bit of", "Furthermore, due to the fact that I'm a pantser, the", "be able to write under deadlines all the time. But,", "the fact that I'm a pantser, the effect of my", "I have written random gibberish just to reach the word", "have established my writing routine out of necessity: my second", "spend time re-writing that I could have used making new", "I have made a lot of progress in sheer word", "end of the first act of my first book. However,", "progress in writing my book. For the last two weeks", "goal\" I will have to be able to write under", "a \"groove\" where I not only have a high daily", "I could have used making new prose. I understand that,", "have used making new prose. I understand that, in order", "that, in order to become a professional writer \"which is", "professional writer \"which is my career goal\" I will have", "entire large section of finished writing, or spend time re-writing", "has greatly suffered over the last few days. I have", "either have to discard an entire large section of finished", "a rippling effect: If I have an off day and", "I learn how to write high-quality stories while also writing", "of my writing has greatly suffered over the last few", "to discard an entire large section of finished writing, or", "can I learn how to write high-quality stories while also", "a bit of progress in writing my book. For the", "last few days. I have found out via personal experience", "words but also have said words be of a high", "dive if I force myself to write under a deadline.", "gibberish just to reach the word count deadline on some", "have an off day and write something terrible, I either", "to write high-quality stories while also writing under a deadline?", "It is currently not an option for me to slow", "in writing my book. For the last two weeks or", "I have made quite a bit of progress in writing", "some days. Furthermore, due to the fact that I'm a", "where I not only have a high daily output of", "weeks or so, I have forced myself to try and", "time to write during the fall. I guess what I'm", "days. Furthermore, due to the fact that I'm a pantser,", "necessity: my second year of college is coming up and", "pace due to the fact that I have established my", "progress in sheer word count, I have found that the", "order to become a professional writer \"which is my career", "have to be able to write under deadlines all the", "daily output of words but also have said words be", "is this: how can I learn how to write high-quality", "my first book. However, although I have made a lot", "quite a bit of progress wordcount-wise and have gotten near", "high daily output of words but also have said words", "is my career goal\" I will have to be able", "bad writing has a rippling effect: If I have an", "writing takes a nose dive if I force myself to", "first book. However, although I have made a lot of", "coming out. Using this method, I have made quite a", "to be able to write under deadlines all the time.", "be of a high quality. It is currently not an", "have a high daily output of words but also have", "my career goal\" I will have to be able to", "near the end of the first act of my first", "reach the word count deadline on some days. Furthermore, due", "making new prose. I understand that, in order to become", "only have a high daily output of words but also", "myself to write under a deadline. Heck, I will even", "force myself to write under a deadline. Heck, I will", "down my current pace due to the fact that I", "via personal experience that the quality of my writing takes", "that the quality of my writing takes a nose dive", "my bad writing has a rippling effect: If I have", "admit that in the past I have written random gibberish", "deadline on some days. Furthermore, due to the fact that" ]
[ "this new approach. To me the \"next evolution\" hits the", "create this new approach. To me the \"next evolution\" hits", "the \"next evolution\" of a theory, where two older theories", "comes next? I'm editing an article and the author talks", "saying \"next evolution\" sound redundant? Isn't evolution already something that", "two older theories are getting merged and refined to create", "me the \"next evolution\" hits the ear wrong. What do", "theory, where two older theories are getting merged and refined", "and refined to create this new approach. To me the", "an article and the author talks about the \"next evolution\"", "the author talks about the \"next evolution\" of a theory,", "refined to create this new approach. To me the \"next", "talks about the \"next evolution\" of a theory, where two", "redundant? Isn't evolution already something that comes next? I'm editing", "editing an article and the author talks about the \"next", "of a theory, where two older theories are getting merged", "article and the author talks about the \"next evolution\" of", "\"next evolution\" sound redundant? Isn't evolution already something that comes", "where two older theories are getting merged and refined to", "approach. To me the \"next evolution\" hits the ear wrong.", "evolution\" of a theory, where two older theories are getting", "evolution already something that comes next? I'm editing an article", "older theories are getting merged and refined to create this", "To me the \"next evolution\" hits the ear wrong. What", "I'm editing an article and the author talks about the", "evolution\" hits the ear wrong. What do you all think?", "evolution\" sound redundant? Isn't evolution already something that comes next?", "already something that comes next? I'm editing an article and", "author talks about the \"next evolution\" of a theory, where", "to create this new approach. To me the \"next evolution\"", "about the \"next evolution\" of a theory, where two older", "Isn't evolution already something that comes next? I'm editing an", "\"next evolution\" hits the ear wrong. What do you all", "theories are getting merged and refined to create this new", "the \"next evolution\" hits the ear wrong. What do you", "next? I'm editing an article and the author talks about", "new approach. To me the \"next evolution\" hits the ear", "\"next evolution\" of a theory, where two older theories are", "and the author talks about the \"next evolution\" of a", "getting merged and refined to create this new approach. To", "that comes next? I'm editing an article and the author", "Does saying \"next evolution\" sound redundant? Isn't evolution already something", "are getting merged and refined to create this new approach.", "something that comes next? I'm editing an article and the", "a theory, where two older theories are getting merged and", "merged and refined to create this new approach. To me", "sound redundant? Isn't evolution already something that comes next? I'm" ]
[ "was released and the effect of this on the population.", "population. * Description on how the Protagonist entered the village,", "add action/make the fc interesting? What are 3 useful tips", "but made a little more interesting due to the fact", "be a fc or Prologue were I to include it).", "key characters and their home, something that does sound incredibly", "or Prologue were I to include it). The main ideas", "it in the fc (as a time skip). Another alternative", "any of the above information but finding some way to", "the above information but finding some way to make it", "on how the virus was released and the effect of", "living in the post-apocalypse. Any ideas on how else I", "way to make it interesting. In this case I would", "* Description on how the Protagonist entered the village, bringing", "I don't know if it should be a fc or", "are: * Description on how the virus was released and", "virus was released and the effect of this on the", "of this on the population. * Description on how the", "have a plan but it doesn't contain any action, something", "some way to make it interesting. In this case I", "the reader's excitement. I was going to start by introducing", "a Prologue about how the apocalypse started (though I don't", "it doesn't contain any action, something that I know from", "(though I don't know if it should be a fc", "made a little more interesting due to the fact it's", "alternative is to give a Prologue about how the apocalypse", "contain any action, something that I know from experience should", "writing it and what are 3 things that should be", "with her the disease. * Simply starting the story without", "(fc). I have a plan but it doesn't contain any", "something that does sound incredibly boring but made a little", "a little more interesting due to the fact it's a", "going to start by introducing the key characters and their", "first chapter (fc). I have a plan but it doesn't", "this case I would describe the village and what life", "ideas on how else I could add action/make the fc", "if it should be a fc or Prologue were I", "story without any of the above information but finding some", "my first chapter (fc). I have a plan but it", "is very interesting but I was intending to reveal it", "is like living in the post-apocalypse. Any ideas on how", "Any ideas on how else I could add action/make the", "when writing it and what are 3 things that should", "it's a dystopian setting. The main character's backstory is very", "should be a fc or Prologue were I to include", "plan but it doesn't contain any action, something that I", "include it). The main ideas I could potentially use are:", "effect of this on the population. * Description on how", "with my first chapter (fc). I have a plan but", "a few chapters in, rather than introduce it in the", "in the fc (as a time skip). Another alternative is", "was going to start by introducing the key characters and", "Prologue about how the apocalypse started (though I don't know", "know if it should be a fc or Prologue were", "the village, bringing with her the disease. * Simply starting", "in, rather than introduce it in the fc (as a", "to reveal it a few chapters in, rather than introduce", "is to give a Prologue about how the apocalypse started", "time skip). Another alternative is to give a Prologue about", "to give a Prologue about how the apocalypse started (though", "the effect of this on the population. * Description on", "else I could add action/make the fc interesting? What are", "how the Protagonist entered the village, bringing with her the", "chapters in, rather than introduce it in the fc (as", "useful tips when writing it and what are 3 things", "but it doesn't contain any action, something that I know", "it interesting. In this case I would describe the village", "(as a time skip). Another alternative is to give a", "the key characters and their home, something that does sound", "I to include it). The main ideas I could potentially", "fc or Prologue were I to include it). The main", "3 useful tips when writing it and what are 3", "character's backstory is very interesting but I was intending to", "to start by introducing the key characters and their home,", "starting the story without any of the above information but", "Description on how the virus was released and the effect", "it). The main ideas I could potentially use are: ", "the apocalypse started (though I don't know if it should", "introduce it in the fc (as a time skip). Another", "fc (as a time skip). Another alternative is to give", "on the population. Description on how the Protagonist entered", "In this case I would describe the village and what", "know from experience should be in the fc to capture", "in the fc to capture the reader's excitement. I was", "like living in the post-apocalypse. Any ideas on how else", "action, something that I know from experience should be in", "the fc to capture the reader's excitement. I was going", "skip). Another alternative is to give a Prologue about how", "this on the population. * Description on how the Protagonist", "disease. * Simply starting the story without any of the", "struggling with my first chapter (fc). I have a plan", "the population. * Description on how the Protagonist entered the", "above information but finding some way to make it interesting.", "action/make the fc interesting? What are 3 useful tips when", "were I to include it). The main ideas I could", "make it interesting. In this case I would describe the", "the story without any of the above information but finding", "the post-apocalypse. Any ideas on how else I could add", "any action, something that I know from experience should be", "I could potentially use are: * Description on how the", "it a few chapters in, rather than introduce it in", "from experience should be in the fc to capture the", "how the virus was released and the effect of this", "to capture the reader's excitement. I was going to start", "to the fact it's a dystopian setting. The main character's", "finding some way to make it interesting. In this case", "Prologue were I to include it). The main ideas I", "reader's excitement. I was going to start by introducing the", "about how the apocalypse started (though I don't know if", "What are 3 useful tips when writing it and what", "village and what life is like living in the post-apocalypse.", "on how else I could add action/make the fc interesting?", "their home, something that does sound incredibly boring but made", "the virus was released and the effect of this on", "chapter (fc). I have a plan but it doesn't contain", "that I know from experience should be in the fc", "don't know if it should be a fc or Prologue", "I could add action/make the fc interesting? What are 3", "should be in the fc to capture the reader's excitement.", "capture the reader's excitement. I was going to start by", "what life is like living in the post-apocalypse. Any ideas", "fc interesting? What are 3 useful tips when writing it", "interesting due to the fact it's a dystopian setting. The", "a fc or Prologue were I to include it). The", "excitement. I was going to start by introducing the key", "could potentially use are: * Description on how the virus", "how the apocalypse started (though I don't know if it", "bringing with her the disease. * Simply starting the story", "in the post-apocalypse. Any ideas on how else I could", "fc to capture the reader's excitement. I was going to", "main ideas I could potentially use are: * Description on", "due to the fact it's a dystopian setting. The main", "the fc interesting? What are 3 useful tips when writing", "life is like living in the post-apocalypse. Any ideas on", "and what life is like living in the post-apocalypse. Any", "and their home, something that does sound incredibly boring but", "a time skip). Another alternative is to give a Prologue", "the fc (as a time skip). Another alternative is to", "interesting? What are 3 useful tips when writing it and", "* Description on how the virus was released and the", "home, something that does sound incredibly boring but made a", "introducing the key characters and their home, something that does", "boring but made a little more interesting due to the", "but finding some way to make it interesting. In this", "something that I know from experience should be in the", "could add action/make the fc interesting? What are 3 useful", "was intending to reveal it a few chapters in, rather", "are 3 useful tips when writing it and what are", "experience should be in the fc to capture the reader's", "start by introducing the key characters and their home, something", "* Simply starting the story without any of the above", "give a Prologue about how the apocalypse started (though I", "ideas I could potentially use are: * Description on how", "the fact it's a dystopian setting. The main character's backstory", "setting. The main character's backstory is very interesting but I", "Protagonist entered the village, bringing with her the disease. ", "village, bringing with her the disease. Simply starting the", "information but finding some way to make it interesting. In", "I know from experience should be in the fc to", "started (though I don't know if it should be a", "that does sound incredibly boring but made a little more", "case I would describe the village and what life is", "The main ideas I could potentially use are: * Description", "would describe the village and what life is like living", "it should be a fc or Prologue were I to", "Simply starting the story without any of the above information", "post-apocalypse. Any ideas on how else I could add action/make", "I'm struggling with my first chapter (fc). I have a", "a dystopian setting. The main character's backstory is very interesting", "what are 3 things that should be included in it?", "the village and what life is like living in the", "fact it's a dystopian setting. The main character's backstory is", "dystopian setting. The main character's backstory is very interesting but", "Another alternative is to give a Prologue about how the", "use are: * Description on how the virus was released", "to include it). The main ideas I could potentially use", "sound incredibly boring but made a little more interesting due", "entered the village, bringing with her the disease. * Simply", "potentially use are: * Description on how the virus was", "few chapters in, rather than introduce it in the fc", "reveal it a few chapters in, rather than introduce it", "the disease. * Simply starting the story without any of", "the Protagonist entered the village, bringing with her the disease.", "how else I could add action/make the fc interesting? What", "characters and their home, something that does sound incredibly boring", "doesn't contain any action, something that I know from experience", "more interesting due to the fact it's a dystopian setting.", "a plan but it doesn't contain any action, something that", "and what are 3 things that should be included in", "interesting but I was intending to reveal it a few", "released and the effect of this on the population. ", "Description on how the Protagonist entered the village, bringing with", "interesting. In this case I would describe the village and", "incredibly boring but made a little more interesting due to", "does sound incredibly boring but made a little more interesting", "and the effect of this on the population. Description", "her the disease. * Simply starting the story without any", "rather than introduce it in the fc (as a time", "on how the Protagonist entered the village, bringing with her", "it and what are 3 things that should be included", "very interesting but I was intending to reveal it a", "by introducing the key characters and their home, something that", "without any of the above information but finding some way", "but I was intending to reveal it a few chapters", "The main character's backstory is very interesting but I was", "I was intending to reveal it a few chapters in,", "tips when writing it and what are 3 things that", "than introduce it in the fc (as a time skip).", "to make it interesting. In this case I would describe", "describe the village and what life is like living in", "backstory is very interesting but I was intending to reveal", "I have a plan but it doesn't contain any action,", "be in the fc to capture the reader's excitement. I", "apocalypse started (though I don't know if it should be", "of the above information but finding some way to make", "intending to reveal it a few chapters in, rather than", "I would describe the village and what life is like", "main character's backstory is very interesting but I was intending", "little more interesting due to the fact it's a dystopian", "I was going to start by introducing the key characters" ]
[ "type of material. So, where do I go from here?", "either since my writing is darker than smut and wish", "most women aren't into this type of material. So, where", "have a book published by a major publishing house. My", "professional editor can be—the longer the manuscript, the higher the", "any better is all the horror stories I've heard about", "I hope to one day have a book published by", "help that my part-time job is dead-end and pays next", "into this type of material. So, where do I go", "evening to write. I'm not particularly keen on self-publishing, as", "higher the commissioning cost. It doesn't help that my part-time", "it does give me a lot of time in the", "how expensive getting a professional editor can be—the longer the", "since my writing is darker than smut and wish fulfilment", "women aren't into this type of material. So, where do", "on sites such as Wattpad and Royal Road wouldn't get", "don't have a large enough fanbase to make this option", "get me anywhere either since my writing is darker than", "usually found on those platforms; most women aren't into this", "traditional publishing. There's talk about how expensive getting a professional", "aim to complete it in around fifty or sixty chapters.", "sixty chapters. Not making the situation any better is all", "the situation any better is all the horror stories I've", "by a major publishing house. My current work-in-progress, Borradh, is", "online on sites such as Wattpad and Royal Road wouldn't", "publishing house. My current work-in-progress, Borradh, is far larger than", "hope to one day have a book published by a", "the evening to write. I'm not particularly keen on self-publishing,", "Not making the situation any better is all the horror", "as Wattpad and Royal Road wouldn't get me anywhere either", "a lot of time in the evening to write. I'm", "time in the evening to write. I'm not particularly keen", "is dead-end and pays next to nothing, though it does", "heard about traditional publishing. There's talk about how expensive getting", "fanbase to make this option viable. Posting my work online", "situation any better is all the horror stories I've heard", "as I don't have a large enough fanbase to make", "Road wouldn't get me anywhere either since my writing is", "aren't into this type of material. So, where do I", "complete it in around fifty or sixty chapters. Not making", "does give me a lot of time in the evening", "Borradh, is far larger than anticipated. At the moment, it's", "writing is darker than smut and wish fulfilment stories usually", "current work-in-progress, Borradh, is far larger than anticipated. At the", "the commissioning cost. It doesn't help that my part-time job", "longer the manuscript, the higher the commissioning cost. It doesn't", "make this option viable. Posting my work online on sites", "to make this option viable. Posting my work online on", "fulfilment stories usually found on those platforms; most women aren't", "around fifty or sixty chapters. Not making the situation any", "Royal Road wouldn't get me anywhere either since my writing", "moment, it's about 129,000 words, with nearly one-third finished. I", "to one day have a book published by a major", "in around fifty or sixty chapters. Not making the situation", "a book published by a major publishing house. My current", "nearly one-third finished. I aim to complete it in around", "lot of time in the evening to write. I'm not", "I don't have a large enough fanbase to make this", "me anywhere either since my writing is darker than smut", "the horror stories I've heard about traditional publishing. There's talk", "a major publishing house. My current work-in-progress, Borradh, is far", "though it does give me a lot of time in", "job is dead-end and pays next to nothing, though it", "than anticipated. At the moment, it's about 129,000 words, with", "I've heard about traditional publishing. There's talk about how expensive", "work-in-progress, Borradh, is far larger than anticipated. At the moment,", "editor can be—the longer the manuscript, the higher the commissioning", "those platforms; most women aren't into this type of material.", "pays next to nothing, though it does give me a", "found on those platforms; most women aren't into this type", "far larger than anticipated. At the moment, it's about 129,000", "It doesn't help that my part-time job is dead-end and", "platforms; most women aren't into this type of material. So,", "on self-publishing, as I don't have a large enough fanbase", "My current work-in-progress, Borradh, is far larger than anticipated. At", "talk about how expensive getting a professional editor can be—the", "manuscript, the higher the commissioning cost. It doesn't help that", "to complete it in around fifty or sixty chapters. Not", "the higher the commissioning cost. It doesn't help that my", "can be—the longer the manuscript, the higher the commissioning cost.", "keen on self-publishing, as I don't have a large enough", "horror stories I've heard about traditional publishing. There's talk about", "such as Wattpad and Royal Road wouldn't get me anywhere", "not particularly keen on self-publishing, as I don't have a", "129,000 words, with nearly one-third finished. I aim to complete", "expensive getting a professional editor can be—the longer the manuscript,", "major publishing house. My current work-in-progress, Borradh, is far larger", "one-third finished. I aim to complete it in around fifty", "Like most of us, I hope to one day have", "this option viable. Posting my work online on sites such", "dead-end and pays next to nothing, though it does give", "house. My current work-in-progress, Borradh, is far larger than anticipated.", "There's talk about how expensive getting a professional editor can", "to write. I'm not particularly keen on self-publishing, as I", "large enough fanbase to make this option viable. Posting my", "that my part-time job is dead-end and pays next to", "doesn't help that my part-time job is dead-end and pays", "self-publishing, as I don't have a large enough fanbase to", "one day have a book published by a major publishing", "cost. It doesn't help that my part-time job is dead-end", "wish fulfilment stories usually found on those platforms; most women", "smut and wish fulfilment stories usually found on those platforms;", "enough fanbase to make this option viable. Posting my work", "of us, I hope to one day have a book", "it in around fifty or sixty chapters. Not making the", "particularly keen on self-publishing, as I don't have a large", "about how expensive getting a professional editor can be—the longer", "work online on sites such as Wattpad and Royal Road", "most of us, I hope to one day have a", "to nothing, though it does give me a lot of", "all the horror stories I've heard about traditional publishing. There's", "Wattpad and Royal Road wouldn't get me anywhere either since", "and pays next to nothing, though it does give me", "I aim to complete it in around fifty or sixty", "viable. Posting my work online on sites such as Wattpad", "chapters. Not making the situation any better is all the", "stories I've heard about traditional publishing. There's talk about how", "it's about 129,000 words, with nearly one-third finished. I aim", "my part-time job is dead-end and pays next to nothing,", "words, with nearly one-third finished. I aim to complete it", "stories usually found on those platforms; most women aren't into", "have a large enough fanbase to make this option viable.", "write. I'm not particularly keen on self-publishing, as I don't", "wouldn't get me anywhere either since my writing is darker", "part-time job is dead-end and pays next to nothing, though", "a professional editor can be—the longer the manuscript, the higher", "anywhere either since my writing is darker than smut and", "us, I hope to one day have a book published", "the moment, it's about 129,000 words, with nearly one-third finished.", "nothing, though it does give me a lot of time", "is all the horror stories I've heard about traditional publishing.", "and wish fulfilment stories usually found on those platforms; most", "my writing is darker than smut and wish fulfilment stories", "on those platforms; most women aren't into this type of", "anticipated. At the moment, it's about 129,000 words, with nearly", "is far larger than anticipated. At the moment, it's about", "published by a major publishing house. My current work-in-progress, Borradh,", "fifty or sixty chapters. Not making the situation any better", "making the situation any better is all the horror stories", "getting a professional editor can be—the longer the manuscript, the", "me a lot of time in the evening to write.", "this type of material. So, where do I go from", "better is all the horror stories I've heard about traditional", "At the moment, it's about 129,000 words, with nearly one-third", "be—the longer the manuscript, the higher the commissioning cost. It", "a large enough fanbase to make this option viable. Posting", "and Royal Road wouldn't get me anywhere either since my", "about 129,000 words, with nearly one-third finished. I aim to", "commissioning cost. It doesn't help that my part-time job is", "with nearly one-third finished. I aim to complete it in", "or sixty chapters. Not making the situation any better is", "in the evening to write. I'm not particularly keen on", "book published by a major publishing house. My current work-in-progress,", "I'm not particularly keen on self-publishing, as I don't have", "is darker than smut and wish fulfilment stories usually found", "day have a book published by a major publishing house.", "about traditional publishing. There's talk about how expensive getting a", "option viable. Posting my work online on sites such as", "than smut and wish fulfilment stories usually found on those", "the manuscript, the higher the commissioning cost. It doesn't help", "Posting my work online on sites such as Wattpad and", "of time in the evening to write. I'm not particularly", "finished. I aim to complete it in around fifty or", "larger than anticipated. At the moment, it's about 129,000 words,", "sites such as Wattpad and Royal Road wouldn't get me", "publishing. There's talk about how expensive getting a professional editor", "next to nothing, though it does give me a lot", "darker than smut and wish fulfilment stories usually found on", "my work online on sites such as Wattpad and Royal", "give me a lot of time in the evening to" ]
[ "quantifiable goal with a definitive beginning, middle, and end? In", "a measurable concrete goal so that my readers know when", "times throughout the movie to psychologically torture him. The theme", "I can turn my protagonist's goal of revenge into a", "ultraviolent scenes in my story like some of Kim's revenge", "get revenge on an incel serial killer who murdered his", "the fact that the FBI agent had a beautiful girlfriend,", "locations and there's a bit of a thrilling aspect to", "for me to determine what amount of torture and physical", "of ways I can turn my protagonist's abstract goal into", "his fiancee. 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At the", "than I Saw the Devil in my story, and I", "give my story thrilling action scenes, but I want to", "in a variety of locations and there's a bit of", "progress toward accomplishing his goal of revenge? And what are", "when he's pursuing his goal of revenge he has a", "it. I don't want to give up on my story,", "words, what are some examples of ways I can turn", "he has a tangible way of achieving it. I feel", "His goal is to torture Jaqh for an indefinite period", "who wants to get revenge on an incel serial killer", "of every catch and release, there's still so very little", "of the story because of his inability to overcome his", "up on his quest for his vengeance? I want my", "the progress Kim makes toward achieving his goal. Moreover, each", "that one can only overcome one's grief through restorative justice.", "and physical suffering my protagonist can put my antagonist through", "want to make sure that when he's pursuing his goal", "giving up on his goal of revenge. But I also", "revenge scenes in the Korean movie. What are the various", "turns one into a monster. I think the theme topics", "the Devil. In I Saw the Devil, Kim's, the protagonist's,", "though Kim tortures Jaqh in a variety of locations and", "Kim kidnaps and releases Jaqh multiple times throughout the movie", "change his goal from revenge to restorative justice when giving", "to the chase of every catch and release, there's still", "the FBI agent had a beautiful girlfriend, but he was", "there's still so very little tension in the movie. I'm", "and I still want to write it. I don't want", "wants to get revenge on an incel serial killer who", "In other words, Kim's goal has no physical manifestation, and", "as I Saw the Devil. In I Saw the Devil,", "his goal of revenge? And what are the various methods", "to restorative justice when giving up on his goal of", "a lonely virgin. The theme of my story is that", "a bit of a thrilling aspect to the chase of", "fiancée, Joo-Yun. 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What are the various kinds of ways", "the movie to psychologically torture him. The theme of I", "service agent called Kim Soo-Hyun who enacts his revenge on", "Jaqh in a variety of locations and there's a bit", "one can only overcome one's grief through restorative justice. The", "know when my protagonist is making progress toward accomplishing his", "death. There's just no way to quantify the progress Kim", "not concrete in any conceivable way. In other words, Kim's", "so very little tension in the movie. I'm working on", "the Devil in my story, and I want to maximize", "protagonist can put my antagonist through before he gives up", "can turn my protagonist's abstract goal into a measurable concrete", "so that my readers know when my protagonist is making", "scenes in the Korean movie. What are the various kinds", "readers will know when my protagonist will have achieved his", "killer who murdered his fiancee. The incel murdered the agent's", "justice vs retributive justice. 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I want my protagonist to eventually change", "on my story, so any suggestions would really be appreciated.", "enacts his revenge on a serial killer called Jaqh Kyung-Chul", "story. His goal is to torture Jaqh for an indefinite", "is to torture Jaqh for an indefinite period of time.", "plot. My protagonist, the FBI agent, like Kim, had the", "it cannot be represented by a single measurable or quantifiable", "be a very violent story. Is there a way for", "doesn't really support the theme that well. My story is", "murdered his fiancee. The incel murdered the agent's fiancee because", "multiple times throughout the movie to psychologically torture him. The", "still so very little tension in the movie. I'm working", "the FBI agent to work with him on an organization", "writing a story inspired by the 2010 South Korean movie", "give up on my story, so any suggestions would really", "by a single measurable or quantifiable event or by a", "grief through restorative justice. The theme topics of my story", "when giving up on his goal of revenge. But I", "the goal of torturing the killer who murdered his fiancee.", "accomplishing his goal of revenge? And what are the various", "each and every torture scene feels highly repetitive because of", "release, there's still so very little tension in the movie.", "had a beautiful girlfriend, but he was a lonely virgin.", "ways to give my story thrilling action scenes, but I", "on his goal of revenge. But I also want to", "Devil. In I Saw the Devil, Kim's, the protagonist's, goal", "fiancée’s death. There's just no way to quantify the progress", "or quantifiable event or by a limited number of chronological", "theme of my story is that one can only overcome", "agent who wants to get revenge on an incel serial", "avenging his dead fiancée because there's no possible way to", "goal into a measurable concrete goal so that my readers", "Moreover, each and every torture scene feels highly repetitive because", "releases Jaqh multiple times throughout the movie to psychologically torture", "restorative justice vs retributive justice. The philosophy of restorative justice", "that revenge turns one into a monster. I think the", "integrity), but the plot is very messy and doesn't really", "and I need it to be a very violent story.", "goal has no physical manifestation, and it cannot be represented", "that when he's pursuing his goal of revenge he has", "on an incel serial killer who murdered his fiancee. The", "goal. Even though Kim tortures Jaqh in a variety of", "serial killer called Jaqh Kyung-Chul for having murdered his fiancée,", "goal of torturing the killer who murdered his fiancee. In", "my antagonist through before he gives up on his quest", "justice eventually wins. At the end of my story, the", "to have more character development than I Saw the Devil", "from becoming violent extremists. The incel serial killer will commit", "Saw the Devil in my story, and I want to", "a horror thriller and I need it to be a", "men from becoming violent extremists. The incel serial killer will", "my protagonist's abstract goal into a measurable concrete goal so", "the protagonist's goal. Even though Kim tortures Jaqh in a", "of my story, the serial killer's father will ask the", "because of a lack of quantifiable progress made toward achieving", "a way for me to determine what amount of torture", "to work with him on an organization dedicated to preventing", "that my story is fundamentally flawed, but I'm stubborn, and", "every torture scene feels highly repetitive because of a lack", "eventually wins. At the end of my story, the serial", "Devil in my story, and I want to maximize my", "the 2010 South Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil).", "very violent story. Is there a way for me to", "because he was jealous of the fact that the FBI", "really support the theme that well. My story is about", "protagonist's goal. Even though Kim tortures Jaqh in a variety", "chase of every catch and release, there's still so very", "a very violent story. Is there a way for me", "his goal from revenge to restorative justice when giving up", "his need for vengeance against womankind. My story has the", "I Saw the Devil is that revenge turns one into", "murdered his fiancée, Joo-Yun. Kim kidnaps and releases Jaqh multiple", "or helps him overcome his grief over his fiancée’s death.", "organization dedicated to preventing incel men from becoming violent extremists.", "[I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret", "or by a limited number of chronological events in the", "we never know if Kim is making progress toward his", "his dead fiancée because there's no possible way to tell", "justice. The theme topics of my story are restorative justice", "Jaqh Kyung-Chul for having murdered his fiancée, Joo-Yun. Kim kidnaps", "of revenge. But I also want to make sure that", "my story, the serial killer's father will ask the FBI", "on his quest for his vengeance? I want my protagonist", "I don't want to give up on my story, so", "an incel serial killer who murdered his fiancee. The incel", "can only overcome one's grief through restorative justice. The theme", "South Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie", "tension. I also want to include some ultraviolent scenes in", "my story is fundamentally flawed, but I'm stubborn, and I", "in the Korean movie. What are the various kinds of", "What are the various kinds of ways I can turn", "my readers will know when my protagonist will have achieved", "and there's a bit of a thrilling aspect to the", "every catch and release, there's still so very little tension", "he gives up on his quest for his vengeance? I", "sure that when he's pursuing his goal of revenge he", "Devil, we never know if Kim is making progress toward", "period of time. His goal is too abstract, vague, and", "a limited number of chronological events in the plot. My", "my story's tension. I also want to include some ultraviolent", "him any closer to a sense of closure or helps", "no way to quantify the progress Kim makes toward achieving", "working on ways to give my story thrilling action scenes,", "are the various methods I can use to ensure that", "ways I can turn my protagonist's abstract goal into a", "words, Kim's goal has no physical manifestation, and it cannot", "humanity (or integrity), but the plot is very messy and", "into a monster. I think the theme topics are revenge", "serial killer who murdered his fiancee. The incel murdered the", "it. I feel that my story is fundamentally flawed, but", "toward his goal of avenging his dead fiancée because there's", "when my protagonist will have achieved his act of revenge?", "to determine what amount of torture and physical suffering my", "and not concrete in any conceivable way. In other words,", "of a thrilling aspect to the chase of every catch", "overcome one's grief through restorative justice. The theme topics of", "eventually change his goal from revenge to restorative justice when", "Devil, Kim's, the protagonist's, goal is the weakest part of", "the end of the story because of his inability to", "in the movie. I'm working on ways to give my", "gives up on his quest for his vengeance? I want", "The incel murdered the agent's fiancee because he was jealous", "with him on an organization dedicated to preventing incel men", "cannot be represented by a single measurable or quantifiable event", "quantifiable progress made toward achieving the protagonist's goal. Even though", "has a tangible way of achieving it. I feel that", "my protagonist is making progress toward accomplishing his goal of", "turn my protagonist's goal of revenge into a quantifiable goal", "inspired by the 2010 South Korean movie called [I Saw", "The movie is about a secret service agent called Kim", "still want to write it. I don't want to give", "At the end of my story, the serial killer's father", "tell when a torture scene brings him any closer to", "just no way to quantify the progress Kim makes toward", "story is fundamentally flawed, but I'm stubborn, and I still", "achieving his goal. Moreover, each and every torture scene feels", "horror thriller and I need it to be a very", "the serial killer's father will ask the FBI agent to", "was a lonely virgin. The theme of my story is", "agent to work with him on an organization dedicated to", "a quantifiable goal with a definitive beginning, middle, and end?", "to torture Jaqh for an indefinite period of time. His", "end? In other words, what are some examples of ways", "protagonist to eventually change his goal from revenge to restorative", "also want to make sure that when he's pursuing his", "a serial killer called Jaqh Kyung-Chul for having murdered his", "a story inspired by the 2010 South Korean movie called", "secret service agent called Kim Soo-Hyun who enacts his revenge", "examples of ways I can turn my protagonist's abstract goal", "the Devil, we never know if Kim is making progress", "make sure that when he's pursuing his goal of revenge", "manifestation, and it cannot be represented by a single measurable", "revenge. But I also want to make sure that when", "goal is to torture Jaqh for an indefinite period of", "the killer who murdered his fiancee. In I Saw the", "the various kinds of ways I can turn my protagonist's", "Joo-Yun. Kim kidnaps and releases Jaqh multiple times throughout the", "one into a monster. I think the theme topics are", "his goal of revenge. But I also want to make", "a sense of closure or helps him overcome his grief", "who enacts his revenge on a serial killer called Jaqh", "way. In other words, Kim's goal has no physical manifestation,", "way to quantify the progress Kim makes toward achieving his", "any conceivable way. In other words, Kim's goal has no", "want to include some ultraviolent scenes in my story like", "agent's fiancee because he was jealous of the fact that", "definitive beginning, middle, and end? In other words, what are", "turn my protagonist's abstract goal into a measurable concrete goal", "him overcome his grief over his fiancée’s death. There's just", "include some ultraviolent scenes in my story like some of", "to eventually change his goal from revenge to restorative justice", "know when my protagonist will have achieved his act of", "I need it to be a very violent story. Is", "want my protagonist to eventually change his goal from revenge", "of revenge he has a tangible way of achieving it.", "made toward achieving the protagonist's goal. Even though Kim tortures", "of quantifiable progress made toward achieving the protagonist's goal. Even", "various kinds of ways I can turn my protagonist's goal", "murdered the agent's fiancee because he was jealous of the", "of chronological events in the plot. My protagonist, the FBI", "number of chronological events in the plot. My protagonist, the", "are restorative justice vs retributive justice. The philosophy of restorative", "Kyung-Chul for having murdered his fiancée, Joo-Yun. Kim kidnaps and", "act of revenge? My story is a horror thriller and", "fiancee. In I Saw the Devil, we never know if", "flawed, but I'm stubborn, and I still want to write", "kidnaps and releases Jaqh multiple times throughout the movie to", "vengeance against womankind. My story has the same problem as", "the story because of his inability to overcome his need", "agent had a beautiful girlfriend, but he was a lonely", "end of my story, the serial killer's father will ask", "scenes, but I want to have more character development than", "I also want to include some ultraviolent scenes in my", "Saw the Devil, we never know if Kim is making", "restorative justice eventually wins. At the end of my story,", "I'm working on ways to give my story thrilling action", "the agent's fiancee because he was jealous of the fact", "goal with a definitive beginning, middle, and end? In other", "the chase of every catch and release, there's still so", "me to determine what amount of torture and physical suffering", "abstract goal into a measurable concrete goal so that my", "but he was a lonely virgin. The theme of my", "be represented by a single measurable or quantifiable event or", "Jaqh for an indefinite period of time. His goal is", "sense of closure or helps him overcome his grief over", "to give my story thrilling action scenes, but I want", "can use to ensure that my readers will know when", "story is that one can only overcome one's grief through", "one's grief through restorative justice. The theme topics of my", "measurable concrete goal so that my readers know when my", "amount of torture and physical suffering my protagonist can put", "making progress toward accomplishing his goal of revenge? And what", "jealous of the fact that the FBI agent had a", "limited number of chronological events in the plot. My protagonist,", "a torture scene brings him any closer to a sense", "by the 2010 South Korean movie called [I Saw the", "Kim makes toward achieving his goal. Moreover, each and every", "fact that the FBI agent had a beautiful girlfriend, but", "toward achieving his goal. Moreover, each and every torture scene", "making progress toward his goal of avenging his dead fiancée", "of torture and physical suffering my protagonist can put my", "movie is about a secret service agent called Kim Soo-Hyun", "to give up on my story, so any suggestions would", "an indefinite period of time. His goal is too abstract,", "of closure or helps him overcome his grief over his", "his grief over his fiancée’s death. There's just no way", "FBI agent who wants to get revenge on an incel", "I feel that my story is fundamentally flawed, but I'm", "In I Saw the Devil, Kim's, the protagonist's, goal is", "Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret service agent called", "of time. His goal is too abstract, vague, and not", "But I also want to make sure that when he's", "there's a bit of a thrilling aspect to the chase", "in the plot. My protagonist, the FBI agent, like Kim,", "any closer to a sense of closure or helps him", "of his inability to overcome his need for vengeance against", "and doesn't really support the theme that well. My story", "movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about", "of my story are restorative justice vs retributive justice. The", "to write it. I don't want to give up on", "called Kim Soo-Hyun who enacts his revenge on a serial", "story has the same problem as I Saw the Devil.", "in any conceivable way. In other words, Kim's goal has", "conceivable way. In other words, Kim's goal has no physical", "the movie. I'm working on ways to give my story", "Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is", "who murdered his fiancee. The incel murdered the agent's fiancee", "goal is the weakest part of the story. His goal", "and I want to maximize my story's tension. I also", "protagonist's abstract goal into a measurable concrete goal so that", "Kim is making progress toward his goal of avenging his", "he was jealous of the fact that the FBI agent", "FBI agent had a beautiful girlfriend, but he was a", "his fiancee. The incel murdered the agent's fiancee because he", "and it cannot be represented by a single measurable or", "agent, like Kim, had the goal of torturing the killer", "my protagonist's goal of revenge into a quantifiable goal with", "in my story, and I want to maximize my story's", "revenge? My story is a horror thriller and I need", "lack of quantifiable progress made toward achieving the protagonist's goal.", "had the goal of torturing the killer who murdered his", "will know when my protagonist will have achieved his act", "is the weakest part of the story. His goal is", "what are some examples of ways I can turn my", "the plot. My protagonist, the FBI agent, like Kim, had", "revenge vs personal humanity (or integrity), but the plot is", "concrete in any conceivable way. In other words, Kim's goal", "a tangible way of achieving it. I feel that my", "is that one can only overcome one's grief through restorative", "scene brings him any closer to a sense of closure", "incel murdered the agent's fiancee because he was jealous of", "protagonist is making progress toward accomplishing his goal of revenge?", "the Devil is that revenge turns one into a monster.", "abstract, vague, and not concrete in any conceivable way. In", "goal of avenging his dead fiancée because there's no possible", "revenge to restorative justice when giving up on his goal", "variety of locations and there's a bit of a thrilling", "And what are the various methods I can use to", "progress toward his goal of avenging his dead fiancée because", "Soo-Hyun who enacts his revenge on a serial killer called", "my story are restorative justice vs retributive justice. The philosophy", "incel serial killer will commit suicide at the end of", "theme topics are revenge vs personal humanity (or integrity), but", "when a torture scene brings him any closer to a", "to a sense of closure or helps him overcome his", "over his fiancée’s death. There's just no way to quantify", "my story thrilling action scenes, but I want to have", "are revenge vs personal humanity (or integrity), but the plot", "throughout the movie to psychologically torture him. The theme of", "the FBI agent, like Kim, had the goal of torturing", "kinds of ways I can turn my protagonist's goal of", "my readers know when my protagonist is making progress toward", "revenge he has a tangible way of achieving it. I", "revenge turns one into a monster. I think the theme", "story, and I want to maximize my story's tension. I", "other words, what are some examples of ways I can", "revenge on an incel serial killer who murdered his fiancee.", "suffering my protagonist can put my antagonist through before he", "he was a lonely virgin. The theme of my story", "womankind. My story has the same problem as I Saw", "who murdered his fiancee. In I Saw the Devil, we", "by a limited number of chronological events in the plot.", "my protagonist to eventually change his goal from revenge to", "middle, and end? In other words, what are some examples", "commit suicide at the end of the story because of", "story, so any suggestions would really be appreciated. Thank you.", "progress Kim makes toward achieving his goal. Moreover, each and", "of the story. His goal is to torture Jaqh for", "goal of revenge into a quantifiable goal with a definitive", "through restorative justice. The theme topics of my story are", "readers know when my protagonist is making progress toward accomplishing", "protagonist, the FBI agent, like Kim, had the goal of", "quantify the progress Kim makes toward achieving his goal. Moreover,", "because there's no possible way to tell when a torture", "his goal of avenging his dead fiancée because there's no", "fiancee because he was jealous of the fact that the", "psychologically torture him. The theme of I Saw the Devil", "will commit suicide at the end of the story because", "ask the FBI agent to work with him on an", "to overcome his need for vengeance against womankind. My story", "feels highly repetitive because of a lack of quantifiable progress", "achieving the protagonist's goal. Even though Kim tortures Jaqh in", "father will ask the FBI agent to work with him", "monster. I think the theme topics are revenge vs personal", "plot is very messy and doesn't really support the theme", "with a definitive beginning, middle, and end? In other words,", "In other words, what are some examples of ways I", "his goal of revenge he has a tangible way of", "killer called Jaqh Kyung-Chul for having murdered his fiancée, Joo-Yun.", "of revenge into a quantifiable goal with a definitive beginning,", "suicide at the end of the story because of his", "and release, there's still so very little tension in the", "achieving it. I feel that my story is fundamentally flawed,", "thrilling aspect to the chase of every catch and release,", "torture scene feels highly repetitive because of a lack of", "of ways I can turn my protagonist's goal of revenge", "on an organization dedicated to preventing incel men from becoming", "of revenge? And what are the various methods I can", "Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret service", "is about an FBI agent who wants to get revenge", "about an FBI agent who wants to get revenge on", "is too abstract, vague, and not concrete in any conceivable", "is making progress toward accomplishing his goal of revenge? And", "pursuing his goal of revenge he has a tangible way", "way to tell when a torture scene brings him any", "to include some ultraviolent scenes in my story like some", "from revenge to restorative justice when giving up on his", "about a secret service agent called Kim Soo-Hyun who enacts", "fundamentally flawed, but I'm stubborn, and I still want to", "maximize my story's tension. I also want to include some", "story is about an FBI agent who wants to get", "(or integrity), but the plot is very messy and doesn't", "other words, Kim's goal has no physical manifestation, and it", "messy and doesn't really support the theme that well. My", "a beautiful girlfriend, but he was a lonely virgin. The", "of restorative justice eventually wins. At the end of my", "at the end of the story because of his inability", "for having murdered his fiancée, Joo-Yun. Kim kidnaps and releases", "a thrilling aspect to the chase of every catch and", "my story, and I want to maximize my story's tension.", "fiancee. The incel murdered the agent's fiancee because he was", "My protagonist, the FBI agent, like Kim, had the goal", "incel men from becoming violent extremists. The incel serial killer", "to preventing incel men from becoming violent extremists. The incel", "possible way to tell when a torture scene brings him", "is a horror thriller and I need it to be", "His goal is too abstract, vague, and not concrete in", "can turn my protagonist's goal of revenge into a quantifiable", "my story is that one can only overcome one's grief", "want to have more character development than I Saw the", "movie to psychologically torture him. The theme of I Saw", "I'm writing a story inspired by the 2010 South Korean" ]
[ "as it means that when writing normal or even action", "in a way that makes the writing better. I don't", "prompts so that I can just write short stories and", "to get into the rhythm of writing, I write short", "if I'm describing thoughts) I do fairly well and it", "action scenes, it either sounds too accurate/factual and therefore less", "thoughts) I do fairly well and it sounds pretty good,", "the writing better. I don't know how to make it", "a younger kid. Examples: * In fast flowing action scenes,", "Upon reviewing them, I've realised that unless I am specifically", "I don't know how else to describe it. * In", "to get better at the flow and quality of writing", "and metaphorical descriptions. Are there any tips to get better", "to make the sentences flow? I have plenty of story", "* In fast flowing action scenes, it either sounds too", "and dialogue without making it sound slightly childish - not", "I don't know how to practice in a way that", "to use to make the sentences flow? I have plenty", "clunky. Obviously this presents a problem as it means that", "when writing normal or even action scenes, the writing just", "or even action scenes, the writing just doesn't flow and", "without making it sound slightly childish - not at all", "there any tips to get better at the flow and", "what I want if I'm going to be writing a", "I do fairly well and it sounds pretty good, but", "metaphorical descriptions. Are there any tips to get better at", "What methods do I need to use to make the", "good, but obviously a book doesn't only consist of abstract", "every few days. Upon reviewing them, I've realised that unless", "all what I want if I'm going to be writing", "lots of practice, but I don't know how to practice", "but I don't know how to practice in a way", "know how to practice in a way that makes the", "can just write short stories and do lots of practice,", "* In scenes with large amounts of similes/metaphors (particularly if", "making it very clunky. * In average scenes, I just", "writing normal or even action scenes, the writing just doesn't", "few days. Upon reviewing them, I've realised that unless I", "fairly boring and clunky. Obviously this presents a problem as", "book. It just doesn't flow, I don't know how else", "younger kid. Examples: * In fast flowing action scenes, it", "but obviously a book doesn't only consist of abstract and", "know how else to describe it. * In scenes with", "flow and appears to be written by a younger kid.", "* In average scenes, I just can't balance actions and", "pretty good at,) my writing is fairly boring and clunky.", "but to get into the rhythm of writing, I write", "is fairly boring and clunky. Obviously this presents a problem", "I'm describing thoughts) I do fairly well and it sounds", "write short stories every few days. Upon reviewing them, I've", "problem as it means that when writing normal or even", "it sound slightly childish - not at all what I", "means that when writing normal or even action scenes, the", "if I'm going to be writing a book. It just", "better. I don't know how to make it sound more", "realised that unless I am specifically aiming for abstract and", "book doesn't only consist of abstract and metaphorical descriptions. Are", "way that makes the writing better. I don't know how", "fairly well and it sounds pretty good, but obviously a", "I can just write short stories and do lots of", "too accurate/factual and therefore less like a story or too", "obviously a book doesn't only consist of abstract and metaphorical", "quality of writing in different scenes? What methods do I", "descriptions. Are there any tips to get better at the", "I need to use to make the sentences flow? I", "in different scenes? What methods do I need to use", "short stories and do lots of practice, but I don't", "by a younger kid. Examples: * In fast flowing action", "methods do I need to use to make the sentences", "writing, I write short stories every few days. Upon reviewing", "I just can't balance actions and dialogue without making it", "- not at all what I want if I'm going", "do fairly well and it sounds pretty good, but obviously", "just doesn't flow, I don't know how else to describe", "doesn't only consist of abstract and metaphorical descriptions. Are there", "Obviously this presents a problem as it means that when", "childish - not at all what I want if I'm", "it. * In scenes with large amounts of similes/metaphors (particularly", "a story or too full of adjectives making it very", "boring and clunky. Obviously this presents a problem as it", "describe it. * In scenes with large amounts of similes/metaphors", "of practice, but I don't know how to practice in", "flow, I don't know how else to describe it. ", "(particularly if I'm describing thoughts) I do fairly well and", "don't know how to practice in a way that makes", "writing a book. It just doesn't flow, I don't know", "want if I'm going to be writing a book. It", "make the sentences flow? I have plenty of story prompts", "have plenty of story prompts so that I can just", "sound slightly childish - not at all what I want", "don't know how else to describe it. In scenes", "makes the writing better. I don't know how to make", "clunky. * In average scenes, I just can't balance actions", "else to describe it. * In scenes with large amounts", "doesn't flow, I don't know how else to describe it.", "aiming for abstract and vivid metaphors (which I'm pretty good", "unless I am specifically aiming for abstract and vivid metaphors", "any tips to get better at the flow and quality", "accurate/factual and therefore less like a story or too full", "just doesn't flow and appears to be written by a", "flow and quality of writing in different scenes? What methods", "it very clunky. * In average scenes, I just can't", "how to make it sound more adult. Are there specific", "them, I've realised that unless I am specifically aiming for", "appears to be written by a younger kid. Examples: ", "to make it sound more adult. Are there specific methods/websites/tips", "am specifically aiming for abstract and vivid metaphors (which I'm", "action scenes, the writing just doesn't flow and appears to", "the writing just doesn't flow and appears to be written", "that unless I am specifically aiming for abstract and vivid", "large amounts of similes/metaphors (particularly if I'm describing thoughts) I", "it sounds pretty good, but obviously a book doesn't only", "I have plenty of story prompts so that I can", "flow? I have plenty of story prompts so that I", "less like a story or* too full of adjectives making", "it sound more adult. Are there specific methods/websites/tips that could", "this presents a problem as it means that when writing", "and quality of writing in different scenes? What methods do", "scenes? 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Obviously", "story or too full of adjectives making it very clunky.", "at all what I want if I'm going to be", "abstract and metaphorical descriptions. Are there any tips to get", "my writing is fairly boring and clunky. Obviously this presents", "scenes, it either sounds too accurate/factual and therefore less like", "consist of abstract and metaphorical descriptions. Are there any tips", "and therefore less like a story or too full of", "In fast flowing action scenes, it either sounds too accurate/factual", "the skeleton stage, but to get into the rhythm of", "do lots of practice, but I don't know how to", "practice, but I don't know how to practice in a", "how else to describe it. * In scenes with large", "with large amounts of similes/metaphors (particularly if I'm describing thoughts)", "and do lots of practice, but I don't know how", "of similes/metaphors (particularly if I'm describing thoughts) I do fairly", "to practice in a way that makes the writing better.", "abstract and vivid metaphors (which I'm pretty good at,) my", "I don't know how to make it sound more adult.", "of writing, I write short stories every few days. Upon", "I am specifically aiming for abstract and vivid metaphors (which", "either sounds too accurate/factual and therefore less like a story", "actions and dialogue without making it sound slightly childish -", "slightly childish - not at all what I want if", "writing better. I don't know how to make it sound", "balance actions and dialogue without making it sound slightly childish", "I'm in the skeleton stage, but to get into the", "presents a problem as it means that when writing normal", "In average scenes, I just can't balance actions and dialogue", "amounts of similes/metaphors (particularly if I'm describing thoughts) I do", "well and it sounds pretty good, but obviously a book", "of story prompts so that I can just write short", "going to be writing a book. It just doesn't flow,", "better at the flow and quality of writing in different", "in the skeleton stage, but to get into the rhythm", "I'm going to be writing a book. It just doesn't", "do I need to use to make the sentences flow?", "a way that makes the writing better. I don't know", "that makes the writing better. I don't know how to", "to be written by a younger kid. Examples: * In", "write short stories and do lots of practice, but I", "metaphors (which I'm pretty good at,) my writing is fairly", "fast flowing action scenes, it either sounds too accurate/factual and", "and it sounds pretty good, but obviously a book doesn't", "I want if I'm going to be writing a book.", "to be writing a book. It just doesn't flow, I", "just write short stories and do lots of practice, but", "writing just doesn't flow and appears to be written by", "plenty of story prompts so that I can just write", "that I can just write short stories and do lots", "similes/metaphors (particularly if I'm describing thoughts) I do fairly well", "very clunky. * In average scenes, I just can't balance", "the rhythm of writing, I write short stories every few", "making it sound slightly childish - not at all what", "too full of adjectives making it very clunky. * In", "of writing in different scenes? What methods do I need", "it either sounds too accurate/factual and therefore less like a", "that when writing normal or even action scenes, the writing", "Examples: * In fast flowing action scenes, it either sounds", "therefore less like a story or too full of adjectives", "short stories every few days. Upon reviewing them, I've realised", "vivid metaphors (which I'm pretty good at,) my writing is", "for abstract and vivid metaphors (which I'm pretty good at,)", "the sentences flow? I have plenty of story prompts so", "a problem as it means that when writing normal or", "stories and do lots of practice, but I don't know", "reviewing them, I've realised that unless I am specifically aiming", "stories every few days. Upon reviewing them, I've realised that", "I write short stories every few days. Upon reviewing them,", "even action scenes, the writing just doesn't flow and appears", "like a story or too full of adjectives making it", "a book doesn't only consist of abstract and metaphorical descriptions.", "and clunky. Obviously this presents a problem as it means", "to describe it. * In scenes with large amounts of", "writing is fairly boring and clunky. Obviously this presents a", "can't balance actions and dialogue without making it sound slightly", "story prompts so that I can just write short stories", "Are there any tips to get better at the flow", "I've realised that unless I am specifically aiming for abstract", "so that I can just write short stories and do", "how to practice in a way that makes the writing", "dialogue without making it sound slightly childish - not at", "at the flow and quality of writing in different scenes?", "make it sound more adult. Are there specific methods/websites/tips that", "skeleton stage, but to get into the rhythm of writing,", "I'm pretty good at,) my writing is fairly boring and", "describing thoughts) I do fairly well and it sounds pretty", "written by a younger kid. Examples: * In fast flowing", "be writing a book. It just doesn't flow, I don't", "It just doesn't flow, I don't know how else to", "and vivid metaphors (which I'm pretty good at,) my writing", "sounds too accurate/factual and therefore less like a story or", "the flow and quality of writing in different scenes? What", "kid. Examples: * In fast flowing action scenes, it either", "practice in a way that makes the writing better. I", "or too full of adjectives making it very clunky. ", "more adult. Are there specific methods/websites/tips that could possiblly help?", "get into the rhythm of writing, I write short stories", "pretty good, but obviously a book doesn't only consist of", "only consist of abstract and metaphorical descriptions. Are there any", "and appears to be written by a younger kid. Examples:", "full of adjectives making it very clunky. In average", "average scenes, I just can't balance actions and dialogue without", "scenes with large amounts of similes/metaphors (particularly if I'm describing", "different scenes? What methods do I need to use to", "sound more adult. Are there specific methods/websites/tips that could possiblly", "get better at the flow and quality of writing in", "not at all what I want if I'm going to", "know how to make it sound more adult. Are there", "of adjectives making it very clunky. * In average scenes,", "normal or even action scenes, the writing just doesn't flow", "stage, but to get into the rhythm of writing, I", "scenes, the writing just doesn't flow and appears to be", "it means that when writing normal or even action scenes,", "sounds pretty good, but obviously a book doesn't only consist", "just can't balance actions and dialogue without making it sound", "be written by a younger kid. Examples: * In fast", "at,) my writing is fairly boring and clunky. Obviously this", "adjectives making it very clunky. * In average scenes, I", "days. Upon reviewing them, I've realised that unless I am", "writing in different scenes? What methods do I need to" ]
[ "want my readers to see and feel. I’ve heard of", "feel of the aesthetic that want my readers to see", "that want my readers to see and feel. I’ve heard", "am currently working on a murder mystery novel with a", "a murder mystery novel with a vintage aesthetic. I already", "in the eerie and dark feel of the murder mystery", "effectively convey the look and feel of the aesthetic that", "that the author has chosen. The other problem is I", "dark feel of the murder mystery part of the book", "a vintage aesthetic. I already have vintage names, Pinterest boards", "but they don’t properly convey the aesthetic that they had", "authors who take an aesthetic but they don’t properly convey", "I already have vintage names, Pinterest boards and mood boards.", "I am currently working on a murder mystery novel with", "what I want it to kinda look like. The problem", "feel. I’ve heard of other authors who take an aesthetic", "to effectively convey the look and feel of the aesthetic", "to see and feel. I’ve heard of other authors who", "mystery novel with a vintage aesthetic. I already have vintage", "the aesthetic that the author has chosen. The other problem", "is I have to mix in the eerie and dark", "eerie and dark feel of the murder mystery part of", "aesthetic that the author has chosen. The other problem is", "don’t properly convey the aesthetic that they had chosen, which", "other authors who take an aesthetic but they don’t properly", "my readers to see and feel. I’ve heard of other", "they had chosen, which leads to annoyed readers who love", "how to effectively convey the look and feel of the", "and mood boards. So I know what I want it", "love the aesthetic that the author has chosen. The other", "murder mystery novel with a vintage aesthetic. I already have", "with a vintage aesthetic. I already have vintage names, Pinterest", "has chosen. The other problem is I have to mix", "convey the look and feel of the aesthetic that want", "have vintage names, Pinterest boards and mood boards. So I", "vintage aesthetic. I already have vintage names, Pinterest boards and", "know what I want it to kinda look like. The", "I’ve heard of other authors who take an aesthetic but", "currently working on a murder mystery novel with a vintage", "aesthetic. I already have vintage names, Pinterest boards and mood", "I have to mix in the eerie and dark feel", "of the murder mystery part of the book as well.", "to kinda look like. The problem is I don’t know", "other problem is I have to mix in the eerie", "novel with a vintage aesthetic. I already have vintage names,", "that they had chosen, which leads to annoyed readers who", "of the aesthetic that want my readers to see and", "names, Pinterest boards and mood boards. So I know what", "and feel of the aesthetic that want my readers to", "know how to effectively convey the look and feel of", "the look and feel of the aesthetic that want my", "heard of other authors who take an aesthetic but they", "and dark feel of the murder mystery part of the", "aesthetic that want my readers to see and feel. I’ve", "So I know what I want it to kinda look", "readers who love the aesthetic that the author has chosen.", "an aesthetic but they don’t properly convey the aesthetic that", "to mix in the eerie and dark feel of the", "it to kinda look like. The problem is I don’t", "the author has chosen. The other problem is I have", "I know what I want it to kinda look like.", "who love the aesthetic that the author has chosen. The", "readers to see and feel. I’ve heard of other authors", "convey the aesthetic that they had chosen, which leads to", "mood boards. So I know what I want it to", "aesthetic that they had chosen, which leads to annoyed readers", "and feel. I’ve heard of other authors who take an", "boards. So I know what I want it to kinda", "look and feel of the aesthetic that want my readers", "look like. The problem is I don’t know how to", "of other authors who take an aesthetic but they don’t", "the aesthetic that want my readers to see and feel.", "chosen, which leads to annoyed readers who love the aesthetic", "boards and mood boards. So I know what I want", "which leads to annoyed readers who love the aesthetic that", "aesthetic but they don’t properly convey the aesthetic that they", "problem is I have to mix in the eerie and", "is I don’t know how to effectively convey the look", "on a murder mystery novel with a vintage aesthetic. I", "to annoyed readers who love the aesthetic that the author", "the eerie and dark feel of the murder mystery part", "problem is I don’t know how to effectively convey the", "they don’t properly convey the aesthetic that they had chosen,", "I want it to kinda look like. The problem is", "like. The problem is I don’t know how to effectively", "leads to annoyed readers who love the aesthetic that the", "mix in the eerie and dark feel of the murder", "take an aesthetic but they don’t properly convey the aesthetic", "annoyed readers who love the aesthetic that the author has", "want it to kinda look like. The problem is I", "I don’t know how to effectively convey the look and", "don’t know how to effectively convey the look and feel", "had chosen, which leads to annoyed readers who love the", "working on a murder mystery novel with a vintage aesthetic.", "the aesthetic that they had chosen, which leads to annoyed", "feel of the murder mystery* part of the book as", "have to mix in the eerie and dark feel of", "The problem is I don’t know how to effectively convey", "who take an aesthetic but they don’t properly convey the", "author has chosen. The other problem is I have to", "already have vintage names, Pinterest boards and mood boards. So", "Pinterest boards and mood boards. So I know what I", "kinda look like. The problem is I don’t know how", "The other problem is I have to mix in the", "vintage names, Pinterest boards and mood boards. So I know", "see and feel. I’ve heard of other authors who take", "chosen. The other problem is I have to mix in", "properly convey the aesthetic that they had chosen, which leads" ]
[ "to A) I don't find either of these to be", "data coming in to X (implies from A) * X2", "(implies to A) I don't find either of these to", "give the directionality a codename and say that: * X1", "say: * \"Inbound interface from A to X\" * \"Inbound", "be elegant solutions. What is a good, succinct way to", "can give the directionality a codename and say that: ", "I don't find either of these to be elegant solutions.", "coming in to X (implies from A) X2 =", "I am referring to data coming from A in to", "say that: * X1 = data coming in to X", "to X, I can say: * \"Inbound interface from A", "product X. Product X has bi-directional connectivity with other systems", "is a good, succinct way to reference the directionality/flow of", "for product X. Product X has bi-directional connectivity with other", "find either of these to be elegant solutions. What is", "has bi-directional connectivity with other systems A and B. When", "systems A and B. When I am referring to data", "a codename and say that: * X1 = data coming", "I can give the directionality a codename and say that:", "responsible for product X. Product X has bi-directional connectivity with", "way to reference the directionality/flow of information between 2 systems?", "am responsible for product X. Product X has bi-directional connectivity", "to data coming from A in to X, I can", "* \"Inbound from A to X\" Or I can give", "a good, succinct way to reference the directionality/flow of information", "\"Inbound interface from A to X\" * \"Inbound from A", "A and B. When I am referring to data coming", "X\" * \"Inbound from A to X\" Or I can", "can say: * \"Inbound interface from A to X\" ", "= data coming in to X (implies from A) ", "A to X\" * \"Inbound from A to X\" Or", "data coming from A in to X, I can say:", "bi-directional connectivity with other systems A and B. When I", "to be elegant solutions. What is a good, succinct way", "the directionality a codename and say that: * X1 =", "these to be elegant solutions. What is a good, succinct", "X, I can say: * \"Inbound interface from A to", "X (implies from A) * X2 = data leaving X", "interface from A to X\" * \"Inbound from A to", "X1 = data coming in to X (implies from A)", "to X (implies from A) * X2 = data leaving", "other systems A and B. When I am referring to", "A in to X, I can say: * \"Inbound interface", "* X1 = data coming in to X (implies from", "= data leaving X (implies to A) I don't find", "referring to data coming from A in to X, I", "X\" Or I can give the directionality a codename and", "good, succinct way to reference the directionality/flow of information between", "* \"Inbound interface from A to X\" * \"Inbound from", "that: * X1 = data coming in to X (implies", "directionality a codename and say that: * X1 = data", "* X2 = data leaving X (implies to A) I", "X. Product X has bi-directional connectivity with other systems A", "(implies from A) * X2 = data leaving X (implies", "and B. When I am referring to data coming from", "with other systems A and B. When I am referring", "in to X, I can say: * \"Inbound interface from", "to X\" * \"Inbound from A to X\" Or I", "coming from A in to X, I can say: ", "of these to be elegant solutions. What is a good,", "Product X has bi-directional connectivity with other systems A and", "X2 = data leaving X (implies to A) I don't", "either of these to be elegant solutions. What is a", "elegant solutions. What is a good, succinct way to reference", "in to X (implies from A) X2 = data", "I am responsible for product X. Product X has bi-directional", "from A to X\" * \"Inbound from A to X\"", "data leaving X (implies to A) I don't find either", "\"Inbound from A to X\" Or I can give the", "solutions. What is a good, succinct way to reference the", "don't find either of these to be elegant solutions. What", "am referring to data coming from A in to X,", "connectivity with other systems A and B. When I am", "X has bi-directional connectivity with other systems A and B.", "succinct way to reference the directionality/flow of information between 2", "and say that: * X1 = data coming in to", "from A) * X2 = data leaving X (implies to", "leaving X (implies to A) I don't find either of", "B. When I am referring to data coming from A", "from A in to X, I can say: * \"Inbound", "Or I can give the directionality a codename and say", "A) * X2 = data leaving X (implies to A)", "A) I don't find either of these to be elegant", "from A to X\" Or I can give the directionality", "to X\" Or I can give the directionality a codename", "What is a good, succinct way to reference the directionality/flow", "codename and say that: * X1 = data coming in", "I can say: * \"Inbound interface from A to X\"", "A to X\" Or I can give the directionality a", "X (implies to A) I don't find either of these", "When I am referring to data coming from A in" ]
[ "if it's okay that I mention them in my story?", "I need to ask permission to use a location? Or", "Texas. Do I need to ask i.e. the Lubbock Arboretum", "is: When do I need to ask permission to use", "Do I need to ask i.e. the Lubbock Arboretum if", "ask i.e. the Lubbock Arboretum if it's okay that I", "the Lubbock Arboretum if it's okay that I mention them", "things they do in Texas. Do I need to ask", "they do in Texas. Do I need to ask i.e.", "to use a location? Or do I even need to?", "dragons and the things they do in Texas. Do I", "to ask i.e. the Lubbock Arboretum if it's okay that", "written a children's book about dragons and the things they", "i.e. the Lubbock Arboretum if it's okay that I mention", "it's okay that I mention them in my story? So", "ask permission to use a location? Or do I even", "do I need to ask permission to use a location?", "my question is: When do I need to ask permission", "So my question is: When do I need to ask", "I need to ask i.e. the Lubbock Arboretum if it's", "okay that I mention them in my story? So my", "need to ask i.e. the Lubbock Arboretum if it's okay", "have written a children's book about dragons and the things", "my story? So my question is: When do I need", "question is: When do I need to ask permission to", "use a location? Or do I even need to? Thank", "in Texas. Do I need to ask i.e. the Lubbock", "in my story? So my question is: When do I", "book about dragons and the things they do in Texas.", "and the things they do in Texas. Do I need", "that I mention them in my story? So my question", "mention them in my story? So my question is: When", "permission to use a location? Or do I even need", "to ask permission to use a location? Or do I", "Arboretum if it's okay that I mention them in my", "need to ask permission to use a location? Or do", "a children's book about dragons and the things they do", "the things they do in Texas. Do I need to", "I have written a children's book about dragons and the", "about dragons and the things they do in Texas. Do", "I mention them in my story? So my question is:", "Lubbock Arboretum if it's okay that I mention them in", "do in Texas. Do I need to ask i.e. the", "children's book about dragons and the things they do in", "them in my story? So my question is: When do", "story? So my question is: When do I need to", "When do I need to ask permission to use a", "a location? Or do I even need to? Thank you!" ]
[ "websites that would be really helpful. I would just do", "the police would give me a call if I kept", "that would be really helpful. I would just do lots", "I would be allowed to ask here. * Similarly, I", "police would give me a call if I kept on", "is (opinion based). I've tried searching already and haven't been", "ask what the blast radius of a small bomb was,", "anyone has any useful websites that would be really helpful.", "governement is (opinion based). I've tried searching already and haven't", "own solar field without instructions. * I can't ask what", "give me a call if I kept on searching up", "questions about specific details/genres or questions that are heavily opinion", "be really helpful. I would just do lots of research", "this one either, it was pure chance. If anyone has", "would just do lots of research but I feel like", "blast radius of a small bomb was, I doubt I", "really helpful. I would just do lots of research but", "so well. Examples * If I were to ask what", "sadly, this website doesn't work so well. Examples * If", "a small bomb was, I doubt I would be allowed", "would be able to set up their own solar field", "I were to ask what the blast radius of a", "when it comes to asking questions about specific details/genres or", "to asking questions about specific details/genres or questions that are", "and it's already helped me a lot. However when it", "it comes to asking questions about specific details/genres or questions", "of a small bomb was, I doubt I would be", "already helped me a lot. However when it comes to", "dystopian governement is (opinion based). I've tried searching already and", "- I actually didn't find this one either, it was", "feel like the police would give me a call if", "be allowed to ask here. * Similarly, I wouldn't be", "but I feel like the police would give me a", "I would just do lots of research but I feel", "was, I doubt I would be allowed to ask here.", "ask what people think is the best form of dystopian", "either, it was pure chance. If anyone has any useful", "to find anything - I actually didn't find this one", "allowed to ask here. * Similarly, I wouldn't be allowed", "of research but I feel like the police would give", "this website doesn't work so well. Examples * If I", "has any useful websites that would be really helpful. I", "comes to asking questions about specific details/genres or questions that", "any useful websites that would be really helpful. I would", "what people think is the best form of dystopian governement", "I can't ask what people think is the best form", "helped me a lot. However when it comes to asking", "that are heavily opinion based, sadly, this website doesn't work", "small bomb was, I doubt I would be allowed to", "what the blast radius of a small bomb was, I", "radius of a small bomb was, I doubt I would", "find anything - I actually didn't find this one either,", "like the police would give me a call if I", "work so well. Examples * If I were to ask", "doesn't work so well. Examples * If I were to", "This website in incredibly useful and it's already helped me", "useful and it's already helped me a lot. However when", "do lots of research but I feel like the police", "best form of dystopian governement is (opinion based). I've tried", "whether post-apocalypse survivors would be able to set up their", "set up their own solar field without instructions. * I", "lots of research but I feel like the police would", "me a lot. However when it comes to asking questions", "I feel like the police would give me a call", "post-apocalypse survivors would be able to set up their own", "pure chance. If anyone has any useful websites that would", "didn't find this one either, it was pure chance. If", "bomb was, I doubt I would be allowed to ask", "I actually didn't find this one either, it was pure", "I doubt I would be allowed to ask here. ", "wouldn't be allowed to ask whether post-apocalypse survivors would be", "solar field without instructions. I can't ask what people", "I wouldn't be allowed to ask whether post-apocalypse survivors would", "people think is the best form of dystopian governement is", "to ask here. * Similarly, I wouldn't be allowed to", "the best form of dystopian governement is (opinion based). I've", "would be allowed to ask here. * Similarly, I wouldn't", "* Similarly, I wouldn't be allowed to ask whether post-apocalypse", "questions that are heavily opinion based, sadly, this website doesn't", "find this one either, it was pure chance. If anyone", "a call if I kept on searching up questions about", "lot. However when it comes to asking questions about specific", "or questions that are heavily opinion based, sadly, this website", "was pure chance. If anyone has any useful websites that", "up their own solar field without instructions. * I can't", "I've tried searching already and haven't been able to find", "were to ask what the blast radius of a small", "details/genres or questions that are heavily opinion based, sadly, this", "would be really helpful. I would just do lots of", "well. Examples * If I were to ask what the", "one either, it was pure chance. If anyone has any", "website doesn't work so well. Examples * If I were", "already and haven't been able to find anything - I", "of dystopian governement is (opinion based). I've tried searching already", "is the best form of dystopian governement is (opinion based).", "searching already and haven't been able to find anything -", "doubt I would be allowed to ask here. * Similarly,", "specific details/genres or questions that are heavily opinion based, sadly,", "able to find anything - I actually didn't find this", "Similarly, I wouldn't be allowed to ask whether post-apocalypse survivors", "form of dystopian governement is (opinion based). I've tried searching", "chance. If anyone has any useful websites that would be", "think is the best form of dystopian governement is (opinion", "* I can't ask what people think is the best", "without instructions. * I can't ask what people think is", "actually didn't find this one either, it was pure chance.", "are heavily opinion based, sadly, this website doesn't work so", "can't ask what people think is the best form of", "a lot. However when it comes to asking questions about", "allowed to ask whether post-apocalypse survivors would be able to", "to set up their own solar field without instructions. ", "tried searching already and haven't been able to find anything", "and haven't been able to find anything - I actually", "would give me a call if I kept on searching", "about specific details/genres or questions that are heavily opinion based,", "incredibly useful and it's already helped me a lot. However", "If I were to ask what the blast radius of", "ask whether post-apocalypse survivors would be able to set up", "instructions. I can't ask what people think is the", "If anyone has any useful websites that would be really", "in incredibly useful and it's already helped me a lot.", "heavily opinion based, sadly, this website doesn't work so well.", "call if I kept on searching up questions about bombs.", "Examples * If I were to ask what the blast", "based). I've tried searching already and haven't been able to", "anything - I actually didn't find this one either, it", "survivors would be able to set up their own solar", "However when it comes to asking questions about specific details/genres", "it's already helped me a lot. However when it comes", "here. * Similarly, I wouldn't be allowed to ask whether", "haven't been able to find anything - I actually didn't", "to ask what the blast radius of a small bomb", "me a call if I kept on searching up questions", "(opinion based). I've tried searching already and haven't been able", "asking questions about specific details/genres or questions that are heavily", "to ask whether post-apocalypse survivors would be able to set", "opinion based, sadly, this website doesn't work so well. Examples", "be able to set up their own solar field without", "able to set up their own solar field without instructions.", "based, sadly, this website doesn't work so well. Examples ", "the blast radius of a small bomb was, I doubt", " If I were to ask what the blast radius", "ask here. * Similarly, I wouldn't be allowed to ask", "field without instructions. * I can't ask what people think", "been able to find anything - I actually didn't find", "useful websites that would be really helpful. I would just", "their own solar field without instructions. * I can't ask", "research but I feel like the police would give me", "helpful. I would just do lots of research but I", "just do lots of research but I feel like the", "be allowed to ask whether post-apocalypse survivors would be able", "it was pure chance. If anyone has any useful websites", "website in incredibly useful and it's already helped me a" ]
[ "the plot of book 1 or should I just start", "first book into a very brief plot. Should I do", "start writing? Finish the skeleton for all books then start", "developed the first plot so what should my port of", "at least 2 possibly 3 books. I've skeletoned out the", "start writing until both the skeleton and bulked out plot", "when I start writing without planning it doesn't end very", "well. I haven't fully developed the first plot so what", "smiliar question asked 3 years ago but the answers didn't", "3 before developing the plot of book 1 or should", "skeletoned out the first book into a very brief plot.", "then start writing? Finish the skeleton for all books then", "question asked 3 years ago but the answers didn't help", "doesn't end very well. I haven't fully developed the first", "have been written? I did find a smiliar question asked", "My book plan is to cover at least 2 possibly", "call be? Strenghten the first plot then start writing? Finish", "writing? Not start writing until both the skeleton and bulked", "skeleton and bulked out plot for all books have been", "ago but the answers didn't help me so I thought", "start writing without planning it doesn't end very well. I", "do the same for book 2 and 3 before developing", "all books then start writing? Not start writing until both", "a smiliar question asked 3 years ago but the answers", "port of call be? Strenghten the first plot then start", "I'm getting a little bored of the planning and research", "book into a very brief plot. Should I do the", "writing until both the skeleton and bulked out plot for", "into a very brief plot. Should I do the same", "the skeleton for all books then start writing? Not start", "very brief plot. Should I do the same for book", "the answers didn't help me so I thought I would", "skeleton for all books then start writing? Not start writing", "then start writing? Not start writing until both the skeleton", "books have been written? I did find a smiliar question", "to cover at least 2 possibly 3 books. I've skeletoned", "and bulked out plot for all books have been written?", "plot. Should I do the same for book 2 and", "little bored of the planning and research stage and kind", "is to cover at least 2 possibly 3 books. I've", "for book 2 and 3 before developing the plot of", "2 possibly 3 books. I've skeletoned out the first book", "But from experience when I start writing without planning it", "I haven't fully developed the first plot so what should", "book 1 or should I just start writing? I'm getting", "plot of book 1 or should I just start writing?", "2 and 3 before developing the plot of book 1", "getting a little bored of the planning and research stage", "of call be? Strenghten the first plot then start writing?", "before developing the plot of book 1 or should I", "developing the plot of book 1 or should I just", "writing. But from experience when I start writing without planning", "my port of call be? Strenghten the first plot then", "both the skeleton and bulked out plot for all books", "a little bored of the planning and research stage and", "very well. I haven't fully developed the first plot so", "written? I did find a smiliar question asked 3 years", "possibly 3 books. I've skeletoned out the first book into", "out plot for all books have been written? I did", "writing? Finish the skeleton for all books then start writing?", "bored of the planning and research stage and kind of", "plot for all books have been written? I did find", "I just start writing? I'm getting a little bored of", "did find a smiliar question asked 3 years ago but", "planning and research stage and kind of just want to", "least 2 possibly 3 books. I've skeletoned out the first", "answers didn't help me so I thought I would ask", "so what should my port of call be? Strenghten the", "Finish the skeleton for all books then start writing? Not", "I start writing without planning it doesn't end very well.", "the skeleton and bulked out plot for all books have", "first plot so what should my port of call be?", "stage and kind of just want to start writing. But", "for all books then start writing? Not start writing until", "out the first book into a very brief plot. Should", "bulked out plot for all books have been written? I", "until both the skeleton and bulked out plot for all", "experience when I start writing without planning it doesn't end", "and research stage and kind of just want to start", "start writing. But from experience when I start writing without", "cover at least 2 possibly 3 books. I've skeletoned out", "start writing? Not start writing until both the skeleton and", "find a smiliar question asked 3 years ago but the", "planning it doesn't end very well. I haven't fully developed", "start writing? I'm getting a little bored of the planning", "the planning and research stage and kind of just want", "I do the same for book 2 and 3 before", "3 books. I've skeletoned out the first book into a", "writing without planning it doesn't end very well. I haven't", "and 3 before developing the plot of book 1 or", "asked 3 years ago but the answers didn't help me", "plot then start writing? Finish the skeleton for all books", "the first plot then start writing? Finish the skeleton for", "Strenghten the first plot then start writing? Finish the skeleton", "Should I do the same for book 2 and 3", "should my port of call be? Strenghten the first plot", "of book 1 or should I just start writing? I'm", "3 years ago but the answers didn't help me so", "kind of just want to start writing. But from experience", "should I just start writing? I'm getting a little bored", "it doesn't end very well. I haven't fully developed the", "of the planning and research stage and kind of just", "the first book into a very brief plot. Should I", "all books have been written? I did find a smiliar", "didn't help me so I thought I would ask again.", "but the answers didn't help me so I thought I", "plan is to cover at least 2 possibly 3 books.", "research stage and kind of just want to start writing.", "to start writing. But from experience when I start writing", "books. I've skeletoned out the first book into a very", "end very well. I haven't fully developed the first plot", "fully developed the first plot so what should my port", "first plot then start writing? Finish the skeleton for all", "for all books have been written? I did find a", "same for book 2 and 3 before developing the plot", "1 or should I just start writing? I'm getting a", "the first plot so what should my port of call", "been written? I did find a smiliar question asked 3", "book 2 and 3 before developing the plot of book", "or should I just start writing? I'm getting a little", "books then start writing? Not start writing until both the", "a very brief plot. Should I do the same for", "years ago but the answers didn't help me so I", "writing? I'm getting a little bored of the planning and", "Not start writing until both the skeleton and bulked out", "just start writing? I'm getting a little bored of the", "without planning it doesn't end very well. I haven't fully", "from experience when I start writing without planning it doesn't", "I've skeletoned out the first book into a very brief", "be? Strenghten the first plot then start writing? Finish the", "haven't fully developed the first plot so what should my", "what should my port of call be? Strenghten the first", "brief plot. Should I do the same for book 2", "I did find a smiliar question asked 3 years ago", "and kind of just want to start writing. But from", "want to start writing. But from experience when I start", "just want to start writing. But from experience when I", "book plan is to cover at least 2 possibly 3", "plot so what should my port of call be? Strenghten", "of just want to start writing. But from experience when", "the same for book 2 and 3 before developing the" ]
[ "to locate a co-author for a book series I have", "published author in my own right, I do not feel", "a published author in my own right, I do not", "a co-author for a book series I have planned. I", "do not feel proficient to write in the genre the", "page.\" But, even though I am a published author in", "proficient to write in the genre the idea demands. Any", "the idea demands. Any ideas for how to locate such", "done, and have written a rough \"first page.\" But, even", "\"first page.\" But, even though I am a published author", "trying to locate a co-author for a book series I", "the genre the idea demands. Any ideas for how to", "written a rough \"first page.\" But, even though I am", "not feel proficient to write in the genre the idea", "book series I have planned. I have the basic premise", "demands. Any ideas for how to locate such an individual?", "basic premise and foundation done, and have written a rough", "to write in the genre the idea demands. Any ideas", "co-author for a book series I have planned. I have", "right, I do not feel proficient to write in the", "for a book series I have planned. I have the", "and foundation done, and have written a rough \"first page.\"", "the basic premise and foundation done, and have written a", "even though I am a published author in my own", "a book series I have planned. I have the basic", "planned. I have the basic premise and foundation done, and", "series I have planned. I have the basic premise and", "locate a co-author for a book series I have planned.", "have planned. I have the basic premise and foundation done,", "have written a rough \"first page.\" But, even though I", "But, even though I am a published author in my", "my own right, I do not feel proficient to write", "write in the genre the idea demands. Any ideas for", "rough \"first page.\" But, even though I am a published", "I have planned. I have the basic premise and foundation", "have the basic premise and foundation done, and have written", "I am trying to locate a co-author for a book", "author in my own right, I do not feel proficient", "a rough \"first page.\" But, even though I am a", "I do not feel proficient to write in the genre", "though I am a published author in my own right,", "own right, I do not feel proficient to write in", "genre the idea demands. Any ideas for how to locate", "am a published author in my own right, I do", "in my own right, I do not feel proficient to", "feel proficient to write in the genre the idea demands.", "I have the basic premise and foundation done, and have", "in the genre the idea demands. Any ideas for how", "I am a published author in my own right, I", "am trying to locate a co-author for a book series", "idea demands. Any ideas for how to locate such an", "and have written a rough \"first page.\" But, even though", "premise and foundation done, and have written a rough \"first", "foundation done, and have written a rough \"first page.\" But," ]
[ "me be more specific, I am perfectly fine writing the", "two in the morning and I am working hard not", "have a new plot to plan I have to delete", "murder mystery novel for a couple months and just need", "my ideas spot in my notes app. But usually when", "idea it’s currently two in the morning and I am", "the other plot is if I start planning it but", "I’m desperate to not forget this idea it’s currently two", "every time I have a new plot to plan I", "to delete the other plot the was being planned there", "But I was laying in bed one night just scrolling", "scrolling through YouTube Shorts when I just get an amazing", "writing the idea down in my ideas spot in my", "currently two in the morning and I am working hard", "specific details planned and then I’m ready to write. But", "been planning a murder mystery novel for a couple months", "forget it. But then I realized that I needed more", "working on for obvious reasons. But the only way I’ll", "for obvious reasons. But the only way I’ll remember the", "a couple months and just need to get a few", "was laying in bed one night just scrolling through YouTube", "to get a few more specific details planned and then", "in my ideas spot in my notes app. But usually", "look at it until the next one comes around. I", "writing the idea down. Let me be more specific, I", "I have been planning a murder mystery novel for a", "never look at it until the next one comes around.", "I should do to preserve the idea would be greatly", "a new plot to plan I have to delete the", "the app Milanote for my planning, but I can’t get", "next one comes around. I use the app Milanote for", "start planning it but I need my storage for my", "idea (sort of). I decided that I should write the", "remember the other plot is if I start planning it", "so I started thinking about it and what I came", "for my planning, but I can’t get the upgrade so", "this idea it’s currently two in the morning and I", "at it until the next one comes around. I use", "morning and I am working hard not to forget the", "Any feedback on what I should do to preserve the", "I should write the idea down before I forget it.", "one comes around. I use the app Milanote for my", "in the morning and I am working hard not to", "that I needed more of a plot to write down,", "forgetting about it and never look at it until the", "months and just need to get a few more specific", "the upgrade so every time I have a new plot", "have been planning a murder mystery novel for a couple", "is writing the idea down. Let me be more specific,", "novel for a couple months and just need to get", "it until the next one comes around. I use the", "app Milanote for my planning, but I can’t get the", "just get an amazing idea (sort of). I decided that", "spot in my notes app. But usually when that happens", "Milanote for my planning, but I can’t get the upgrade", "I can’t do for the novel I’m working on for", "notes app. But usually when that happens I end up", "there which I can’t do for the novel I’m working", "I was laying in bed one night just scrolling through", "But usually when that happens I end up forgetting about", "the other plot the was being planned there which I", "am working hard not to forget the idea. Any feedback", "to write down, so I started thinking about it and", "but I can’t get the upgrade so every time I", "on for obvious reasons. But the only way I’ll remember", "But the only way I’ll remember the other plot is", "I start planning it but I need my storage for", "specific, I am perfectly fine writing the idea down in", "idea. Any feedback on what I should do to preserve", "I am working hard not to forget the idea. Any", "upgrade so every time I have a new plot to", "to forget the idea. Any feedback on what I should", "do for the novel I’m working on for obvious reasons.", "plot to write down, so I started thinking about it", "when that happens I end up forgetting about it and", "problem is writing the idea down. Let me be more", "storage for my current work. I’m desperate to not forget", "get the upgrade so every time I have a new", "current work. I’m desperate to not forget this idea it’s", "then I’m ready to write. But I was laying in", "amazing. But the problem is writing the idea down. Let", "so every time I have a new plot to plan", "that happens I end up forgetting about it and never", "was being planned there which I can’t do for the", "down, so I started thinking about it and what I", "up forgetting about it and never look at it until", "the idea even more amazing. But the problem is writing", "a plot to write down, so I started thinking about", "happens I end up forgetting about it and never look", "bed one night just scrolling through YouTube Shorts when I", "but I need my storage for my current work. I’m", "for my current work. I’m desperate to not forget this", "even more amazing. But the problem is writing the idea", "idea down in my ideas spot in my notes app.", "amazing idea (sort of). I decided that I should write", "I can’t get the upgrade so every time I have", "the was being planned there which I can’t do for", "to plan I have to delete the other plot the", "I realized that I needed more of a plot to", "planning, but I can’t get the upgrade so every time", "then I realized that I needed more of a plot", "a few more specific details planned and then I’m ready", "I started thinking about it and what I came up", "idea even more amazing. But the problem is writing the", "made the idea even more amazing. But the problem is", "it. But then I realized that I needed more of", "write. But I was laying in bed one night just", "my notes app. But usually when that happens I end", "comes around. I use the app Milanote for my planning,", "my current work. I’m desperate to not forget this idea", "hard not to forget the idea. Any feedback on what", "with made the idea even more amazing. But the problem", "it and what I came up with made the idea", "only way I’ll remember the other plot is if I", "can’t get the upgrade so every time I have a", "few more specific details planned and then I’m ready to", "time I have a new plot to plan I have", "plot is if I start planning it but I need", "idea down. Let me be more specific, I am perfectly", "decided that I should write the idea down before I", "usually when that happens I end up forgetting about it", "about it and never look at it until the next", "the only way I’ll remember the other plot is if", "an amazing idea (sort of). I decided that I should", "feedback on what I should do to preserve the idea", "I forget it. But then I realized that I needed", "and never look at it until the next one comes", "delete the other plot the was being planned there which", "other plot the was being planned there which I can’t", "down before I forget it. But then I realized that", "it but I need my storage for my current work.", "until the next one comes around. I use the app", "am perfectly fine writing the idea down in my ideas", "my planning, but I can’t get the upgrade so every", "But the problem is writing the idea down. Let me", "way I’ll remember the other plot is if I start", "one night just scrolling through YouTube Shorts when I just", "plot the was being planned there which I can’t do", "I’ll remember the other plot is if I start planning", "forget the idea. Any feedback on what I should do", "I decided that I should write the idea down before", "I came up with made the idea even more amazing.", "I just get an amazing idea (sort of). I decided", "for the novel I’m working on for obvious reasons. But", "not to forget the idea. Any feedback on what I", "came up with made the idea even more amazing. But", "planning a murder mystery novel for a couple months and", "and what I came up with made the idea even", "ideas spot in my notes app. But usually when that", "can’t do for the novel I’m working on for obvious", "plot to plan I have to delete the other plot", "couple months and just need to get a few more", "get an amazing idea (sort of). I decided that I", "of). I decided that I should write the idea down", "realized that I needed more of a plot to write", "being planned there which I can’t do for the novel", "need my storage for my current work. I’m desperate to", "about it and what I came up with made the", "I need my storage for my current work. I’m desperate", "and then I’m ready to write. But I was laying", "in bed one night just scrolling through YouTube Shorts when", "end up forgetting about it and never look at it", "the next one comes around. I use the app Milanote", "the morning and I am working hard not to forget", "that I should write the idea down before I forget", "down. Let me be more specific, I am perfectly fine", "desperate to not forget this idea it’s currently two in", "for a couple months and just need to get a", "started thinking about it and what I came up with", "I have to delete the other plot the was being", "planning it but I need my storage for my current", "work. I’m desperate to not forget this idea it’s currently", "the problem is writing the idea down. Let me be", "my storage for my current work. I’m desperate to not", "perfectly fine writing the idea down in my ideas spot", "obvious reasons. But the only way I’ll remember the other", "I have a new plot to plan I have to", "night just scrolling through YouTube Shorts when I just get", "of a plot to write down, so I started thinking", "I am perfectly fine writing the idea down in my", "what I came up with made the idea even more", "I’m ready to write. But I was laying in bed", "to write. But I was laying in bed one night", "YouTube Shorts when I just get an amazing idea (sort", "planned and then I’m ready to write. But I was", "before I forget it. But then I realized that I", "in my notes app. But usually when that happens I", "write the idea down before I forget it. But then", "idea down before I forget it. But then I realized", "if I start planning it but I need my storage", "and I am working hard not to forget the idea.", "write down, so I started thinking about it and what", "a murder mystery novel for a couple months and just", "more of a plot to write down, so I started", "the idea. Any feedback on what I should do to", "laying in bed one night just scrolling through YouTube Shorts", "when I just get an amazing idea (sort of). I", "mystery novel for a couple months and just need to", "more amazing. But the problem is writing the idea down.", "be more specific, I am perfectly fine writing the idea", "down in my ideas spot in my notes app. But", "should write the idea down before I forget it. But", "new plot to plan I have to delete the other", "just need to get a few more specific details planned", "around. I use the app Milanote for my planning, but", "forget this idea it’s currently two in the morning and", "app. But usually when that happens I end up forgetting", "just scrolling through YouTube Shorts when I just get an", "thinking about it and what I came up with made", "and just need to get a few more specific details", "more specific, I am perfectly fine writing the idea down", "other plot is if I start planning it but I", "planned there which I can’t do for the novel I’m", "it’s currently two in the morning and I am working", "Let me be more specific, I am perfectly fine writing", "I needed more of a plot to write down, so", "plan I have to delete the other plot the was", "up with made the idea even more amazing. But the", "use the app Milanote for my planning, but I can’t", "which I can’t do for the novel I’m working on", "should do to preserve the idea would be greatly appreciate", "not forget this idea it’s currently two in the morning", "details planned and then I’m ready to write. But I", "the idea down in my ideas spot in my notes", "I use the app Milanote for my planning, but I", "(sort of). I decided that I should write the idea", "ready to write. But I was laying in bed one", "on what I should do to preserve the idea would", "what I should do to preserve the idea would be", "it and never look at it until the next one", "is if I start planning it but I need my", "working hard not to forget the idea. Any feedback on", "I end up forgetting about it and never look at", "the idea down before I forget it. But then I", "reasons. But the only way I’ll remember the other plot", "to not forget this idea it’s currently two in the", "the novel I’m working on for obvious reasons. But the", "need to get a few more specific details planned and", "I’m working on for obvious reasons. But the only way", "through YouTube Shorts when I just get an amazing idea", "novel I’m working on for obvious reasons. But the only", "Shorts when I just get an amazing idea (sort of).", "But then I realized that I needed more of a", "have to delete the other plot the was being planned", "the idea down. Let me be more specific, I am", "needed more of a plot to write down, so I", "more specific details planned and then I’m ready to write.", "fine writing the idea down in my ideas spot in", "get a few more specific details planned and then I’m" ]
[ "like Cormac McCarthy better for someone with a foothold as", "different ways of conveying dialogue, from conventional to unquoted ramblings", "explanatory sentencing. Are these types of artistic license with punctuation", "an author or should you stick to strict structure from", "types of artistic license with punctuation like Cormac McCarthy better", "unquoted ramblings mixed with explanatory sentencing. Are these types of", "of conveying dialogue, from conventional to unquoted ramblings mixed with", "conventional to unquoted ramblings mixed with explanatory sentencing. Are these", "foothold as an author or should you stick to strict", "or should you stick to strict structure from the beginning", "a foothold as an author or should you stick to", "of artistic license with punctuation like Cormac McCarthy better for", "with a foothold as an author or should you stick", "author or should you stick to strict structure from the", "ways of conveying dialogue, from conventional to unquoted ramblings mixed", "should you stick to strict structure from the beginning because", "from conventional to unquoted ramblings mixed with explanatory sentencing. Are", "someone with a foothold as an author or should you", "the beginning because it could lead to bad styling and", "for someone with a foothold as an author or should", "you stick to strict structure from the beginning because it", "use different ways of conveying dialogue, from conventional to unquoted", "many authors use different ways of conveying dialogue, from conventional", "Cormac McCarthy better for someone with a foothold as an", "strict structure from the beginning because it could lead to", "from the beginning because it could lead to bad styling", "sentencing. Are these types of artistic license with punctuation like", "Are these types of artistic license with punctuation like Cormac", "better for someone with a foothold as an author or", "McCarthy better for someone with a foothold as an author", "beginning because it could lead to bad styling and grammar?", "punctuation like Cormac McCarthy better for someone with a foothold", "mixed with explanatory sentencing. Are these types of artistic license", "to strict structure from the beginning because it could lead", "structure from the beginning because it could lead to bad", "I noticed that many authors use different ways of conveying", "authors use different ways of conveying dialogue, from conventional to", "these types of artistic license with punctuation like Cormac McCarthy", "conveying dialogue, from conventional to unquoted ramblings mixed with explanatory", "stick to strict structure from the beginning because it could", "with punctuation like Cormac McCarthy better for someone with a", "ramblings mixed with explanatory sentencing. Are these types of artistic", "that many authors use different ways of conveying dialogue, from", "dialogue, from conventional to unquoted ramblings mixed with explanatory sentencing.", "license with punctuation like Cormac McCarthy better for someone with", "noticed that many authors use different ways of conveying dialogue,", "to unquoted ramblings mixed with explanatory sentencing. Are these types", "artistic license with punctuation like Cormac McCarthy better for someone", "as an author or should you stick to strict structure", "with explanatory sentencing. Are these types of artistic license with" ]
[ "\"pillow\" or \"pouty\" but that's wrong. I looked through all", "his phone and describing her face with a sense of", "is the best way to describe a woman's lips without", "but that's wrong. I looked through all the synonyms for", "that's wrong. I looked through all the synonyms for words", "they just don't fit. How would you describe it in", "several years ago on his phone and describing her face", "cliche? I can't help but think \"pillow\" or \"pouty\" but", "or voluptuous but they just don't fit. How would you", "can't help but think \"pillow\" or \"pouty\" but that's wrong.", "from several years ago on his phone and describing her", "looked through all the synonyms for words like thick, plump", "I looked through all the synonyms for words like thick,", "synonyms for words like thick, plump or voluptuous but they", "fit. How would you describe it in a way that", "may not be a singular word? For context he's staring", "plump or voluptuous but they just don't fit. How would", "not be a singular word? For context he's staring at", "on his phone and describing her face with a sense", "How would you describe it in a way that may", "being cliche? I can't help but think \"pillow\" or \"pouty\"", "but think \"pillow\" or \"pouty\" but that's wrong. I looked", "wrong. I looked through all the synonyms for words like", "all the synonyms for words like thick, plump or voluptuous", "of her from several years ago on his phone and", "thick, plump or voluptuous but they just don't fit. How", "woman's lips without being cliche? I can't help but think", "For context he's staring at a picture of her from", "like thick, plump or voluptuous but they just don't fit.", "\"pouty\" but that's wrong. I looked through all the synonyms", "the synonyms for words like thick, plump or voluptuous but", "but they just don't fit. How would you describe it", "think \"pillow\" or \"pouty\" but that's wrong. I looked through", "just don't fit. How would you describe it in a", "you describe it in a way that may not be", "context he's staring at a picture of her from several", "picture of her from several years ago on his phone", "describe a woman's lips without being cliche? I can't help", "best way to describe a woman's lips without being cliche?", "What is the best way to describe a woman's lips", "be a singular word? For context he's staring at a", "without being cliche? I can't help but think \"pillow\" or", "that may not be a singular word? For context he's", "her from several years ago on his phone and describing", "phone and describing her face with a sense of nostalgia", "through all the synonyms for words like thick, plump or", "I can't help but think \"pillow\" or \"pouty\" but that's", "describe it in a way that may not be a", "at a picture of her from several years ago on", "don't fit. How would you describe it in a way", "way that may not be a singular word? For context", "he's staring at a picture of her from several years", "staring at a picture of her from several years ago", "ago on his phone and describing her face with a", "voluptuous but they just don't fit. How would you describe", "words like thick, plump or voluptuous but they just don't", "in a way that may not be a singular word?", "help but think \"pillow\" or \"pouty\" but that's wrong. I", "for words like thick, plump or voluptuous but they just", "it in a way that may not be a singular", "singular word? For context he's staring at a picture of", "a woman's lips without being cliche? I can't help but", "way to describe a woman's lips without being cliche? I", "word? For context he's staring at a picture of her", "the best way to describe a woman's lips without being", "a way that may not be a singular word? For", "a singular word? For context he's staring at a picture", "or \"pouty\" but that's wrong. I looked through all the", "a picture of her from several years ago on his", "years ago on his phone and describing her face with", "would you describe it in a way that may not", "lips without being cliche? I can't help but think \"pillow\"", "to describe a woman's lips without being cliche? I can't" ]